CREAM NEWS 27

MITRA TABRIZIAN GHOLAM, FILM STILLS

AWARDS AND HIGHLIGHTS

CREAM is delighted to announce practice in the region: itinerant film The Moving Image Review & Art several major funding application performances addressed to the spirits Journal (MIRAJ) had its official launch successes. We have won £600,000 in Thailand during the Cold War; as a CREAM-associated journal under from the AHRC for a three-year project and moving image practices since the the editorship of Lucy Reynolds ‘Documentary of the Imagination’, with 1990s by contemporary artists such as and Michael Mazière at Ambika Joshua Oppenheimer as Principal Apichatpong Weerasethakul, Lav Diaz, P3 on 27 March. MIRAJ issues 6:1&2 Investigator and Rosie Thomas as and Araya Rasdjarmrearnsook. Julian and 7:1 were launched and a panel Co-Investigator. This practice-led project Ross will be research assistant on this discussion on Writing the Moving will examine how the working methods project. Image, chaired by Catherine Elwes that Joshua developed in Indonesia may and Michael Mazière, took place with Congratulations to Sandra Gaudenzi be transferred to and adapted in new participants including Sean Cubitt, for winning the British Academy’s Newton cultural and political contexts, exploring Erika Balsom and Maria Walsh. Lucy Mobility Grant in partnership with Prof the different forms a ‘documentary of the Reynolds guest co-edited the special Andre Paz (Federal University of the State imagination’ might take and what kinds issue of MIRAJ: Moving Image Review of Rio de Janeiro) for their project ‘IF of histories can be narrated through this & Art Journal on 50 Years of British BUG LAB: an experimental methodology method. There will be three key outputs: a Artists’ Moving Image with Ben Cook. for developing interactive documentary monograph, an interactive documentary projects in the Brazilian context.’ The Mitra Tabrizian’s debut feature (i-doc) and a web portal, as well as an award (£10,000) enables Prof Paz to film Gholam screened to a full house edited volume of essays and two public travel to Europe to learn from the LAB at Regent Street Cinema on 6 April, symposia. pedagogical approach of the disLAB MA followed by a screentalk between May Adadol Ingawani received and to participate in IF Lab (Interactive Mitra and Rosie Thomas. It was the British Academy Mid-Career Factual Lab). The research collaboration featured as Film of the Week by Fellowship (£120,000) for her project will produce several articles and the co- Mark Kermode, The Observer’s chief ‘Contemporary Art and Animistic creation of an interactive workshop in Rio film critic. Alongside its UK-wide Cinematic Practices in Southeast Asia.’ de Janeiro this September. distribution, Gholam was picked The project, for which there will be up for streaming by the global VoD curatorial and publication outputs, platform MUBI. juxtaposes two moments of aesthetic

CREAM NEWS EDITORS ISSUE 27/ SUMMER 2018 CENTRE FOR RESEARCH & EDUCATION IN ARTS & MEDIA JULIAN ROSS FACULTY OF MEDIA, ARTS & DESIGN URIEL ORLOW DAVID CAMPANY DETAIL FROM ‘RICH AND STRANGE’, 2018

EXHIBITIONS

David Moore had a solo exhibition University of Salford, Manchester, Thomson & Craighead, including Alison ‘Lisa and John’ at London Gallery West, December 2017 - March; A Lost Future: Craighead, had their solo exhibition The 9 March - 22 April, curated by Michael Shezad Dawood at Rubin of Academy of Saturn at Douglas F. Cooley Mazière, which traveled to Belfast Art, New York, 23 February - 21 May, Memorial Art Gallery, Reed College, Exposed, 4 May - 16 June. Reviewed by where he was in conversation with Portland, February - April, as part of their The Observer, it included the performance neuroscientist Leah Kelly; and Leviathan at Ostrow Distinguished Visitors Award. They The Lisa and John Slideshow at Regent MOSTYN, Llandudno, Wales, 3 March - also participated in the following group Street Cinema, 20 April, and at MAC 17 June. He participated in the following exhibitions: Life Time at MU Eindhoven, Theatre. His work The Velvet Arena group exhibitions: Ideal Types at HE.RO the , December 2017 - (1994) was exhibited as part of the group Gallery, Amsterdam, 23 January - 18 February; Perpetual Uncertainty: Art and exhibition London Nights, Museum of March; Projections at Art Rotterdam, Radioactivity at Malmo Kunstmuseum, London, 11 May - 11 November. 8-11 February; Rendez-vous with Frans Sweden, February - August; Electronic Hals at Frans Hals Museum, Haarlem, the Superhighway at MAAT, Lisbon, November Uriel Orlow had three solo exhibitions: Netherlands, 30 March - 16 September; 2017 - March; School of Time, organised Plant Echoes at Galleria Laveronica, and Lahore Biennale 01, 18-31 March. by Z33 House of Contemporary Art at Modica, March - July; Theatrum Milan Design Week in April; Anytime Botanicum at Kunst Halle Sankt Gallen, Mitra Tabrizian was a finalist for the Now at TENT, Rotterdam, April - June; I St. Gallen, April - June; Imbizo Ka Rise Art Prize 2018. Two pieces from Was Raised on the Internet at Museum Mafavuke/Mafavuke’s Tribunal at The Leicestershire series were on view as part of Contemporary Art Chicago, June - Edge, University of Bath, April - June. of the exhibition at the House of Vans October, for which they also wrote a text He also participated in the following London, 9-25 February. for the exhibition catalogue. group exhibitions: Colours and Sounds Phoebe Cummings’ Model for a at Worcester Art Gallery, January - Shirley J. Thompson featured in the Common Room was on view at the February; There will come soft rains at exhibition Black Sound at Bernie Grant University of Victoria Gallery Basis, Frankfurt, February - April; Healing Arts Centre, which opened on 28 March. and Museum, January - June. Phoebe also at Czech Centre, , February - April, created an environment as part of the Sarah Pucill participated in the group curated by Tereza Jindrová; Geometries group exhibition Material Environments, exhibition THREESOME: An Exhibition of at Agricultural University of Athens, The Tetley, Leeds, 3 May - 8 July. In three women painters and nine women March - June, curated by Locus Athens; a collaboration with TOAST, Phoebe photographers at New Art Projects, Kunst & Kohle: The Battle of Coal, presented the installation Season at Protein London, 11 January - 4 March. Skuplturenmuseum Glaskasten Marl, Studios, London, in March. Germany, May - September; Infected David Campany’s solo photo-video Landscapes at M1, Hohenlockstedt, May Emerita Professor Christie Brown exhibition Rich and Strange was presented - June; The London Open at Whitechapel presented Ludus Est (2017) for the four- at Istanbul Photobook Festival in May, Gallery, London, June - August; Yinchuan person exhibition Dream On at V&A and his photographic collaboration Biennale: Starting from the Desert Museum of Childhood, London, 10 with Polly Braden, Adventures in the at MOCA, Yinchuan, China, June - February - 20 January 2019. She did a Lea Valley, was presented at Fondation September; Subcontracted Nations at gallery talk on 12 May. She also exhibited A Stichting, Brussels, April - June. He Qattan Foundation, Ramallah, Palestine, in the group exhibitions Material Earth curated Yesterday’s News, a city-wide June - September; The Planetary Garden , II: Material, Metamorphoses and Myth public art billboards, for Vancouver’s Manifesta Biennial 12 in Palermo, June - at Mussums Wiltshire, 10 February Capture Photo Festival, April - May. His November. - 2 April, and The Shoe Box Show, exhibition The Open Road: Photography International Ceramics Research Centre, and the American , co-curated Shezad Dawood had three solo Guldagergaard, Denmark, which opened with Denise Wolff, traveled to Milwaukee exhibitions: Leviathan Cycle: Episode 1: 14 April. Art Museum, January - April, and Telfair Ben at New Adelphi Exhibition Gallery, Museum, Savannah, May - September.

CREAM NEWS ISSUE 27/SUMMER 2018 MICHAEL MAZIÈRE THE BATHERS AND THE SWIMMERS LUCY REYNOLDS REFRAIN FEMINISTE/A FEMINIST CHORUS SCREENINGS+PERFORMANCES

John Wyver produced the dance film To accompany his exhibition opening Glover, which was live broadcast on BBC Winged Bull in the Elephant Case with at Galleria Lavernoica, Uriel Orlow Radio 3 with an introduction by Shirley. Studio Wayne McGregor, which was screened his films The Crown Against She was commissioned to compose a broadcast on BBC Two, 17 March, and the Mafavuke, Muthi, and Imbizo Ka new work, PSALM TO WINDRUSH for Almeida Theatre presentation of Hamlet Mafavuke at the Cinema Aurora, Modica, the Brave & Ingenious, to commemorate with Andrew Scott, broadcast on BBC Two, 31 March, followed by a conversation the 75th anniversary of the SS Windrush, 31 March. He also produced the cinema with art historian Gabi Scardi. He also which was performed at Westminster broadcast of Twelfth Night and Macbeth screened his film Imbizo Ka Mafavuke at Abbey, 22 June. Shirley J. Thompson for the RSC Live from Stratford-upon-Avon the Czech Centre, Berlin, 12 April, and Ensemble performed new works for a series. , London, 21 June, service at Westminster Central Mission, where he was in conversation with Emily 30 June, to commemorate the 175th year Michael Mazière was the subject of a Pethick and Shela Sheikh. He screened anniversary of the National Bank. two-part retrospective screening organised The Visitor in the programme Fragments by Cineinfinito at Filmoteca de Canatabria, Lucy Reynolds presented her three-part as a Tool, Le Narcissio, Nice, 26 January, Santander, Spain, 5 May. feminist chorus Un Refrain Féministe/A and at Centre Pompidou, , 31 May. Feminist Chorus at Le Grand Action The 47th International Film Festival Crown Against Mafavuke also screened at Cinema, Paris, 7 April, as part of the event Rotterdam took place on 24 January - 4 Le Narcissio, Nice, 15 February. His film series Féminisme, énigmes, cinéphilie : February. At the festival May Adadol Remnants of the Future screened at NTU, trois journées avec Laura Mulvey. Ingawani was in conversation with Singapore, 8 June. Apichatpong Weerasethakul and Mont Jini Rawlings screened her archive Fotofest 2018 Biennial: INDIA Tesprateep, and CREAM PhD Matthias documentary The Peckham Experiment: Contemporary Photographic and New Kispert performed as part of the Pool of Information (1993) at South Media Art, featuring the works of performance series sound//vision. As a and curated by London Gallery, 27 March, followed by a programmer of the festival, Julian Ross CREAM PhD Sunil Gapta, took place conversation with Shuo Zhang, as part of programmed the artist profile screening in Houston, Texas, 10 March - 22 April. a series of events exploring the legacy of of artist Zhou Tao, co-programmed the Roshini participated in its accompanying The Peckham Experiment, an innovative Ammodo Tiger Short Competition and symposium at the Museum of Fine Arts, healthcare system that preceded the NHS. selected features from Japan and the Houston, and her work was featured in The Philippines. Julian, May and CREAM PhD Julian Ross was a guest programmer New York Times. George Clark taught on-site classes to at the Yebisu International Festival for UoW students on the MA Film, Television Art & Alternative Visions at the Tokyo and Moving Image who attended the Photographic Art Museum, 9-25 February. festival as part of their field trip. Responding to the festival’s theme on invisibility, he curated the two-part Sarah Pucill screened her films programme See Through. He also co- Confessions To The Mirror (2016), curated the performance programme Phantom Rhapsody (2010) and You Be Expanded Cinema Performance: Beyond Mother (1990) at the event BEEF Bristol the Frame, 24 February. Experimental and Expanded Film on 20 February. Confessions To The Mirror also Shirley Thompson’s opera Dido screened at the 21st La Printemps Lesbien, Belle was performed by the International Toulouse, France, 12 April, and UCL Art Women’s Day Orchestra at the National Museum, London, 22 May, where she was Theatre of Kenya, presented by Wandiri in conversation with art historian Maria Karimi, 8 March. Her Forgotten Women Walsh. Composers project was performed by BBC Concert Orchestra, conducted by Jane PUBLICATIONS

Sara Dominci published her book Travel (); ‘Photography and Sculpture: for a month on the online platform MUBI to Marketing and Popular Photography in Esther Teichmann, Jason Evans, John coincide with the publication. Britain, 1888-1939: Reading the Travel Stezaker’ in IMA magazine, vol. 23; and May Adadol Ingawani’s article Image (Routledge). She also published ‘Kodachrome Red’ in RVM magazine. ‘Itinerant Cinematic Practices In and her article “‘Cyclo-Photographers’, Visual Lucy Reynolds published her chapter Around Thailand During the Cold War’ Modernity, and the Development of ‘Circulations and Cooperations: Art, was published in Southeast of Now: Camera Technologies, 1880s–1890s” in Feminism, and Film in 1960s and 1970s Directions in Contemporary and Modern the journal History of Photography. London’ in London Art Worlds: Mobile Art in Asia, 2:1, 2018. Michael Goddard published his book Contingent and Ephemeral Networks, Margherita Sprio published her chapter Guerrilla Networks: An Anarchaeology 1960-1980 (Penn State University ‘Italian Post-War Migration to Britain - of 1970s Radical Media Ecologies Press), edited by Jo Applin, Catherine Cinema and The Second Generation’ in (Amsterdam University Press). Spencer and Amy Tobin. She published The Handbook of Diasporas, Media and an exhibition review of ‘Women Look at Neil Matheson published his book Culture (Wiley-Blackwell), edited by Roza Women’, Richard Saltoun Gallery, for Art Surrealism and Gothic: Castles of the Tsagarousianou and Jessica Retis. Agenda and she and she contributed to Interior (Routledge). MIRAJ issue 7:1 Hena Ali published her article ‘Lollywood Nicola Triscott, together with Fiona billboard advertising: Constructing gender Allan Parker published Silvertown Crisp, edited The Live Creature and interpretations through fashion tropes,’ (Pure Land Press), which explores the Ethereal Things (Arts Catalyst), a collection International Journal of Fashion Studies, psychogeography of an extensive and of essays, image and short texts that issue 5.2, and the exhibition review spectacular ruin which once occupied over present fundamental physics and the ‘Can Graphic Design Save Your Life?’, 500 acres of the North Bank of the River physics of the universe as human activities Communication Design Interdisciplinary Thames with his text and images. and cultural endeavours. and Graphic Design Research (5.1). Lucy Soutter’s book Why Art Uriel Orlow published Theatrum David Bate published his essay ‘Camera Photography? (Routledge) was published in Botanicum (Sternberg Press), co-edited Phones and New Intimacies’ in The a revised second edition. with Shela Sheikh and supported by the Evolution of the Image: Political Action SRF. The book emerged out of his project Christopher Hogg published the edited and the Digital Self (Routledge), edited by Theatrum Botanicum (2015-18). The first collection Exploring Television Acting Marco Bohr and Basic Sliwinska. booklaunches were held in June Palermo (Bloomsbury), co-edited with Tom Cantrell Neil Matheson published his essay as part of Manifesta and at Whitechapel (University of York). At the double launch ‘Hiroshima-Nagasaki remembered through Gallery London. of this book, together with their recent the body: haptic visuality and the skin of publication Acting in British Television David Campany published his book the photograph’, Photographies (11.1). (Palgrave MacMillan), Chris was in So Present, So Invisible – Conversations conversation with Julie Hesmondhalgh, a Eugenie Shinkle published her with Photographers (Contrasto) in three former Coronation Street star. essay ‘The Complex Business of Living: languages. He published the following Photography, Modernism, and the articles: ‘Physical Space, Image Space, Julian Ross guest co-edited the fourth Landscape of Overspill’ in London Psychical Space’ in The Pulse of the issue of NANG, a magazine for Asian Overspill (Relief Press), edited by James Body: Uses and Representations of Space cinema, with filmmaker Maryam Tafakory. Smith. She also has an image/text piece (Bomba Gens Centre d’Art, Valencia) The issue was themed around the topic titled ‘The Collector’ published in Pylot, edited by Nuria Enguita; ‘Dayanita Singh In & Out and focuses on cinema and issue 8. and Mona Ahmed’ in Another King of Life: artist filmmaking in the Asian diaspora. Photography on the Margins (Barbican To coincide with the publication, he co- Shirley J. Thompson published an Art Gallery/Prestel); ‘After Images: David curated and presented the screening Other article on the composer Florence B. Campany in conversation with John Tongue at Light Industry, Brooklyn, 14 June, Price for BBC Cultural Music Magazine. Stezaker’ in - Lost World and six films were made available to view

ISSUE 27/ SUMMER 2018 CREAM NEWS CONFERENCES AND TALKS

Mykaell Riley co-organised the Margherita Sprio organised the David Bate was an invited speaker conference Bass Culture 70/50 at conference Research and Visibility - at Texas State University as part of their Goldsmiths University, 26 May. He also Broadening Your Research, 20 June, Art and Design Lecture Series, 7 March, worked with City Hall on Windrush Day for which she received UoW’s strategic and in the School of Arts at the Catholic activities, 30 June, which was opened by research fund. She gave a keynote lecture University of Portugal, 19 April. He was the London mayor, followed by a talk and at the conference Contemporary European a keynote speaker of the conference After six hours of music in the Scoop. Cinema and Migration Through a Feminist Post-Photography at European University Lens at La Cattolica University, Milan, 14 in St Petersburg, Russia, 16-18 May, and Nicola Triscott convened and chaired March, and the conference Contemporary at the conference Photography, Migration Assembly: Planetary Perspectives at European Cinema and its Migratory and Cultural Encounters in America at University of Westminster, Regent campus, Spaces, also at La Cattolica University, Institute of Art, Design & Technology, Dun 28 April, funded by the Wellcome Trust 16 May. She was an invited speaker at Laoghaire, 20-22 June. and organised in collaboration between the conference Zones of Contact - Space, Arts Catalyst and CREAM. Participants May Adadol Ingawani presented a Interactions and Transformations at included Neal White and Ruth Levene, keynote lecture at the symposium Archive, University of Innsbruck, 3-6 January. whose exhibition Test Sites: Assembly Activism, Aesthetics in Southeast Asian was held at Arts Catalyst, 22 March - 12 Alexa Wright co-organised The Heart Cinema, 16-17 March. She presented May. Nicola was an invited speaker at the Project Workshop at Winchester Gallery, her talk ‘Itinerant Cinema In Thailand following events: TRANS // BORDER at Hampshire, 26-27 April, accompanying During the Cold War’ for the workshop Mucem, Marseilles, 16 March; Goldsmith the exhibition Hybrid Bodies: Chiasma, Constructing Decolonial Art Histories of University’s new research group Critical which included a work-in-progress work Southeast Asia at Rumah Attap Library and Ecologies, 19 March; the symposium by Alexa. Nicola Triscott gave a Collective, Kuala Lumpur, 12 February. Human Resources: Whither the Human, presentation. She presented this project Sara Dominici presented at the UCL, 20 April; the panel ‘Novel scenarios at the conference Art, Materiality and conference Material Practices of Visual for art and science encounters’ at Ecsite Representation at Royal Anthropological Histories at Photographic History Research Annual Conference, Geneva, 9 June; Society, British Museum, 3 June. Centre, De Montfort University, Leicester, the workshop Rethinking Usufruct in the Sandra Gaudenzi, together with Judith 18-19 June. Global Economy: States, Strategies & Aston and Mandy Rose, co-convened the Ethics, Department of Anthropology, UCL, Eugenie Shinkle presented at the i-DOCS symposium at Watershed, Bristol, 11 June; and Curating Machines, Royal symposium The Past is Present: Virtuality, 21-23 March. As part of the symposium, Holloway, 13 June, where she gave a Archaeology, and the Future of History Sandra co-curated Immerse Yourself, lecture and workshop Curating the Co- at the Berkeley Center for New Media, a VR showcase by i-Docs presenters, Inquiry: Working across Disciplines. Berkeley University of California, 5 Arnolfini, 22 March, and presented at the April, and the event Visualising the Rosie Thomas gave a talk at the Lahore symposium. She participated in the Riga Chinese Megacity at University of Central Literature and Film Festival. She co-ran Forum, Aristida Briana, 8 May, where Lancashire, 26 April. the Chevening South Asia Journalism she also hosted an !F Lab workshop, 8-12 Programme, now in its sixth year, where May. She was invited to a workshop at Chris Christodoulou presented at 17 journalists from Bangladesh, India, Shenkar College of Engineering, Design the Radiophonic: a tribute to the BBC Pakistan, Sri Lanka and the Maldives and Art, Israel, 3-8 June. Radiophonic Workshop at Down Lane spent April and May at the university, Studios, London, 21 April. Roshini Kempadoo was the keynote which included meetings with Joshua speaker at the Sonic Scenes symposium Phoebe Cummings, Eva Masterman, Oppenheimer, Sandra Gaundenzi at MIT, Boston, 21 April. She was the co- Tessa Peters, CREAM PhD Catherine and Massimiliano Fusari. The organiser of the symposium the Visual Life Roche and Emerita Professor Christie programme concluded with a symposium of Social Affliction, A Small Axe Project, Brown participated in the conference at the Institute for Government, 16 May. at Lowe Art Museum, University of Miami, Restating Clay in Centre for Ceramic Art, 3-4 May. York Art Gallery, 19-20 March. CONFERENCES AND TALKS

Ozlem Koksal presented at the conference Sohrab Shahid Saless - Exile, Wakefield, 19 May. conference Art Is Dead Long Live Live Art Displacement and the Stateless Moving Sarah Pucill was in conversation with at The Tomlinson Centre, London, 20-21 Image at Goethe-Institut London, 19 Çağlar Tahiroğlu for a Lunchtime Talk at April, and the Frames of Representation January. Lethaby Gallery, Central St Martins, 7 Symposium: Imaginaries of the Desert at Michael Goddard gave talks at the March, and was also in conversation with ICA, London, 28 April. following venues: Falmouth University, 21 Emmanuel Wackerei as part of the Lectures David Campany co-presented a March; University of Southampton, 1 May; Series on Writing Photographs, London lecture with Denise Wolff at Milwaukee the symposium Machines will Watch us College of Communication (UAL), 2 May. Art Museum, 25 January. He also gave Die, Manchester Metropolitan University, Tereza Stehlikova moderated a Q&A presentation at the following venues: 11 May. for the screening Jiří Brdečka: Master of MAST, Bologna, 21 February; Capture Michael Goddard, Julian Ross Czech Animation at Regent Street Cinema, Photography Festival, Vancouver, 3 April; and CREAM PhD Guilherme Carréra organised in collaboration with Czech Istanbul Photobook Festival, 4-6 May, presented at NECS conference, University Centre London and Limonádový Joe s.r.o, where he was also on the FUAM Dummy of Amsterdam, 27-29 June. 30 April. Book Award 2018 jury; and at the Killed Negatives: Study Day at The Whitechapel Lucy Soutter presented her paper ‘Notes In February Uriel Orlow gave a talk Gallery, 23 June. He also participated in on Photography and Cultural Translation’ about his work Raw Material Company, in-conversation events: with Sabina Jaskot- at the symposium Translaboration: Dakar as part of vox artis. In May he Gill and Jon Tonks for the Taylor Wessing Unleashing the Conceptual Potential of a organized a two day symposium at Photographic Portrait Prize, National New Investigative Category, University of Laboratoires d’Aubervilliers in Paris with Portrait Gallery, 11 January; with Ralph Westminster, 18 May. She also chaired speakers including Shela Sheikh and Ros Rugoff and Doreen Mende at Hayward the panel Beyond Photography at Photo Grey from Goldsmiths, Françoise Vergès, Gallery, 12 February; and with Esther London, 19 May. She was in conversation Raphael Grisey and others. In June he was Teichmann at Somerset House, as part of with photographer Cristina de Middel at in conversation with pharmacologist Sarah Photo London, 19 May. Barbican Gallery, London, 14 June, and Baily at the Edge, University of Bath and with photographer Alex Prager at Regent also gave an artist talk at NCTM in Milan. Jane Barnwell presented at the Street Cinema, 15 June, to coincide with symposium Interiors: Screen and Stage at her exhibition at The Photographer’s Dorich House Museum, Kingston University, Gallery. 24 January. Julian Ross presented at the conference Tereza Stehlikova organised the Copy-Past: Reevaluating History, Memory symposium Ecstatic Truth: Making Sense and Archive in Cinema, Performing Between Fantasy and Fact in Universidade Arts and Visual Culture at Babe-Bolyai Lusófona, Lisbon, 27 June. She also gave University in Cluj, Romania, 18-19 a talk as part of the Focus Inside Festival, May. He gave a public talk at Rikumo, London, 20 April. Philadelphia, 13 June, organised by Emeritus Professor Nigel Wood gave a Collaborative Cataloging Japan. lecture at the British Museum, London, 12 Lucy Reynolds was in conversation February. with the following filmmakers and artists: Carl Jones presented a paper at the Andrew Kötting and photographer Ingrid conference Semiosis in Communication Pollard at the ICA, London, as part of the Differences and Similarities in National London Short Film Festival, 21 January; University of Political Studies and Public Daniel Cockburn at Queen Mary University Administration, Bucharest, 14-16 June. of London, 21 March; and with Anthony McCall and Guy Sherwin at Hepworth Michael Mazière participated in the

ISSUE 27/ SUMMER 2018 CREAM NEWS CREATING INTERFERENCE CONFERENCE AND SCREENINGS

RESEARCH NEWS AND CREAM EVENTS

Experiments in Art & Science (E.A.S.) decolonial frame. industry. She is also developing a project has launched. This new research group on practice-based research methods with Recent CREAM PhD alumni Nina and independent art organisation is a Rosie Thomas as her mentor, supported Mangalanayagam had her collaboration between CREAM and Arts by a grant from Washington State photographic work featured in Financial Catalyst. The E.A.S. Research Centre, University. Rosie will visit the US in October Times. staffed by Nicola Triscott and CREAM to workshop this at WSU’s Creative Media PhD Jol Thompson, is housed at Harrow CREAM welcomes Graiwoot Digital Culture Centre. Campus room JG32. The space has a Chulphongsathorn between June- Michael Goddard organised the resource of specialist books and functions December 2018 as a recipient of the seminar series Moving Images, Multiple as a meeting space for those interested in British Academy’s International Visiting Screens in Fyvie Hall, Regent Street developing cross-disciplinary, cross-faculty Fellowship (£28,000). His project campus, April-June: Julian Ross and initiatives with a focus on those that include ‘Southeast Asian Cinema and the Christina Millare presented in the first art and science disciplines. The first two Anthropocene’ explores Southeast Asian session, 12 April; Michael Goddard Experiments in Art & Science (E.A.S) lab films and moving images as alternative and Michael Witt presented in the second sessions took place at Arts Catalyst on 18 narratives to the Anthropocene. session, 10 May, where Michael also held January and 3 May, where Neal White CREAM is delighted to be working his book launch; and Ozlem Koksal and discussed his installation and research with acclaimed British artist and Artist Gozde Naiboglu presented in the third project; Brownsea Island: An Imaginary Placement Group founder Barbara Steveni session, 7 June. island (Island of the Imaginary). and the project Incidental Futures, funded Rosie Thomas organised the UK Emerita Professor Christie Brown, by the Arts Council of England. The project premiere of Nostalgia for the Future (2017) Tessa Peters, Clare Twomey, Eva has evolved from an event organised at Regent Street Cinema, 16 March, as Masterman and Phoebe Cummings by Barbara Steveni, Neal White and part of the UK Asian Film Festival, as of the Ceramics Research Centre were Tina O’Connell that led to the formation a collaboration between CREAM, the invited to take part in the exhibition of the Incidental Unit (a group of artists, festival and Films Division India. She was HUMANISM - Poem of Earth for Human curators, researchers) who are exploring in conversation with the co-directors Avijit at Clayarch Gimhae Museum, South the ongoing relevance of APG’s ways of Mukul Kishore and Rohan Shivkumar. Korea, April - September, as part of a working to artists today. Funding will cover cultural exchange between the UK and five public meetings in UK cities, followed London Gallery West held the exhibition South Korea. All five presented in the by a large-scale public gathering of 100+ This Is Now: Film and Video After Punk, 2 accompanying symposium and Tessa artistic practitioners hosted by CREAM. February - 4 March. Michael Mazière contributed an essay to the accompanying ‘Incidental Futures’ considers the impact of was in conversation with curator William publication. APG on recent practice while introducing Fowler and artist George Barber on 1 March. Roshini Kempadoo organised the a broader public to the group’s ethos of artist ‘placements’ to explore the role of art network launch of Creating Interference: Arts Catalyst, curated by Nicola Triscott, in society. making art,developing methods, presented the new commission by Fiona reimagining histories/memories, with a Many congratulations to Clare Twomey Crisp, Material Sight, 7 June - 14 July. screening and symposium at University for her appointment as Professor of Art Together with KOSMICA Institute, Nicola of Westminster, 18-19 June, supported Practice. also co-curated the two-day event that by Lucy Reynolds and CREAM PhDs included KOSMICA: Ethereal Things at CREAM welcomed Clare Wilkinson Barby Asante and Bisan Abu Eisheh. IKLECTIK, London, 15 June, as well as (Associate Professor in Anthropology at The network is planning future discussions, Intimate Physics Encounters and Voyage: Washington State University) as a Visiting events and publications of contemporary An Encounter with a Neutrino at Arts Scholar. Clare is researching a project artistic responses to questions of histories Catalyst, 16 June. on design and designers in the Hindi film and memories within a contemporary

CREAM NEWS ISSUE 27/SUMMER 2018 DENIZ SÖZEN THE ART OF UN-BELONGING AT LONDON GALLERY WEST PHD NEWS Sue Goldschmidt was chosen by Catherine Roche presented her paper conversation with Mark Williams for the Barratt London to be the artist to create ‘Crafting Sculpture: Embodied Perspectives screening Protected: Thick Cinema: Moving a public art work commissioned for the of Sculptural Ceramics’ at the Association Image from New Zealand at Whitechapel University of Westminster. She will plant for Art History’s ‘(Re)Forming Sculpture’ Gallery, 3 May, and was in conversation a slice of English countryside in the form symposium for doctoral and early career with Mary Helena Clark for the opening of a hedgerow in the urban heart of researchers, held at the University of Leeds of her exhibition in LUX, Waterlow Harrow Square, providing a habitat for and Hepworth, Wakefield, 26-27 June. Park Centre, London, 18 May. He also many wildlife species and offering an presented the screening and discussion Guilherme Carréra presented a paper alternative concept of the notion of ‘home’ Tools for Conviviality at Pavilion, Leeds, 21 at the Association of Moving Image to a site primarily concerned with housing May, to launch a funded Researchers Conference, Aveiro, Portugal, provision. new collaboration between Pavilion, 16-19 May, and NECS conference, George, and Jatiwangi Art Factory Estéfani Bouza‘s exhibition Etcetera University of Amsterdam, 27-29 June. involving a series of commissioning, took place at London Gallery West, 14 Bisan Abu Eisheh curated Once Upon exchange and residency opportunities December 2017 - 21 January. She gave a a City at the Palestinian Art Court - Al between West Yorkshire and West Java. gallery talk on 9 January. Hoash, Jerusalem, 22-31 March. He He was also present for the first meeting of Deniz Sözen had a solo exhibition presented ‘Art and Displacement’ at the new initiative Pavilion Artists’ Moving Deniz Sözen: The Art of Un-belonging at SOAS, 22 March. He took part in the Image Network, Leeds, 23 May. London Gallery West, 21 June - 2 July. She group exhibition Subcontracted Nations also participated in the group exhibition at Qattan Foundation, Ramallah, 28 June ResponseABILITY at < rotor > center for - 29 September. He took part in an artist contemporary art, Graz, 10 March - 26 residency at Art OMI, New York, 14 June May. - 10 July. Jol Thomson participated in the group Matthias Kispert performed music exhibition Blind Faith: Between the Visceral for D-Fuse & Labmeta’s audiovisual live and the Cognitive in Contemporary Art performance Tektn at European Media Art at Haus Der Kunst, Munich, 2 March - 18 Festival in Osnabrück, Germany, 21 April. August. As part of AV Festival, Newcastle, Alexa Raisbeck published her essay George Clark screened his film Double ‘Projection and Domestic Space: A Photo Ghosts (2018) at the Star and Shadow Essay’ in the Journal of British Cinema and Cinema, Newcastle, 16 March, and Television, vol. 15, issue 1 (January). was on a panel discussion with Aurélien Froment and Leah Millar at Side Cinema, Sarah Niazi presented her paper ‘Film 17 March. His collaborative exhibition journalism and the Urdu public sphere project Living Archive, made with in India (1930- 1947)’ at the conference Jatiwangi Art Factory, was featured in the Publishing the Postcolonial: Politics and exhibition A Tale of Two Cities: Narrative Economics of Postcolonial Print Cultures at Archive of Memories II at Yunseul Museum, Newcastle University, 18-19 January, and Gimhae Arts and Sports Center, South at the conference Doing Women’s History Korea, 8-29 March. The video work and Television History IV: Calling the Operations made by the collective Free Shots - Then, Now, Next at University of Cinema Seven, which includes George Southampton, 23-25 May. as a member, was presented in the exhibition Get Out and Push! at Focal Point Gallery, 12 May - 19 August. He was in