CREAM News Issue 27: Summer 2018
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ANNUAL REPORT Academic Year 2019-2020
ANNUAL REPORT Academic Year 2019-2020 International Space University The International Space University, founded in 1987 in Massachusetts, US, and now headquartered in Stras- bourg, France, is the world’s premier international space education institution. It is supported by major space agencies and aerospace organizations from around the world. The graduate level programs offered by ISU are dedicated to promoting international, interdisciplinary and intercultural cooperation in space activities. ISU offers the Master of Science in Space Studies program at its Central Campus in Strasbourg. Since the summer of 1988, ISU conducts the two-month Space Studies Program at different host institutions in locations spanning the globe; more recently the Southern Hemisphere Space Studies Program; and the online Interactive Space Program. ISU programs are delivered by over 100 ISU faculty members in concert with invited industry and agency experts from institutions around the world. Since its founding, more than 5000 students from 110 countries graduated from ISU. Contact Info: 1 rue Jean-Dominique Cassini Parc d’Innovation 67400 Illkirch-Graffenstaden, France [email protected] Phone: +33-3-88-65-54-30 Fax: +33-3-88-65-54-47 Table of Contents INTRODUCTION Page 1 1. Summary and Key Figures Page 3 2. Master of Space Studies - MSS20 Page 4 3. Interactive Space Program - ISP20 in lieu of SSP20 Page 9 4. Southern Hemisphere Space Studies Program - SHSSP20 Page 12 5. Commercial Space Course - CSP20 Page 15 6. Short Courses Page 17 7. Research and Publications Page 19 8. Space start-up Incubator Page 23 9. Alumni Affairs Page 24 10. Faculty and Executive Appointments Page 27 11. -
Another Kind of Life: Photography on the Margins
Another Kind of Life: Photography on the Margins Barbican Art Gallery, Barbican Centre, UK 28 February – 27 May 2018 Media View, Tuesday 27 February, 10am – 1pm The exhibition is supported by The Great Britain Sasakawa Foundation and The Swiss Arts Council Pro Helvetia. Media Partner: AnOther Magazine #AnotherKindofLife Another Kind of Life: Photography on the Margins looks at the continuing fascination of artists with those on the margins of society through the photographic medium. Some of the most powerful images of the 20th and 21st century are the result of a determined and often prolonged engagement with communities seemingly at odds with, or on the fringes of, the mainstream. Another Kind of Life explores photography’s relationship with this compelling subject through the work of 20 exceptional image-makers, including Bruce Davidson, Paz Errázuriz, Casa Susanna, Larry Clark, Mary Ellen Mark, Boris Mikhailov, Daido Moriyama and Dayanita Singh. Part of the Barbican’s 2018 season The Art of Change, which reflects on the dialogue between art, society and politics, the exhibition directly – and at times poetically – addresses difficult questions about what it means to exist in the margins, the role artists have played in portraying subcultures and the complex intermingling between artistic and mainstream depictions of the outsider. Another Kind of Life opens at Barbican Art Gallery on 28 February 2018. Jane Alison, Head of Visual Arts, Barbican, said: ‘Barbican Art Gallery has always championed groundbreaking photography, placing it at the heart of our programme with recent highlights including Constructing Worlds: Photography and Architecture in the Modern Age (2014) and Strange and Familiar: Britain as Revealed by International Photographers(2016). -
Vik Muniz N./B. 1961, São Paulo, Brazil Vive E Trabalha/Lives and Works in Rio De Janeiro and New York
vik muniz n./b. 1961, são paulo, brazil vive e trabalha/lives and works in rio de janeiro and new york formação / education B.A. in Advertising from Fundação Armando Álvares Penteado (FAAP), São Paulo, Brazil exposições (seleção) / exhibitions (selection) individuais em negrito / solo exhibitions in bold 2018 Vik Muniz, Chrysler Museum of Art, Norfolk, USA Vik Muniz: Verso, Belvedere Museum Vienna, Vienna, Austria Plastic Entanglements: Ecology, Aesthetics, Materials, Palmer Museum of Art, Philadelphia, USA 2017 Vik Muniz: Handmade, Rena Bransten Gallery, San Francisco, USA Afterglow (Pictures of Ruin), Palazzo Cini, Venice, Italy Vik Muniz, Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico Vik Muniz: a Retrospective, Eskenazi Museum of Art, Bloomington, USA Troposphere – Chinese and Brazilian Contemporary Art, Beijing Minsheng Art Museum, Beijing, China Look at Me!: Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection, Pera Museum, Istanbul, Turkey Pledges of Allegiance, Spencer Museum of Art, University of Kansas, Lawrence, USA Ways of Seeing, Fondation Boghossian - Villa Empain, Brussels, Belgium This Is Not a Selfie – Photographic Self-Portraits from the Audrey and Sydney Irmas Collection, San Jose Museum of Art, San Jose, USA Glassstrass, Palazzo Franchetti, Venice, Italy A Vastidão dos Mapas, Museu Oscar Niemeyer (MON), Curitiba, Brazil Trazas simultáneas, Embaixada do BrasilArgentina, Espacio Cultural, Argentin 2016 Handmade, Galeria Nara Roesler, São Paulo, Brazil Vik Muniz, High Museum of Art, -
A MEXICAN CONQUEST of SPACE Cosmopolitanism, Cosmopolitics, and Cosmopoetics in the Mexican Space Industry
Review of International American Studies FEATURES RIAS Vol. 13, Fall—Winter № 2 /2020 ISSN 1991—2773 DOI: https://doi.org/10.31261/rias.9808 A MEXICAN CONQUEST OF SPACE Cosmopolitanism, Cosmopolitics, and Cosmopoetics in the Mexican Space Industry introduction: stakes and scales of outer space In the wake of human space exploration, Hans Blumenberg pro- Anne Warren Johnson Universidad posed the creation of a new field of study that would strike a balance Iberoamericana between “centrifugal curiosity” and “centripetal care.” He called Ciudad de México this field astronoetics, distinguished from astronautics as a way México of critically imagining extraterrestrial travel and other activities, https://orcid.org/0000-0001-8758-9169 neither dismissing outer space as a destination, nor abandoning humanity’s ethical commitments to its home planet (Harries 320). In this paper, I propose a Mexican astronoetics: a way of recog- nizing the extraterrestrial aspirations of many Mexicans, while at the same time critically reflecting on the notions of exploration and conquest that inform these aspirations, as well as the earthly limits that complicate the possibility of their achievement. Before I look at the inter- and transnational relationships required to participate in outer space activities, I find it useful to think through some spatio-political concepts that are being debated in the era of the Blue Dot: globalization, cosmopolitanism/cosmopolitics, and the planetary, all of which demand that attention be paid to the ways in which humans (and non-humans) interact across Earth, and the ways in which these interactions are facilitated, negotiated, monitored, channeled and/or obstructed. “Globalization” refers to the processes that produce networks, particularly of capital, that connect people, places and things all over the planet. -
A Brief History of the Arts Catalyst
A Brief History of The Arts Catalyst 1 Introduction This small publication marks the 20th anniversary year of The Arts Catalyst. It celebrates some of the 120 artists’ projects that we have commissioned over those two decades. Based in London, The Arts Catalyst is one of Our new commissions, exhibitions the UK’s most distinctive arts organisations, and events in 2013 attracted over distinguished by ambitious artists’ projects that engage with the ideas and impact of science. We 57,000 UK visitors. are acknowledged internationally as a pioneer in this field and a leader in experimental art, known In 2013 our previous commissions for our curatorial flair, scale of ambition, and were internationally presented to a critical acuity. For most of our 20 years, the reach of around 30,000 people. programme has been curated and produced by the (founding) director with curator Rob La Frenais, We have facilitated projects and producer Gillean Dickie, and The Arts Catalyst staff presented our commissions in 27 team and associates. countries and all continents, including at major art events such as Our primary focus is new artists’ commissions, Venice Biennale and dOCUMEntA. presented as exhibitions, events and participatory projects, that are accessible, stimulating and artistically relevant. We aim to produce provocative, Our projects receive widespread playful, risk-taking projects that spark dynamic national and international media conversations about our changing world. This is coverage, reaching millions of people. underpinned by research and dialogue between In the last year we had features in The artists and world-class scientists and researchers. Guardian, The Times, Financial Times, Time Out, Wall Street Journal, Wired, The Arts Catalyst has a deep commitment to artists New Scientist, Art Monthly, Blueprint, and artistic process. -
Table of Contents
TABLE OF CONTENTS Introduction ........................................................................................................................................ 1 Overview Strategic Funding .................................................................................................................. 2 Arts Discipline Funding ......................................................................................................... 3 Loan Fund ............................................................................................................................. 4 Operations ............................................................................................................................. 5 Preliminary Results of Increased Grants Funding ............................................................................. 6 2013 Allocations Summary ................................................................................................................ 7 Income Statement & Program Balances for the quarter ended December 31, 2013 ........................ 8 Strategic Funding 2013 Partnership Programs .......................................................................................................... 9 Strategic Partnerships ........................................................................................................... 10 Strategic Allocations .............................................................................................................. 11 Recipient Details .................................................................................................................. -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
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PHOTO LONDON ANNOUNCES 2019 TALKS PROGRAMME Photo London has announced details of the Talks Programme for the fifth edition of the Fair, which will take place from 15 - 19 May 2019 at Somerset House. The Programme will showcase the rich and diverse history of photography up until the present day, and explore the current and future direction of the medium in a dynamic format. It will feature talks, debates and discussions with some of the world’s most important and innovative photographers, artists, curators, critics and authors. As well as featuring many celebrated practitioners including Erwin Olaf, Susan Meiselas, Ralph Gibson, Hannah Starkey, Tim Walker, Maja Daniels, Ed Templeton and Vanessa Winship, the Talks Programme includes: • The Photo London Master of Photography 2019 Stephen Shore in conversation with curator David Campany • Martin Parr discusses British identity in his work with historian and broadcaster Dominic Sandbrook • The acclaimed biographer Ann Marks in conversation with the author Anna Sparham on the legacy of Vivian Maier • Gavin Turk discusses his Photo London project Portrait of an Egg with Matthew Collings • Zackary Drucker discusses her work on transgender identities in photography with Chris Boot, Executive Director of Aperture Foundation • Contemporary portrait photographer Martin Schoeller in conversation with publisher Gerhard Steidl • Liz Johnson Artur in conversation with Hans Ulrich Obrist • Photographer, electronic music producer and DJ, Eamonn Doyle discusses his special Photo London installation Made in Dublin with collaborators David Donohoe and Niall Sweeney • Panel discussions on subjects such as representations of the body; collecting photography; the future of photography curation and the legacy of the pioneering early photographer Roger Fenton • Tickets on sale now at photolondon.org/tickets – Fair tickets are not required to attend talks The Photo London Talks Programme is curated by William A. -
0-SMX43 FM (Ix)
EDITOR MANAGING EDITOR ADVISORY BOARD David Scott Vanessa Agard‑Jones Edward Baugh Kamau Brathwaite EDITORIAL COMMITTee EDITORIAL ASSISTANT Erna Brodber Yarimar Bonilla Nijah Cunningham Edouard Duval Carrié Charles Carnegie Rhonda Cobham Kaiama L. Glover PRODUCTION Edwidge Danticat Erica James MANAGER/ J. Michael Dash Aaron Kamugisha COPYEDITOR Locksley Edmondson Roshini Kempadoo Kelly S. Martin Stuart Hall Martin Munro Robert Hill Melanie Newton TRANSLATOR, FRENCH George Lamming Matthew Smith Nadève Ménard Kari Levitt Rupert Lewis COPYEDITOR, FRENCH Earl Lovelace Alex Martin Sidney Mintz Sandra Pouchet Paquet GRAPHIC DESIGNER Caryl Phillips Juliet Ali Gordon Rohlehr Verene Shepherd Maureen Warner‑Lewis Sylvia Wynter The Small Axe Project consists of this: to participate both in the renewal of practices of intellectual criticism in the Caribbean and in the expansion/revision of the horizons of such criticism. We acknowledge of course a tradition of social, political, and cultural criticism in and about the regional/diasporic Caribbean. We want to honor that tradition but also to argue with it, because in our view it is in and through such argument that a tradition renews itself, that it carries on its quarrel with the generations of itself: retaining/revising the boundaries of its identity, sustaining/ altering the shape of its self‑image, defending/resisting its conceptions of history and community. It seems to us that many of the conceptions that guided the formation of our Caribbean modernities—conceptions of class, gender, nation, culture, race, for example, as well as conceptions of sovereignty, development, democracy, and so on—are in need of substantial rethinking. What we aim to do in our journal is to provide a forum for such rethinking. -
Robert Frank: the Americans Pdf, Epub, Ebook
ROBERT FRANK: THE AMERICANS PDF, EPUB, EBOOK Robert Frank,Jack Kerouac | 180 pages | 09 Jul 2009 | Steidl Publishers | 9783865215840 | English | Gottingen, Germany Robert Frank: The Americans PDF Book Tri-X film! On the occasion of the 50th anniversary of the book's original publication 15 May , a new edition was published by Steidl. As he has done for every edition of The Americans , Frank changed the cropping of many of the photographs, usually including more information, and two slightly different photographs were used. Much of the criticism Frank faced was as well related to his photojournalistic style, wherein the immediacy of the hand-held camera introduced technical imperfections into the resulting images. Becker has written about The Americans as social analysis:. Help Learn to edit Community portal Recent changes Upload file. Where are we going? It could seem as if Frank threw his Leica into the world and let it catch what it could, which happened, without fail, to be something exciting—fascination, pain, hilarity, disgust, longing. The show presented the work of Diane Arbus , Lee Friedlander and Garry Winogrand , who at the time were relatively little known younger-generation beneficiaries of Mr. Retrieved 5 July By Philip Gefter. Silverstein died in , Mr. Retrieved She is now known as Mary Frank. Over the next 10 years, Mr. Safe in neutral Switzerland from the Nazi threat looming across Europe, Robert Frank studied and apprenticed with graphic designers and photographers in Zurich, Basel and Geneva. Rizzo has been lighting the stages of Broadway for almost forty years. In , The Americans was finally published in the United States by Grove Press , with the text removed from the French edition due to concerns that it was too un-American in tone. -
Virtual Edition: 2021 ISPA Congress Delegate List January 19, 2021
Virtual Edition: 2021 ISPA Congress Delegate List January 19, 2021 Listing by Region Listing by Last Name ProEx Exhibitors Virtual Edition: 2021 ISPA CONGRESS: January 11-15, 2021 Delegates by Region Imagine the Arts Updated on 1/19/2021 Region Name/ Position Organization/ City Website Argentina Luciana Milione 4'33" - New Music and Performing Arts http://4-33.com.ar/ Executive Production Director Ciudad Autónoma de Buenos Aires, Argentina Australia Simon Abrahams Melbourne Fringe http://www.melbournefringe.com.au Creative Director / CEO Melbourne, Australia Australia Norman Armour Australia Council for the Arts http://https://www.australiacouncil.gov.au/ International Development Consultant Pyrmont, Australia Australia Caroline Bowditch Arts Access Victoria CEO South Melbourne, Australia Australia Virginia Braden Arts Management Pty Limited New South Wales, Australia Australia Collette Brennan Abbotsford Convent Foundation http://www.abbotsfordconvent.com.au CEO Melbourne, Australia Australia Katherine Connor PAC Australia - Performing Arts Connections Australia http://paca.org.au Executive Director Perth, Australia Australia Sharon Custers Arena Theatre Company http://arenatheatre.com.au Executive Director Kennington, Australia Australia Merindah Donnelly BlakDance https://www.blakdance.org.au Executive Producer Brisbane, Australia Australia Fiona Gardner Finsart https://finsart.com.au/ Director Victor Harbor, Australia Australia Daniel Graham Freelance Sydney, Australia Australia Iain Grandage Perth Festival Artistic Director Crawley, -
Steidl WWP SS18.Pdf
Steidl Spring/Summer 2018 3 Index Contents Artists/Editors Titles Adams, Shelby Lee 63 1968 99 Paris Reconnaissance 113 3 Editorial 81 Orhan Pamuk Balkon Adams, Bryan 93 200 m 123 Paris, Novembre 95 4 Index 85 Christer Strömholm Lido Adolph, Jörg 14-15 42nd Street, 1979 61 Park/Sleep 49 5 Contents 87 Guido MocaficoLeopold & Rudolf Blaschka, The Bailey, David 103-109 8 Minutes 107 Partida 51 6 How to contact us Marine Invertebrates Baltz, Lewis 159 Abandoned Moments 133 Pictures that Mark Can Do 105 Press enquiries 89 Timm Rautert Germans in Uniform Bolofo, Koto 135-139 Abstrakt 75 Pilgrim 121 How to contact our imprint partners 91 Sory Sanlé Volta Photo Burkhard, Balthasar 71 Andreas Gursky 69 Poolscapes 131 93 Bryan Adams Homeless Callahan, Harry 151 Asia Highway 167 Printing 137 95 Sze Tsung, Nicolás Leong Paris, Novembre Clay, Langdon 61 B, drawings of abstract forms 25 Proving Ground 169 DISTRIBUTION 97 Shelley Niro Cole, Ernest 157 Bailey’s Democracy 104 Reconstruction. Shibuya, 2014–2017 19 99 Robert Lebeck 1968 7 Germany, Austria, Switzerland Collins, Hannah 149 Bailey’s East End 108 Regard 127 101 Andy Summers The Bones of Chuang Tzu 8 USA and Canada Davidson, Bruce 165 Bailey’s Naga Hills 109 Seeing the Unseen 153 103 David Bailey’s 80th Birthday 9 France Devlin, Lucinda 147 Balkon 81 Shelley Niro 97 104 David Bailey Bailey’s Democracy All other territories Dine, Jim 113 Ballet 145 Stories 5–7, Soweto—Dukathole—Johannesburg David Bailey Havana Edgerton, Harold 153 Balthasar Burkhard 71 129 105 David Bailey NY JS DB 62 11 Steidl Bookshops Eggleston, William 37-41 Binding 139 Structures of Dominion and Democracy 73 David Bailey Pictures that Mark Can Do 13 Book Awards 2017 Elgort, Arthur 145 Bones of Chuang Tzu, The 101 Synchrony and Diachrony, Photographs of the 106 David Bailey Is That So Kid Fougeron, Martine 119 Book of Life, The 63 J.