History In-The-Making
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Record World
record tWODedicated To Serving The Needs Of The Music & Record Industry x09664I1Y3 ONv iS Of 311VA ZPAS 3NO2 ONI 01;01 3H1 June 21, 1970 113N8V9 NOti 75c - In the opinion of the eUILIRS,la's wee% Tne itmuwmg diCtie SINGLE PICKS OF THE WEEK EPIC ND ARMS CAN EVER HOLD YOU CORBYVINTON Kenny Rogers and the First Mary Hopkin sings Doris Nilsson has what could be Bobby Vinton gets justa Edition advise the world to Day'sphilosophicaloldie, his biggest, a n dpossibly littlenostalgicwith"No "TellItAll Brother" (Sun- "Que Sera, Sera (Whatever hisbest single,a unique Arms Can Ever Hold You" beam, BMI), and it's bound WillBe, WillBe)" (Artist, dittyofhis own devising, (Gil, BMI),whichsounds tobe theirlatestsmash ASCAP), her way (A p p le "Down to the Valley" (Sun- just right for the summer- (Reprise 0923). 1823). beam, BM!) (RCA 74-0362). time (Epic 5-10629). SLEEPER PICKS OF THE WEEK SORRY SUZANNE (Jan-1111 Auto uary, Embassy BMI) 4526 THE GLASS BOTTLE Booker T. & the M. G.'s do Canned Heat do "Going Up The Glass Bottle,a group JerryBlavat,Philly'sGea something just alittledif- the Country" (Metric, BMI) ofthreeguysandthree for with the Heater,isal- ferent,somethingjust a astheydo itin"Wood- gals, introduce themselves ready clicking with "Tasty littleliltingwith"Some- stock," and it will have in- with "Sorry Suzanne" (Jan- (To Me),"whichgeators thing" (Harrisongs, BMI) creasedmeaningto the uary, BMI), a rouser (Avco andgeatoretteswilllove (Stax 0073). teens (Liberty 56180). Embassy 4526). (Bond 105). ALBUM PICKS OF THE WEEK DianaRosshasherfirst "Johnny Cash the Legend" "The Me Nobody Knows" "The Naked Carmen" isa solo album here, which is tributed in this two -rec- isthe smash off-Broadway "now"-ized versionofBi- startsoutwithherfirst ord set that includes' Fol- musical adaptation of the zet's timeless opera. -
1972 Brown and Gold Vol 55 November 17, 1972
Regis University ePublications at Regis University Brown and Gold Archives and Special Collections 11-17-1972 1972 Brown and Gold Vol 55 November 17, 1972 Follow this and additional works at: https://epublications.regis.edu/brownandgold Part of the Catholic Studies Commons, and the Education Commons Recommended Citation "1972 Brown and Gold Vol 55 November 17, 1972" (1972). Brown and Gold. 417. https://epublications.regis.edu/brownandgold/417 This Book is brought to you for free and open access by the Archives and Special Collections at ePublications at Regis University. It has been accepted for inclusion in Brown and Gold by an authorized administrator of ePublications at Regis University. For more information, please contact [email protected]. ilrnmu nub ~nlb Regts College Newspaper VOLUME NUMBER LV Denver, Colorado FRIDAY, NOVEMBER 17, 1972 EDUCATIONAL POLICIES CHALLENGED . FR. GROLLMES VALIDITY OF t APPEARS AT -uRE EXAM }- G.A. MEETING QUESTIONED by Rick Veatch Editor by Pat Cronan A concerned ·group of students, Vice-President Student Senate about ten in number. organized by Senior John Topp, met with the On November l, the members of Business Administration Depart the General Assembly were ment on Wednesday, November 8. presented with the Educational Their purpose was to attempt to Objectives of Regis College, as persuade the members of the formulated by the Educational department to reduce the URE Planning Committee. The written requirements for graduation. objectives were brought before the According to the 1972-73 Student Assembly by Pete Martin who is a Handbook. it is necessary to success member of the Ed . Planning fully pass a written comprehensi\·e Committee. -
April 19, 1974
Hope College Hope College Digital Commons The Anchor: 1974 The Anchor: 1970-1979 4-19-1974 The Anchor, Volume 86.22: April 19, 1974 Hope College Follow this and additional works at: https://digitalcommons.hope.edu/anchor_1974 Part of the Library and Information Science Commons Recommended Citation Repository citation: Hope College, "The Anchor, Volume 86.22: April 19, 1974" (1974). The Anchor: 1974. Paper 10. https://digitalcommons.hope.edu/anchor_1974/10 Published in: The Anchor, Volume 86, Issue 22, April 19, 1974. Copyright © 1974 Hope College, Holland, Michigan. This News Article is brought to you for free and open access by the The Anchor: 1970-1979 at Hope College Digital Commons. It has been accepted for inclusion in The Anchor: 1974 by an authorized administrator of Hope College Digital Commons. For more information, please contact [email protected]. DeYoung discusses self-governance by Robert Ei kert DeYoung commented that Hope structure as allowing a large de- will contribute to the "quality of tion by stating, "All things con- has been moving in the direction gree of self-governance, but ac- life." sidered, how many people will Vice-President for Student Af- of self-governance, but that "there ceded that "maybe it is time to WHEN ASKED to comment on care enough to take in their own fairs Robert DeYoung expressed is evidence that people living in try something more elaborate." the notion that dorm rights and hands the need to govern the hall support for the concept of self- residence halls aren't willing to THE PROPOSAL for self- privileges should match those in in such a way that it will provide governance, but disapproval for spend the time necessary to regu- governance as passed CLB was an apartment or house, DeYoung the best thing for you and for the Campus Life Board's version late their own affairs." met with disfavor by DeYoung said, "A dorm is not the same as Hope College?" in an interview Wednesday. -
Johnny Rivers
Johnny Rivers... Chart Hits Include: * 17 Gold records * 29 chart hits * Two Grammy Awards, Memphis * Sold more than 30 million records * In 2006, the Maybelline singer/songwriter/producer continues to perform before sell- Mountain of Love out crowds worldwide. *The “Secret Agent Man” has many other accomplishments and has made significant Midnight Special contributions to the history of rock ‘n roll. Seventh Son Where Have All the Flowers Gone • Born in New York City, grew up in Baton Rouge, Louisiana. Secret Agent Man • Began playing professionally at age 14 when he formed his first band, Poor Side of Town “Johnny and The Spades.” Baby, I Need Your Lovin’ • Recorded his first single 1957 for Suede Records of Natchez, MS, at Tracks of My Tears Cosmos Studios in New Orleans. “Hey Little Girl” became a regional Summer Rain chart hit. Look to Your Soul • In late 1957 at age 15, Johnny Ramistella went back to New York City Rockin’ Pneumonia – Boogie Woogie Flu where he met the legendary D.J. Alan Freed, who got him a record deal Sea Cruise with Gone Records and changed his last name to Rivers. Blue Suede Shoes • In 1958, while performing on the “Louisiana Hayride” in Shreveport, LA, Help Me Rhonda Rivers was introduced to Ricky Nelson’s guitar player James Burton, who Slow Dancin’ took a song Rivers wrote, “I’ll Make Believe,” back to Hollywood and played it for Nelson who recorded it. Rivers hopped a plane from New Curious Mind Orleans to Los Angeles where he hooked up with Burton, met Ricky Nelson and struck up a friendship. -
Michael Nesmith & the First National Band Nevada Fighter Mp3, Flac
Michael Nesmith & The First National Band Nevada Fighter mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Nevada Fighter Country: Japan Style: Country Rock MP3 version RAR size: 1192 mb FLAC version RAR size: 1247 mb WMA version RAR size: 1175 mb Rating: 4.7 Votes: 564 Other Formats: DXD FLAC MP3 MOD MMF AU WAV Tracklist Hide Credits 1 Grand Ennui 2:07 2 Propinquity (I've Just Begun To Care) 2:59 3 Here I Am 3:15 4 Only Bound 3:23 5 Nevada Fighter 3:06 Texas Morning 6 3:00 Written-By – Boomer Castleman, Michael Murphey* Tumbling Tumbleweeds 7 4:10 Written-By – Bob Nolan I Looked Away 8 3:13 Written-By – Bobby Whitlock, Eric Clapton Rainmaker 9 3:17 Written-By – Bill Martin , Harry Nilsson Rene 10 1:40 Written-By – O.J. "Red" Rhodes* Companies, etc. Copyright (c) – Awareness Records Licensed From – Michael Nesmith Pressed By – MPO Recorded At – RCA's Music Center Of The World Credits Bass – Joe Osborn, John London, Max Bennett Drums – John Ware, Ron Tutt Engineer – Dennis Smith, Lynn Kent Tunks*, Pete Abbott Guitar – Al Casey , James Burton Keyboards – Glen Hardin, Michael Cohen* Pedal Steel Guitar – Red Rhodes Producer, Arranged By, Vocals, Guitar – Michael Nesmith Notes (C) 1991 Awareness Records, Licensed from Michael Nesmith. Awareness Records. 6 Vernon Avenue. London SW20 8BW. Recorded at RCA's Music Center Of The World, Hollywood, California. This album is respectfully dedicated International-Harvester, makers of automatic reapers & other fine products. Nevada Fighter is dedicated to the Great People of the Navajo. -
An Investigation of the Electric Bass Guitar in Twentieth Century Popular Music and Jazz
An investigation of the electric bass guitar in Twentieth Century popular music and jazz. A thesis presented by David Stratton in partial fulfillment of the requirement for the degree, Master of Arts (Honours). School of Contemporary Arts College of Arts, Education, and Social Sciences University of Western Sydney April 2005 i Abstract The acoustic bass played mostly an accompanying role in popular music during the first half of the Twentieth Century, whereas the arrival of the electric bass guitar in the early 1950s presented new opportunities for acoustic bassists and musicians, composers, producers, engineers, the recording industry and the listening public. The distinctive sound of the electric bass guitar encouraged musicians to explore new timbres. The musicians who embraced the electric bass guitar developed its language, discovering and employing different techniques. The instrument became a catalyst for change and took on a more prominent role, forever changing the sonic landscape of popular music and jazz in the Twentieth Century. ii Acknowledgements I am indebted to the following people for their assistance during the period of my candidature: For technical support I thank Karl Lindbom, Paul Tilley, Clive Lendich, Benjamin Huie, Gary Fredericks and Brendan Read. The musicians who performed with me - Michael Bartolomei, Graham Jesse, Andrew Gander, Craig Naughton, Gordon Rytmeister, Nicholas McBride, Paul Panichi and Matthew Doyle. Kerrie Lester and Nikki Mortimer for granting permission to reproduce the paintings and etching. The musicians with whom I discussed my project, including Herbie Flowers, Carol Kaye, Max Bennett, Steve Hunter, Cameron Undy, Bruce Cale and Sandy Evans who have willingly encouraged me to quote. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details AESTHETIC EXPERIENCE IN MUSIC: CASE STUDIES IN COMPOSITION, PERFORMANCE AND LISTENING Suzanne Mary Wilkins Submitted for the degree of DPhil in Music University of Sussex August 2012 ii I hereby declare that this thesis has not been, and will not be, submitted in whole or in part to another University for the award of any other degree. However, the thesis incorporates to the extent indicated below, material already submitted as part of required coursework for the degree of Masters in Music, which was awarded by the University of Sussex. Sections 3.3.3- 3.3.7 are revised and expanded versions of a term paper submitted for the course Music and Critical Thought II as part of this MA in Music. The interview transcript within Appendix E, pages E2-E15, appeared in the Appendix of the same paper. Signature:.................................................... S. M. Wilkins iii Acknowledgements It would not have been possible to write this thesis without the encouragement and support of my brilliant supervisor, Björn Heile, whose dedication to this project went beyond the call of duty. -
The Hues Corporation Freedom for the Stallion Mp3, Flac, Wma
The Hues Corporation Freedom For The Stallion mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Freedom For The Stallion Country: Australia Released: 1973 Style: Soul, Disco MP3 version RAR size: 1620 mb FLAC version RAR size: 1380 mb WMA version RAR size: 1429 mb Rating: 4.1 Votes: 790 Other Formats: DTS AUD WAV AIFF TTA MMF APE Tracklist Hide Credits Bound On A Reason A1 3:15 Written-By – M. Jarrett* Off My Cloud A2 4:16 Written-By – W. Holmes* All Goin' Down Together A3 2:51 Written-By – M. Jarrett* Rock The Boat A4 3:22 Written-By – W. Holmes* Freedom For The Stallion A5 4:00 Written-By – A. Toussaint* The Family B1 3:09 Written-By – J. Hurley*, R. Wilkins* Go To The Poet B2 2:51 Written-By – W. Holmes* Salvation Lady (1-3-5) B3 3:18 Written-By – J. Hurley*, R. Wilkins* Live A Lie B4 2:13 Written-By – W. Holmes* Miracle Maker (Sweet Soul Shaker) B5 3:16 Written-By – B. Mann - C. Weil* Companies, etc. Phonographic Copyright (p) – RCA Records Manufactured By – RCA Limited, Sydney, Australia Credits Arranged By – D'Arneill Pershing, Gene Page, Perry Botkin Jr., Tom Sellers* Arranged By [Vocals] – The Hues Corporation, Wally Holmes Art Direction [Art Director] – Frank Mulvey Baritone Saxophone – William E. Green* Bass – David Hungate, Joe Osborn, Wilton Felder Cello – Edgar Lustgarten Congas – Chino Valdes Drums – Hal Blaine, Jim Gordon, Ron Tutt Engineer [Recording] – Grover Helsley, Pete Abbott Guitar – Al Casey , Dennis Budimir, Larry Carlton, Louie Shelton Keyboards – Joe Sample Percussion – Gary Coleman Photography By – Emerson-Loew Producer – John Florez Technician – Kent Tunks, Steve Francisco Trombone – Charles Loper, Lew McCreary Trumpet – Bud Brisbois, Charles B. -
September 2020
September 2020 “Celebrating Age and Maturity” Safer Safety and peace of mind go hand-in-hand. Our gated community and its affiliation with Willis-Knighton Health System are just two reasons The Oaks is a good move now and in the future. If you’re in the higher risk senior population, you can take comfort in knowing our staff emphasizes the same quality and safety you’ll find at Willis-Knighton our parent organization. Safety features include: • Up to date protocols and policies • Screenings of all who come on campus (employees too) • Expertly trained staff, ready to act on any health concerns • Priority access to Willis-Knighton hospitals (or transfer for care to any hospital you prefer) Peace of mind is good, not just during a pandemic, but all year long. Visit our website to learn about all of the amenities and benefits you’ll get with life at The Oaks. Then call to schedule your tour or a virtual visit if you prefer. (318) 212-OAKS (6257) 600 East Flournoy Lucas Road • Shreveport, LA • oaksofla.com • 2 September 2020 www.TheBestOfTimesNEWS.com Inside This Issue Briefs 6 Stat! Medical News & Info Columns 24 Shreveport Then & Now 8 Laws of the Land Quickdraw McGraw and Shifty Pete 30 Snapshot Sleuth by Lee Aronson 10 From the Bench Stay in Touch With Loved Ones Features by Judge Jeff Cox 17 Northwest Louisiana's Music History 12 Eat Well Live Well by Winston Hall Prediabetes: Your Chance to Prevent Type 2 Diabetes 20 You're Gonna Get on a WHAT? by Abigail McAlister by Fyllis Hockman 14 Dear Pharmacist The 4 Best Natural Antihistamines by Suzy Cohen In Every Issue 22 Tinseltown Talks 26 What's Cooking Olivia de Havilland: The End of an Era Powerful Pairings by Nick Thomas 28 Our Famous Puzzle Pages Crossword and Word Search The Best Of Times September 2020 3 THE BEST OF TIMES September 2020 l Vol. -
EVERLYPEDIA (Formerly the Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie Van Varik
EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik EVERLYPEDIA PART 2 E to J Contact us re any omissions, corrections, amendments and/or additional information at: [email protected] E______________________________________________ EARL MAY SEED COMPANY - see: MAY SEED COMPANY, EARL and also KMA EASTWOOD, CLINT – Born 31st May 1930. There is a huge quantity of information about Clint Eastwood his life and career on numerous websites, books etc. We focus mainly on his connection to The Everly Brothers and in particular to Phil Everly plus brief overview of his career. American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone’s Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the 1960s, and as San Francisco Police Department Inspector Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact and The Dead Pool) during the 1970s and 1980s. These roles, along with several others in which he plays tough-talking no-nonsense police officers, have made him an enduring cultural icon of masculinity. Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor, for his work in the films Unforgiven (1992) and Million Dollar Baby (2004). These films in particular, as well as others including Play Misty for Me (1971), The Outlaw Josey Wales (1976), Pale Rider (1985), In the Line of Fire (1993), The Bridges of Madison County (1995) and Gran Torino (2008), have all received commercial success and critical acclaim. -
Hristmas Quiz 2013 • All the Answers
‘B EYOND THE PALE ’ • CHRISTMAS QUIZ 2013 • ALL THE ANSWERS 1.1 Alien poets 8.1 Bass guitar 1.2 Gulped alarmingly 8.2 Hide in a bag 1.3 Hi! Catch a word 8.3 Mantovani and his Music of the Mountains 1.4 Wreath odd hunger 8.4 Nevervoid 8.5 Pekinška Patka 2.1 Copenhagen (6 November 2003) and Cologne (6 March 1968) 8.6 Piccolo 2.2 Helsinki (8 October 2013) and Haarlem (18 November 2007) 8.7 Put on a different track 2.3 Los Angeles (21 September 1973) and Los Angeles (15 August 8.8 Run away to Antarctica 2012) 8.9 Sousaphone 2.4 Redhill (19 July 1997) and Copenhagen (6 November 2003) 9.1 Art-terrorist, The Lone Anti-Hermit 3.1 A 1 9.2 Highbrow blues-rock legends, Procol Harum 3.2 B 2 9.3 Multinational scratch-ensemble, the Palers’ Band 3.3 C 3 9.4 NYC’s finest, Von Gundy’s Time Funnel 3.4 D 4 3.5 E 5 10.1 Doll shank dance 3.6 F 6 10.2 Halo women tonight 3.7 G 7 10.3 Relinquished lama 3.8 H 8 10.4 Terrific custody belch 4.1 A concert in Japan, 2012 11.1 Gary Brooker (voice and piano), Chris Copping (organ), 4.2 An unrecorded gig in Guatemala, 1968 Dave Ball (guitar), Matt Pegg (bass), 4.3 The Isle of Wight Festival, 2006 Ian Wallace (drums) 11.2 Gary Brooker (voice and piano), Josh Phillips (organ), 5.1 Early drummer, Tubs Drubs Geoff Whitehorn (guitar), Chris Copping (bass), 5.2 Erstwhile drummer, Bobby Harrison Bobby Harrison (drums) 5.3 Present drummer, Geoff Dunn 11.3 Or Gary Brooker (voice and piano), Pete Solley (organ), Tim Renwick (guitar), Dave Knights (bass), 6.1 Former jailbait, The Runaways Barrie Wilson (drums) 6.2 Gothic bluesmongers, Procol Harum 6.3 R’n’B acolytes, The Paramounts 12.1 Antonio Costa Barbé (Italy), piano and vocal 12.2 Elizabeth Bryson (USA), guitar 7.1 Gary Brooker 12.3 Jens Anders Ravnaas (Norway), drums 7.2 Geoff Dunn 12.4 Roland Clare (UK), bass guitar 7.3 Geoff Whitehorn 12.5 Thelonious Monk (d. -
The Recording Sessions
Bob Dylan: The Recording Sessions by Michael Krogsgaard, compiled from files available at http://www.punkhart.com/dylan/sessions.html 1 2 Some general information regarding the different sources made available for the study: 1. The Columbia Studios Recording Diaries are books, which for each day of the year (since 1941) list every planned session in the different studios. Information includes: time of the day, name of the studio, name of the producer and the engineers and the name of the artist. For the New York studios one diary is missing, that which covers the period January 1967 to December 1970. For the Nashville studios, the diary for the period 1969 to 1971 is missing. 2. Recording Sheets are lists made during each session and put into each tape box. The sheet records the date, the studio, the artist, which tracks were recorded and the CO number (Columbia's own reference number) for each composition (of which, more later). Each recorded take is marked as complete (C), with a short false start(b) or a long false start (B). It is indicated on these sheet which takes are removed to other tapes for further use. 3. The Tape Boxes themselves also usually contain information about each take and which takes are removed for further use. 4. CO Cards contain information about the CO (CO=Columbia) number and title for each composition and usually also the recording date. The CO numbers are basically a secure identification of each composition but they are not always chronological (for instance: the CO numbers for songs recorded in Nashville are generally higher than CO numbers for songs recorded at the same time in New York), and, confusingly, sometimes one composition has several CO numbers, especially (but not always) if it has been recorded several times at different sessions.