How to Succeed in Business Without Really Trying” to Improve Speaking Skills Among Vocational Training Students

Total Page:16

File Type:pdf, Size:1020Kb

How to Succeed in Business Without Really Trying” to Improve Speaking Skills Among Vocational Training Students UNIVERSITE D’ANTANANARIVO ECOLE NORMALE SUPERIEURE DEPARTEMENT DE FORMATION INITIALE LITTERAIRE CER LANGUE ET LETTRES ANGLAISES Adapting the musical “How to Succeed in Business Without Really Trying” to improve speaking skills among vocational training students. Directed by: Mireille RABENORO, agrégée de l’Université, Maitre de Conférences Written by: Fara Mirado Andriamamonjisoa Academic year: 2015 – 2016 Presented on December 2nd 2016 Adapting the musical “How to Succeed in Business Without Really Trying” to improve speaking skills among vocational training students. TABLE OF CONTENTS GENERAL INTRODUCTION Reasons for the choice of the topic............................................................................................5 The chosen research methodology.............................................................................................6 Scope and limitations.................................................................................................................7 Structure of the work.................................................................................................................7 1 Part I : The context of “ How to succeed in Business Without Really Trying”: the business world in post-WWII America. .................................................................................... 8 1.1 How to succeed in Business Without Really Trying”: the book and its authors ......... 8 1.1.1 The authors ........................................................................................................... 8 1.1.1.1 The source material .......................................................................................... 8 1.1.1.2 The musical ....................................................................................................... 9 1.1.2 How to Succeed: Its creation .............................................................................. 11 1.2 Historical background of the 50s and the 60s ............................................................ 12 1.2.1 The U.S. history from the lens of Politics .......................................................... 12 1.2.1.1 Some features of Eisenhower’s administration .............................................. 12 1.2.1.2 John Kennedy’s presidency ............................................................................ 14 1.2.2 The U.S. economy .............................................................................................. 16 1.2.3 Social aspects of the 1950s and the 1960s ......................................................... 17 1.2.3.1 The 1950s ....................................................................................................... 17 1.2.3.1.1 The post war boom .................................................................................... 17 1.2.3.1.2 The 50s civil rights issue ........................................................................... 19 1.2.3.2 The 1960s ....................................................................................................... 20 1.2.3.2.1 The Civil Rights Movement in the 1960s ................................................. 20 1.2.3.2.2 The debilitating Vietnam War .................................................................. 21 1.3 The 50s' and the 60s' and the American Dream ........................................................ 21 1.4 The Women’s Liberation Movement of the 60s ........................................................ 23 1.4.1 Women at work .................................................................................................. 24 1 1.4.2 Women having a say in the government ............................................................ 26 2 Part II Using How to Succeed to address the challenges of learning and teaching speaking skills among vocational training schools ................................................................................ 28 2.1 A brief overview of the E.L.T. in the tertiary stream ................................................ 28 2.2 A S-W-O-T analysis of speaking sessions in vocational schools .............................. 29 2.2.1 Strengths ............................................................................................................. 30 2.2.2 Weaknesses ........................................................................................................ 31 2.2.3 Opportunities ...................................................................................................... 39 2.2.4 Threats ................................................................................................................ 40 2.3 Using musicals to teach speaking skills .................................................................... 40 2.3.1 Defining Speaking skills .................................................................................... 43 2.3.2 Understanding the process of speaking .............................................................. 44 2.3.3 Speaking skills to be developed ......................................................................... 44 2.3.3.1 The need for oral fluency ................................................................................ 44 2.3.3.2 Pronunciation .................................................................................................. 45 2.3.3.2.1 The English language sound ..................................................................... 45 2.3.3.2.2 The English Language Stress .................................................................... 45 2.3.3.2.3 The English Language Intonation ............................................................. 46 2.3.3.3 Non-verbal communicative skills ................................................................... 50 2.3.4 Drama in teaching speaking skills ...................................................................... 51 2.3.4.1 Drama reduces the affective filter .................................................................. 51 2.3.4.2 The concept of Action Control and Self-Motivating Strategies ..................... 52 3 PART III An opportunity to act out ................................................................................. 55 3.1 Using the musical to stimulate students’ willingness to speak .................................. 55 3.2 A humorous script to work on ................................................................................... 56 3.3 Addressing the issue of vocabulary ........................................................................... 56 3.4 Preliminary preparations: The need for restructuring ................................................ 56 3.4.1 Choice of the scenes ........................................................................................... 57 3.4.2 The need for contextual adaptation .................................................................... 59 3.4.2.1 Adapting the script to the level of the students .............................................. 59 3.4.2.2 Modernizing the songs in the musical ............................................................ 62 3.5 Organizing the activity .............................................................................................. 63 3.5.1 Some suggestions on organizing speaking activities ......................................... 63 3.5.1.1 Before ............................................................................................................. 63 2 3.5.1.2 During ............................................................................................................. 68 3.5.1.3 After ................................................................................................................ 71 3.5.2 The actual performance ...................................................................................... 73 3.6 Suggestions on ways of dealing with the musical ..................................................... 74 3.6.1 Some technical procedural strategies ................................................................. 74 3.6.2 A report on the experimentation ......................................................................... 76 3.7 Some suggested activities to teach the components of speaking skills ..................... 78 3.7.1 Teaching sounds ................................................................................................. 79 3.7.2 Teaching word stress and sentence stress via the Names / Suburbs game ......... 81 3.7.3 Teaching intonation ............................................................................................ 82 3.7.3.1 Using the hot seat game .................................................................................. 82 3.7.3.2 Via the attitude game ...................................................................................... 83 GENERAL CONCLUSION................................................................................84 3 LIST OF FIGURES Figure 1 Years of Teaching Experience ................................................................................... 31 Figure 2 Teachers’ Academic Studies ...................................................................................... 33 Figure 3 Learners’ attitudes to speaking ................................................................................. 34 Figure 4 Speaking Sessions ...................................................................................................... 37 Figure 5 Speaking Sessions Frequency ...................................................................................
Recommended publications
  • The Golden Age Exposed: the Reality Behind This Romantic Era
    Illinois Wesleyan University Digital Commons @ IWU Honors Projects Theatre Arts, School of 4-28-2017 The Golden Age Exposed: The Reality Behind This Romantic Era Danny Adams Follow this and additional works at: https://digitalcommons.iwu.edu/theatre_honproj Part of the Theatre and Performance Studies Commons Recommended Citation Adams, Danny, "The Golden Age Exposed: The Reality Behind This Romantic Era" (2017). Honors Projects. 22. https://digitalcommons.iwu.edu/theatre_honproj/22 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Illinois Wesleyan University The Golden Age Exposed: The Reality Behind This Romantic Era Danny Adams Honors Research April 28th, 2017 1 In the spring of 2016, I took a class called "Music Theatre History and Literature" which is about exactly what it sounds like: a course on the history of music theatre and how it evolved into what it is today. From The Black Crook, the first known "integrated musical" in 1866, to In the Heights and shows today, the class covered it all.
    [Show full text]
  • GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
    A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I.
    [Show full text]
  • Musical Theatre Production Repertoire
    ASU LYRIC OPERA THEATRE - MUSICAL THEATRE REPERTOIRE Show Title Creative Team Year(s) Performed 25th Annual Putnam County Spelling Bee, The Composer(s): William Finn 2010 Lyricist(s): William Finn Book Writer(s): Rachel Sheinkin A Funny Thing Happened on the Way to the Forum Composer(s): Stephen Sondheim 1969, 78, 89 Lyricist(s): Stephen Sondheim Book Writer(s): Burt Shevelove, Larry Gelbart A Little Night Music Composer(s): Stephen Sondheim 1987, 99 Lyricist(s): Stephen Sondheim Book Writer(s): Hugh Wheeler A...My Name is Alice Composer(s): Various 1991, 98 Lyricist(s): Various Book Writer(s): Joan Silver & Julianne Boyd And the World Goes 'Round Composer(s): John Kander 1994, 2008 Lyricist(s): Fred Ebb Book Writer(s): Revue Anything Goes Composer(s): Cole Porter 2005 Lyricist(s): Cole Porter Book Writer(s): Guy Bolton, P.G. Wodehouse archy and mehitabel Composer(s): George Kleinsinger 1966, 74 Lyricist(s): Joe Darion Book Writer(s): Joe Darion, Don Marquis Assassins Composer(s): Stephen Sondheim 2007 Lyricist(s): Stephen Sondheim Book Writer(s): John Weidman Bat Boy: The Musical Composer(s): Laurence O'Keefe 2012 Lyricist(s): Laurence O'Keefe Book Writer(s): Keythe Farley, Brian Flemming Berlin to Broadway with Kurt Weill Composer(s): Kurt Weill 1977 Lyricist(s): Various Book Writer(s): Gene Lerner Best Little Whorehouse in Texas, The Composer(s): Carol Hall 2011 Lyricist(s): Carol Hall Book Writer(s): Larry L. King, Peter Masterson Boyfriend, The Composer(s): Sandy Wilson 1967, 98, 2005 Lyricist(s): Sandy Wilson Book Writer(s): Sandy
    [Show full text]
  • Sunset Playhouse Production History 2020-21 Season Run for Your Wife
    Sunset Playhouse Production History 2020-21 Season Run for your Wife by Ray Cooney presented by special arrangement with Concord Theatricals for Samuel French 9 to 5, The Musical by Dolly Parton presented by special arrangement with MTI Elf by Thomas Meehan & Bob Martin presented by special arrangement with MTI 4 Weddings and an Elvis by Nancy Frick presented by special arrangement with Concord Theatricals for Samuel French The Cemetery Club by Ivan Menchell presented by special arrangement with Concord Theatricals for Samuel French Young Frankenstein by Mel Brooks presented by special arrangement with MTI An Inspector Calls by JB Priestley presented by special arrangement with Concord Theatricals for Samuel French Newsies by Harvey Fierstein presented by special arrangement with MTI _________________________________________________________________________________________________________ 2019-2020 Season A Comedy of Tenors – by Ken Ludwig presented by special arrangement with Samuel French Mamma Mia – presented by special arrangement with MTI The Game’s Afoot – by Ken Ludwig presented by special arrangement with Samuel French The Marvelous Wonderettes – by Roger Bean presented by special arrangement with StageRights, Inc. Noises Off – by Michael Frayn presented by special arrangement with Samuel French Cabaret – by Joe Masteroff presented by special arrangement with Tams-Witmark Barefoot in the Park – by Neil Simon presented by special arrangement with Samuel French (cancelled due to COVID 19) West Side Story – by Jerome Robbins presented by special arrangement with MTI (cancelled due to COVID 19) 2018-2019 Season The Man Who Came To Dinner – by Moss Hart and George S. Kaufman presented by special arrangement with Dramatists Play Mary Poppins - Original Music and Lyrics by Richard M.
    [Show full text]
  • Center Corporate Fund. for How It Went from EMS Arc the Best That Can
    DOCUMENT RESUME CS 508 905 ED 381 838 AUTHOR Carr, John C. Business Without Really Trying." TITLE "How To Succeed in Spotlight on Theater Notes. for the Performing Arts, INSTITUTION John F. Kennedy Center Washington, D.C. Washington, DC. SPONS AGENCY Department of Education, PUB DATE [95) Performance Plus Program, NOTE 13p.; Produced by the Kennedy Center EducationDepartment. Funding also provided by the KennedyCenter Corporate Fund. For other guides in thisseries, see CS 508 902-906. PUB TYPE Guides General (050) EDRS PRICE MF01/PC01 Plus Postage. *Drava; Higher DESCRIPTORS Acting; *Cultural Enrichment; Education; Playwrit..ng;Popular Culture; Production Techniques; SecondaryEducation *How to Succeed in Business IDENTIFIERS Historical Background; Without Really Trying;Musicals ABSTRACT This booklet presents avariety of materials Succeed in concerning the current revivalof the 1961 play "How to introduction to the Business Without ReallyTrying." After a brief the plot of the play,how it went from play, the booklet discusses information on the best seller to prize-winningmusical, biographical :Abe Burrows), a lead actok. (MatthewBroderick) and the playwright biographical information aboutthe quiz about plays, and book on which composer/lyricist (FrankLoesser), the author of the and the designer. the play is based, thedirector, the choreographer, (RS) *********.A.****-::**)%-**,:z************** can he made Reproductions supplied byEMS arc the bestthat from the originaldocument. :*,::).:***************************.A***************************** Produced by the Performance Plus Program, Education Departaent U.S. DEPARTMENT OF EDUCATION Office of Educational Research and Improvement EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) This document has been reproduced as received from the person or organization originating it. 0 Minor changes have been made to improve reproduction quality.
    [Show full text]
  • Download the Show Program
    2010 SEASON How to Succeed In Business Without Really Trying | 11 Cast of Characters | 12 Musical Numbers | 13 Who’s Who | 14 About the Authors | 20 Program Notes | 21 History of the Goodspeed Opera House | 25 Past Productions | 25 About Goodspeed Musicals | 26 William H. Goodspeed Legacy Society | 27 The Goodspeed Opera House Foundation | 28 Goodspeed Membership | 30 Goodspeed Musicals Staff | 41 For Your Information | 42 Audio and video recording and photography are prohibited in the theatre. FAMILY Please turn off your cell phone, beeper, watch alarm or anything else that might make a distracting noise during RESTAURANT the performance. Unwrap any candies, cough drops, or mints before the performance begins to avoid disturbing your fellow audience members or the actors on stage. We appreciate your cooperation. FAMILY OWNED & OPERATED Editor: Lori A. Cartwright Open for BREAKFAST, LUNCH & DINNER Tuesday through Sunday HOMEMADE COOKING ADVERTISING & DAILY SPECIALS OnStage Publications OUTSIDE DINING AVAILABLE 937-424-0529 | 866-503-1966 On the Corner of Town Street e-mail: [email protected] and Route 82 in East Haddam www.onstagepublications.com 860.873.8080 This program is published in association with OnStage Publications, 1612 Prosser Avenue, Dayton, Ohio 45409. This program may not be WE NOW ACCEPT reproduced in whole or in part without written permission from the publisher. OnStage Publications is a division of Just Business, Inc. Contents ©2010. All rights reserved. Printed in the U.S.A. GOODSPEED MUSICALS | 2010 SEASON 3 How to Succeed In Business Without Really Trying | 11 Cast of Characters | 12 Musical Numbers | 13 Who’s Who | 14 About the Authors | 20 Program Notes | 21 History of the Goodspeed Opera House | 25 Past Productions | 25 About Goodspeed Musicals | 26 William H.
    [Show full text]
  • Royal MTC Production History
    PRODUCTION HISTORY Historical research for this project was funded by Manitoba Culture, Heritage and Tourism. 1958-1959 SEASON Theatre 77 Series A Hatful of Rain Michael V. Gazzo October 20, 1958 - October 25, 1958 Dominion Theatre The Glass Menagerie Tennessee Williams January 19, 1959 - January 24, 1959 Dominion Theatre Ring Around the Moon Jean Anouilh and Christopher Fry March 23, 1959 - March 28, 1959 Dominion Theatre Of Mice and Men John Steinbeck May 11, 1959 - May 16, 1959 Dominion Theatre Little Theatre Series Blithe Spirit Noël Coward November 10, 1958 - November 15, 1958 Dominion Theatre Teach Me How to Cry Patricia Joudry December 8, 1958 - December 13, 1958 Dominion Theatre Born Yesterday Garson Kanin February 23, 1959 - February 28, 1959 Dominion Theatre The Diary of Anne Frank Dramatized by Frances Goodrich and Albert Hackett (Based Upon the Book, Anne Frank: Diary of a Young Girl) April 13, 1959 - April 18, 1959 Dominion Theatre Theatre for Young Audiences Cinderella Book by John Hirsch; Music & Lyrics by Neil Harris December 23, 1958 - December 30, 1958 Dominion Theatre World Premiere MTC production presented by the Children’s Theatre of Winnipeg Members’ Night Program Fumed Oak Noël Coward February 9, 1959 - February 10, 1959 Dominion Theatre Triple-billed with The Answer and No Exit The Answer Phoebe Rees February 9, 1959 - February 10, 1959 Dominion Theatre Triple-billed with Fumed Oak and No Exit No Exit Jean-Paul Sartre February 9, 1959 - February 10, 1959 Dominion Theatre Triple-billed with Fumed Oak and The Answer The Bald Soprano Eugene Ionesco April 27, 1959 - April 28, 1959 Dominion Theatre Triple-billed with The Man in the Bowler Hat and Sunday Costs Five Pesos The Man in the Bowler Hat A.A.
    [Show full text]
  • How to Succeed 11-20-08.Pdf
    2008-09 Mainstage Season Music and Lyrics by Frank Loesser Book by Abe Burrows, Jack Weinstock and Willie Gilbert Based on the novel by Shepherd Mead November 20-23, 2008 Corbett Auditorium SEASON SPONSOR Interested in exploring job opportunities with Macy’s or one of its department store or support divisions? Check it out on www.retailology.com today! University of Cincinnati College-Conservatory of Music Division of Opera, Musical Theater, Drama and Arts Administration presents How to Succeed in Business Without Really Trying Music and lyrics by Frank Loesser Book by Abe Burrows, Jack Weinstock and Willie Gilbert Based on the novel by Shepherd Mead Set Designer Costume Designer Thomas C. Umfrid Rebecca Senske Lighting Designer Wig & Make-Up Designer Ryan Bochnowski´ Lisa Lehmkuhl´ Sound Designer Stage Manager Sun Hee Kil´ Brittanie Sicker´ Choreographer Dialect Coach Musical Director Diane Lala Rocco Dal Vera David Gardos´ Director Aubrey Berg Corbett Auditorium November 20–23, 2008 ´ CCM Student Mainstage Season Sponsor Mainstage Season Design Sponsor Duke Energy Macy’s Musical Theater Program Sponsor The Otto M. Budig Family Foundation How to Succeed in Business Without Really Trying is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI, 421 West 54th Street, New York, NY 10019. Phone: 212-541-4684, Fax: 212-397-4684, www.MTIShows.com CCM is an accredited institution of the National Association of Schools of Music and the National Association of Schools of Theatre and a member of the University/Resident Theatre Association. The Musical Theater program at CCM is a member of the National Alliance for Musical Theatre.
    [Show full text]
  • List of Tony and Olivier Award Winning Musicals
    The following is a list of musicals that have won the Tony Award or Laurence Olivier Award for Best Musical. Highlighted shows are currently running on either Broadway or West End as of December 2017. Title Year Music Lyrics Book Tony Olivier Notes Me and My Girl 1937 Noel Gay Douglas Furber, L. Arthur Rose Furber, Rose 1985 Carmen Jones 1943 Georges Bizet Oscar Hammerstein II Hammerstein 1992 The Broadway revival in 2000 Kiss Me, Kate 1948 Cole Porter Porter Samuel and Bella Spewack 1949 won the Tony Award for Best Revival. Ten Tony nominations, winning all ten and the Pulitzer; the 2008 Broadway 1949 Richard Rodgers Oscar Hammerstein II South Pacific Hammerstein, Joshua Logan 1950 revival won the Tony for Best Revival and six other Tonys out of eleven nominations. It won all five Tonys for which it was nominate Guys and Dolls 1950 Frank Loesser Loesser Jo Swerling, Abe Burrows 1951 d. The 1955 film adaptatio nbecame popular. It won all five Tonys for which it was nominate The King and I 1951 Richard Rodgers Oscar Hammerstein II Hammerstein 1952 d. The 1956 film adaptatio nbecame popular. Kismet 1953 Alexander Borodin Robert Wright, George Forrest Wright, Forrest 1954 It won all five Tony Awards for 1953 Leonard Bernstein Betty Comden, Adolph Green Joseph Fields, Jerome Chodorov Wonderful Town 1953 which it was nominated. The Broadway George Abbott, Richard Pike revival in 2006 The Pajama Game 1954 Richard Adler Jerry Ross 1955 won the Tony Bissell Award for Best Revival. Nominated for nine Tony 1955 George Abbott, Douglass Wallop Damn Yankees Richard Adler Jerry Ross 1956 Awards, winning seven.
    [Show full text]
  • Community Players Theatre Collection Processed by Emma Meyer December 2014
    McLean County Museum of History Community Players Theatre Collection Processed by Emma Meyer December 2014 Collection Information VOLUME OF COLLECTION: 2 Box, COLLECTION DATES: 1923-2013 RESTRICTIONS: None REPRODUCTION RIGHTS: Permission to reproduce or publish material in this collection must be obtained in writing from the McLean County Museum of History ALTERNATIVE FORMATS: None OTHER FINDING AIDS: LOCATION: Archives NOTES: Historical Sketch In 1923 a women's club met in Bloomington and discussed creating a group to perform some amateur theatricals. The first production was Overtones performed March 6, 1923, starring Winifred Kates James, Grace Kessler Green, Edith Elliot Kuhn and Lucy Parke Williams and was presented in the Turner Hall. Today Community Players is one of the oldest community theatres completely staffed by volunteers. From Turner Hall they went on to use the facilities at the Illini Theatre (now the MARC Center next to Lucca Grill), Bloomington High School (the former BJHS building on Washington Street as well as the current building on East Locust), the old Normal High School, Illinois State Normal University (Old Main), The Majestic Theater and the Scottish Rite Temple (currently the Bloomington Cultural Center for the Performing Arts). In 1957 some of the leaders of the group came together to purchase the Esquire movie theatre on Madison Street just south of the Pantagraph building. It had 300 seats and air conditioning. The deal was negotiated but never completed. The city decided to condemn the building to create new city parking lots so Community Players had to find a new home. They settled at their current location at 201 Robinhood Lane.
    [Show full text]
  • Performance History
    Season Show Title Venue Play/Musical Run Dates Authors 1933-1934 Queen’s Husband, The Play Robert E. Sherwood 1934-1935 As Husbands Go Play Rachel Crothers 1937-1938 Ladies of the Jury Play Frederick Ballard 1938-1939 Her Master’s Voice Play Clare Kummer 1938-1939 Mystery at Greenfingers Play J.B. Priestly 1938-1939 Room Service Play Marx Brothers 1938-1939 Susan and God Play Rachel Crothers 1938-1939 Lightnin’ Play Winchell Smith & Frank Bacon 1939-1939 Yes, My Darling Daughter Play Mark Reed 1939-1940 What a Life Play Clifford Goldsmith 1939-1940 On Approval Play Frederick Lonsdale 1939-1940 You Can’t Take It With You Play George S. Kaufman & Moss Hart 1939-1940 Distinguished Gathering Play James Parish 1939-1940 Brother Rat Play John Monks, Jr. & Fred F. Finklehoffe 1939-1940 Personal Appearance Play Lawrence Riley 1939-1940 Boy Meets Girl Play Sam & Bella Spewack 1939-1940 Merchant of Yonkers, The Play Thornton Wilder 1940-1941 Scarlet Pimpernel, The Play Baroness Orczy & Montague Barstow 1940-1941 Margin For Error Play Clare Boothe Luce 1940-1941 George Washington Slept Here Play George S. Kaufman & Moss Hart 1940-1941 Vivacious Lady Play P.J. Wolfson & Ernest Pagano 1940-1941 See My Lawyer Play Richard Maibaum & Harry Clork 1940-1941 Leighton Ltd. Play 1941-1942 Charley’s Aunt Play Brandon Thomas 1941-1942 Man Who Came To Dinner, The Play George S. Kaufman & Moss Hart 1941-1942 Flying Gerardos, The Play Kenyon Nicholson & Charles Robinson 1941-1942 Father’s Day Play Oliver Hailey Robert Wallsten & Mignon G. Eber- 1941-1942 Eight O’Clock Tuesday Play hart 1941-1942 No Time For Comedy Play S.
    [Show full text]
  • Year Date Name of Production Description 1917 September 27, 28, 28 Have a Heart a Musical Comedy by Guy Bolton and P. G
    Year Date Name of Production Description 1917 September 27, 28, 28 Have A Heart A musical comedy by Guy Bolton and P. G. Wodehouse, music by Jerome Kern 1917 1-Oct Furs and Frills A musical with lyrics by Edward Clark, music by Silvo Hein 1919 6-Oct The Gallo Opera Co. A revival of William S. Gilbert and Sir Arthur Sullivan's The Mikado , music directed by Max Bendix 1922 May 19 and 20 Dulcy A comedy in three acts by George S. Kaufman and Marc Connelly 1924 9-Apr Anna Pavlowa A ballet featuring Hilda Butsova and Corps De Ballet; Ivan Clustine, Balletmaster and conductor Theodore Stier 1924 April 10, 11, 12 Jane Cowl Portraying Juliet in Shakespeare's Romeo and Juliet ; staged by Frank Reicher 1927 1-Sep My Princess A modern Operetta based on a play by Edward A. Sheldon and Dorothy Donnelly; music by Sigmund Romberg 1927 September 5, 6, 7 Creoles A romantic comedy drama by Samuel Shipman and Kenneth Perkins 1927 September 8, 9, 10 The Cradle Song A Comedy in two acts by Gregario and Maria Martinez Sierra translated in English by John Garrett Underhill 1928 January 26, 27, 28 Quicksand A play presented by Anna Held Jr. and written by Warren F. Lawrence 1928 January 30 Scandals A play based on the book by Williams K. Wells and George White 1928 September 17, 18, 19 Paris Bound/Little Accident A comedy by Philip Barry presented by Arthur Hopkins; featuring (1 play per side of one Madge Kennedy sheet) 1928 September 20, 21, 22 Little Accident/Paris Bound A comedy in three acts by Floyd Dell and Thomas Mitchell; staged (1 play per side of one by Arthur Hurley sheet) 1928 October 1, 2, 3, The Shanghai Gesture/The presented by A.
    [Show full text]