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See It Big! Action Features More Than 30 Action Movie Favorites on the Big
FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films -
Is There a Doctor at the Beach ?
l) BEAUTE 1l,y a un homme derriere les peaux radieuses des habituees du tapis rouge. Rencontre aJ Vew York avec le Dr Colbert dermatologue de renom etfidele de Saint-BarthJ dont beaucoup revent dJavoir fa ligne directe. There is a man behind the glowing complexions of red carpet stars. In New Yor( we make an appointment with acclaimed dermatologist and St Barth regular Dr. Colbert, whom many dream of having on speed dial. TEXTE KARE ROUACH IS THERE A DOCTOR AT THE BEACH ? lateau de tournage, casting creur de Manhattan. "Mes patients doivent - Is this a film set, a model casting, or a de defile de mode, ou centre rester naturels, simplement une meilleure doctor's office? It can all get a bit confusing, medical? Dans le cabinet du version d 'eux-m emes." Le fameux soin but pleasantly so. In Dr. Colbert's Fifth Ave Dr Colbert, sur Ia s• Avenue, "Triad", qui lui vaut sa notoriete, est un nue office, you could easily brush shoulders on peut facilement croiser traitement laser specialise, en 30 minutes with Karen Elson in the elevator, Naomi KarPen Elson dans l'ascenseur, Naomi chrono, qui commence par un lissage tres \1\'atts in the waiting room, or Alessandra Watts en salle d'attente ou Alessandra Ieger, puis un laser tonifiant, et enfin une Ambrosio leaning on the reception desk, Ambrosio accoudee au comptoir de l'ac exfoliation aux acides de fleurs. Dans son all of them there to undergo the signature cueil, toutes venues abuser du soin signa premier livre, Th e High School Reunion "Triad" treatment of this skincare star, or ture de ce dermato-star, le "Triad", ou bien Diet, Dr Colbert demontre le lien direct to covertly beat the signs of aging (well, se rajeunir incognito (enfin presque). -
7 1Stephen A
SLIPSTREAM A DATA RICH PRODUCTION ENVIRONMENT by Alan Lasky Bachelor of Fine Arts in Film Production New York University 1985 Submitted to the Media Arts & Sciences Section, School of Architecture & Planning in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE at the Massachusetts Institute of Technology September, 1990 c Massachusetts Institute of Technology, 1990 All Rights Reserved I Signature of Author Media Arts & Sciences Section Certified by '4 A Professor Glorianna Davenport Assistant Professor of Media Technology, MIT Media Laboratory Thesis Supervisor Accepted by I~ I ~ - -- 7 1Stephen A. Benton Chairperso,'h t fCommittee on Graduate Students OCT 0 4 1990 LIBRARIES iznteh Room 14-0551 77 Massachusetts Avenue Cambridge, MA 02139 Ph: 617.253.2800 MITLibraries Email: [email protected] Document Services http://libraries.mit.edu/docs DISCLAIMER OF QUALITY Due to the condition of the original material, there are unavoidable flaws in this reproduction. We have made every effort possible to provide you with the best copy available. If you are dissatisfied with this product and find it unusable, please contact Document Services as soon as possible. Thank you. Best copy available. SLIPSTREAM A DATA RICH PRODUCTION ENVIRONMENT by Alan Lasky Submitted to the Media Arts & Sciences Section, School of Architecture and Planning on August 10, 1990 in partial fulfillment of the requirements for the degree of Master of Science ABSTRACT Film Production has always been a complex and costly endeavour. Since the early days of cinema, methodologies for planning and tracking production information have been constantly evolving, yet no single system exists that integrates the many forms of production data. -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Issue #72 Summer / Fall 2008 Lars Bloch Interview (Part 2) a Man, a Colt the MGM Rolling Road Show Latest DVD Reviews
Issue #72 Summer / Fall 2008 Lars Bloch Interview (part 2) A Man, a Colt The MGM Rolling Road Show Latest DVD Reviews WAI! #72 THE SWINGIN’ DOORS April and May were months that took a number of well known actors of the Spaghetti western genre: Jacques Berthier, Robert Hundar, John Phillip Law and Tano Cimarosa were all well known names in the genre. Of course we should expect as much since these people are now well into their 70s and even 80s. Still in our minds they are young vibrant actors who we see over and over again on video and DVD. It’s hard to realize that it’s been 40+ years since Sergio Leone kicked off the Spaghetti western craze and launched a world wide revolution in film that we still see influencing films today. Hard to believe Clint Eastwood turned 78 on May 30th. Seems like only yesterday he was the ‘Man with No Name’ and starring in the first of the Leone films that launched the genre. Remember when Clint was criticized so badly as an actor and for the films he appeared in during the 60s and 70s. Now he’s revered in Hollywood because he’s outlived his critics. I guess we recognized a real star long before the critics did. A great idea came to Tim League’s mind in the launching of the “Rolling Road Show”, where films are actually shown where they were filmed. I wasn’t able to travel to Spain to see the Dollars trilogy but we have a nice review of the films and the experience by someone who was there. -
Accion Mutante
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Salford Institutional Repository “Esto no es un juego, es Acción mutante”: The Provocations of Álex de la Iglesia Peter Buse Núria Triana-Toribio Andrew Willis University of Salford University of Manchester University of Salford Speaking at the Manchester Spanish Film Festival in 2000, Álex de la Iglesia professed that he was not really a film director. “I’m more of a barman”, he claimed, “I just make cocktails”. His films, he implied, were simply an elaborate montage of quotations from other directors, genres, and film-styles, a self-assessment well borne out by Acción mutante (1993), the de la Iglesias team’s1 first feature film, which promiscuously mixes science fiction and comedy, film noir and western, Almodóvar and Ridley Scott. Were such a claim, and its associated renunciation of auteur status, to issue from an American independent director, or even a relatively self-conscious Hollywood director, would it even raise an eyebrow, so eloquently does it express postmodern orthodoxy? And does it make any difference when it comes from a modern Spanish director? As a bravura cut- and-paste job, a frenetic exercise in filmic intertextuality, Acción mutante is highly accomplished, but it would be a mistake to praise or criticize it on the grounds of its postmodern sensibilities alone without taking into account the intervention it made into a specifically Spanish filmic context where, in the words of the title song “Esto no es un juego, es acción mutante”. AFTER THE LEY MIRÓ Álex de la Iglesia has defined his cinema in terms of what it is not. -
The Hollywood Reporter November 2015
Reese Witherspoon (right) with makeup artist Molly R. Stern Photographed by Miller Mobley on Nov. 5 at Studio 1342 in Los Angeles “ A few years ago, I was like, ‘I don’t like these lines on my face,’ and Molly goes, ‘Um, those are smile lines. Don’t feel bad about that,’ ” says Witherspoon. “She makes me feel better about how I look and how I’m changing and makes me feel like aging is beautiful.” Styling by Carol McColgin On Witherspoon: Dries Van Noten top. On Stern: m.r.s. top. Beauty in the eye of the beholder? No, today, beauty is in the eye of the Internet. This, 2015, was the year that beauty went fully social, when A-listers valued their looks according to their “likes” and one Instagram post could connect with millions of followers. Case in point: the Ali MacGraw-esque look created for Kendall Jenner (THR beauty moment No. 9) by hairstylist Jen Atkin. Jenner, 20, landed an Estee Lauder con- tract based partly on her social-media popularity (40.9 million followers on Instagram, 13.3 million on Twitter) as brands slavishly chase the Snapchat generation. Other social-media slam- dunks? Lupita Nyong’o’s fluffy donut bun at the Cannes Film Festival by hairstylist Vernon Francois (No. 2) garnered its own hashtag (“They're calling it a #fronut,” the actress said on Instagram. “I like that”); THR cover star Taraji P. Henson’s diva dyna- mism on Fox’s Empire (No. 1) spawns thousands of YouTube tutorials on how to look like Cookie Lyon; and Cara Delevingne’s 22.2 million Instagram followers just might have something do with high-end brow products flying off the shelves. -
The Black Orchid on Talking Pictures TV Stars: Sophia Loren, Anthony Quinn, Ina Balin and Jimmy Baird
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 20th July 2020 FREESAT 306 | VIRGIN 445 The Black Orchid on Talking Pictures TV Stars: Sophia Loren, Anthony Quinn, Ina Balin and Jimmy Baird. Directed by Martin Ritt in 1959. Rose Bianco, a florist widowed by a famous gangster, looks for happiness with widower Frank Valente. Rose is dealing with her son Ralph who is in a work farm for troubled boys, though Ralph is warned that if he runs away one more time he will be sent to reform school. Sophia Loren convincingly portrays the mother, the widow and the bride. Anthony Quinn combines charm with strength. Airs Saturday 25th July 7:10pm. Monday 20th July 11:10am Wednesday 22nd July 9:30am Heart of a Child (1958) It’s Hard to be Good (1948) Drama, directed by Clive Donner. Comedy. Directed by: Jeffrey Dell. Stars: Jean Anderson, Stars: Anne Crawford, Jimmy Hanley, Donald Pleasence, Richard Williams. Raymond Huntley. A conscientious During wartime rationing, a young captain emerges from the war Austrian boy is forced to sell the with ambitions to spread peace family dog to pay for food. Will his and goodwill. canine friend find him when he is Wednesday 22nd July 1:10pm trapped in a snowstorm? My Six Loves (1962) Monday 20th July 2:35pm Comedy, directed by Gower Don’t Bother To Knock (1961) Champion. Stars: Debbie Reynolds, Comedy. Director: Cyril Frankel. Stars: David Janssen, Cliff Robertson. Richard Todd, Nicole Maurey and Comic story of a Broadway musical Elke Sommer. -
Roger Vadim, BARBARELLA (1968, 98 Minutes)
3 March 2015 (Series 30:6) Roger Vadim, BARBARELLA (1968, 98 minutes) Directed by Roger Vadim Written by Jean-Claude Forest (comic), Claude Brulé, Terry Southern (screenplay), Roger Vadim (screenplay), Vittorio Bonicelli, Clement Biddle Wood, Brian Degas, and Tudor Gates Produced by Dino De Laurentiis Music by Charles Fox Cinematography by Claude Renoir Film Editing by Victoria Mercanton Production Design by Mario Garbuglia Costume Design by Jacques Fonteray and Paco Rabanne Jane Fonda ... Barbarella John Phillip Law ... Pygar Anita Pallenberg ... The Great Tyrant Milo O'Shea ... Concierge / Durand-Durand Marcel Marceau ... Professor Ping Games, 1976 Une femme fidèle, 1974 La jeune fille assassinée, Claude Dauphin ... President of Earth 1973 Don Juan (Or If Don Juan Were a Woman), 1972 Hellé, Véronique Vendell ... Captain Moon 1971 Pretty Maids All in a Row, 1968 Barbarella, 1966 The Giancarlo Cobelli Game Is Over, 1964 Circle of Love, 1963 Vice and Virtue, 1962 Serge Marquand ... Captain Sun Love on a Pillow, 1961 Please, Not Now!, 1960 Blood and Nino Musco Roses, 1959 Les liaisons dangereuses, 1958 The Night Heaven Franco Gulà Fell, 1957 No Sun in Venice, and 1956 ...And God Created Catherine Chevallier ... Stomoxys Woman. Marie Therese Chevallier ... Glossina Umberto Di Grazia Terry Southern (writer, screenplay) (b. May 1, 1924 in David Hemmings ... Dildano Alvarado, Texas—d. October 29, 1995 (age 71) in New York Ugo Tognazzi ... Mark Hand City, New York) wrote 18 films and television shows, which are Vita Borg ... La magicienne 2007 Terry Southern's Plums and Prunes, 2004 Heavy Put-Away, Chantal Cachin ... La révolutionnaire 1998 Terry Southern Interviews a Faggot Male Nurse, 1988 The Fabienne Fabre .. -
The Son of No One
ANCHOR BAY FILMS AND MILLENNIUM FILMS PRESENTS A NU IMAGE PRODUCTION A FILM BY DITO MONTEL The Son of No One STARRING: CHANNING TATUM TRACY MORGAN KATIE HOLMES RAY LIOTTA WITH JULIETTE BINOCHE AND AL PACINO PRESS NOTES Running time is 93 minutes. Rated R for violence, pervasive language and brief disturbing sexual content. Press Contacts: LOS ANGELES FIELD ONLINE NEW YORK Chris Libby /Chris Regan Sumyi Khong Patrick Craig Annie McDonough 6255 Sunset Blvd., Ste. 917 9242 Beverly Blvd., Ste. 201 11 West 19th Street 850 Seventh Ave., Ste. 1005 Los Angeles, CA 90028 Beverly Hills, CA 90210 New York, NY 10011 New York, NY 10019 P: 323.645.6800 P: 424.204.4164 P: 212.386.7685 P: 212-445-7100 [email protected] [email protected] [email protected] [email protected] [email protected] The Son of No One Synopsis In this searing police thriller, Jonathan (Channing Tatum) is a second-generation cop who gets in over his head when he’s assigned to re-open a double homicide cold case in his Queens neighborhood. An anonymous source feeding new information on the long-unsolved murders to a local reporter (Juliette Binoche) leads to evidence suggesting a possible cover-up by the former lead detective (Al Pacino), who was on the investigation. As Jonathan digs deeper into the assignment, a dark secret about the case emerges, which threatens to destroy his life and his family. Written and directed by Dito Montiel, The Son of No One also stars Tracy Morgan, Katie Holmes, Ray Liotta and Jake Cherry. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE