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celebrates his 73rd birthday today. His lyrics have lent themselves to the Resource Center song and verse of more than five decades of Indian cinema. CJ: Vidhi M Tue, Aug 18, 2009 15:19:49 IST Views: 119 Comments: 1 Rate: 4.0 / 1 votes Gulzar : Film promotion and marketing in India

SAMPOORN SINGH Kalra turned 73 today. The poet, lyricist and director who began his career in Indian Cinema with Bimal Roy and Hrishikesh Mukherjee, was first noticed with the song, “Mora Gora Ang le le...” for the film Bandini in 1963. Don't recall him yet? He is Live Debate popularly known by his pen name, Gulzar. Should the Lokpal Bill be applicable for From the initial strains of “Musafir hoon the post of prime minister of India? yaron...” (Parichay), to the melancholy “Mere Agree: 80% Disagree: 20% Kuch Saaman...” (); from Aishwarya's Participate Now mujra in “Kajra re..” (Bunty aur Babli) to the recently released film Kaminey's “Dhan Te Latest in Entertainment Nan”, Gulzar's lyrics have lent to themselves to Arnold Schwarzenegger to star.. the verse and song to more than five decades Shahid Kapoor refuses L.N... of Indian cinema. While the definition of 'filmi' Shiney Ahuja granted bail by.. music genres were discarded, accepted and reinvented – there was always a Gulzar to give verse to Honeymoon: Will Prince William.. it. Wedding bells for Saifeena post.. 'Mission Kela continues': Jatin.. Born on August 18, 1936 in Jhelum, Sampoorn also worked as a garage mechanic before becoming an established writer. It was only then that he took up the pen name of Gulzar Deenvi. While he got his more...

big break with SD Burman in Bandini, his most popular work was with RD Burman with whom he worked on such films as Parichay, Aandhi, Khushboo, Ijjazat and Masoom. He also collaborated on Photos on Entertainment award-winning songs with Salil Chowdhary (Anand) and Madan Mohan (Mausam). His verse is written primarily in a mixture of Hindi and Urdu, though he has also written several Punjabi songs and also written several compositions in dialects of Hindi such as Braj Bhasha, Khadi Boli, Haryanvi and Marwadi.

As a director, he is known to concentrate on human emotions in his storylines; whether it is his early works like and or the more recent ones – Ehsaas is Tarah, and . Koshish here requires special mention for its poignant story of the lives of a deaf-mute couple. Further, his leftist leanings and interests in political matters is also highlighted in his works like Aandhi, Maachis and Hu Tu Tu. Aandhi was even banned at the time of its release as the protagonist was said to be based on Indira Gandhi, who had at that time, declared Emergency. Maachis and Hu tu tu were his portrayal of youth and how they have reached the end of their tether as a result of situations created by generations before them. more...

He received numerous awards and felicitations for his contribution to cinema and literature. While he received his only best direction awards (both Filmfare and National awards) for Mausam, he has received significant recognition for his work as a lyricist. He was honored with the best lyricist award at Filmfare 11 times (from 1972 to 2005) and twice at the National Awards. He also received recognition for dialogue writing (Anand. Namak Haraam, Maachis, Saathiya) and screenplay (Koshish). In 2002, he received the Lifetime Achievement award from Filmfare and the Sahitya Akademi Award for his collection of Short stories, Dhuan. Two years later, he was awarded the Padma Bhusan. He has also collaborated with artists on special works – Main aur Mera saaya with Bhupen Hazarika, Udaas Pani with Jagjit Singh and Vaada with Amjad Ali Khan. Apart from these, he has given his voice for a tribute to Amrita Pritam as well as the Karadi Tales, an audio book project.

As before, you might not get a glimpse of him this weekend. According to his daughter, , he runs away from the city on his birthdays. “Once we even went on a picnic to Hampi”, she says.

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