TV Life; July 5
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A Roomful of Roses Was First Presented at the Playhouse, Member of National Theatre Conference of Ameica New York City, on October 17, 1955
I I A SUMMER THEATRE AND ARTS COLONY Submitted in partial fulfillment of requirements for the degree Master in Architecture August 1957. i F TECHN JUN 20 1956 L IBE3RAA Frank R. Krueger B.A., University of California, 1956 L. B. Anderson, Head School of Architecture Massachusetts Institute of Technology August 7, 1957 Pietro Belluschi, Dean School of Architecture and Planning Massachusetts Institute of Technology Cambridge, Massachusetts Dear Dean Belluschi: In partial fulfillment of the requirements for the degree, Master in Architecture, I, herewith, respectfully submit a thesis entitled "A Summer Theatre and Arts Colony". Sincerely yours, Frank R. Krueger 6 Westgate Cambridge, Massachusetts ACKNOWLEDGEMENTS I would like to give recognition to the following for their extensive help, guidance and encouragement: John and Thelma Gilland for their association; and imparting some of their love for the theatre. Alan Levitt for providing me with a very interesting and challenging program. Professor Robert Newman for his valuable acoustical aid. Dean Belluschi Paul Rudolph Minoru Yamasaki The members of graduate class 1956-1957. In addition I would like to acknowledge my debt in patience and support to my wife, Phyllis. - U INDEX Abstract Introduction 2 1. Summer Theatre i4 2. The Contemporary Theatre 12 3. A Program of Design 24 4. The Site 30 5. Space Requirements 33 Bibliography 39 ABSTRACT A SUMMER THEATRE AND ARTS COLONY Submitted by Frank R. Krueger in partial fulfillment of the requirements for the degree of Master in Architecture. School of Architecture and Planning, Massachusetts Institute of Technology. August 1957. The summer theatre is becoming an important institution in furthering American culture. -
The Seven Ages of Musical Theatre: the Life Cycle of the Child Performer
UNIVERSITY OF SOUTHAMPTON The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook A thesis submitted in partial fulfillment for the degree of Doctor of Philosophy in the Humanities Faculty School of Music April 2016 \A person's a person, no matter how small." Dr. Seuss UNIVERSITY OF SOUTHAMPTON Abstract Humanities Faculty School of Music Doctor of Philosophy The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook The purpose of the research reported here is to explore the part played by children in musical theatre. It aims to do this on two levels. It presents, for the first time, an historical analysis of involvement of children in theatre from its earliest beginnings to the current date. It is clear from this analysis that the role children played in the evolution of theatre has been both substantial and influential, with evidence of a number of recurring themes. Children have invariably made strong contributions in terms of music, dance and spectacle, and have been especially prominent in musical comedy. Playwrights have exploited precocity for comedic purposes, innocence to deliver difficult political messages in a way that is deemed acceptable by theatre audiences, and youth, recognising the emotional leverage to be obtained by appealing to more primitive instincts, notably sentimentality and, more contentiously, prurience. Every age has had its child prodigies and it is they who tend to make the headlines. However the influence of educators and entrepreneurs, artistically and commercially, is often underestimated. Although figures such as Wescott, Henslowe and Harris have been recognised by historians, some of the more recent architects of musical theatre, like Noreen Bush, are largely unheard of outside the theatre community. -
BOOKINGS September 2020 New! Expanded Curbside and Building Hours: Mondays* – Curbside 10 A.M
YOUR MONTHLY GUIDE TO PORT’S LIBRARY BOOKINGS September 2020 New! Expanded Curbside and Building Hours: Mondays* – Curbside 10 a.m. to 6 p.m. • Building Hours 10 a.m. to 4 p.m. Tuesdays – Curbside 10 a.m. to 6 p.m. • Building Hours 10 a.m. to 4 p.m. Wednesdays – Curbside 10 a.m. to 6 p.m. • Building closed for deep cleaning. Thursdays – Curbside 10 a.m. to 6 p.m. • Building Hours 12 p.m. to 6 p.m. Fridays – Curbside 10 a.m. to 6 p.m. • Building Hours 12 p.m. to 6 p.m. Saturdays starting Sept 26 – Curbside and Building Hours 10 a.m. to 4 p.m. National Voter Registration Day *Please note: The library will be closed for both curbside pick-up and building hours on September 7 in honor of Labor Day. Tuesday, September 22 10 a.m. to 4 p.m. Stop by PWPL on Tuesday, September 22 to register to vote. Volunteers from CURBSIDE GRAB-AND-GO! the League of Woman Voters, FOL and PWPL staff will be on hand to assist you PWPL is happy to continue our extremely popular Curbside Grab-and-Go service! Reserve any in filling out your New York State voter of your favorite library items (not just books!) online and, when they are ready, we will notify registration form or getting an absentee you to come by the library building for a contactless pickup out front. As per ALA and OCLC ballot application. More details to follow. guidance, all returned library materials are quarantined for 96 hours to ensure safety. -
The Show Must Go On
THE SHOW MUST GO ON by Sean Aita Inspired by Jules Verne’s Around the World in 80 Days www.schooltours.at @ All passengers on this epic journey This year, a small Theatre-in-Education company (consisting of four actors) is inviting you to join them on a trip around the world … sounds good, eh? However, there are a few (not so small) matters to sort out beforehand, such as: which play are they going to do? Who is going to play which part? And – who is going to pay for it all? As it happens, all four of them have to work second jobs and rehearse in the evenings, because it’s quite difficult to make a living without a fixed-term contract at a theatre. Money is only going to come in if and when they do a show. So they decide to put Jules Verne’s novel Around the World in 80 Days on stage. Perhaps you’ve read the story, or seen a film version? Mr Fogg, a rich English Gentleman, bets two friends that he is able to go around the world in 80 days – which is less than three months! The story is set in the 19th century when travelling to faraway countries wasn’t as easy as it is nowadays. No cars, no planes, no fast trains, and some railway lines (in different countries) hadn’t even been built … Next problem: the casting. In the story, there hardly are any female characters. And guess what – after some discussion, the two main roles in the story, Mr Phileas Fogg and his French servant Passepartout, are played by the two girls! And lastly, just as the play seems to come together, the promised grant from the Arts Council is cancelled. -
Arturo Toscanini and Don Gillis in Rehearsal, Don Gillis Collection, University of North Texas
Arturo Toscanini and Don Gillis in rehearsal, Don Gillis Collection, University of North Texas. Reproduced with permission. MARK MCKNIGHT, SUSANNAH CLEVELAND Rediscovering “Toscanini: The Man Behind the Legend” The following article is based on the authors’ presentation at the ARSC Conference in Austin, TX, April 2005. The focus is on the Don Gillis Collection, which the University of North Texas (UNT) Music Library acquired after Gillis’s death in 1978. Gillis, a longtime associate of Arturo Toscanini, served as the conductor’s assistant and the producer for the NBC Symphony broadcast concerts from 1944 until they ended ten years later. The photographs that illustrate this article are from the collection and are reproduced with permission. __________________________________________________________________________________ he story of Arturo Toscanini’s rise to fame as one of history’s most celebrated con- ductors is well known. Having spent the first several years of his professional life in T the opera pit, Toscanini then gained a reputation for his symphonic conducting, serving as principal conductor of the New York Philharmonic from 1929 to 1936. When he left that post and retired to his native Italy, his American fans believed they would never again see the maestro conduct here. At the age of 70, however, when most individuals are happily settled into retirement, Toscanini returned to the podium, this time in a completely new and, in some ways controversial, forum, as head of the recently organized NBC Symphony. He would remain with the orchestra until his final departure in 1954. Toscanini died three years later in New York, just two months before his ninetieth birthday. -
Read the Full Report As an Adobe Acrobat
CREATING A PUBLIC SQUARE IN A CHALLENGING MEDIA AGE A White Paper on the Knight Commission Report on Informing Communities: Sustaining Democracy in the Digital Age Norman J. Ornstein with John C. Fortier and Jennifer Marsico Executive Summary Much has changed in media and communications costs. Newspapers would benefit from looser technologies over the past fifty years. Today we face the rules and more flexibility. News organizations dual problems of an increasing gap in access to these should be able to work together to collect technologies between the “haves” and “have nots” and payment for content access. fragmentation of the once-common set of facts that 2. Implement government subsidies. With high Americans shared through similar experiences with the costs of operation, the newspaper industry media. This white paper lays out four major challenges should be eligible for lower postal rates and that the current era poses and proposes ways to meet exemptions from sales taxes. these challenges and boost civic participation. 3. Change the tax status of papers, making them tax-exempt in some fashion. This could Challenge One: Keeping Newspapers Alive involve categorizing newspapers as “bene- fit” or “flexible purpose” corporations, or Until They Are Well treating them as for-profit businesses that have a charitable or educational purpose. A large part of the average newspaper budget com- prises costs related to printing, bundling, and deliv- ery. The development of new delivery models could greatly reduce (or perhaps eliminate) these Challenge Two: Universal Access and expenses. Potential new models use screen- Adequate Spectrum technology advancement (using new tools like the iPad) and raise subscription revenue online. -
And the Masonic Family of Idaho
The Freemasons and the Masonic Family of Idaho Grand Lodge of Ancient Free and Accepted Masons of Idaho 219 N. 17th St., Boise, ID 83702 US Tel: +1-208-343-4562 Fax: +1 208-343-5056 Email: [email protected] Web: www.idahomasons.org First Printing: June 2015 online 1 | Page Table of Contents Introduction .................................................................................................................................................. 3 Attraction of Freemasonry ............................................................................................................................ 5 What they say about Freemasonry.... ........................................................................................................... 6 Grand Lodge of Idaho Territory ‐ The Beginning .......................................................................................... 7 Freemasons and Charity ............................................................................................................................... 9 Our Mission: .............................................................................................................................................. 9 Child Identification Program: .................................................................................................................... 9 Bikes for Books .......................................................................................................................................... 9 Organization Information ........................................................................................................................ -
It's All About the LIGHT! - Introduction to Stage Lighting
4/16/13 It's all about the LIGHT! - Introduction to Stage Lighting It's all about the LIGHT! Introduction to Stage Lighting Instruments, Electricity & Welcome to the Introduction to Stage Lighting online website. This site is to Cables/Connectors be used as an additional source of information for the Introduction to Stage Entertainment Industry Lighting course held at Valencia Community College, East Campus taught by Creative Design for Theatre Sonia Pasqual. Lighting History & Intensity Control The course syllabus and calendar for the current semester is available via Lighting Design the course homepage or you can download the file from below. Basic Stagecraft If you choose to download it from your atlas account go to the course Additional Information homepage for the Introduction to Stage Lighting section which you are in now, TPA 2220. You can download it at anytime to view, there will be a hard copy of the lighting syllabus outside my office door for anyone needing to view it if they are on campus and can not access atlas. The information gathered on this site is produced by Sonia Pasqual. All other information has been credited to its source and is only used as a visual aid for my students. Sonia has been involved in the art of theatre and entertainment since 1992. Her knowledge and information comes from her experience and growing up in the theatre world. She has worked in theatres across the Greater Central Florida, North Florida, and New York City. Her work and experience also extends into the theme parks such as Universal Studios 97-99, and Walt Disney World 04-Present, while at Disney she has played several roles. -
The History of NBC New York Television Studios, 1935-1956"
`1 | P a g e "The History of NBC New York Television Studios, 1935-1956" Volume 1 of 2 By Bobby Ellerbee And Eyes Of A Generation.com Preface and Acknowledgement This is the first known chronological listing that details the conversions of NBC’s Radio City studios at 30 Rockefeller Plaza in New York City. Also included in this exclusive presentation by and for Eyes Of A Generation, are the outside performance theaters and their conversion dates to NBC Television theaters. This compilation gives us the clearest and most concise guide yet to the production and technical operations of television’s early days and the network that pioneered so much of the new medium. As you will see, many shows were done as “remotes” in NBC radio studios with in-house mobile camera units, and predate the official conversion date which signifies the studio now has its own control room and stage lighting. Eyes Of A Generation, would like to offer a huge thanks to the many past and present NBC people that helped, but most especially to Frank Merklein (NBC 1947-1961) Joel Spector (NBC 1965-2001), Dennis Degan (NBC 2003 to present), historian David Schwartz (GSN) and Gady Reinhold (CBS 1966 to present), for their first hand knowledge, photos and help. This presentation is presented as a public service by the world’s ultimate destination for television history…The Eyes Of A Generation. –Bobby Ellerbee http://www.eyesofageneration.com/ https://www.facebook.com/pages/Eyes-Of-A-Generationcom/189359747768249 `2 | P a g e "The History of NBC New York Television Studios, 1935-1956" Volume 1 of 2 Contents Please Note: Converted should be understood as the debut date of the facility as an exclusive TV studio, now equipped with its own control room. -
Teaching and Learning in a Microelectronic Age. INSTITUTION Phi Delta Kappa Educational Foundation, Bloomington, Ind
DOCUMENT RESUME ED 281 487 fk 012 601 AUTHOR Shane, Harold G. TITLE Teaching and Learning in a Microelectronic Age. INSTITUTION Phi Delta Kappa Educational Foundation, Bloomington, Ind. REPORT NO ISBN-0-87367-434-0 PUB DATE 87 NOTE 96p. AVAILABLE FROMPhi Delta Kappa, PO Box 789, Bloomington, IN 47402 ($4,00). puB TYPE Books (010) -- Information Analyses (070) -- Viewpoints (120) EDRS_PRICE_ MF01/PC04 Plus Postage. DESCRIPTORS Change Strategies; Computers; *Computer Uses in Education; Curriculum Development; *Educational Change; Global Approach; Mass Media Effects; Robotics; *Science and Society; *Technological Advancement; Television Research IDENTIFIERS Learning Environment; *Microelectronics ABSTRACT General background information on microtechnologies with_ implications for educators provides an introduction to this review of past and current developments in microelectronics and specific ways in which the microchip is permeating society, creating problems and opportunities both in the workplace and the home. Topics discussed in the first of two major sections of this report include educational and industrial impacts of the computer and peripheral equipment, with particular attention to the use of computers in educational institutions and in an information society; theuse of robotics, a technology now being used in more than 2,000 schools and 1,200 colleges; the growing power of the media, particularly television; and the importance of educating young learners tocope with sex, violence, and bias in the media. The second section addresses issues created by microtechnologies since the first computer made its debut in 1946; redesigning the American educational system for a high-tech society; and developing curriculum appropriate for the microelectronic age, including computer applications and changes at all levels from early childhood education to programs for mature learners. -
Aactfest History
AACTFest History AACTFest had its beginnings in 1957. At that time, the first World Festival of Amateur Theatre (Le Festival Mondiale du Théâtre Amateur) was held in the principality of Monaco under the high patronage of Their Serene Highnesses Prince Ranier and Princess Grace. The World Festival of Amateur Theatre was, and is, the official festival of the International Amateur Theatre Association (AITA/IATA). The typical American definition of amateur, implying a relative lack of skill, is not accepted by AITA/IATA. Amateur is used in the context of “to love”; thus, an amateur is one who does something for love and pleasure rather than for monetary remuneration. While AITA/IATA handles the international aspects, the festival itself is almost entirely a Monégasque production organized by the Studio de Monaco, home of the Cercle Artistique Monégasque d’Amateurs de Théâtre. Random theatres from America took turns representing the U.S. at this quadrennial international event. After eight years, the World Festival organization contacted the American National Theatre and Academy (ANTA). Through the offices of Princess Grace, ANTA was asked to provide input as to what theatres from the U.S. should attend the World Festival. ANTA felt it would be more appropriate to pass the invitation on to the American Community Theatre Association (ACTA). ACTA was the community theatre division of the seven- year-old American Theatre Association (ATA) umbrella organization. (In 1965 ACTA consisted of approximately 12 to 14 community theatres and had a membership of 40 to 50.) Howard Orms, the President of ACTA, contacted several theatres with no success. -
NBC MONITOR Begins 1955
11 1 8 .« Discussing "Monitor" opening at NBC's new Radio Central are, left to right Sylvester L. Weaver, Jr., NBC Presi- dent; James Fleming, Executive Producer and Editor of "Monitor," Robert W. Sarnoff, NBC Executive Vice-President; Dave Garroway, "Monitor" Communicator, and Mike Zeamer, program's Entertainment Producer. "Monitor" Takes to the Air A he National Broadcasting Company has — A pickup of Jerry Lewis at Brown's Hotel in the opened a new era in network radio with the revolution- Catskills and a preview of a segment of his latest film. ary service, "Monitor." Using the immediacy and mo- — A discussion of "The Spiritual Climate of Amer- bility of radio, "Monitor" is designed to bring listeners ica," with Dr. William Saltonstall, principal of Phillips- whatever is most interesting, important or entertaining, Exeter Academy, interviewing Dr. Nathan Pusey, Presi- wherever it may be happening. dent of Harvard. The new weekend radio service was introduced — A dress rehearsal of Victor Jory's "The Fairly June 12 with an ear-and-eye-opening one-hour similcast Fortune" at Bucks County Playhouse, with a com- — a program presented on both radio and television — mentary by producer Michael Ellis. from NBC Radio Central, the network's new §150,000 The Opening Team world listening post in New York. Continuing on the NBC radio network for eight hours in its opening The initial simulcast was presided over by Sylvester broadcast, "Monitor" indicated its scope with a virtual L. Weaver, Jr., President of NBC, and featured James kaleidoscope of information and entertainment. Among Fleming, executive producer and editor of "Monitor." its features were: Also on hand were "communicators" Dave Garroway, — A tense interview with a prisoner inside the walls Clifton Fadiman, Walter Kiernan, Morgan Beatty, Frank of the Federal Penitentiary at San Quentin.