dark secret matthew sweet mp3 free download Matthew Sweet - Dark Secret. All the Matthew Sweet - Dark Secret song lyrics , Matthew Sweet song titles listed on this site are the property of respective authors ( Matthew Sweet ), artists, label and trademarks and are listed for educational purposes only. If you want to use Matthew Sweet - Dark Secret lyrics , label or trademarks please contact the respective artists, authors or label owners. Commercial use of the content of Free Mp3 Music downloads is prohibited without contanting the respective owners. Back Of My Mind Lyrics. All falls away As closing my eyes I begin Breathing a strange feeling; Not unappealing I could be happy to be here I know the rain only as something to need While the poor leaves of Fall ignore ir My dreams are growing green My dreams are growing sure Sure. Where do I go? I don't know if I care where I know you feel so low 'cause I've been there I'll just keep it in the back of my mind I can't find the time I can't find the time. I fear the fire Needed to warm me inide 'Cause as the ice cracks; In flow the facts and Everything's slipping aside I feel the pain coming and going away It would be in vain trying to lay your claim now I won't be sticking around I won't be sticking around. I don't know if I care where I know you feel so low 'cause I've been there I'll just keep it in the back of my mind I can't find the time I can't find the time. Breaking away When there's no reason to run 'Cause like a seed I need water and sun My life has just begun Sure, my life has just begun Every day. Where do I go? I don't know if I care where I know you feel so low 'cause I've been there I'll just keep it in the back of my mind I can't find the time I can't find the time. I'll just keep it in the back of my mind, yeah (Back of my mind) I'll just keep it in the back of my mind, yeah (Back of my mind) I can't find the time I can't find the time Back of my mind. check amazon for Back Of My Mind mp3 download browse other artists under M:M2M3M4M5M6M7M8M9M10M11 Songwriter(s) : Matthew Sweet Publisher(s) : Emi Blackwood Music Inc., Charm Trap Music Inc. Record Label(s) : 2008 Matthew Sweet under exclusive license to Shout Factory LLC, 2042 A Armacost Ave , Los Angeles, CA 90025 All Rights Reserved Official lyrics by. The Craft. The soundtrack to The Craft, a film about a coven of teenage witches, is the standard mid-'90s pop soundtrack. It features a number of alternative bands, from the good (Elastica, Matthew Sweet) to the undistinguished (Tripping Daisy), contributing rarities and covers. There are a few good tracks on the collection, but The Craft soundtrack is pretty bad, ranging from the dull to the downright awful. And out of all the mediocre music on the album, Love Spit Love's utterly clueless cover of the Smiths' "How Soon Is Now" ranks as the worst track by far, which is quite an accomplishment in itself. Catspaw. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £6.99. Who is to say every artist must evolve and experiment and get outside their proven comfort zone to make consequential art? There's still something to be said for artists who find their groove early and then stick with what they know. Enter Matthew Sweet, now in his mid-50s, who has been mining a seemingly endless seam of power pop—sunnier at some moments than others—since his 1991 breakthrough, Girlfriend . In his best work, Sweet wisely stacked the deck by tapping some of the finest guitar innovators for hire including Richard Lloyd and Robert Quine. But since 2011's Modern Art , Sweet has become his own guitar hero. While that can be a bit of a lead guitar letdown, Sweet with his signature buzzy tone and usual stylistic mash of The Byrds, Neil Young and the Beatles, has learned from the masters and here layers in reasonably coherent electric guitar solos, particularly in "Best of Me," where the one-time pop whiz kid ponders more adult insecurities: "What if the best of me/ Isn't me at all/ What if my own imagination/ Has guaranteed my fall/ What if a dream/ Is all I really had." "Hold on Tight," "Stars Explode" and "At a Loss" all reinforce the image of the older power popper, who's mentioned in recent interviews that he now feels the weight of age. The sound throughout is close-miked, forceful and like all Sweet, best when pushed with volume. A DIY project completed at his home studio, Black Squirrel Submarine in Omaha before the lockdown, Catspaw showcases Sweet's voice in fine form, still able to layer in the vocal harmonies that are his most distinctive and familiar musical gift. Familiar in fact could be Catspaw 's subtitle. All 11 originals—including "Give a Little" with its chugging rhythm and descending verses or "Come Home," the tune with the album's most attractive chorus hook—could fit seamlessly into any Sweet record of the last decade. The singer/songwriter who also plays bass and rhythm guitar is assisted in this welcome stasis by longtime collaborator and fellow power pop elder, drummer Ric Menck, who's best known for his time in Rhode Island's Velvet Crush. Catspaw is go with what you know. How did fellow Midwesterner Dorothy Gale put it? There's no place like home! © Robert Baird/Qobuz. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then £14,99/ month. Matthew Sweet, Composer, Producer, MainArtist. (C) 2021 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. (P) 2021 Matthew Sweet, under exclusive license to Omnivore Recordings. Matthew Sweet, Composer, Producer, MainArtist. (C) 2021 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. (P) 2021 Matthew Sweet, under exclusive license to Omnivore Recordings. Matthew Sweet, Composer, Producer, MainArtist. (C) 2021 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. (P) 2021 Matthew Sweet, under exclusive license to Omnivore Recordings. Matthew Sweet, Composer, Producer, MainArtist. (C) 2021 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. (P) 2021 Matthew Sweet, under exclusive license to Omnivore Recordings. Matthew Sweet, Composer, Producer, MainArtist. (C) 2021 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. (P) 2021 Matthew Sweet, under exclusive license to Omnivore Recordings. Matthew Sweet, Composer, Producer, MainArtist. (C) 2021 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. (P) 2021 Matthew Sweet, under exclusive license to Omnivore Recordings. Matthew Sweet, Composer, Producer, MainArtist. (C) 2021 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. (P) 2021 Matthew Sweet, under exclusive license to Omnivore Recordings. Matthew Sweet, Composer, Producer, MainArtist. (C) 2021 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. (P) 2021 Matthew Sweet, under exclusive license to Omnivore Recordings. Matthew Sweet, Composer, Producer, MainArtist. (C) 2021 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. (P) 2021 Matthew Sweet, under exclusive license to Omnivore Recordings. Matthew Sweet, Composer, Producer, MainArtist. (C) 2021 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. (P) 2021 Matthew Sweet, under exclusive license to Omnivore Recordings. Matthew Sweet, Composer, Producer, MainArtist. (C) 2021 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. (P) 2021 Matthew Sweet, under exclusive license to Omnivore Recordings. Matthew Sweet, Composer, Producer, MainArtist. (C) 2021 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. (P) 2021 Matthew Sweet, under exclusive license to Omnivore Recordings. Album Description. Who is to say every artist must evolve and experiment and get outside their proven comfort zone to make consequential art? There's still something to be said for artists who find their groove early and then stick with what they know. Enter Matthew Sweet, now in his mid-50s, who has been mining a seemingly endless seam of power pop—sunnier at some moments than others—since his 1991 breakthrough, Girlfriend . In his best work, Sweet wisely stacked the deck by tapping some of the finest guitar innovators for hire including Richard Lloyd and Robert Quine. But since 2011's Modern Art , Sweet has become his own guitar hero. While that can be a bit of a lead guitar letdown, Sweet with his signature buzzy tone and usual stylistic mash of The Byrds, Neil Young and the Beatles, has learned from the masters and here layers in reasonably coherent electric guitar solos, particularly in "Best of Me," where the one-time pop whiz kid ponders more adult insecurities: "What if the best of me/ Isn't me at all/ What if my own imagination/ Has guaranteed my fall/ What if a dream/ Is all I really had." "Hold on Tight," "Stars Explode" and "At a Loss" all reinforce the image of the older power popper, who's mentioned in recent interviews that he now feels the weight of age. The sound throughout is close-miked, forceful and like all Sweet, best when pushed with volume. A DIY project completed at his home studio, Black Squirrel Submarine in Omaha before the lockdown, Catspaw showcases Sweet's voice in fine form, still able to layer in the vocal harmonies that are his most distinctive and familiar musical gift. Familiar in fact could be Catspaw 's subtitle. All 11 originals—including "Give a Little" with its chugging rhythm and descending verses or "Come Home," the tune with the album's most attractive chorus hook—could fit seamlessly into any Sweet record of the last decade. The singer/songwriter who also plays bass and rhythm guitar is assisted in this welcome stasis by longtime collaborator and fellow power pop elder, drummer Ric Menck, who's best known for his time in Rhode Island's Velvet Crush. Catspaw is go with what you know. How did fellow Midwesterner Dorothy Gale put it? There's no place like home! © Robert Baird/Qobuz. About the album. 1 disc(s) - 12 track(s) Total length: 00:39:51. (C) 2021 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. (P) 2021 Matthew Sweet, under exclusive license to Omnivore Recordings. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for you. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF. ) depending on your needs. Listen to your purchases on our apps. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. Matthew Sweet :: A Career: Thus Far… Matthew Sweet is bringing his ‘dinosaur’ act back on august 26th with Sunshine Lies . You can click here and check out a streaming player with three songs off of the forthcoming album. But, right now let’s talk about the past. There’s a lot to be said about scenes that develop in cities, but one of the things not always discussed is that they can pull people in from elsewhere. Thus, the oft lauded Athens, Georgia managed to pull a kid from all the way from Lincoln, Nebraska by the name of Matthew Sweet. At this point Matthew has been releasing recorded music on his own or with bands for years. In 1983 he played on Oh-OK’s second EP, the Mitch Easter produced Furthermore What . This was a band that at differing times contained Lynda Stipe, Linda Hopper (later of Magnapop) and David Pierce, who would record with Sweet in 1984 as the band Buzz of Delight, releasing their one and only EP, Sound Castles . The Buzz of Deligh t EP, along with some solo demos recorded with Don Dixon, caught the attention of Columbia records and in 1986 Sweet released his first solo album, Inside . If you’re familiar what what Sweet would become, his first two albums, which also included 1989’s Earth for A&M records, are not exactly what you might expect. Using drum machines and having Sweet play nearly all the instruments, they sound like a product of their time, only slightly better written. They don’t hold up well at all, but there is something important that happens with the recording of Earth . One of the things that Matthew Sweet has been excellent at from day one is surrounding himself with not merely competent, but downright brilliant musicians who know how to bring the best out of his songwriting. Earth was the debut of Sweet’s working relationship with the two most significant forces on his music for the next decade – Richard Lloyd and the late Robert Quine. Both are lauded guitar heroes of the New York punk scene of the 70s – Lloyd with Television and Quine with Richard Hell and the Voidoids – and both would bring their caustic, ragged and majestic guitar work to bear on Sweet’s vision of power-pop. Sweet would also start long time partnerships with drummer Rick Menck (Velvet Crush), drummer/producer Fred Maher and pedal-steel player Greg Leisz, as well as Lloyd Cole, for whom Sweet had played guitar on tour. The result was completely out of left field. 1991’s Girlfriend sounds nothing like Sweet’s previous solo records and its layered production, blistering guitar work, jangle and power pop and country rock tendencies would define him for a generation of music fans. By channeling familiar and persistent rock and roll themes, Sweet created a timeless album that still sounds as good and as powerful today. He would follow this muse for his next three albums, though it would be down a less polished path – 1993’s Altered Beast , 1995’s 100% Fun and 1997’s self-produced Blue Sky on Mars would be much rockier and less glimmering. Altered Beast would tackle the messy, genre-hopping masterpieces of Sweet’s numerous influences and 100% Fun would focus on more tightly packed pop, mastering the 3-minute pop song with 12 tracks in 45 minutes, not to mention Sweet’s first pop chart entry, “Sick of Myself.” In 1999, Sweet diverged from his sound, not working with either Richard Lloyd or Robert Quine for the first time in 13 years, and instead built an orchestra reminiscent of the Wrecking Crew in order to recall the work of Phil Spector, Brian Wilson and the Beach Boys – Sweet even went so far as to recruit Carol Kaye, arguably the Wrecking Crew’s most famous bass player, to perform on the record. In Reverse was a classicist pop album tinged with touches of psychedelia, a work that seemed to hint at Sweet possibly being a match for his legendary influences. Then Sweet seemed to pull back. Where he had been releasing an album every other year since the early 90s, it would be 2003 before he surfaced again, this time with quasi-supergroup The Thorns (featuring himself, Pete Droge and Shawn Mullins) and a Japan-only album titled Kimi Ga Suki * Raifu . The latter of those saw Sweet reunite the Girlfriend studio lineup (sadly, without the now dead Robert Quine) and cut the album in just a week. It would eventually get an American release in 2004 along with another new album, Living Things , which was more full of looser, fun (and in some cases, funny) songs than any album he had done previously. In 2006, alongside former Bangles front woman Susanna Hoffs, Sweet recorded an album of 60s covers titled Under the Covers, Vol 1 . None of these felt like the true follow-up to In Reverse , so it is with some serious excitement that I heard about Sweet’s forthcoming album, Sunshine Lies , being released at the end of August. Matthew Sweet, even 17 years after what some people consider his finest hour, is still cited repeatedly as one of the best pop songwriters in America. His work is emotional and universal and in that is something personal for everyone who opens their ears to it. Included below are songs from several of his albums, a demo version of “ Superdeformed ,” which the finished version of would end up on the Son of Altered Beast EP, and a link to a streaming player of songs off the forthcoming album. What are some of your favorite Matthew Sweet songs? Hit us up in the comments. words/j. neas. Download: MP3: Matthew Sweet :: We’re the Same (from 100% Fun) MP3: Matthew Sweet :: Knowing People (from Altered Beast) MP3: Matthew Sweet :: I Should Never Have Let You Know (from In Reverse) MP3: Matthew Sweet :: Superdeformed (demo from the Legacy Edition of Girlfriend) — Streaming player of new songs: HERE ——- Amazon: Matthew Sweet – Catalog.