DOCSLIB.ORG

Online Artist Services

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Online Artist Services LISTEN, LEARN, & CULTIVATE YOUR LOVE OF DRUMMING One bright spot to come from sheltering at home is the emergence of a unique opportunity to connect and work directly with some of your favorite TAMA Artists. They are ready and available, offering a myriad of online services, making this the perfect time to hone your drumming skills or finish writing & recording your next album. Below you’ll find a list of services offered and contact info, which will allow you to connect with them directly. Country: U.S.A. Artist Name Band Name Services Offered URL and/or Contact Email Instagram (ID / URL) Online Lessons Kenny Aronoff John Fogerty, Supersonic Blues Machine, Independent Remote Drum Recording https://kennyaronoff.com @kennyaronoff https://www.instagram.com/kennyaronoff/ Motivational Coaching Remote Drum Recording https://www.tonyaustindrums.com Pro Tools Editing and Clean Up Tony Austin Kamasi Washington, West Coast Get Down @tonyaustindrums https://www.instagram.com/tonyaustindrums/ Mixing Live Performance [email protected] Online Lessons Eduardo Baldo LUIS KALIL, BLAZE THE THUNDER, RADIO RITUAL www.facebook.com/eduardobaldo @baldo.eduardo https://www.instagram.com/baldo.eduardo/ Remote Drum Recording Online Lessons Remote Drum Recording (Audio/Video) Rafael Barata Independent, Dianne Reeves, Eliane Elias www.rafaelbarata.com @rafael_barata_drummer https://www.instagram.com/rafael_barata_drummer/ Music Consulting Live Performances Online Lessons www.charliebenante.com Charlie Benante ANTHRAX Songwriting @charbenante https://www.instagram.com/charbenante/ Song Arrangement https://www.youtube.com/user/TheCharlieBenante Happy the Man, 4Front, The Doo-Wop Project, Editor for Joe Bergamini Online Lessons www.joebergamini.com @joebergamini https://www.instagram.com/joebergamini/ Hudson Music, Director of Sabian Education Network Online Lessons Remote Drum Recording Miseal Blanco Jesus Adrián Romero http://www.facebook.com/misaelblancooficial @misaelblancooficial https://www.instagram.com/misaelblancooficial/ Live Performances Clinics Online Lessons www.jeffbowders.com Jeff Bowders Independent @jeff_bowders_ https://www.instagram.com/jeff_bowders_/ Remote Drum Recording www.drumdisciplineacademy.com Justin Brown Thundercat, Ambrose Akinmusire, Nyeusi Online Lessons @drumbrownie https://www.instagram.com/drumbrownie/ Remote Drum Recording https://www.facebook.com/mikecatonedrums (Stems/Sampling) Mike Catone Independent @mcat1drums https://www.instagram.com/mcat1drums/ Local Nashville Sessions Touring https://www.youtube.com/user/catechops1970 www.drumawayeman.com Online Lessons Emmanuel Cervantes Independent @drumawayeman https://www.instagram.com/drumawayeman/ Remote Drum Recording https://www.youtube.com/user/emancerv1 Online Lessons, Music Production/Arranging Les Cleveland LrcFunk https://www.facebook.com/LesClevelandIsLrcFunk @les.is.lrcfunk https://www.instagram.com/les.is.lrcfunk/ Film Scoring Consultations Online Lessons, Masterclasses www.lettuceteach.com www.lettucefunk.com Remote Drum Recordings Lettuce, Break Science, The Adam Deitch Quartet, Adam Deitch Sessions www.breaksciencemusic.com @deitchadam https://www.instagram.com/deitchadam/ Adam Deitch Film Scoring Songwriting & Arranging www.deitchbeatsdontquit.com www.petererskine.com Online Lessons Peter Erskine Dr. Um Band [email protected] Remote Drum Recording www.artistworks.com Online Lessons (Drums & Recording) www.HowBigIsYourDream.org Jorel 'Jfly' Flynn JFly and Friends @1JFly https://www.instagram.com/1JFly/ Music Directing www.JFlyMusic.com Matt Garstka Animals as Leaders Online Lessons (Downloads via Website) https://matt-garstka.myshopify.com/ @mattgarstka https://www.instagram.com/mattgarstka/ Online Lessons Kristen Gleeson-Prata Børns www.kgpmusic.com @kaygeepee https://www.instagram.com/kaygeepee/ Remote Drum Recording www.patreon.com/thepocketqueen Taylor Gordon The Pocket Queen Drum Lessons and Drum Sample Packs @thepocketqueen https://www.instagram.com/thepocketqueen/ www.facebook.com/thepocketqueen @cchelseawwolfe https://www.instagram.com/cchelseawwolfe/?hl=ja Online Lessons Jess Gowrie Chelsea Wolfe, Horseneck @jessgowrie https://www.instagram.com/jessgowrie/?hl=ja Remote Drum Recording @horseneck666 https://www.instagram.com/horseneck666/ Online Lessons www.rayfordgriffin.com Rayford Griffin Reflections of Brownie / Jon Anderson / Jean Luc Ponty Remote Drum Recording [email protected] Drum Programming Live Drumming Keith Harris The Keith Harris Experience www.keithharris.life @keithharrisexperience https://www.instagram.com/keithharrisexperience/ Drum Editing Mentoring Evan Marien x Dana Hawkins, Wayne Krantz, Ravi Online Lessons Dana Hawkins @Danajhawkins https://www.instagram.com/Danajhawkins/ Coltrane, Independent Improvisation (Beginner to Advanced) Online Lessons (Advanced) www.facebook.com/mikeheller1 Remote Drum Recording Mike Heller Malignancy, Raven, Fear Factory Mixing Songwriting Collaboration [email protected] Randy Brecker and the Brecker Brothers Band, Jim Online Lessons Rodney Holmes www.rodneyholmes.com @rodneyholmes1 https://www.instagram.com/rodneyholmes1/ Weider Remote Drum Recording Online Lessons Matt Johnson St. Vincent, Jeff Buckley, Jade Bird [email protected] Remote Drum Recording Online World Drum Lessons www.worlddrumlessons.com @scottkettner https://www.instagram.com/scottkettner/ Scott Kettner Nation Beat Scott Kettner's Hybrid Brazilian Drumming Methods www.nationbeat.com @nation_beat https://www.instagram.com/nation_beat/ Online Lessons (Triggers, Solos, www.ItsTREWAY.com Bernard “TreWay” Lambert TreWay & The Now Generation @its_TreWay https://www.instagram.com/its_TreWay/ Performance, Drumming 101) [email protected] Remote Drum Recording www.tamachick.com Angela Lese Taco Mouth, Independent Liver Performance @tamachick https://www.instagram.com/tamachick/ Production [email protected] Ryan Meyer Highly Suspect Online Performance (Band & Solo) @ryanmeyer https://www.instagram.com/ryanmeyer/ Online lessons Remote drum recording https://www.reverbnation.com/ShinyaOnDrums?fbclid=IwAR20bIwDcsp Shinya Miyamoto Independent Mixing and editing niWNc1L3rcJ92qjOcH4n7ec3xgwEfGl2xD47H04BV9hXNNls Drum tech and Producing www.calvinnapper.com Calvin Napper Maze feat. Frankie Beverly Remote Drum Recording @Calcoon71 https://www.instagram.com/Calcoon71/ [email protected] Online Lessons @Quasidrums https://www.instagram.com/Quasidrums/ Kehlani, The Count Basie Orchestra, Sabrina Claudio, Production Lessons Ray 'Quasi' Nelson https://www.synergypercussion.org The Shadowboxers, Alex Hahn Live Performances IGTV Episodes @SynergyCamp_Inc https://www.instagram.com/SynergyCamp_Inc/ Ulysses Owens Jr. Independent Online Lessons www.UlyssesOwensJr.com @ulyssesowensjr_ https://www.instagram.com/ulyssesowensjr_/ Pete Parada The Offspring Remote Drum Recording www.peteparada.com @peteparada https://www.instagram.com/peteparada/ Remote Drum Recording Christian Paschall Marren Morris www.christianpaschall.com @christianpaschall https://www.instagram.com/christianpaschall/ Mixing James Payne Hiss From The Moat Online Lessons https://jamespaynedrums.com @james_wp https://www.instagram.com/james_wp/ Studio Drum Recording (Pop, Rock, R&B, Hip Hop) Song/Album Mixing & Mastering Mikey Phillips Moon Tha Dude www.xlrapparel.com @whoismikep https://www.instagram.com/whoismikep/ Podcast Editing XLR Apparel - Shirts and Hoodies for Touring David Puckett We Came As Romans Online Lessons https://www.musicmentorsonline.com @_davidpuckett https://www.instagram.com/_davidpuckett/ Remote Drum Recording Bianca Richardson Willow Smith Merch https://www.facebook.com/Brichdrumz @b.richdrumz https://www.instagram.com/b.richdrumz/ Live Performances www.youtube.com/blakerichardsonBTBAM Blake Richardson Between the Buried and Me Online Lessons www.twitch.tv/blakeyeatsteaky @blakeyeatsteaky https://www.instagram.com/blakeyeatsteaky/ [email protected] Sick Drummer Mag Metal Show (The Gus Gus Rios Gruesome www.facebook.com/sickdrummermag @gusriosdrummer https://www.instagram.com/gusriosdrummer/ & Seth Metal Show) http://liljohnroberts.com/ John Roberts Janet Jackson Online Lessons @liljohnroberts https://www.instagram.com/liljohnroberts/ [email protected] Online Lessons www.joelrosenblatt.com Joel Rosenblatt Independent Remote Drum Recording Mixing [email protected] Online Lessons (Drums & Mixing) Independent - Ex-Monuments, Jeff Loomis, Skyharbor, Anup Sastry Remote Drum Recording www.anupsastry.com @anupsastry https://www.instagram.com/anupsastry/ and Intervals Mixing/Mastering Ken Schalk Independent Online Lessons (Ergo-Drummer) [email protected] @ken_schalk https://www.instagram.com/ken_schalk/ Online Lessons (Double Bass Technique https://www.facebook.com/aaronstechauner Aaron Stechauner Interloper Song Learning @stechauner https://www.instagram.com/stechauner/ Social Media Promo) [email protected] Online Lessons www.facebook.com/chadszeliga Remote Drum Recording Chad Szeliga Black Star Riders and Walking With Lions @chadszeliga https://www.instagram.com/chadszeliga/ 1on1 Coaching Masterclasses [email protected] Online Lessons Matt Thompson King Diamond, Aghora, Shaolin Death Squad www.mattthompsondrums.com Remote Drum Recording Online Lessons www.dirkverbeuren.com Dirk Verbeuren Megadeth Remote Drum Recording @dirkverbeuren https://www.instagram.com/dirkverbeuren/ Music Business Mentoring [email protected] Paul Wandtke Bedlem, Independent Remote Drum Recording www.paulwandtke.com @paulwandtke https://www.instagram.com/paulwandtke/
Load more

Recommended publications
  • Psychosocial Consequences in Offspring of Women with Breast Cancer
    Received: 6 August 2019 Revised: 11 October 2019 Accepted: 14 November 2019 DOI: 10.1002/pon.5294 PAPER Psychosocial consequences in offspring of women with breast cancer Arlene Chan1,2 | Christopher Lomma1 | HuiJun Chih3 | Carmelo Arto1 | Fiona McDonald4,5 | Pandora Patterson4,5 | Peter Willsher1 | Christopher Reid3 1Breast Cancer Research Centre-WA, Medical Oncology, Nedlands, Western Australia, Abstract Australia Objective: Breast cancer (BC) accounts for 24% of female cancers, with approxi- 2 School of Medicine, Curtin University, mately one quarter of women likely to have offspring aged less than 25 years. Recent Bentley, Perth, Western Australia, Australia 3School of Public Health, Curtin University, publications demonstrate negative psychosocial well-being in these offspring. We Bentley, Perth, Western Australia, Australia prospectively assessed for psychological distress and unmet needs in offspring of BC 4 CanTeen Australia, Sydney, New South patients. Wales, Australia Methods: Eligible offspring aged 14 to 24 years were consented and completed the 5Cancer Nursing Research Unit, University of Sydney, Sydney, New South Wales, Australia Kessler-10 Questionnaire and Offspring Cancer Needs Instrument. Demographic and BC details were obtained. Correspondence Chan Arlene, School of Medicine, Curtin Results: Over a 7-month period, 120 offspring from 74 BC patients were included. University, Kent Street, Bentley, Perth, Fifty-nine mothers had nonmetastatic BC (nMBC), and 27 had metastatic BC (MBC) Western Australia 6102, Australia with median time from diagnosis of 27.6 and 36.1 months, respectively. The preva- lence of high/very high distress was 31%, with significantly higher scores reported by female offspring (P = .017). Unmet needs were reported by more than 50% of off- spring with the majority of needs relating to information about their mother's cancer.
    [Show full text]
  • NT Drama Prospectus AUS-NZ 2020 V2 130819
    2020 Drama Aust/NZ Students COURSE PROSPECTUS TABLE OF CONTENTS Section One - Introduction and General Information .................................................................. 3 Section Two - Schools and Course Information .............................................................................. 5 Part 1 - National Theatre Ballet School ............................. Error! Bookmark not defined. Part 3- National Theatre Student Policies ..................................................................................... 12 Section Four - Application Process ................................................................................................... 21 Section Five - RTO information .......................................................................................................... 23 The National Theatre Melbourne RTO: 3600 Page 2 of 23 Cricos 01551E Section One – Welcome to the National Theatre Hello and a very warm welcome to the National Theatre Drama School. Creativity is a natural human expression. It’s a necessity for human evolution. At the National we seek to nurture and encourage this creativity. Einstein said, “It’s not that I’m so smart, it’s just that I stay with the problems longer.” We commit to you and your training over a three year period. Because creative artists need time. Time to grow, develop and mature. You need to invest the time to discover the artist you want to be. Our creative staff have been producing and nurturing artists since 1936, making us Australia’s original actor training academy. We employ working actors, directors and teachers who train our students with knowledge of the real world and all its demands. The caring and supportive nature of our staff is second to none. The training at the National is up-to-date, comprehensive and fresh. You will draw upon the teachings of Stanislavski, Mike Alfreds and Michael Chekhov. Classes include Shakespearean text, Suzuki, American text, Theatre creation, Film, TV and new media training, Yoga, Clown and voice and body work.
    [Show full text]
  • Should This Dog Be Called Spot?
    SHOULD THIS DOG BE CALLED SPOT? Imagine this microscopic drama. A sperm cell from a male dog fuses with an egg cell from a female dog. Each dog’s gamete carries 39 chromosomes. The zygote that results from the fusion of the gametes contains 78 chromosomes – one set of 39 chromosomes from each parent. One pair of the zygote’s chromosomes is shown below. Chromosome from the female dog L T h A Chromosome from the male dog l T H a Each chromosome of the homologous pair contains alleles for the same traits. But one chromosome may have a dominant allele and the other may have a recessive allele. Use the drawing above and the table below to answer the questions. TRAIT Dominant Gene Recessive Gene Hair length Short (L) Long ( l ) Hair Texture Wiry (T) Silky ( l ) Hair Curliness Curly (H) Straight ( h ) Coat Pattern Spotted (A) Solid ( a ) 1. Will the new puppy have a spotted coat? _ yes ________ Explain why or why not: The puppy inherited the dominant allele for spots from its father. 2. Does the female dog (mother) have a spotted coat? _ not enough info ____ Explain how you know this: _She could have a dominant allele on her other chromosome, which is information we don’t have. _____ _____________________________________________________________________ _____________________________________________________________________ 3. Does the male dog (dad) have a spotted coat? __yes _____ Explain how you know this: _The male has at least one dominant allele that he gave to the puppy so we know that the male is spotted. ______________________________________________________________________ Page 5 4.
    [Show full text]
  • Tony Taylor Jr. Named Winner of Guitar Center's 27Th Annual Drum-Off
    FOR IMMEDIATE RELEASE Tony Taylor Jr. Named Winner of Guitar Center’s 27th Annual Drum-Off ANNOUNCEMENT HIGHLIGHTS: Guitar Center to grant Taylor with career-altering endorsement deals, gear and cash in a grand prize package valued at over $45,000 Past Drum-Off winners have gone on to see successful careers, playing with the likes of Prince, Jay Z, Beyoncé, The Mars Volta and more The evening included performances by Taylor Hawkins (Foo Fighters), Mike Mangini (Dream Theater), Gil Sharone (Marilyn Manson) and more Westlake Village, CA (January 20, 2016) – Starting in August, drummers from across the country signed up to compete in Guitar Center’s 27th Annual Drum-Off, and out of the thousands of hopefuls, five talented finalists competed for the winning title last Saturday, January 16, 2016. At stake was a prize package including endorsement deals, gear and cash valued at nearly $45,000. An all-star panel of judges was on hand to critique the performances including Steve Ferrone (Tom Petty & The Heartbreakers), Matt Garstka (Animals as Leaders), George “Spanky” McCurdy (Lady Gaga), Ced Mitchell (Nick Jonas), Cora Dunahm (Beyonce), Glen Sobel (Alice Cooper), Mike Reid (Rhianna), Gerald Heyward (Chris Brown), Tony Royster Jr. (Jay Z), Jim Riley (Rascall Flatts), Dave Elitch (Antemasque) and Nisan Stewart (Dancing With The Stars). As the winner, Tony Taylor Jr., joins an esteemed group of talented drummers who have gone on to play for the likes of Prince, Beyoncé, Jay Z and more. Growing up in Matteson, IL, just outside of Chicago, Tony Taylor Jr. comes from a family with deep musical roots.
    [Show full text]
  • 9 Breeding Critters—More Traits
    Breeding Critters—More Traits 9 INVESTIGATION 1–2 CLASS SESSIONS ACTIVITY OVERVIEW NGSS CONNECTIONS Students model and explain additional patterns of inheritance as they explore cause-and-effect relationships for additional traits of the critters. These patterns help them model and explain the wide variation that can result from sexual repro- duction. The activity provides an opportunity to assess student work related to Performance Expectation MS-LS3-2. NGSS CORRELATIONS Performance Expectations MS-LS3-2: Develop and use a model to describe why asexual reproduction results in offspring with identical genetic information and sexual reproduction results in offspring with genetic variation. Disciplinary Core Ideas MS-LS1.B Growth and Development of Organisms: Organisms reproduce, either sexually or asexually, and transfer their genetic information to their offspring. MS-LS3.A Inheritance of Traits: Variations of inherited traits between parent and offspring arise from genetic differences that result from the subset of chromosomes (and therefore genes) inherited. MS-LS3.B Variation of Traits: In sexually reproducing organisms, each parent contributes half of the genes acquired (at random) by the offspring. Individuals have two of each chromosome and hence two alleles of each gene, one acquired from each parent. These versions may be identical or may differ from each other. Science and Engineering Practices Constructing Explanations and Designing Solutions: Apply scientifc ideas to construct an explanation for real-world phenomena, examples, or events. Developing and Using Models: Develop a model to describe unobservable mechanisms. REPRODUCTION 155 ACTIVITY 9 BREEDING CRITTERS—MORE TRAITS Crosscutting Concepts Patterns: Patterns can be used to identify cause and effect relationships.
    [Show full text]
  • Why We Should Create Artificial Offspring: Meaning and the Collective Afterlife
    Why we should create artificial offspring: meaning and the collective afterlife By John Danaher, NUI Galway Forthcoming in Science and Engineering Ethics This article argues that the creation of artificial offspring could make our lives more meaningful (i.e. satisfy more meaning-relevant conditions of value). By ‘artificial offspring’ is meant beings that we construct, with a mix of human and non-human-like qualities. Robotic artificial intelligences are paradigmatic examples of the form. There are two reasons for thinking that the creation of such beings could make our lives more meaningful. The first is that the existence of a collective afterlife — i.e. a set of human-like lives that continue in this universe after we die — is likely to be an important source and sustainer of meaning in our present lives (Scheffler 2013). The second is that the creation of artificial offspring provides a plausible and potentially better pathway to a collective afterlife than the traditional biological pathway (i.e. there are reasons to favour this pathway and there are no good defeaters to trying it out). Both of these arguments are defended from a variety of objections and misunderstandings. 1. Introduction This article defends an unusual thesis. An illustration might help. In season 3 of Star Trek: The Next Generation, in an episode entitled “The Offspring”, Lt. Commander Data (an artificial humanoid life-form) decides to create an artificial child of his own. He calls the child “Lal” and gives it the characteristics of a female human. The episode then tells the charming story of Data’s emerging bond with Lal, a bond which is threatened by a group of scientists who try to take her away and study her, and eventually leads to heartbreak as Lal “dies” due to a design fault (though not before Data downloads her memories into his own brain so that a part of her can live on).
    [Show full text]
  • Theatre Costume, Celebrity Persona, and the Archive
    Persona Studies 2019, vol. 5, no. 2 THEATRE COSTUME, CELEBRITY PERSONA, AND THE ARCHIVE EMILY COLLETT ABSTRACT This essay considers the archived costume in relation to the concept of the celebrity performer’s persona. It takes as its case study the Shakespearean costume of Indigenous actress Deborah Mailman, housed in the Australian Performing Arts Collection. It considers what the materiality of the theatre costume might reveal and conceal about a performer’s personas. It asks to what extent artefacts in an archive might both create a new persona or freezeframe a particular construct of a performer. Central to the essay are questions of agency in relation to the memorialisation of a still living actress and the problematisation of persona in terms of the archived object. Can a costume generate its own persona in relation to the actress? And what are the power dynamics involved in persona construction when an archived costume presents a charged narrative which is very different to the actress’s current construction of her persona? KEY WORDS Costume; Archive; Deborah Mailman; Indigenous; Memory; Shakespeare COSTUME IN THE ARCHIVE: A CHARGED OBJECT In this essay I consider the archived theatre costume in relation to persona studies and what the materiality of costume might reveal or conceal about the celebrity performer’s persona(s). Can an archived costume have its own persona? What complexities arise when the charged historical narrative of an archived costume is at odds with a current persona? And in the following case study of Deborah Mailman, what happens when the framing of a living Indigenous actress’s costume constructs a persona that is quite different to the one that the actress currently constructs for herself? A costume worn by a performer live on stage is remembered in particular ways – and many in the audience might focus more on the performer’s stance, physicality, and verbal prowess than what they are wearing.
    [Show full text]
  • Great American Jazz Series
    Great American Jazz Series 1989-1991 2004-2005 • Randy Brecker • Dave Brubeck Quartet • Herbie Mann • Terry Harrington • Branford Marsalis • Medesky, Martin, and Wood • Pat Metheny • Rebecca Parris • Marvin Stamm • Kenny Garrett Quartet: Slide Hampton, Bill Watrous, and Claudio Roditi 1991-1992 • Eddie Daniels 2005-2006 • Eliane Elias • Ed Calle • Jimmy Heath Quartet • Poncho Sanchez Latin Jazz Band • Billy Taylor • Béla Fleck and the Flecktones • Clark Terry • Benny Green and Russell Malone 1992-1993 2006-2007 • John Abercrombie • Diane Schuur • Ramsey Lewis • Christian McBride Band • Jim Pryor • Yellowjackets • Marcus Roberts • Doc Severinsen • Jiggs Whigham • Joe Williams 2007-2008 • Cassandra Wilson • Bunky Green • Kurt Elling 1993-1994 • Eddie Gomez Trio with Jimmy Cobb • Brecker Brothers • Mike Stern Trio with Dave Weckl • Kenny Burrell • Tim Hagans • Paquito D’ Rivera • Arturo Sandoval 2008-2009 • Diane Schuur • Dave Douglas • United States Air Force Airmen of Note • Gary Burton • Maria Schneider 1994-1995 • The Mingus Big Band • Louis and Dee Dee Bellson • Dave Brubeck Quartet 2009-2010 • Bunky Green • Carl Allen/Rodney Whitaker Project • Joe Henderson • Bob Bednar • James Moody • Terence Blanchard • Dianne Reeves • Joe Lovano • Kim Richmond & Clay Jenkins 1995-1996 • Toshiko Akiyoshi and Lew Tabakin 2010-2011 • Carmen Bradford and Mulgrew Miller • Scotty Barnhart • Mercer Ellington • John Clayton, Jeff Clayton, and Jeff Hamilton • Herbie Hancock • John Pizzarelli • Tommy Newsom • Richard Stoltzman 1996-1997 2011-2012 • Buddy DeFranco
    [Show full text]
  • Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings.
    [Show full text]
  • Downbeat.Com December 2020 U.K. £6.99
    DECEMBER 2020 U.K. £6.99 DOWNBEAT.COM DECEMBER 2020 VOLUME 87 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • 2012 Program Guide
    "# && # " $ % $ " " " !' TD Sponsor.indd 1 4/17/12 2:36:06 PM .0& ,&, 22 ',0 .0& )()//&0 #-% 1 #-% ,&, 22', && 33" #% 1 #% !& 3# - )() % 1 % & -* - , 33" $1$ 01091705.ad 1 4/23/12 9:00:16 AM Welcome to the 27th Annual TD Vancouver International Jazz Festival @ek_\nfi[jf]aXqqdlj`Z`Xe?\iY`\?XeZfZb1Èdlj`Z`jXeXik]fidk_Xk kiXejZ\e[jcXe^lX^\%É@ek_Xkjg`i`k#K;9Xeb>iflg`jgc\Xj\[kfYi`e^pfl# ]fik_\k\ek_Zfej\Zlk`m\p\Xi#k_\)'()K;MXeZflm\i@ek\ieXk`feXcAXqq =\jk`mXc#Xe\m\ekk_XkZ\c\YiXk\jk_\[`m\ij`kpXe[\ek\ikX`ed\ekf]dlj`ZYp kXc\ek\[Xik`jkj]ifd:XeX[XXe[Xifle[k_\nfic[% K;jki`m\jkf\e_XeZ\k_\Zfddle`k`\j`en_`Z_n\j\im\#Xe[n_XkY\kk\i nXpkfYi`e^g\fgc\kf^\k_\ik_Xekfj_Xi\`ek_\cfm\f]^i\Xkdlj`ZK_XkËj n_pK;`jgifl[kfjgfejfik\edXafidlj`Z]\jk`mXcj]ifdM`Zkfi`Xkf?Xc`]Xo% >i\Xk]\jk`mXcj[feËk_Xgg\en`k_flk^i\Xkg\fgc\kffi^Xe`q\Xe[ilek_\d%N\Ë[c`b\kfk_Xeb \m\ipfe\n_f`j`emfcm\[n`k_dXb`e^k_\)'()K;MXeZflm\i@ek\ieXk`feXcAXqq=\jk`mXcX_`k Æ]ifdmfclek\\ijXe[fi^Xe`q\ij#kfk_\kXc\ek\[]\Xkli\[Xik`jkjXe[k_fljXe[jf]dlj`Zcfm\ij n_faf`elj\m\ipp\Xi%PflijlggfikdXb\jk_`j`eZi\[`Yc\\m\ekgfjj`Yc\% =fik_\cfm\f]dlj`Z#k_Xebpfl% AXe\Iljj\cc J\e`fiM`Z\Gi\j`[\ek#GXZ`ÔZI\^`fe 8D<JJ8><=IFDK?<:F8JK8CA8QQ9CL<JJF:@<KP 9:ËjcXi^\jkdlj`Zgi\j\ek\i#:fXjkXcAXqq`j MXeZflm\i8ik>Xcc\ip]fik_\`ijlggfik`e n\ccbefne]fi`kj[Xi`e^Xik`jk`Zm`j`fek_Xk _\cg`e^ljdXb\k_`jdfm\% Z\c\YiXk\j`eefmXk`fe#[`m\ij`kpXe[`eZclj`m`kp K_\]\jk`mXcËjjk\ccXic`e\lgY\^`ejn`k_X `edlj`Z#n`k_`eXm`YiXekXe[\m\i$\mfcm`e^ i`^_k\fljE\nFic\XejY`cc]\Xkli`e^k_\
    [Show full text]
  • Eliane Elias Returns to Samba SAMBA IS in ELIANE ELIAS’ BLOOD, but IT of What I Do
    Eliane Elias’ new album is titled Dance Of Time. PHILPPE SALOMON Eliane Elias Returns to Samba SAMBA IS IN ELIANE ELIAS’ BLOOD, BUT IT of what I do. But the piano—that’s my instru- was not the Brazilian singer-pianist’s first love. ment. It’s like the continuation of my body, my A piano prodigy in her native São Paulo, she soul. was copping Red Garland licks as a jazz-besot- ted 12-year-old. Jazz always came first. HOW DO YOU BALANCE SINGING AND PLAYING? It still does. “My first great love was jazz,” Maybe 15 years ago I wasn’t as comfortable she said recently. “At age 10 and 11, I used to doing it as now. But I have gotten to a place spend hours and hours transcribing my moth- where I love singing and playing. In fact, when er’s jazz records; [by contrast,] the samba and I’m playing Brazilian things and doing all the bossa nova were just part of the DNA of the syncopation, just the piano alone—with lots of culture.” offbeats in the left hand and improvising with For most of her career, including more than the right—already that’s like two people. And two dozen albums, her focus was on her spec- then you add the voice, and it’s like, wow, OK! tacular straightahead jazz piano style. In 2015, [laughs]. however, she returned to Brazil to record for the first time since she emigrated to New York in WHY DID YOU DECIDE TO RECORD DANCE OF TIME 1981.
    [Show full text]