DOCSLIB.ORG

Create Collect & Edit Publish

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Create Collect & Edit Publish CREATE COLLECT & EDIT PUBLISH p On February 8th, ' At Mission Control in San The work is 100 professional , Francisco, teams ofjudges, published at photographersand . editors,designers and the24Hours $ 1 thousands of others technicians sift in Cyberspace worldwide shoot through incoming web site photos and transmit '1 (http://www. ,4 them to 5an Francisco. ' and"mirroredU WideWeb site around the world. the same day. 1 "Mirror" sites at the lnternet 1996 World Expo,MCI, BBN IPlanet, and Sun Microsystems Kodak Digital NECVersa Kodak Digital Science Camera, Notebook Science Camera, Kodak Film Computer, Adobe Page Mill, and Processing Adobe Adobe Photoshop, I Photoshoo. AdobeAcrobat. *MFS lnternet connection< with lnternet MCI peering Communications I Web Site Additional technoloqy: Thesoftware Construction Company's (SWCC) Photoshop Plug-in Best Power's UPS US Robotics's modems Cisco Systems'wuters Bay Networks'hubs Telos Systems'interfaces Telex headsets Spider Island Software's Diagram by Nigel Telefinder BBS Holmes 24 HOURS IN CYBERSPACE: HOW IT WORKS / 1 CREATE COLLECT AND EDIT PUBLISH Today, February 8th, 100 At Mission Control in San The work is published at the professional photographers Francisco, teams of judges, 24 Hours in Cyberspace web and thousands of others editors, designers and site and is"mirrored"around worldwide are shooting technicians are sifting through the world, photos and transmitting incoming pictures and audio them to San Francisco. clips, and are building a World To read more about the projec Wide Web site in real time. First load Adobe Acrobat, then return to this page to continue. - ~~ -- - PUBL I II_ ' " i tti ,I\,+htl t4-$ 24 HOURS IN CYBERSPACE: HOW IT WORKS Today, February 8th, 100 professional photographers and thousands of others worldwide are shooting photos and transmitting them to Mission Control in San Francisco. Project Photographers using digital and normal cameras, shoot photos worldwide. Kodak Digital Science Camera, rx Kodak Film and Processing Photographers' Students Amateurs The Military A Assistants around the world shoot photos write and photograph utilizesan all-digital 1 either download the digital 1 and create their own Web pages. their own stories- network to shoot photos in images directly into a These are sent via the Internet to anything from a text-only the field and transmit notebook computer,or Mission Control forjudging. message to a complete them back to Mission scan and digitize color Adobe Page Mill, Adobe Photoshop, Web page-and send Control in real-time. negatives first. Adobe Acrobat,Adobe Illustrator, them to the 24 Hours in Together with the Photographer Kodak Digital Science Camera, Cyberspace Web site. they select the best ones, Netscape Navigator, add captions, and upload Netscape Server I the images to Mission Control. High-speed telecommunica- r tions link to Mission Control NECVersa NotebookComputer, MFS Communications' Adobe Photoshon. advanced ATM fiber network Polaroid sprints;an Scanner, Kodak Photo Imaging Workstation, Audio Interviewer Software Construction Company PIK Plug In, in Mission Control Spider Island SoftwareTelefinder BBS debriefs the Project Photographers by phone. Telex headse R - m HMB NEC Adobe fuETSChPE At Mission Control in San Francisco, teams of technicians and judges are sifting through incoming pictures and audio clips, before sending them on to the editing process. +-..-.. lncoming photos The Network lllustra Database *. and stories 60 Ultra Sparc Workstations and Servers,25 NEC Power- scans incoming photos and stories,checks that they Mate systems with NEC Multisync monitors,~iscoRouter, comply with Project rulesabout size and number,cracks R,,, LI,,+~A,AVL~~$ubs,US Robotics modems,Best Power UPS open e-mail and places contents in the database,sends ,; thankyou(orreject)notetosenders. .------------------' System Administrators (4) monitor,control and keep the overall network secure. Traffic Team (4) monitors the technical quality of incoming photos and stories; provides technical support to Project Photo- graphers and Assistants in the field. lncoming Illustra, Netscape Navigator audio Audio Team (2) collects, processes and edits audio interviews in real-time,and places the rate the incoming student and Audio finished clips in thelllustra database. amateur stories,and categorize Power Computing workstations, Sonic them into the Project's themes. Solutions Digital Audio software and MediaNet Illustra,Netscape Navigator network,Telos Systems phone interfaces NETSCAPE ILLUSTRA - - rn ' ' 24 HOURS IN CYBERSPACE: HOW IT WORKS At Mission Control, teams of editors, designers and technicians build the web pages that are the heart of the project-Thereare three stages for each page: Six teams,each with a Photo Editor, Four cross-functional teams view and rank the stories within Text Editor and Adobe Photoshop a theme.They then fill in a pre-designed temTlaM Technician review and edit a story's Adobe Photoshop, Illustra, Netscape Navigator, Netobjects images, text and audio.The team creates pull quotes,and then fills in a IIateIdesigned by Clement Mok designs.The required HTML code is automatically generated by the push of a button. Adobe Photoshop, lllustra, The Editor-in-Chief, Executive Photo#!fl Editor and Website Netscape Navigator, Netobjects Designer work on the site's home page to ensure that the best stories of the moment are highlighted. Adobe Photoshop, lllustra, Netscape Navigator, NetObjects Technical Support Editorial Support Four experts from lllustra and NetObjects, Three senior editors provide overall and five HTML programmers answer questions direction and two proofreaders and "tweak pages where necessary. catch spelling errors. m L\' 9 r NEC S ~~biec~~i 1 Adobe ~ETSCAPE ILLUSTRA I WE B PAC E T E MPLAT E 24 HOURS IN CYBERSPACE: HOW IT WORKS 14.1 litc d Designers at Mi !ct fro 3 set c )redesignedtemplates& AUTOMAT NetObjects and lllustra ente Navigation buttons:links to site map, th soonqorr how the oroiect works, auest Story Title how to submit stories' Map shows location of story This is the subtitle! A - * w-- Previous and next links 4 ,'/ +Initial capital letter ,)II;~I - 'I,! ;b:j! hisisthestoq {kg!! 1~1\.+,,' There can be [JI,,~%I up to thee block Photos:up to 5 separate images per page of text lke this 0; the page. It can also include an audio caption. AUDIQ*~))) I I I *I This is- the caption. Captions are enrered bythe photographer inbii?lp$? (Photo by: photographer the field,automatically pulled up by lllustra,, J:' and then edited using the NetObjects tool wt qwte 'This is a quote from the story? I -- Photo creditus to photographer biography I I There are @& within the stories. And there are -links to other sites. 4' H NEC SILLCISTuA ~mbieeti .* Adobe NETSCAPE 24 HOURS IN CYBERSPACE: HOW IT WORKS The work is published at the 24 Hours in Cyberspace web site and is"mirrored"around the world. -1 -1 Server with Sun RAID I Storage MAE West MAE East The world's :A large lnternet "hub" largest Internet ! in Washinaton,DC, "hub, operated by I operated gy MFS MFS Communications. '3 ~ommunications. InternetMCl provides . peering and address 1 I Sun Netra space for 24 Hours .I *8.s..~1.# '0 in Cyberspace 00 "Mirror" sites at LF at MAE West ..** ..** **. Internet 19% and MAE East. 9' World Expo, MCI, BBN Planet, andsun Microsystems Around ;he world, System Administrators (4) mirror sites are monitor, control and keep the overall connected with very network secure.They also monitor the telecommunications and mirroring process. rn Telecommunications systems I integrationand backup lnternet MMB @P~ET connectivity provided by g sun 3,ILLUSTRA Cyberports for Business. .
Load more

Recommended publications
  • ON the NET 24 Hours in Cyberspace
    MARCH 1996 $5.75 E2.00 NNW ./ JO' . f r TIE INTERNATIONAL .+' TECHNICAL MAGAZINE FOR PRO AUDIO, POSTPRODUCTION & BROADCAST EXCLUSIVE ON THE NET 24 Hours in Cyberspace 03 HO 9 77014/.59401 7 www.americanradiohistory.com Oizce in a while a product comes along that is so unique, so powerful, that it c_ianges the way we look at things. Such a product is the Ap_iex 661 Compressor Limiter- creating a new standard by combining four Aphex irtventior s. A skillfully engineered instrument of unprecedented tlexib_lity, ea ;e of use and sonic eecellence. Tubessence® - true vacuum tube technology and warmth; High Frequency Expander (HFX)TM for automatically retaining the high frequencies lost during compression; Easyrider® circuitry for an Auto mode that really works; and the world's best VCA - the Aphex 1001, the fastest, most accurate and transparent available. The Aphex Model 661 - another revolutionary step toward improving the way the world sounds. APHEX Improving the way the world soundsd sm Tel: 818 -767 -2929, Fax: 818 -767 -2641 Y A T I V 11068 Randall Street, Sun Valley, CA 91352 www.americanradiohistory.com Editorial Tim Goodyer redesigns humans to suit today's machines Soundings Show news from MacWorld Expo, a report from the (AS (onference and developments from around the world of pro -audio International Columns Reports from Studio Sounds columnists in Europe, America and the Far East Hoboken's Waterfront Studio boasts two classic early 1970s EMI World Events The only exhaustive show and convention consoles and a wealth of unusual vintage
    [Show full text]
  • Web: © the Author(S) 2015 DOI: 10.1177/2056305115621935 Reconfiguring Social Logics and Historical Sms.Sagepub.Com Boundaries
    SMSXXX10.1177/2056305115621935Social Media + SocietyAnkerson 621935research-article2015 SI: Social Media Public Space Social Media + Society July-December 2015: 1 –12 Social Media and the “Read-Only” Web: © The Author(s) 2015 DOI: 10.1177/2056305115621935 Reconfiguring Social Logics and Historical sms.sagepub.com Boundaries Megan Sapnar Ankerson Abstract The web’s historical periodization as Web 1.0 (“read-only”) and Web 2.0 (“read/write”) eras continues to hold sway even as the umbrella term “social media” has become the preferred way to talk about today’s ecosystem of connective media. Yet, we have much to gain by not exclusively positing social media platforms as a 21st-century phenomenon. Through case studies of two commercially sponsored web projects from the mid-1990s—Massachusetts Institute of Technology Media Lab’s Day in the Life of Cyberspace and Rick Smolan’s 24 Hours in Cyberspace—this article examines how notions of social and publics were imagined and designed into the web at the start of the dot-com boom. In lieu of a discourse of versions, I draw on Lucy Suchman’s trope of configuration as an analytic tool for rethinking web historiography. By tracing how cultural imaginaries of the Internet as a public space are conjoined with technological artifacts (content management systems, templates, session tracking, and e-commerce platforms) and reconfigured over time, the discourses of “read-only publishing” and the “social media revolution” can be reframed not as exclusively oppositional logics, but rather, as mutually informing the design and development of today’s social, commercial, web. Keywords social media, web history, web 1.0, web 2.0, public, read-only For a decade now, the participatory potential of social media Yet, a closer examination of web history suggests the has become synonymous with Web 2.0 platforms like boundaries separating 1.0 and 2.0 eras may do more to dis- Facebook and Twitter that facilitate the sharing of user-gen- tort our understandings of cultural and technological change.
    [Show full text]
  • Who Should Govern the Internet?: Monitoring and Supporting a New Frontier
    Harvard Journal of Law & Technology Volume 11, Number 2 Winter 1998 WHO SHOULD GOVERN THE INTERNET?: MONITORING AND SUPPORTING A NEW FRONTIER Steven R. Salbu" TABLE OF CONTENTS I. INTRODUCTION .................................... 430 II. INTERNET ACTIVITIES, BEHAVIORS, AND TRANSACTIONS IN THE CONTEXT OF TRADITIONAL STATE POLICE POWERS . 441 A. The Varying Degrees of "Transformative Innovation" in Regard to Legitimate State Control ............... 441 B. The Hybrid Case in Which Some State Interests Remain Unimpaired While Others Are Reduced .............. 443 C. Activities in Which State Interests Are Entirely Unimpaired by Cybertransition .................... 448 D. Activities in Which State Interests Are Eliminated by Cybertransition ....................... .......... 450 IlL THE ADVANTAGES OF CONSISTENT STANDARDS IN INTERNET REGULATIONS ........................... 452 A. The Inherent Resistance of Globe-Spanning Internet Communications to Effective Local Regulation ........ 453 B. Eliminating Local Regulation's Inhibition of Growth, Development, and Use of the Internet ........ 458 1. Undue Redundancy .......................... 458 2. Undue Complexity, Conflict, and Compliance-Associated Expense ............... 460 IV. DISCUSSION AND RECOMMENDATIONS .................. 462 A. Targeted Federal Preemption in the Realm of Interactive Computer Technologies ................. 463 1. Characteristics of"Crucial Standardization," Such That a Compelling Need Exists for a Uniform Legal or Regulatory Approach ................. 465 * Associate Professor,
    [Show full text]
  • CIC. Cuadernos De Información Y Comunicación ISSN: 1135-7991 [email protected] Universidad Complutense De Madrid España
    CIC. Cuadernos de Información y Comunicación ISSN: 1135-7991 [email protected] Universidad Complutense de Madrid España Davis, Richard Tecnologías de la comunicación y democracia: El Factor lnternet CIC. Cuadernos de Información y Comunicación, núm. 6, 2001, pp. 9-32 Universidad Complutense de Madrid Madrid, España Disponible en: http://www.redalyc.org/articulo.oa?id=93500602 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Tema central Tecnologías de la comunicación y democracia: El Factor lnternet* Richard Davis (Opto. de Ciencia Política Brian Younq Universíty. Utah, USA> Traducción de José Luis Dader *Capitulo 1 del libro de Richard Davis, The Web of Politics. The lnternet’s Impactan the American Political System. New York. Oxford University Press. 1 999. Traducido y reproducido bajo el permiso expresamente concedido para esta edición por Oxford University Press. Debido a limitaciones de espacio algunos párrafos han sido suprimidos o extractados y la extensa acumulación de referencias bibliográfi- cas ha sido condensada en algunos casos. amo en los comienzos de otras nuevas tecnologías, Internet ha sido calificada de C propulsora de una revolución social (Randall:1997, Smolan/Erwitt:1996, Doheny-Farina:1996, Derry: 1996, Talbott:1995, Rheingold:1993). “En el presente asistimos a los días iniciales y turbulentos de una revolución tan relevante como cual- quiera de las precedentes en la historia de la humanidad”, opina un ejecutivo del sec- tor industrial.
    [Show full text]
  • Tecnologías De La Comunicación Y Democracia: El Factor Lnternet*
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Portal de Revistas Científicas Complutenses Tema central Tecnologías de la comunicación y democracia: El Factor lnternet* Richard Davis (Opto. de Ciencia Política Brian Younq Universíty. Utah, USA> Traducción de José Luis Dader *Capitulo 1 del libro de Richard Davis, The Web of Politics. The lnternet’s Impactan the American Political System. New York. Oxford University Press. 1 999. Traducido y reproducido bajo el permiso expresamente concedido para esta edición por Oxford University Press. Debido a limitaciones de espacio algunos párrafos han sido suprimidos o extractados y la extensa acumulación de referencias bibliográfi- cas ha sido condensada en algunos casos. amo en los comienzos de otras nuevas tecnologías, Internet ha sido calificada de C propulsora de una revolución social (Randall:1997, Smolan/Erwitt:1996, Doheny-Farina:1996, Derry: 1996, Talbott:1995, Rheingold:1993). “En el presente asistimos a los días iniciales y turbulentos de una revolución tan relevante como cual- quiera de las precedentes en la historia de la humanidad”, opina un ejecutivo del sec- tor industrial. “Está emergiendo un nuevo medio de comunicación, uno que podría sobrepasar todas las revoluciones comunicacionales anteriores —la imprenta, el telé- fono, la televisión, el ordenador-, en cuanto a su impacto sobre nuestra economía y nuestra vida social” <Tapscott, 1996). Sin duda, Internet ha influido ya en el curso de la vida estadounidense. La actividad más ansiada por la mayoria de los norteamericanos —el disfrute del tiem- po libre-, incluye de forma creciente el uso de La Red.
    [Show full text]
  • The People Who Invented the Internet Source: Wikipedia's History of the Internet
    The People Who Invented the Internet Source: Wikipedia's History of the Internet PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Sat, 22 Sep 2012 02:49:54 UTC Contents Articles History of the Internet 1 Barry Appelman 26 Paul Baran 28 Vint Cerf 33 Danny Cohen (engineer) 41 David D. Clark 44 Steve Crocker 45 Donald Davies 47 Douglas Engelbart 49 Charles M. Herzfeld 56 Internet Engineering Task Force 58 Bob Kahn 61 Peter T. Kirstein 65 Leonard Kleinrock 66 John Klensin 70 J. C. R. Licklider 71 Jon Postel 77 Louis Pouzin 80 Lawrence Roberts (scientist) 81 John Romkey 84 Ivan Sutherland 85 Robert Taylor (computer scientist) 89 Ray Tomlinson 92 Oleg Vishnepolsky 94 Phil Zimmermann 96 References Article Sources and Contributors 99 Image Sources, Licenses and Contributors 102 Article Licenses License 103 History of the Internet 1 History of the Internet The history of the Internet began with the development of electronic computers in the 1950s. This began with point-to-point communication between mainframe computers and terminals, expanded to point-to-point connections between computers and then early research into packet switching. Packet switched networks such as ARPANET, Mark I at NPL in the UK, CYCLADES, Merit Network, Tymnet, and Telenet, were developed in the late 1960s and early 1970s using a variety of protocols. The ARPANET in particular led to the development of protocols for internetworking, where multiple separate networks could be joined together into a network of networks. In 1982 the Internet Protocol Suite (TCP/IP) was standardized and the concept of a world-wide network of fully interconnected TCP/IP networks called the Internet was introduced.
    [Show full text]
  • 8 Jorn Barger and Dave Winer: Self-Knowledge, Integrity, and Transcendentalism
    Weblogs 1994 – 2000: A Genealogy Rudolf Ammann A dissertation submitted in fulfilment of the requirements for the degree of Doctor of Philosophy at the Department of Information Studies University College London September 2012 [revised version of 8 May 2013] 2 I, Rudolf Ammann, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated. 3 Abstract Using extensive fieldwork in the online archival record, this thesis ac- counts for the descent and emergence of the weblog as a digital genre during its formative period up to the year 2000. The work examines the weblog’s process of genre formation as diffusion of innovation within a heterogeneous discourse network. It describes this process as a series of several consecutive and cumulative reinterpretations of the emerging genre’s form and intended purpose, effected for the most part by the most central actors in the network. 4 Acknowledgements This work owes a big debt of gratitude to Melissa Terras and Claire Warwick for their expert guidance. At various points, Matthew Kirschenbaum, David Nicholas, Julianne Nyhan and Mike Thelwall provided valuable assistance as well. Anonymous reviewers and delegates of the Hypertext 2009 and the Applications of Social Network Analysis 2010 conferences helped improve some of the materials presented in this thesis. This thesis benefited from correspondence with Jorn Barger, Mark Bernstein, Steve Bogart, Dan Gillmor, the late Chris Gulker, Robert Hooker, Dan Lyke, Pete Prodoehl, Scott Rosenberg, Edward Viel- metti, and Dave Winer, amongst many others. David Kornblith and Frank Bennett promptly and efficiently solved the problems caused by the excessive demands my work placed on Zotero’s citation handling.
    [Show full text]
  • Interop Trade Show, Carl Malamud‘S Internet 1996 Exposition, and the Politics of Internet Commercialization]
    Please do not cite or circulate without permission of the author Internet Commercialization and the Politics of Global Computer Networks Paper presented at MiT7 Unstable Platforms: The Promise and Peril of Transition, May 13-15, 2011, MIT. [Extracted from Master‘s Thesis: The World in the Network: The Interop Trade Show, Carl Malamud‘s Internet 1996 Exposition, and the Politics of Internet Commercialization] By most estimates, networked communications is at a critical juncture. In the U.S., debates focus on the need the shore up lagging broadband infrastructure and on the need to ensure that the so-called last mile of connectivity into homes and businesses. Globally, the situation appears more dramatic as countries and commercially operated platforms prove willing to ―switch off‖ the internet or severely limit its availability. One way to better understand these struggles is to return to an earlier chapter of Internet connectivity struggles. This study will examine the largely overlooked history of the ―Interop‖ computer-networking trade show, and argue that it would prove critical to the Internet‘s global physical expansion and commercial success. Assembled by a core group of former Arpanet researchers, Interop suggests that the success of the Internet as a global communications medium was not only a technical achievement, as is commonly framed, but also the result of organizational accomplishments. These activities helped the emerging network accommodate powerful commercial interests as well as the larger economic and technological forces sweeping the industrialized world. This study will also examine an affiliated ―global‖ trade show, the Internet 1996 World Exposition. Through that event, technologist Carl Malamud drew on the rhetoric of turn-of-the-century world‘s fairs to demonstrate the value of faster networks as well as argue for a conception of ―the commons‖ that could ideally be served by the rapidly privatizing Internet.
    [Show full text]
  • United States Patent (19) 11 Patent Number: 5,963,964 Nielsen (45) Date of Patent: Oct
    USOO5963964A United States Patent (19) 11 Patent Number: 5,963,964 Nielsen (45) Date of Patent: Oct. 5, 1999 54 METHOD, APPARATUS AND PROGRAM 5,625,781 4/1997 Cline et al. ............................. 395/335 PRODUCT FOR UPDATING WISUAL 5,692,073 11/1997 Cass - - - - - - - - - ... 382/219 BOOKMARKS 5,717,940 2/1998 Peairs ....... ... 395/777 5,781,785 7/1998 Rowe et al. ............................ 707/513 75 Inventor: Jakob Nielsen, Atherton, Calif. OTHER PUBLICATIONS 73 Assignee: Sun Microsystems, Inc., Palo Alto, Hyper Card User's Guide, Apple Computer, Inc., Cover Calif. Page, Copyright Page and pp. 26, 27 and 139. Primary Examiner Joseph H. Feild 21 Appl. No.: 08/628,414 Attorney, Agent, or Firm McDermott, Will & Emery 51) Int. Cl. 6 ...................................................... G06F 17/21 Methods, Systems, and computer program products are 52) U.S. C. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 707 1501 disclosed for creating, displaying, Selecting, updating, and 58 Field of Search ............................. 395/762; 707/501, using Visual bookmarks. A Visual bookmark is a reduced 707/513; 709/218; 345/333,335, 348,349 graphical image of a web page that is associated with the URL for that web page. The invention allows the user to 56) References Cited View a bookmarked web page by Selecting a visual book U.S. PATENT DOCUMENTS mark of the desired page from a plurality of Visual book marks instead of making a Selection from a list of web page 5,140,678 8/1992 Torres ..................................... 395/350 titles. One way the visual bookmark is created is when the ES sE. E. tal - - - - S user decides to add a displayed web page to the user's 5,442,7952- - -a- 8/1995 Levineerteney et al.et al.....
    [Show full text]
  • Douglas Menuez Photography Collection MSS.PHOTO.0451
    http://oac.cdlib.org/findaid/ark:/13030/kt2r29q382 No online items Guide to the Douglas Menuez Photography Collection MSS.PHOTO.0451 Finding aid prepared by Steven Mandeville-Gamble, Sean Quimby and Laura Williams Dept. of Special Collections & University Archives Stanford University Libraries. 557 Escondido Mall Stanford, California, 94305 Repository email: [email protected] © 2011 Guide to the Douglas Menuez MSS.PHOTO.0451 1 Photography Collection MSS.PHOTO.0451 Title: Douglas Menuez photography collection Identifier/Call Number: MSS.PHOTO.0451 Contributing Institution: Dept. of Special Collections & University Archives Language of Material: English Physical Description: 130.0 Linear feet(206 manuscript boxes, 104 flat boxes; 345,000 negatives/slides; 5 CD-ROMs) Date (inclusive): 1986-2006 Abstract: Contains photographic materials, including prints, contact sheets, negatives and slides, relating to Menuez's documentation of major Silicon Valley companies, as well as to fine art book projects, photo essays and photo shoots for newspapers, magazines, advertising campaigns, annual reports and other commissioned work. creator: Menuez, Doug Access Collection is open for research; materials must be requested at least 36 hours in advance of intended use. The following boxes containing negatives are CLOSED except to staff for duplication purposes: Series 3: Boxes 1-7 - Researchers should refer to the corresponding contact sheets in Series 1. Series 5: Boxes 28-49, 55 - Researchers should refer to the corresponding contact sheets in Series 5, Subseries 1. Jobs or Series 1, Subseries 1. Jobs (for Farallon). Series 6: Box 2 - Researchers should refer to the corresponding contact sheets in Series 6, Subseries 1 and 2. The following boxes containing electronic media are CLOSED to researchers: Series 4: Box 1 - Materials on CD-ROM may require 2-4 weeks for reformatting.
    [Show full text]
  • Wendy Hui Kyong Chun, Control and Freedom
    Control and Freedom Control and Freedom Power and Paranoia in the Age of Fiber Optics Wendy Hui Kyong Chun The MIT Press Cambridge, Massachusetts London, England ( 2006 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. MIT Press books may be purchased at special quantity discounts for business or sales promotional use. For information, please e-mail hspecial_sales@ mitpress.mit.edui or write to Special Sales Department, The MIT Press, 55 Hayward Street, Cambridge, MA 02142. This book was set in Janson and Rotis Semi Sans on 3B2 by Asco Typesetters, Hong Kong. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Chun, Wendy Hui Kyong, 1969– Control and freedom : power and paranoia in the age of fiber optics / by Wendy Hui Kyong Chun. p. cm. Includes bibliographical references and index. ISBN 0-262-03332-1 (hc : alk. paper) 1. Optical communications. 2. Fiber optics. 3. Technology and civilization. I. Title. TK5103.59.C58 2005 303.48033—dc22 2004061362 10987654321 Contents Preface vii Acknowledgments ix Introduction 1 Interlude 31 1 Why Cyberspace? 37 2 Screening Pornography 77 3 Scenes of Empowerment 129 4 Orienting the Future 171 5 Control and Freedom 247 Epilogue 299 References 303 Index 327 Preface During the Afghanistan War, the second Gulf War, and the subsequent occupation of Iraq, T-shirts, bumper stickers, and politicians reminded us, ‘‘Freedom is not free.’’ This phrase, engraved on the Korean War Memorial in Washington, D.C., would seem simply to say that freedom comes at the cost of soldiers’ lives and civilian sacrifices.
    [Show full text]
  • Fiscal Year 1998 Budget Request to Congress
    WmMW SMITHSONIAN INSTITUTION FISCAL YEAR 1998 BUDGET REQUEST TO CONGRESS Table of Contents INTRODUCTION 1 SALARIES AND EXPENSES Summary Tables 5 Non-Recurring Costs 9 Mandatory Increases for Sustaining Base Operations 9 Priority Program Requirements 16 Museums and Research Institutes Anacostia Museum 21 Archives of American Art 23 Arthur M. Sadder Gallery/Freer Gallery of Art 25 Center for Folklife Programs and Cultural Studies 27 Conservation Analytical Laboratory 29 Cooper-Hewitt, National Design Museum 31 Hirshhorn Museum and Sculpture Garden 33 National Air and Space Museum 35 National Museum of African Art . 37 National Museum of American Art 39 National Museum of American History 41 National Museum of the American Indian 43 National Museum of Natural History 45 National Portrait Gallery 47 National Zoological Park 49 Smithsonian Astrophysical Observatory 51 Smithsonian Environmental Research Center 53 Smithsonian Tropical Research Institute 55 Program Support and Outreach Communications and Educational Programs 57 Institution-wide Programs 59 Office of Exhibits Central 61 Major Scientific Instrumentation 63 Museum Support Center 65 Smithsonian Institution Archives 67 Smithsonian Institution Libraries 69 Smithsonian Institution Traveling Exhibition Service 71 Administration 73 Facilities Services Office of Protection Services 75 Office of Physical Plant 77 CONSTRUCTION AND IMPROVEMENTS, NATIONAL ZOOLOGICAL PARK 79 REPAIR AND RESTORATION OF BUILDINGS 83 CONSTRUCTION 91 APPENDLX Smithsonian Institution Organizational Chart 95 Visitors
    [Show full text]