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The Wire the Complete Guide
The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr. -
The Black Image in the White Mind: Educational Consequences of Media Racism
THE BLACK IMAGE IN THE WHITE MIND: EDUCATIONAL CONSEQUENCES OF MEDIA RACISM Sheldon A. Lanier A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Education in the School of Education. Chapel Hill 2017 Approved by: Kathleen Brown Dana Thompson-Dorsey Misti Williams © 2017 Sheldon A. Lanier ALL RIGHTS RESERVED ii ABSTRACT Sheldon A. Lanier: The Black Image in the White Mind: Educational Consequences of Media Racism (Under the direction of Kathleen Brown) In the United States of America, Black male students often face a cultural disconnect when entering classrooms today. As a result, outcomes for these students, including academic ones, are both alarming and reprehensible. It is conceivable that a link exists between the exposure to negative racial portrayals of Black males in the media, teachers’ perceptions of their Black male students, and the negative treatments of Black males that result. These perceptions are important when examining how they can affect school policies and practices institutionally. Given the multitude of structures that help shape the negative outcomes of Black males in this country, mixed methods on both quantitative and qualitative inquiry were used to explore and examine the following questions: 1) How are Black males portrayed in the HBO original series, The Wire? 2) Do these portrayals reify (or, not) stereotypes of Black males in the United States? 3) How might these portrayals cultivate White female teachers’ perceptions and subsequent treatment of Black male students? The Wire was used as the media content sample due to the vast amount of Black male actors in lead or prominent recurring roles. -
Drug Markets, Fringe Markets, and the Lessons of Hamsterdam
DISCUSSION DRAFT McMillian Washington and Lee Law Review DRUG MARKETS, FRINGE MARKETS, AND THE LESSONS OF HAMSTERDAM Lance McMillian* INTRODUCTION The Wire is the greatest television series of all-time.1 Not only that, it is the most important.2 The transcendental quality of the show lies in what it teaches those of us living in the United States about ourselves. Even when we as a society know what is the right thing to do, our decaying institutions lack the capacity to act. The ineffectual status quo continues unabated. This feeling of impotence is so jarring to the viewer because we immediately know it to be true: our institutions are broken.3 From this perspective, The Wire is not just a television show; it is an expose on the slow decline of America in the 21st century. One of the most memorable story arcs from The Wire’s five seasons is the rise and fall of Hamsterdam, detailed more fully in Part I of this Article.4 Bunny Colvin, a high-ranking police officer on the verge of retirement, suffers an existential crisis prompted by the ongoing futility of Baltimore’s drug war. His novel response is to create quasi-legalized drug zones, which are quickly dubbed “Hamsterdam” by the drug dealers who populate them. Colvin’s calculus is straightforward: by concentrating the * Associate Professor, Atlanta’s John Marshall Law School. B.A., University of North Carolina at Chapel Hill; J.D., University of Georgia School of Law.. 1 The Wire (HBO television broadcast June 2, 2002-March 9, 2008). -
Discipline and Policing: HBO's the Wire As A
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 2 NUMBERS 1 & 2 2014 Editor BOB BATCHELOR Thiel College Associate Editor NORMA JONES Kent State University Associate Editor KATHLEEN TURNER Aurora University Book Review Editor JENNIFER C. DUNN Dominican University Assistant Editor MYC WIATROWSKI Indiana University Assistant Editor MAJA BAJAC-CARTER Kent State University Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture-studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2014 Midwest Popular and American Culture Association. All rights reserved. Cover photo credits Cover Artwork “Living Popular Culture” by Brent Jones © 2014 “Selfie for Peace” by Savannah Jones © 2014 “Party People” by Roob9 licensed by PhotoDune iPhone frame: Creative Commons “iPhone 5S” by Karlis Dambrans is licensed under CC BY 2.0 EDITORIAL ADVISORY BOARD ANTHONY ADAH JUSTIN GARCIA Minnesota State University, Moorhead Millersville University AARON BARLOW ART HERBIG New York City College of Technology (CUNY) Indiana University - Faculty Editor, Academe, the magazine of the AAUP Purdue University, Fort Wayne JOSEF BENSON ANDREW F. HERRMANN University of Wisconsin Parkside East Tennessee State University PAUL BOOTH JARED JOHNSON DePaul University Thiel College GARY BURNS JESSE KAVADLO Northern Illinois University Maryville University of St. Louis KELLI S. BURNS KATHLEEN A. KENNEDY University of South Florida Missouri State University ANNE M. CANAVAN WILLIAM KIST Emporia State University Kent State University ERIN MAE CLARK LARRY Z. LESLIE Saint Mary’s University of Minnesota University of South Florida BRIAN COGAN MATTHEW MIHALKA Molloy College University of Arkansas - Fayetteville ASHLEY M. DONNELLY LAURIE MOROCO Ball State University Thiel College LEIGH H. -
Title Who Loves Ya, David Simon?
Title Who Loves Ya, David Simon? Notes towards placing The Wire’s depiction of African-Americans in the context of American TV crime drama Type Article URL http://ualresearchonline.arts.ac.uk/2363/ Date 2009 Citation Sabin, Roger and Gibb, Jane (2009) Who Loves Ya, David Simon? Notes towards placing The Wire’s depiction of African-Americans in the context of American TV crime drama. Darkmatter. pp. 1-14. ISSN 2041-3254 Creators Sabin, Roger and Gibb, Jane Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Who Loves Ya, David Simon? Jane Gibb and Roger Sabin | 29 May 2009 | 4-The Wire Files [May 09] Notes towards placing The Wire’s depiction of African-Americans in the context of American TV crime drama Critics have justifiably praised The Wire for its rounded African-American characters, and the risks it took in foregrounding ‘black Baltimore’ - risks that have harmed its ratings, according to its makers.1 They have concluded that the crime genre has been taken somewhere new. But how new is ‘new’? What the critics couldn’t do - weren’t tasked to do - was to contextualise the show in terms of the history of crime drama on TV. This article will therefore seek to survey a number of key shows from the past that purported to convey a liberal viewpoint, and which have made race a focus. This is in order to suggest ways in which The Wire might be part of a genre tradition - and equally how it might be seen as expanding the parameters of that tradition and saying something genuinely original. -
Ohiou1314810185.Pdf (1.08
Crossin’ Somebody’s Line: Gay Black Men in HBO Serial Dramas A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Dustin L. Collins November 2011 © 2011 Dustin L. Collins. All Rights Reserved. 2 This thesis titled Crossin’ Somebody’s Line: Gay Black Men in HBO Serial Dramas by DUSTIN L. COLLINS has been approved for the School of Film and the College of Fine Arts by Louis-Georges Schwartz Assistant Professor of Film Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT COLLINS, DUSTIN L., M.A., November 2011, Film Scholarship Crossin’ Somebody’s Line: Gay Black Men in HBO Serial Dramas Director of Thesis: Louis-Georges Schwartz This thesis examines the roles of gay black men in three HBO programs: Six Feet Under, The Wire, and True Blood. Whereas such characters have always been stereotyped and ridiculed in the past, HBO has made strides forward thanks to its commitment to being on the cutting edge of narrative television. Drawing on Jasbir Puar’s Terrorist Assemblages, the thesis argues that Omar Little of The Wire, and to a lesser extent Lafayette Reynolds of True Blood, add new dimensions of representation by presenting their queerness as an assemblage of diverse factors, rather than an intersection of discrete categories. Keith Charles of Six Feet Under is presented as a counterexample—a positive representation, but safer and less groundbreaking than those who came after. Approved: _____________________________________________________________ -
Town and Country in the Old South : Vicksburg and Warren County, Mississippi, 1770-1860
TOWN AND COUNTRY IN THE OLD SOUTH: VICKSBURG AND WARREN COUNTY, MISSISSIPPI, 1770-1860 By CHRISTOPHER CHARLES MORRIS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1991 ACKNOWLEDGEMENTS I am pleased to acknowledge the assistance and encouragement of a number of people, and to thank them for their kindness. Sam Hill and Helen Hill gave me a place to stay when I made my first visit to Jackson. At Vicksburg the staff at the Old Court House Museum received me with open arms. Gordon Cotton's and Blanche Terry's knowledge of Warren County history and of the local documents proved invaluable. The staff at the Mississippi Department of Archives and History was always helpful. In particular I want to thank Anne Lipscombe. Alison Beck, of the Barker Texas History Center at the University of Texas, helped me wade through much of the as yet largely uncatalogued Natchez Trace Collection. She brought several important documents to my attention that I never could have found on my own. Several people in Vicksburg and Warren County took an interest in my work and helped me to discover their past. Special thanks go to Dee and John Leigh Hyland for being so forthcoming with their family history. Two other local researchers gave me the benefit of their experience. Clinton Bagley guided me through the records in the Adams County Courthouse in Natchez, and Charles L. Sullivan helped me find my way through the massive Claiborne Collection in the ii Mississippi Department of Archives and history. -
137 © the Author(S) 2020 R. Twomey, Examining the Wire, Https
INDEX1 A Barksdale, Nathan, 14, 67 Acronyms, 28–36, 49, 50, 55n31 Brother Mouzone (Michael Potts), Alma M. Gutierrez (Michelle 67, 68, 83 Paress), 52 Burns, Ed, 3, 13, 14, 33, 45, 47, 51, Andrews, Donnie, 81, 83 61, 63–65, 67–70, 72, 73, 76, Anton ‘Stinkum’ Artis (Brandon 77, 79, 84, 87, 100, 115 Price), 105 Augustus ‘Gus’ Haynes (Clark Johnson), 52, 57n61 C Avon Barksdale (Wood Harris), Cedric Daniels (Lance Reddick), 34 19n35, 30, 67, 89n24, 104, Chappelle, Joe, 111 105, 120n2 Chester Karol ‘Ziggy’ Sobotka (James Ransone), 109 Chris Partlow (Gbenga Akinnagbe), B 43, 101, 103 Baltimore Sun, 2, 14, 17n19, 19n37, Cinematography, 108, 110 19n39, 51–53, 55n17, 63, 66, Clarence V. Royce (Glynn 73, 75, 76, 89n13, 90n48, Turman), 62, 113 90n54, 100, 103, 112, 123n40, Complex television, 2, 6–10, 108, 123n41, 123n44, 130 118, 132 Balzac, Honoré de, 70, 71, 132 Curated realism, 1–16, 85 1 Note: Page numbers followed by ‘n’ refer to notes. © The Author(s) 2020 137 R. Twomey, Examining The Wire, https://doi.org/10.1007/978-3-030-45992-5 138 INDEX D Howard ‘Bunny’ Colvin (Robert D’Angelo Barksdale (Lawrence Wisdom), 37, 114 Gilliard Jr.), 30, 61, 88n5, Hyper-realism, 11, 13, 83, 92n71, 134 105, 134 Daniel Phelan (Peter Gerety), 30, 80 I The Deacon (Melvin Douglas Intertextuality, 39 Williams), 19n36, 63 Dennis Mello (Jay Landsman), 64 Dickens, Charles, 59–88, 132 J Dickerson, Ernest, 75, 76, 132 James ‘Jimmy’ McNulty (Dominic West), 24, 25, 32, 41, 66, 98 Jay Landsman (Delaney Williams), E 64, 75, 85 Ed Norris (Ed Norris), 64 Edward Tilghman Middle -
Representation of the Penal State in HBO's the Wire
SVEUČILIŠTE U ZAGREBU FILOZOFSKI FAKULTET Odsjek za anglistiku Američki studiji Representation of The Penal State in HBO’s The Wire Diplomski rad Mentor: dr.sc. Sven Cvek Student: Borna Mesić Akademska godina: 2017./2018. Table of Contents Abstract ...................................................................................................................................... 2 Introduction ................................................................................................................................ 3 1. History and Cultural Representation of Welfare in the USA ................................................ 4 1.1. A Brief Overview of Welfare Reform in the 20th century ............................................................. 4 2.2. Cultural Representations of Welfare ........................................................................................... 9 2. Overview of the Penal State in the USA .............................................................................. 15 2.1. The Shift from Workfare to Prisonfare ...................................................................................... 15 2.2. Hyperincarceration and the Hyperghetto .................................................................................. 19 2.3. Causes of the Penal Turn ........................................................................................................... 20 3. Representation of the Penal State in The Wire ..................................................................... 24 Conclusion -
Chris Lorenz Fixing the Facts
5 Chris Lorenz Fixing the Facts The Rise of New Public Management, the Metrification of “Quality” and the Fall of the Academic Professions Abstract In this article I argue that neo-liberal reforms of universities since the 1980’s have installed a new type of governance – usually known as New Public Management (NPM) – that is undermining the very idea of professionalism. NPM does so basically by replacing professional ideas and practices concerning the judgment of quality by the continuous “metrification of output” in both the domain of teaching and of research. As the idea of the university is based on the idea of professional specialisation, NPM is rendering the discussion about “the idea of the university” irrelevant. NPM does so especially by “impact factor measurement” and by university ranking, but in the Dutch case also by using “performance agreements” between the government and the universities that force faculties to produce fixed “outputs”. Simultaneously, in terms of labour relations, the faculty’s autonomy is effectively undermined by replacing tenured faculty positions by casualised academic labour. Therefore NPM also requires the permanent “re-education” of the faculty – usually advertised in NPM-New Speak as the faculty’s “professionalisation” – although in fact it boils down to the faculty’s de-professionalisation. The article primarily uses the example of the Dutch universities in order to analyse “impact factor measurement” and “performance agreements” and their role in the general neoliberal economisation of academic teaching and research. Keywords: neoliberalism, New Public Management, quality assessment, metrification, impact factor, professionalism, de-professionalisation, casualisation, labour relations Moving the Social · 52 (2014) p. -
Economic Subjugation and Crime in a Capitalist Context: Using the Irw E to Understand the Contemporary American City Ellis Obrien Bates College, [email protected]
Bates College SCARAB Honors Theses Capstone Projects 5-2019 Economic Subjugation and Crime in a Capitalist Context: Using The irW e to Understand the Contemporary American City Ellis Obrien Bates College, [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Obrien, Ellis, "Economic Subjugation and Crime in a Capitalist Context: Using The irW e to Understand the Contemporary American City" (2019). Honors Theses. 305. https://scarab.bates.edu/honorstheses/305 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. Economic Subjugation and Crime in a Capitalist Context: Using The Wire to Understand the Contemporary American City An Honors Thesis Presented to The Faculty of the Program in African American Studies Bates College In partial fulfillment of the requirements for the Degree of Bachelor of Arts By Ellis Obrien Lewiston, Maine March 20th 2019 CAPITALIST ECONOMIC SUBJUGATION IN THE WIRE 2 Acknowledgements Finding the words to express my gratitude for Bates College Professor of African American Studies Sue Houchins is the most challenging aspect of this paper. Taking Introduction to African American Studies with Dr. Houchins my freshmen year sparked my interest in the economics of race and had an immeasurable impact on my academic career. Studying The Wire subsequently with Dr. Houchins provided the framework for this paper. Professor Houchins soaring intellect is matched only by her kindness, and I could not ask for a more accommodating and supportive advisor. -
And Its Portrayal of Baltimore Politics, Schools, and the Judicial System in Season 4: Was It Accurate Then and Does It Stand the Test of Time?
Union College Union | Digital Works Honors Theses Student Work 6-2021 HBO’s "The Wire" and its Portrayal of Baltimore Politics, Schools, and the Judicial System in Season 4: Was it Accurate then and Does it Stand the Test of Time? Josephine Klingeman Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the American Politics Commons, Criminal Law Commons, Criminal Procedure Commons, Law and Politics Commons, Legal Education Commons, Social and Philosophical Foundations of Education Commons, Social Welfare Commons, and the Urban Studies Commons Recommended Citation Klingeman, Josephine, "HBO’s "The Wire" and its Portrayal of Baltimore Politics, Schools, and the Judicial System in Season 4: Was it Accurate then and Does it Stand the Test of Time?" (2021). Honors Theses. 2421. https://digitalworks.union.edu/theses/2421 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. HBO’s The Wire and its Portrayal of Baltimore Politics, Schools, and the Judicial System in Season 4: Was it Accurate then and Does it Stand the Test of Time? By Josephine Klingeman * * * * * * * * * Submitted in partial fulfillment of the requirements for the Department of Political Science UNION COLLEGE March, 2021 TABLE OF CONTENTS Introduction………………………………………………………………………………………. 2 Chapter One: American Popular Culture, Law, and The Wire………………………………….. 3 Chapter Two: The Wire Season Four Analysis Methodology………………………………….. 19 Chapter Three: Analysis and Findings of The Wire’s Season Four…………………………….