MRB MK Home Print

Total Page:16

File Type:pdf, Size:1020Kb

MRB MK Home Print media kit Promoting Positivity Through Music os A ast L ngele g p is 1996 - s M in err Sys u in F te si o ve m c J a o A S f w 5 - a a r “Mystic Roots is a great blend in pop and 9 5 D d 9 0 o 1 0 N w 2 reggae, with a wonderful stage presence, y o n a s m t R ������� 1 i awesome lyricists, and a rocking good o 9 n r o 9 e a R e 6 time. These guys run right along g ����������� s c u - i : S t A N s side with our past nominees such as - l ����������������� o y ����������������� i 3 e D M 9 Black Eyed Peas, No Doubt, 311 and n o - 9 ��������������������� A u 1 0 n b 0 1 Sugar Ray and they are sure to be just t t 0 1 ������������ F 1 2 3 a 9 s r - m 9 as successful!” a 2 e 2 1 P �������� 9 9 - 9 d 9 e K 9 1 y - E o B r k l c a r a n e l 1 c 9 r 9 e 2 v E Shannon B. - Los Angeles Music Awards accomplishments 10,000 albums sold independently Over 100 MRB Street Teams / Fan Clubs around the world Received the 2005 Los Angeles Music Award for Best Pop/Reggae Album TOP RATED: hip-hop & reggae 16 weeks straight, myspace.com, 20 million+ members Appearances on ESPN, Fox Sports, NBC News in Sacramento, Chico and San Diego Currently appear on 5 compilation releases and countless radio stations Over 650 shows performed in over 175 venues in the past 10 years of touring Currently performing over 50 original songs A polished show with sex appeal, women love the show. Guys have a rockin’ time MRB shows are a party! Nothing mellow about it, people dancing and smiling Rave reviews in both online and print publications special guests “Easily my favorite underground reggae/hip-hop band, I have the BEST time when I’m performing with these guys. Their music is very original, and they are extremely talented. Energy, skills, and support are definitely some things this band is not lacking. All we need now is a huge deal from a major record label.” “I’m always honored to share the stage spinning some dope reggae hip-hop for my boys in Mystic Roots” - MRB Turntablist: Colleen Shannon “World’s Sexiest DJ “ a.k.a. Miss 50th Anniversary Playboy Playmate the band WINNER of the 2005 Los Angeles Music Award for Best Pop/ Mystic Roots Band & cootdog Reggae Album, Mystic Roots Band is serving “The Breakfast Sampler” up an original style based in reggae, hip-hop, and dancehall, Stay Positive Productions with overtones of rock, funk, and ska. MRB is consistently placed at the top of playlists by DJs & listeners of all musi- The latest release from Stay cal genres. This Chico-born, now San Diego based group Positive Productions combines embraces the nature of roots reggae wholeheartedly and various reggae and hip-hop songs highlight- perform it ing the talent of each member of Mystic Roots. confidently. The list of bands that they have shared the stage Songs from Constant Struggle have been re- with reads like a “who’s who” of reggae music, including The released in this sampler, as well are songs from Wailers, Pato Banton, Gregory Isaacs, Jimmy Cliff, as well cootdog’s latest album, The cootdog Project. as Jurassic 5, Long Beach Dub All Stars, Sir Mix-a-Lot, Ozomatli, and Digital Underground to name This latest offering also includes new songs that will be appearing on the upcoming Mystic just a few. Having independently sold close to 10,000 albums, Roots Band album, scheduled for release soon. topping Amazon.com’s chart of independent artist sales, and killing music download sites with their underground hit “Pass” (go check for yourself right now!), it’s no wonder why Mystic Roots Band was recently voted #1 band in Playboy “Constant Struggle” Magazine’s #1 party college town, Chico California, and Stay Positive Productions was TOP RANKED in both Reggae and Hip-Hop categories on This is the widely known myspace.com with over 15 million members for over 20 con- breakthrough album that secutive weeks - and still going strong. resulted in international Through socially aware lyrics, Mystic Roots Band promotes attention among young and old. The album, Positivity and spreads a conscious message. Fans describe carefully crafted at Pro Sound Studio in Chico, MRB’s style as a unique combination of No Doubt, Sublime, California has sold thousands of copies since its release, earning a 2005 Los Angeles Music The Police, Sean Paul, The Fugees and Cypress Hill with Award for Best Pop/Reggae Album. Constant the spirit and consciousness of Bob Marley and Spearhead. Struggle gets regular airplay from Oregon This diverse sound enables Mystic Roots to continually pro- to Vallarta, Japan to France, and Alaska to duce dynamic, cutting edge songs that fans are immediately Venezuela. Capturing the ideas of love, life, drawn to. When coming to an MRB concert you are guaran- struggle and celebration, this disc encompasses teed more than just music for your ears, but rather a high- the overall message of the band. energy show and powerful experience you’ll never forget. Mystic Roots “Chico Style” With their vast catalog of full-length albums, singles and EPs, Stay Positive Productions and their music heard on various compilations, surf videos, TV commercials, movie soundtracks, Fox Sports, ESPN, Mystic Roots’ first album. and countless radio stations, Mystic Roots has developed This CD was recorded live an ever-growing legion of loyal fans. This fan base lies not in Chico, CA in late 1997. only in the United States, but also overseas in Europe, Latin It captured the band’s new sound where it America, Australia, and even several regions of Asia. With sounded best, smack dab in Chico at a Mystic the upcoming release of their third album featuring collabo- Roots party. Although all but two of the band rations with Barrington Levy and 2005 Grammy Nominated members have changed from this original artist Tippa Irie (Black Eyed Peas), more than 600 shows in line-up, this is a good chance to hear some the finest venues on the West Coast over the past nine years, classic Mystic Roots tunes and covers in the and the explosion of reggae and dancehall music on the pop early stages. After selling out the original batch, charts, these pioneering musicians are ready to take their this disc was not available for many years. A message to the next level and reach the masses. “And that’s a re-release is in works and will be available soon. musical stampede.” the discs bands Mystic Roots Band has had the privelege to share the stage with some of the most popular bands in Reggae, Rock, Hip-Hop and R&B, with the list continuing to grow week by week. Here is a list of just a fraction of these talented artists. The Abyssinians The Mighty Diamonds Anthony B Mix Master Mike B-Side Players Morgan Heritage Mystic Roots is proud Pato Banton Norris Man to have recorded with: Burning Spear Ozomatli Barrington Levy Don Carlos President Brown Tippa Irie Caribbean All-stars Maxi Priest and Shock-G of Jimmy Cliff Michael Rose Digital Underground Common Sense Midnite The Congos Sir-Mix-a-Lot Digital Underground Sister Carol Eek-a-Mouse Spearhead w/ Michael Franti Gregory Isaacs Sugar Hill Gang Israel Vibrations Sugar Minott The Itals Tippa Irie Jurassic 5 Toots and the Maytals Karl Denson’s TIny Universe Andrew Tosh Kottonmouth Kings Vinyl Lighter Shade of Brown Bob Marley’s Wailers Band Long Beach Dub Allstars The Wailing Souls Los Fabolosos Cadillacs Wayne Wonder Luciano Whodini The Meditations Yellowman mrb fan clubs / street teams By producing incredible shows up and down the West Coast of the US, Mystic Roots expands their already large following of die hard fans. After being approached repeatedly by blown away show patrons as well as people discovering them in other ways asking how they can get involved in promoting Mystic Roots, the band decided to organize fan clubs across the US and around the world - people dedicated to advertising upcoming tours, CD sales, and generating even more loyal listeners. There is at least one active team in each location. To England - Germany - France contact specific Mystic Roots Band Street Teams, please go to www.mysticroots.com Denmark - Netherlands - Canada Mexico & Over 50 US Cities! �� � ��� � ����� � � �� ���� � � � �� ��� ��� � �� � �� �� � �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � WINNER! � � � � � � � � � � � � � � � � LOS ANGELES � � � venues � � � � � � � � � � MUSIC AWARDS 2005 � � MUSIC AWAR � DS 2005 � � � � � � � � � Napa Valley Reggae Festival � � � Be � st Pop/Reggae Album � � � � � � � � � for Constant � � Doheny Days � � � � � � � � � � � � � Struggle � � � � � Fairfax Music Festivals � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � International Music Festival � Baja Bash Chico Downtown Park Plaza Concert Series Renegade World Music Festivals Earth Day Festivals throughout California T heir constant touring since the first Mexico Spring Break Concert Series album has given Mystic Roots Band a The Nugget, Lake Tahoe The Maritime Hall, San Francisco growing reputation for putting on a The Pier, Long Beach spectacular show with a massive groove. Blake’s on Telegraph, Berkeley This growing reputation has them The House of Blues Mt. Shasta Board and Ski Park booked at GREAT shows including one Lighthouse Café, Hermosa Beach in Rosarito, Mexico for over 10,000 Blind Melons, Pacific Beach The Gig, Hollywood fans with Grammy Award winners Los Winstons, Ocean Beach Fabulosos Cadillacs. Key Club, Hollywood Vine, Hollywood Buffalo Joe’s, San Diego Pier 23, San Francisco The Happy Clam, Redondo Beach The Last Day Saloon, San Francisco Anaheim Convention Center Neiman’s, Carlsbad The Brickworks, Chico Scotty’s Boat Landing, Chico La Salles, Chico World Beat Center, San Diego Harlow’s, Sacramento The Hard Rock Café Patrick Molloy’s, Hermosa Beach Sugarbowl, Lake Tahoe Victor’s By the Bay, Mission Bay Reno Convention Center, Reno Nevada The Octopus Lounge, Pacifica The Sol Café, Rosarito Mexico UC Davis - CSU, Hayward Universities: CSU, Chico - University of San Francisco University of Southern California UC, Santa Clara ..
Recommended publications
  • Neil Foster Spiritualises Carole Lateman Lets Us Into Her Life John
    October 2014 October 81 ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Cosimo Matassa & Senator Jones, Sea Saint Studios, New Orleans, 04-05-79 © Paul Harris Dominique, our man in la belle France, wishes to write an extensive biography of Cosimo to be published in future issues so here is Paul’s picture to confirm we aren’t ignoring Cosimo’s passing. Neil Foster spiritualises Carole Lateman lets us into her life John Howard rocks it up in Las Vegas Keith gets to know more about Iain Terry Soul Kitchen, Jazz Junction, Blues Rambling And more... 1 The recent piece by Tony Papard has spurred me to write a little about the paranormal and the arguments both for and against it. First, an experience (concerning a communication from the dead) that my mother had. She once told me that she often used to wake up in the middle of the night to see her late father standing by the bed, not as a vague shape, but as real-looking as if he were still alive. I asked her if she was frightened by the apparition and she replied, “Well, I didn't like it but I knew he wasn't real, so I pulled the clothes over my head and went back to sleep.” So, did she really see her dead father standing by the bed or...? Obviously, she could never “prove” that it happened as she described and no one else could prove that it didn't. However, there is a way around this logical impasse.
    [Show full text]
  • {PDF} So Much Things to Say the Oral History of Bob Marley 1St Edition Ebook, Epub
    SO MUCH THINGS TO SAY THE ORAL HISTORY OF BOB MARLEY 1ST EDITION PDF, EPUB, EBOOK Roger Steffens | 9780393058451 | | | | | So Much Things to Say The Oral History of Bob Marley 1st edition PDF Book Return to Book Page. Furthermore, while Bob's relationship with the Rastafarian community is touched on, Steffens doesn't seem particularly interested in delving very deeply into this aspect of the story and the book suffers as a result. Loading comments… Trouble loading? I live the style too, through the words of others like the Bill Graham biography. See details. His portrayal of both Bunny Wailer and Peter Tosh is well wrought with their distinct, uncompromising personalties well defined. Paperback , pages. Want to Read saving…. I would recommend this book for any Marley lover or scholar as it does contain quite a varied and interesting collection of voices. Linton Kwesi Johnson Introduction. Other bios provide documentation and the results of research; this one provides only opinions. Written in the so called words of Bobs friends and associates , the book did not come close to living up to my expectations. Books by Roger Steffens. Steffens gives the band members of the Wailers their just due as they move from the local recording studios of Kingston to worldwide prominence and the difficulties they experienced in adjusting to life outside the insular world of Jamaica. However, this didn't actually have any quotes from him, just from people who worked with him or knew him Mar 13, Brian White rated it liked it. I knew most of them. And if everyone seems to think Island Records head Chris Blackwell to be such a vampire of JA culture, wouldn't a word or two from him in his defense be appropriate? Highly Recommended.
    [Show full text]
  • Congo Congo Mp3, Flac, Wma
    Congo Congo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Congo Country: Canada Released: 1979 Style: Roots Reggae MP3 version RAR size: 1225 mb FLAC version RAR size: 1322 mb WMA version RAR size: 1867 mb Rating: 4.8 Votes: 711 Other Formats: AUD VOC MP4 MOD WAV VQF ASF Tracklist A1 Days Chasing Days 4:43 A2 Jackpot 5:10 A3 Hail The World Of Jah 4:24 A4 Education Of Brainwashing 3:20 B1 Youth Man 4:30 B2 Yoyo 4:43 B3 Nana 4:39 B4 Thief Is In The Vineyard 3:18 Companies, etc. Pressed By – CBS Disques Distributed By – CBS Disques Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Printed By – Montreuil Offset Recorded At – Harry J's Recording Studio Recorded At – Aquarius Studio Mixed At – Dynamic Sounds Studios Credits Backing Vocals [Background Vocals] – Roy Johnson*, Watty Burnett Bass – Philippe Quilichini Drums – Santa*, Sly Dunbar (tracks: A3) Engineer [Ingénieurs Du Son] – Mervyn Williams, Sylvan Morris Lead Guitar – Ernest Ranglin (tracks: A3), Lennox Gordon Lead Vocals – Cedric Myton Mixed By [Mixé Par] – Geoffrey Chung, Nadette Duget Organ, Electric Piano, Piano [Acoustic Piano] – Harold Butler, Keith Sterling Percussion – Scully*, Congo*, Sticky* Producer [Produit Par] – Nadette Duget Rhythm Guitar – Earl "Chinna" Smith (tracks: A1, A3), Willie Lindo Saxophone – Tommy McCook Written-By – Cedric Myton, Roy Johnson* (tracks: A1, A3, A4, B1 to B4), Watty Burnett (tracks: A2, B2, B4) Notes Enregistré à Harry J. Studio, Aquarius Recording Co Ltd. Mixé à Dynamic Sounds Recordings Co Ltd. Kingston, Jamaïque, Février 79 [Mixed in February 1979]. Editeur: droits réservés Inner sleeve with photographs and lyrics.
    [Show full text]
  • Lyrics and the Law : the Constitution of Law in Music
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2006 Lyrics and the law : the constitution of law in music. Aaron R. S., Lorenz University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Lorenz, Aaron R. S.,, "Lyrics and the law : the constitution of law in music." (2006). Doctoral Dissertations 1896 - February 2014. 2399. https://scholarworks.umass.edu/dissertations_1/2399 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2006 Department of Political Science © Copyright by Aaron R.S. Lorenz 2006 All Rights Reserved LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Approved as to style and content by: Sheldon Goldman, Member DEDICATION To Martin and Malcolm, Bob and Peter. ACKNOWLEDGMENTS This project has been a culmination of many years of guidance and assistance by friends, family, and colleagues. I owe great thanks to many academics in both the Political Science and Legal Studies fields. Graduate students in Political Science have helped me develop a deeper understanding of public law and made valuable comments on various parts of this work.
    [Show full text]
  • Acdsee Proprint
    BULK RATE U.S. POSTAGE PAID Permit N9.2419 lPE lPITClHl K.C., Mo. FREE ALL THE MUSE TI:AT FITS THE PITCH ISSUE NO. 10 JULY -AUGUST 1981 LeRoi, John CaIe, Stones, Blues, 3 Friends, Musso. Give the gift of music. OIfCharlie Parleer + PAGE 2 THE PENN:Y PITCH mJTU:li:~u-:~u"nU:lmmr;unmmmrnmmrnmmnunrnnlmnunPlIiunnunr'mlnll1urunnllmn broke. Their studio is above the Tomorrow studio. In conclusion, I l;'lish Wendy luck, because l~l~ lPIITC~1 I don't believe in legislating morals. Peace, love, dope, is from the Sex Machine a.k.a. (Dean, Dean) p.S. Put some more records in the $4.49 RELIGIOUS NAPOLEON group! 4128 BROADWAY KANSAS CITY, MISSOURI 64111 Dear Warren: (Dear Sex Machine: Titles are being added to (816) 561-1580 I recently came across something the $4.49 list each month. And at the Moon­ I thought you might "Religion light Madness Sale (July 17), these records is excellent stuff keeping common will be $3.99! Also, it's good to learn that people quiet." --Napoleon Bonaparte the spirit of t_he late Chet Huntley still can Editor ..............• Charles Chance, Jr. (1769-1821). Keep up the good work. cup of coffee, even one vibrated Assistant Editors ...•. Rev. Frizzell Howard Drake Jay '"lctHUO':V_L,LJLe Canyon, Texas LOVE FINDS LeROI Contributing Writers and Illustrators: (Dear Mr. Drake: I think Warren would Dear Warren: Milton Morris, Sid Musso, DaVINK, Julia join us in saying, "Religion is like This is really a letter to Donk, Richard Van Cleave, Jim poultry-- you gotta pluck it and fry it LeRoi.
    [Show full text]
  • The Birth and Growth of Ro
    THE BIRTH AND GROWTH OF ROGER STEFFENS’ Reggae Archives Archives, story and photos by “Ras RoJah” Steffens Way back in the summer of 1973, an extraordinary and revealing article appeared in Rolling Stone by a gonzo journalist from Australia named Michael Thomas. Under the heading “The Wild Side of Paradise,” in vivid mad-cap prose, Thomas told a brief history of this new Jamaican music called “reggae,” and alerted American readers to its manifold mysteries and pleasures. I cut it out and put it in a manila folder -- and now, looking back -- I recognize it as the unwitting start of Roger Steffens’ Reggae Archives. I never set out to build a collection that would grow to fi ll six rooms of our home in Los Angeles, plus a basement storage space at a museum design fi rm in Pasadena, not to mention the dozens of cartons stored in our garage and bedroom closets. Need I say I am married to the world’s most patient wife? Without Mary’s active connivance, none of this would ever have happened, for she has taken virtually every step of the reggae trod at my side, meeting Bob Marley and Sunsplashing throughout the ‘80s and running tech for me in worldwide “Life of Bob Marley” multi-media presentations as far afi eld as the bottom of the Grand Canyon, Martinique and Guam, from Auckland to Alberta, Perth to Paris. I’ve always been a writer and a lecturer, two interests abetted by my training as an actor, so whenever a subject interests me, I begin to keep a fi le on it, in case someday I might like to write or speak about it.
    [Show full text]
  • Rastalogy in Tarrus Riley's “Love Created I”
    Rastalogy in Tarrus Riley’s “Love Created I” Darren J. N. Middleton Texas Christian University f art is the engine that powers religion’s vehicle, then reggae music is the 740hp V12 underneath the hood of I the Rastafari. Not all reggae music advances this movement’s message, which may best be seen as an anticolonial theo-psychology of black somebodiness, but much reggae does, and this is because the Honorable Robert Nesta Marley OM, aka Tuff Gong, took the message as well as the medium and left the Rastafari’s track marks throughout the world.1 Scholars have been analyzing such impressions for years, certainly since the melanoma-ravaged Marley transitioned on May 11, 1981 at age 36. Marley was gone too soon.2 And although “such a man cannot be erased from the mind,” as Jamaican Prime Minister Edward Seaga said at Marley’s funeral, less sanguine critics left others thinking that Marley’s demise caused reggae music’s engine to cough, splutter, and then die.3 Commentators were somewhat justified in this initial assessment. In the two decades after Marley’s tragic death, for example, reggae music appeared to abandon its roots, taking on a more synthesized feel, leading to electronic subgenres such as 1 This is the basic thesis of Carolyn Cooper, editor, Global Reggae (Kingston, Jamaica: Canoe Press, 2012). In addition, see Kevin Macdonald’s recent biopic, Marley (Los Angeles, CA: Magonlia Home Entertainment, 2012). DVD. 2 See, for example, Noel Leo Erskine, From Garvey to Marley: Rastafari Theology (Gainesville, FL: University Press of Florida, 2004); Dean MacNeil, The Bible and Bob Marley: Half the Story Has Never Been Told (Eugene, OR: Cascade Books, 2013); and, Roger Steffens, So Much Things to Say: The Oral History of Bob Marley, with an introduction by Linton Kwesi Johnson (New York and London: W.W.
    [Show full text]
  • The Funky Diaspora
    The Funky Diaspora: The Diffusion of Soul and Funk Music across The Caribbean and Latin America Thomas Fawcett XXVII Annual ILLASA Student Conference Feb. 1-3, 2007 Introduction In 1972, a British band made up of nine West Indian immigrants recorded a funk song infused with Caribbean percussion called “The Message.” The band was Cymande, whose members were born in Jamaica, Guyana, and St. Vincent before moving to England between 1958 and 1970.1 In 1973, a year after Cymande recorded “The Message,” the song was reworked by a Panamanian funk band called Los Fabulosos Festivales. The Festivales titled their fuzzed-out, guitar-heavy version “El Mensaje.” A year later the song was covered again, this time slowed down to a crawl and set to a reggae beat and performed by Jamaican singer Tinga Stewart. This example places soul and funk music in a global context and shows that songs were remade, reworked and reinvented across the African diaspora. It also raises issues of migration, language and the power of music to connect distinct communities of the African diaspora. Soul and funk music of the 1960s and 1970s is widely seen as belonging strictly in a U.S. context. This paper will argue that soul and funk music was actually a transnational and multilingual phenomenon that disseminated across Latin America, the Caribbean and beyond. Soul and funk was copied and reinvented in a wide array of Latin American and Caribbean countries including Brazil, Panama, Jamaica, Belize, Peru and the Bahamas. This paper will focus on the music of the U.S., Brazil, Panama and Jamaica while highlighting the political consciousness of soul and funk music.
    [Show full text]
  • Lyrics and the Law Legal Studies 391L Spring 2007
    Lyrics and the Law Legal Studies 391L Spring 2007 Lyrics and the Law Legal Studies 391L Aaron Lorenz Spring 2007 121 Gordon Hall Tuesday/Thursday 1:00-2:15 545.2647 Bartlett 202 Office Hours: Tues/Thurs 12-1 and Wed 2-3 www.umass.edu/legal/Lorenz [email protected] When modes of music change, It (music) is harmless – except, of the fundamental laws of the State course, that when lawlessness has always change with them. established itself there, it flows over little by little into characters and ways of - Plato (428 BC – 348 BC) life. Then, greatly increased, it steps out into private contracts, and from private Sometimes I can dig instrumental contracts, Socrates, it makes its insolent music. But lyrics important. The whole way into the laws and government, thing complete is the important thing. until in the end it overthrows People who listen to the music and everything, public and private. don’t listen to the words soon start listening to the words. As long as ya - Adeimantus (450 BC – 385 BC) want to listen, ya hear the words even if ya don’t understand everything. Music is your own experience, your own thoughts, your wisdom. If you - Bob Marley (1945 – 1981) don’t live it, it won’t come out of your horn. They teach you there’s a boundary line to music. But, man, there’s no boundary line to art. - Charlie Parker (1920 - 1955) Music can be designed to bring about change in society. Pop music may have a message of joy that allows one to forget about their worries; folk music may be professing a change within the political structure; jazz music can speak without words to the past and present inequities; blues tells the tale of what it is like to struggle; and reggae music attempts to expose the inequalities in society by chanting metaphors of politics and religion.
    [Show full text]
  • Carlton Barrett
    ! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures.
    [Show full text]
  • Order Form Order Form
    CD: £9.49 (Samplers marked* £6.49) LP: £9.49 ORDER FORM Postage &Packing: Jamaican Recording/ Kingston Sounds 1 x CD = 0.95p + 0.35p for every additional item PO BOX 32691 London W14 OWH 1 x LP = £1.95 + .85p for every additional item JAMAICAN www.jamaicanrecordings.com Total x 2 for Europe Total x 3 for Rest of the World (ROTW) RECORDINGS [email protected] If mixed please contact us. CAT NO. TITLE VINLY (QTY) CD (QTY) SUB TOTAL £ JR001 KING TUBBY 'LOST TREASURES' £ JR002 AUGUSTUS PABLO 'DUBBING WITH THE DON' £ JR003 THE REVOLUTIONARIES AT CHANNEL 1 £ JR004 LEE PERRY 'SKANKING WITH THE UPSETTER' £ JR005 THE AGGROVATORS 'DUBBING IT STUDIO STYLE' £ JR006 SLY & ROBBIE MEET BUNNY LEE AT DUB STATION £ JR007 HORACE ANDY'S DUB BOX 1973 - 1976 £ JR008 JAMAICAN RECORDINGS 'DUB SAMPLER' £ JR009 'DUBBING AT HARRY J'S 1970-1975 £ JR010 LINVAL THOMPSON 'DUB STORY' £ JR011 NINEY THE OBSERVER AT KING TUBBY'S £ JR012 BARRY BROWN 'STEPPIN UP DUB WISE' £ JR013 DJ DUBCUTS 'DUBBING WITH THE DJS' £ JR014 RANDY’S VINTAGE DUB SELECTION £ JR015 TAPPA ZUKIE ‘DUB EM ZUKIE’ £ JR016 KING TUBBY ‘DUB MIX UP’ £ JR017 DON CARLOS ‘INNA DUB STYLE’RARE DUBS 1979 - 1980 £ JR018 JAMAICAN RECORDINGS 'DUB SAMPLER' VOL 2 * £ JR019 TREASURE ISLE IN DUB – RARE DUBS £ JR020 LEROY SMART – MR SMART IN DUB £ JR021 MAX ROMEO – CRAZY WORLD OF DUB £ JR022 SOUL SYNDICATE – DUB CLASSICS £ JR023 AUGUSTUS PABLO MEETS LEE PERRY/WAILERS £ JR024 RONNIE DAVIS – ‘JAMMIN IN DUB’ £ JR025 KING JAMMY’S DUB EXPLOSION £ JR026 PROFESSIONALS MEETS THE AGGRAVATORS AT JOE GIBBS £ JR027 DYNAMIC ‘DUBBING AT DYNAMIC SOUNDS’ £ JR028 DJ JAMAICA ‘INNA FINE DUB STYLE’ £ JR029 SCIENTIST - AT THE CONTROLS OF DUB ‘RARE DUBS 1979 - 1980’ £ JR030 JAMAICAN RECORDINGS ‘DUB SAMPLE VOL.
    [Show full text]
  • Ramapo College of New Jersey Office of Communications and Public
    Ramapo College of New Jersey Office of Communications and Public Relations September 29, 2014 Contact: Stephen J. Hudik E-mail: [email protected] Phone: 201.684.7845 ROGER STEFFENS, AUTHORITY ON MUSIC OF BOB MARLEY, TO SPEAK AT RAMAPO COLLEGE ON OCTOBER 6 (MAHWAH, NJ) Roger Steffens, world-renowned authority on all things Bob Marley, will speak at Ramapo College of New Jersey on October 6 at 11:30 a.m. in the Sharp Theater. The event is free and open to the public. Steffens will deliver a multimedia presentation, The Life of Bob Marley. The presentation has been called “the definitive history of the reggae king.” Marley, known as the foremost Jamaican reggae singer-songwriter, was a best-selling artist who infused his music with Rastafari spirituality. He died in 1981 at the age of 36. Steffens co-hosted Reggae Beat on KCRW for eight years and the internationally syndicated Reggae Beat International for five years. He was named the ‘Most Popular Reggae DJ in the World’ by Martin’s International Awards in Chicago. His ten-CD series, entitled The Complete Bob Marley & the Wailers 1967 to 1972, is a 220-track series with more than 100 rare Bob Marley & the Wailers recordings. The event is sponsored by The Schomburg Scholar Committee. For more information, contact Professor Aaron Lorenz at [email protected]. ##### Ranked by U.S. News & World Report as sixth in the Best Regional Universities North category for public institutions, Ramapo College of New Jersey is sometimes mistaken for a private college. This is, in part, due to its unique interdisciplinary academic structure, its size of approximately 6,000 students and its pastoral setting in the foothills of the Ramapo Mountains on the New Jersey/New York border.
    [Show full text]