DOCSLIB.ORG

Participatory Media Production for Transformative Change at EMMEDIA Gallery and Production Society

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Participatory Media Production for Transformative Change at EMMEDIA Gallery and Production Society University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2014-06-10 A Renewed Challenge for Change: Participatory Media Production for Transformative Change at EMMEDIA Gallery and Production Society Becker, Eric Peter Becker, E. P. (2014). A Renewed Challenge for Change: Participatory Media Production for Transformative Change at EMMEDIA Gallery and Production Society (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/24996 http://hdl.handle.net/11023/1569 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY A Renewed Challenge for Change: Participatory Media Production for Transformative Change at EMMEDIA Gallery and Production Society by Eric Peter Becker A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIRMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF COMMUNICATION & CULTURE CALGARY, ALBERTA MAY, 2014 © Eric Peter Becker 2014 Abstract This research investigates an important initiative undertaKen by Canada’s National Film Board (NFB) during the 1960s and 1970s called The Challenge for Change (CFC). The focus of this initiative was to address social justice issues specific to rural poverty in Canadian communities. A renewed interest and revitalization in the CFC principles including a process oriented, participatory (documentary) media production program focused on local, community-based social, political and environmental justice issues. This research identifies a variety of programs from 2002 to 2012 at EMMEDIA that shared many of the same principles of the CFC. The goal of this research was to evaluate the capacity of EMMEDIA’s media arts model to continue the work CFC started with an expanded goal of transformative change – social, political, and environmental. This research identifies the worK EMMEDIA has done in process oriented, participatory media arts production and exhibition to facilitate a model for real transformative change. ii Dedication One of my biggest supporters throughout my life was my late Aunt Penny. Along with the amazing support of my family, she gave me motivation and encouragement to pursue my dreams. This worK, motivated by a challenge to maKe our world a better place, is dedicated to my Aunt Penny. I wish she were still around to see my accomplishments. I miss you Aunt Penny. iii Table of Contents Abstract . ii Dedication . iii Table of Contents . iv Background . 1 Chapter 1: Introduction . 4 1.1 Research Motivations . 4 1.2 Defining the Documentary . 10 1.3 Thesis Structure . 12 Chapter 2: Documentary – Historical Agent of Social Change . 14 2.1 Documentary History . 14 2.2 History of Persuasion – Grierson’s Documentary . 17 2.3 Beyond Persuasion - Critical ThinKing Documentary . 23 Chapter 3: The National Film Board of Canada’s Challenge for Change . 31 3.1 Institutionalizing Documentary . 31 3.2 NFB’s Challenge for Change Program . 33 3.3 Challenge for Change Principles . 39 3.3.1 Decentralization of the Means of Production (and Exhibition) . 40 3.3.2 Democratizing Means of Production (and Exhibition) . 42 3.3.3 Process over Product . 45 3.3.4 Participatory Production (and Exhibition) . 47 3.4 Challenge for Change Summary . 49 Chapter 4: Artist-Run Production Centres . 51 4.1 History of Artist-Run Production Centres . 51 4.2 EMMEDIA Gallery and Production Society . 57 4.3 EMMEDIA – Fostering Grassroots Activism with Media Art . 61 4.4 EMMEDIA Principles . 63 4.4.1 Community Integration and Dialogue . 64 4.4.2 Democratizing Means of Production . 65 4.4.3 Facilitate Media Arts Exhibition and Distribution . 68 4.4.4 Promote Social and Cultural Consciousness . 69 4.5 EMMEDIA Summary . 71 Chapter 5: Critical Analysis . 73 5.1 Documentary Media as Agent of Change . 73 5.2 Critical Analysis – Comparing and Contrasting Models . 78 5.2.1 Alternative Public Sphere . 78 5.2.2 Participatory Democracy . 83 5.2.3 Alternative Distribution . 95 5.2.4 Social, Political and Environmental Change . 101 5.3 A Renewed Challenge for Change . 109 Chapter 6: Conclusion . 116 6.1 Summary of Findings . 116 6.2 Contributions to the Literature . 121 References . 125 Appendix: EMMEDIA Gallery and Production Society Organizational Mandate . 131 iv Background At the time of this research (2010-2013), I witnessed two issues central to my research motivations negatively impacted by the push of late capitalism and neoliberal politics. The first issue involves the continued global deregulation of environmental legislation in the name of economic development and growth. Now 20 years since major global initiatives for climate change, Rio de Janeiro’s Earth Summit in 1992, Rio+20, the most recent (June 2012) summit on climate change brings us bacK to the beginning as many of the achievements of the original Earth Summit have fallen to the wayside. Prior to the first Earth Summit, global development dating bacK even as far as the invention of cinema over 100 years ago, created conditions leading to the establishment of the environmental movement. The harmful effects of the last hundred years of continued industrial grown and accompanied pollution from fossil fuel burning, has developed a frightful situation of global climate change, notably global warming. It didn’t taKe long before the consequences of neoliberal influenced, un-regulated economic growth, and expansion of global capitalism, received attention from the global scientific community who started noticing the negative implications of rapid expansion and development. In 2012, the implications of the 2008 global economic crisis shaped participation in recent attempts to rally international environmental agreements, especially from those industrialized economies most affected by the economic and credit crisis. The recent attention on economic growth at any cost, including at the cost of international environmental agreements on climate change, motivated such reports as the United Nations Environment Programme’s Global Environmental 1 Outlook, that concluded drivers such as population dynamics, economic demand and unsustainable consumption and production patterns are processes that lead to impacts on the environment” (2012, p. xix), allowing Earth to speed down an unsustainable path. Ultimately, these negative implications of environmental deregulation bring local concern to global problems. The second and more relevant issue to this investigation, is the negative effects of years of Conservative Canadian government rule on funding one of the longest standing cultural entities in Canada’s history, the Nation Film Board of Canada (NFB). Continued Federal arts and culture spending cuts have forced our Canadian documentary legacy to close both its Montreal and Toronto viewing rooms and completely shut down the NFB’s landmarK office on St. Denis Street in the heart of downtown Montreal. Part of a $6.68 million budget cut imposed over three years by Canada’s Conservative government was announced in the 2012 federal budget (CBC News, 2012, web). I present this research, the important role documentary media plays in social democracy, and its long history of doing so at the same time neoliberal politics deem it worthy of the chopping block. Ironically I find hope for this contribution to the literature in finding solutions to political policy that works in resistance to greater social democracy through documentary media. As a government run institution, the NFB continues to face tough questions regarding its viability and validity by fiscally conservative policy maKers. My focus for this research centres on publically funded, independent, community arts organizations that present an established, local integration of media production and exhibition model to meet local, grass-roots concerns. Furthermore, 2 arts organizations such as EMMEDIA Gallery and Production Society are less susceptible to short-term cultural funding visions of one specific branch of government – as is the case for the federally funded National Film Board of Canada. All three branches of government publically fund EMMEDIA. Canada Council for the Arts, Alberta Foundation for the Arts and Calgary Arts Development Authority provide arms length allocation of public funds to arts organizations. Based on a one to three-year application/funding cycle, organizations liKe EMMEDIA reapply for a variety of funding streams. After an independent juried evaluation, organizations are awarded specific funding types to sustain operations and organizational mandates. My research shows that these arms length, publically funded arts organizations are better suited to organize and execute initiatives at a grass roots, community level and react better to the local needs of their communities. 3 Chapter 1: Introduction 1.1 Research Motivations Documentary film has a long legacy of representing social issues. From the earliest examples from explorers’ travelogues, nonfiction filmmaKing has taKen many steps forward, in content and technology, in documenting issues of interest to knowledge seeking audiences. Ultimately we are curious beings, seeKing out Knowledge and learning about the world outside our local
Load more

Recommended publications
  • BBB* Celebrates 60 Years of Ethical Enterprise in Southern Alberta
    1 BBB* Celebrates 60 Years of Ethical Enterprise in Southern Alberta *Trade-mark(s) of the Council of Better Business Bureaus used under license 2 3 BBB* Celebrates 60 Years of Ethical Enterprise in Southern Alberta Published by: BBB Serving Southern Alberta and East Kootenay President & CEO Sandra Crozier-McKee Contents Vice-president Marketing & Communications Camie Leard Vice-president Operations Shane Strebchuk Editor Leah Brownridge Contributors David McKee, Geoff Whatley Greetings .......................................................2 Advertising Consultants Jaydene Neis, Edie Smith Celebrating 60 Years of History ...........4 We welcome your comments and inquiries Your BBB Today ..........................................8 You can reach us at: Advancing Marketplace Trust ..............10 Full Support ............................................... 12 The Voice of BBB ..................................... 13 BBB Serving Southern Alberta and East Kootenay At Your Service ......................................... 15 #5, 1709 8 Ave. NE Calgary, AB T2E 0S9 (403) 531-8784 [email protected] Expanding the Family ............................ 16 bbb.org Savvy Consumers ..................................... 17 facebook.com/CalgaryBBB Partner Perfect .......................................... 18 @CalgaryBBB Copyright 2014 by BBB Serving Southern Alberta Flood & Fire ...............................................20 and East Kootenay. No part of this publication may be reproduced without written consent from BBB Serving Southern Alberta
    [Show full text]
  • Private Broadcasting and the Path to Radio Broadcasting Policy in Canada
    Media and Communication (ISSN: 2183–2439) 2018, Volume 6, Issue 1, Pages 13–20 DOI: 10.17645/mac.v6i1.1219 Article Private Broadcasting and the Path to Radio Broadcasting Policy in Canada Anne Frances MacLennan Department of Communication Studies, York University, Toronto, M3J 1P3, Canada; E-Mail: [email protected] Submitted: 6 October 2017 | Accepted: 6 December 2017 | Published: 9 February 2018 Abstract The largely unregulated early years of Canadian radio were vital to development of broadcasting policy. The Report of the Royal Commission on Radio Broadcasting in 1929 and American broadcasting both changed the direction of Canadian broadcasting, but were mitigated by the early, largely unregulated years. Broadcasters operated initially as small, indepen- dent, and local broadcasters, then, national networks developed in stages during the 1920s and 1930s. The late adoption of radio broadcasting policy to build a national network in Canada allowed other practices to take root in the wake of other examples, in particular, American commercial broadcasting. By 1929 when the Aird Report recommended a national net- work, the potential impact of the report was shaped by the path of early broadcasting and the shifts forced on Canada by American broadcasting and policy. Eventually Canada forged its own course that pulled in both directions, permitting both private commercial networks and public national networks. Keywords America; broadcasting; Canada; commission; frequencies; media history; national; networks; radio; religious Issue This article is part of the issue “Media History and Democracy”, edited by David W. Park (Lake Forest College, USA). © 2018 by the author; licensee Cogitatio (Lisbon, Portugal). This article is licensed under a Creative Commons Attribu- tion 4.0 International License (CC BY).
    [Show full text]
  • Housing First in Canada
    Calgary ALBERTA Calgary Homeless Foundation Key Messages • Provides a detailed look at “systems-response” and integrated services. • Has one of the longest histories in Canada of supporting housing first programs. • As a foundation it supports a number of Housing First programs but doesn’t provide direct service delivery. • Has some of the most robust data on successes due to the length of history and foresight. • Has expanded Housing First to include more than just people experiencing chronic or episodic homelessness. Introduction In 1994, when the City of Calgary began counting the numbers of people experiencing homelessness living in shelters or on its streets, there were approximately 400 homeless people. Subsequent years saw an explosive growth of homelessness the biggest in Canada at the time, with 3,500 people identified as experiencing homelessness by 2006 (Laird, 2007). algary, like many communities across Canada, had the number of homeless individuals in Calgary between 2008 Chist orically responded to the homelessness crisis through and 2012 (ibid.), reversing a 30% biennial growth trend. a patchwork of community-based emergency services and supports. There was no ‘system’, but rather an ad-hoc collection In this case study, we examine the application of Housing First of service providers, funded by all levels of government as part of the response to homelessness in Calgary. What makes and charitable donations. As a community, the response to this example compelling is: homelessness was led first by the Calgary Committee to End Homelessness and then by the Calgary Homeless Foundation a) How Housing First was incorporated as a (CHF). The latter organization became the central force in philosophy that underpins the community creating a shift towards the adoption of Housing First strategies response to homelessness; in the city.
    [Show full text]
  • NATIONAL FILM BOARD of CANADA FEATURED at Moma
    The Museum off Modern Art 50th Anniversary NO. 16 ID FOR IMMEDIATE RELEASE March 3, 1981 DOCUMENTARY FILMS FROM THE NATIONAL FILM BOARD OF CANADA FEATURED AT MoMA NATIONAL FILM BOARD OF CANADA: A RETROSPECTIVE is a three-part tribute presented by The Museum of Modern Art in recog­ nition of NFBC's 41 years Of exceptional filmmaking. PART TWO: DOCUMENTARY FILMS, running from March 26 through May 12 in the Museum's Roy and Niuta Titus Auditorium, will trace the develop­ ment of the documentary form at NFBC, and will be highlighted by a selection of some of the finest films directed by Donald Brittain, whose work has won wide acclaim and numerous awards. PART TWO: DOCUMENTARY will get off to an auspicious start with twelve of Donald Brittain's powerful and unconventional portraits of exceptional individuals. Best known in this country for "Volcano: An Inquiry Into The Life and Death of Malcolm Lowry" (1976), Brittain brings his personal stamp of creative interpretation to such subjects as America's love affair with the automobile in "Henry Ford's America" (1976) ; the flamboyant Lord Thompson of Fleet Street (the newspaper baron who just sold the cornerstone of his empire, The London Times) in "Never A Backward Step" (1966); Norman Bethune, the Canadian poet/ doctor/revolutionary who became a great hero in China when he marched with Mao ("Bethune" 1964); and the phenomenal media hysteria sur­ rounding the famous quintuplets in "The Diorme Years" (1979) . "Memo­ randum" (1965) accompanies a Jewish glazier from Tcronto when he takes his son back to the concentration camp where he was interned, an emotion­ al and historical pilgrimage of strong impact and sensitivity.
    [Show full text]
  • Film Studies (FILM) 305.10 - Lecture 01 Canadian Documentary Film Fall 2011 Lecture Wednesday 14:00 - 15:50 Lab 01 Friday 14:00 – 16:50
    Film Studies (FILM) 305.10 - Lecture 01 Canadian Documentary Film Fall 2011 Lecture Wednesday 14:00 - 15:50 Lab 01 Friday 14:00 – 16:50 Dr. Brian Rusted Instructor: Office Location: SS-340 Office Phone: 220-7766 E-Mail: [email protected] Office Hours: Monday 14:00-16:00, or by appointment Additional Information Some films screened for this course may contain content that is sexually explicit, emotionally disturbing, or offensive. Please feel free to discuss this with the instructors if you have concerns. Students may find the need to attend and pay for films screened off campus in order to complete some of the assignments for this course. Course Description The course explores the contributions of Canadian filmmakers to the development of the documentary genre. Particular emphasis will be given to the history and evolution of films produced by the National Film Board with attention to the work of directors such as Colin Low, Michael Rubbo, Alanis Obomsawin, Bonnie Klein, etc Objectives of the Course This course will provide students with the opportunity to explore distinctive contributions made by Canadian directors and producers to the documentary genre. Course objectives include providing students with a sense of the following: 1. The institutional character of documentary production in Canada; 2. The historical movement from government propaganda to social action; 3. The cinematic strategies that produce realism, cinéma vérité, reflexivity, engagement and social change; 4. The technological developments that have contributed to Canadian documentary style. Internet and electronic communication device information No cell phone use during class. Laptops and pads to be used only for purposes related to the course.
    [Show full text]
  • Success Indicator Baseline Report
    LIVING A CREATIVE LIFE AN ARTS DEVELOPMENT STRATEGY FOR CALGARY Success Indicator Baseline Report 2019 UPDATE From the original report: When Calgary was designated a Cultural Capital of Canada in 2012, winning the Cultural Capital bid involved a renewed commitment to developing a long-term strategy for the arts in Calgary. Calgary Arts Development began to lead the arts plan process that has now become Living a Creative Life: an arts development strategy for Calgary. Engaging a wide group of stakeholders, the arts plan process took place from April 2012 to December 2013 and involved consultations with Calgarians who ranged from interested citizens, community groups, educators, and civic and provincial partners, to arts administrators from organizations of all sizes, and independent artists of all disciplines. These conversations included over 1,000 voices and occurred at dialogue sessions, summits, open houses and discipline-specific meetings, as well as at four full-day sessions spent with the 36 members of the citizens’ reference panel, who were randomly selected from across the city. After many hours of discussion, a shared vision and five major focus areas for the arts in Calgary emerged. The five focus areas defined are: • Creative Communities • Centre City Arts District • Arts Incubation • Artistic Exchange • Youth & Education Published in March 2014, LIVING A CREATIVE LIFE is an arts development strategy for Calgary, by Calgarians. As of November 2019, it has attracted over 170 signatories who are contributing to one or more of the strategy’s five major focus areas. The complete strategy is available at calgaryartsdevelopment.com/living-a-creative-life.
    [Show full text]
  • 1 Citizenship and Participatory Video Marit Kathryn Corneil
    1 Citizenship and Participatory Video Marit Kathryn Corneil In Screen Media Arts: An Introduction to Concepts and Practices (Cohen, Salazar, and Barkat, 2008) participatory video is defined broadly as “a tool for individual, group and community development” and as “an iter- ative process, whereby community members use video to document in- novations and ideas, or to focus on issues that affect their environment” (pp. 348–349). Most accounts of the origins of participatory video refer to the Fogo Process or the Fogo Method as the original inspiration for these techniques. The Fogo Method originated in the Fogo Island Com- munication Experiment, one of the initial projects under the umbrella of the experimental program in ethical documentary at the National Film Board of Canada, the Challenge for Change/Société Nouvelle program (CFC/SN). CFC/SN ran from 1967 to 1980, producing more than 200 films and videos, and, since 2000, has inspired renewed interest in academic re- search circles and among media practitioners after more than 30 years of considerable neglect in the archive. It was thought for many years that the films produced under the banner of CFC/SN were too local and too aesthetically uninteresting to merit attention. Only recently have some of these films been recuperated for documentary history; they have been shown to represent revolutionary thinking about documentary politics, ethics, and aesthetics (Waugh, Baker, and Winton, 2010). CFC/SN was one of a number of programs inspired by the civil rights movements of the 1960s with a mission to tackle the sources of poverty and exclusion; to “give voice” to marginalized segments of society; to facilitate communi- cation; and to keep minorities from becoming the victims and stereotypes 19 20 / Chapter 1 of media and government.
    [Show full text]
  • The Royal Society of Canada
    CELEBRATING EXCELLENCE AND IMPACT THE ROYAL SOCIETY OF CANADA 2015 ANNUAL REPORT www.rsc-src.ca TABLE OF CONTENTS ABOUT US .............................................................................................................................................................................................................. 2 MESSAGE FROM THE PRESIDENT ....................................................................................................................................................................... 3 MESSAGE FROM THE EXECUTIVE DIRECTOR ..................................................................................................................................................... 4 RSC COUNCIL AND THE SECRETARIAT ................................................................................................................................................................ 5 EXPERT PANELS ................................................................................................................................................................................................... 6 REPORTS FROM ABROAD .................................................................................................................................................................................... 6 INTERNATIONAL ACTIVITIES ................................................................................................................................................................................. 7 WORK OF THE ACADEMIES ................................................................................................................................................................................
    [Show full text]
  • Stations Monitored
    Stations Monitored 10/01/2019 Format Call Letters Market Station Name Adult Contemporary WHBC-FM AKRON, OH MIX 94.1 Adult Contemporary WKDD-FM AKRON, OH 98.1 WKDD Adult Contemporary WRVE-FM ALBANY-SCHENECTADY-TROY, NY 99.5 THE RIVER Adult Contemporary WYJB-FM ALBANY-SCHENECTADY-TROY, NY B95.5 Adult Contemporary KDRF-FM ALBUQUERQUE, NM 103.3 eD FM Adult Contemporary KMGA-FM ALBUQUERQUE, NM 99.5 MAGIC FM Adult Contemporary KPEK-FM ALBUQUERQUE, NM 100.3 THE PEAK Adult Contemporary WLEV-FM ALLENTOWN-BETHLEHEM, PA 100.7 WLEV Adult Contemporary KMVN-FM ANCHORAGE, AK MOViN 105.7 Adult Contemporary KMXS-FM ANCHORAGE, AK MIX 103.1 Adult Contemporary WOXL-FS ASHEVILLE, NC MIX 96.5 Adult Contemporary WSB-FM ATLANTA, GA B98.5 Adult Contemporary WSTR-FM ATLANTA, GA STAR 94.1 Adult Contemporary WFPG-FM ATLANTIC CITY-CAPE MAY, NJ LITE ROCK 96.9 Adult Contemporary WSJO-FM ATLANTIC CITY-CAPE MAY, NJ SOJO 104.9 Adult Contemporary KAMX-FM AUSTIN, TX MIX 94.7 Adult Contemporary KBPA-FM AUSTIN, TX 103.5 BOB FM Adult Contemporary KKMJ-FM AUSTIN, TX MAJIC 95.5 Adult Contemporary WLIF-FM BALTIMORE, MD TODAY'S 101.9 Adult Contemporary WQSR-FM BALTIMORE, MD 102.7 JACK FM Adult Contemporary WWMX-FM BALTIMORE, MD MIX 106.5 Adult Contemporary KRVE-FM BATON ROUGE, LA 96.1 THE RIVER Adult Contemporary WMJY-FS BILOXI-GULFPORT-PASCAGOULA, MS MAGIC 93.7 Adult Contemporary WMJJ-FM BIRMINGHAM, AL MAGIC 96 Adult Contemporary KCIX-FM BOISE, ID MIX 106 Adult Contemporary KXLT-FM BOISE, ID LITE 107.9 Adult Contemporary WMJX-FM BOSTON, MA MAGIC 106.7 Adult Contemporary WWBX-FM
    [Show full text]
  • Gaycalgary and Edmonton Magazine #70, August 2009 Table of Contents Table of Contents
    August 2009 ISSUE 70 The Only Magazine Dedicated to Alberta’s GLBT+ Community FREE BRANDING PRIDE Is Corporate Sponsorship Progress? THE LIFE OF A ZOOKEEPER MAYNE ISLAND RESORT Secluded Paradise Awaits in BC COMMUNITY DIRECTORY • MAP AND EVENTS • TOURISM INFO >> STARTING ON PAGE 17 GLBT RESOURce • CALGARy • EDMONTon • ALBERTA www.gaycalgary.com GayCalgary and Edmonton Magazine #70, August 009 Table of Contents Table of Contents Publisher: ................................Steve Polyak 5 Finally…a Holiday! Editor: ...............................Rob Diaz-Marino Publisher’s Column Graphic Design: ................Rob Diaz-Marino Sales: .......................................Steve Polyak 8 Mayne Island Resort Writers and Contributors Secluded Paradise Awaits in BC Mercedes Allen, Chris Azzopardi, Dallas Barnes, Camper British, Dave Brousseau, Sam Casselman, Jason Clevett, Andrew 11 Behind the Scenes at the Valley Zoo 5 Collins, James S.M. Demers, Rob Diaz- Edmonton Attraction Celebrates 50 Years GE Marino, Jack Fertig, Glen Hanson, Joan Hilty, Evan Kayne, Stephen Lock, Allan PA Neuwirth, Steve Polyak, Mark Randall, Pam 13 Chelsea Boys Rocker, Romeo San Vicente, DIane Silver, D’Anne Witkowski, Dan Woog, and the GLBT Community of Calgary, Edmonton, 14 Out of Town and Alberta. Gay-Friendly Hideaways With Big Views Photography Steve Polyak, Rob Diaz-Marino and 17 Directory and Events contributors Karen Hofman, Jason Omelian. 23 Creep of the Week Erik Rush Videography Steve Polyak, Rob Diaz-Marino 24 Culture Is Culture 8 Printers Fund Everyone Or
    [Show full text]
  • AMAAS Collections Report
    Media Art Collection Research Study – Final Report INDEX Executive Summary 2 – 4 I. Background 5 – 6 II. Project Goals and Objectives 6 III. Methodology 6 – 7 IV. Scope 7 – 8 V. Reporting 8 VI. Summary of Findings A. International Practices 9 – 14 B. Canadian Initiatives 15 – 36 1. Key Provincial Findings 37 – 39 C. Alberta Field Research 40 – 66 1. Media Arts Collection Survey Results 67 – 71 VII. Conclusions 72 – 73 VIII. Recommendations A. Community Recommendations 74 – 78 B. A Role for AMAAS 79 – 83 C. Stakeholder Recommendations 84 – 86 IX. Bibliography / Glossary 87 – 92 Appendix A: Canadian Educational Institutions with Archives 93 – 96 Appendix B: Provincial and Territorial Archives and Archival Associations 97 – 101 Appendix C: Alberta-based Archival Organizations 102 – 104 Appendix D: Alberta Field Research and Survey Contacts 105 – 110 Appendix E: Alberta Media Art Collection Research Survey Statistics 111 – 125 Michele L. Wozny Page 1 of 125 Media Art Collection Research Study – Final Report Executive Summary The Media Art Collection Research Study addresses the current state of independent media art collections in Alberta by contextualizing them within a Canadian and an international framework. Acquisition practices and policies from the archival community have been juxtaposed against those of exhibitors and distributors from within the independent media arts sector and the wider cultural community of galleries, cinémathèques and museums, in order to properly situate Alberta conventions. The resulting recommendations have been directed at contemporary media art practitioners, those who manage media art collections, those who foster or fund the growth and development of the independent media arts community, and those who seek to provide ongoing access to the historical development and legacy of independent media art practices within Alberta.
    [Show full text]
  • Exploring Ideology in the Calgary Herald John Gould BA (Hons), MA University of Windsor, [email protected]
    University of Windsor Scholarship at UWindsor Major Papers Theses, Dissertations, and Major Papers 2018 Communicative Barriers to Climate Change Adaptation: Exploring Ideology in the Calgary Herald John Gould BA (Hons), MA University of Windsor, [email protected] Follow this and additional works at: https://scholar.uwindsor.ca/major-papers Recommended Citation Gould, John BA (Hons), MA, "Communicative Barriers to Climate Change Adaptation: Exploring Ideology in the Calgary Herald" (2018). Major Papers. 52. https://scholar.uwindsor.ca/major-papers/52 This Major Research Paper is brought to you for free and open access by the Theses, Dissertations, and Major Papers at Scholarship at UWindsor. It has been accepted for inclusion in Major Papers by an authorized administrator of Scholarship at UWindsor. For more information, please contact [email protected]. COMMUNICATIVE BARRIERS TO CLIMATE CHANGE ADAPTATION: EXPLORING IDEOLOGY IN THE CALGARY HERALD by John Gould A Major Research Paper Submitted to the Faculty of Graduate Studies through the Department of Communication, Media and Film in Partial Fulfillment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario, Canada 2018 © 2018 John Gould COMMUNICATIVE BARRIERS TO CLIMATE CHANGE ADAPTATION: EXPLORING IDEOLOGY IN THE CALGARY HERALD by John Gould APPROVED BY: ______________________________________________ S. Bryant Department of Communication, Media and Film ______________________________________________ K. Engle, Advisor School of Creative
    [Show full text]