10 Art Programs in the City
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Shigeo TOYA CV
Update:20190731 Shigeo TOYA CV 1947 Born in Nagano, Japan Lives and works in Saitama Solo Exhibitions 2019 Body of the Gaze, ShugoArts, Tokyo 2018 Kenji Taki Gallery, Aichi 2017 Shigeo Toya−Sculpture to Emerge, Musashino Art University Museum & Library, Tokyo 2016-17 Woods X, ShugoArts, Tokyo 2016 Relief-like, Space23℃, Tokyo Danso-Tai, Kenji Taki Gallery, Aichi 2015 Nakahara Teijiro Award Exhibition, Nakahara Teijiro Memorial Asahikawa Sculpture Museum, Hokkaido 2014 Minimal Baroque VIII, Kenji Taki Gallery, Aichi 2012 Linkage IV, Kenji Taki Gallery, Aichi 2011-12 Memories in the cave, Vangi Sculpture Garden Museum, Shizuoka 2010 minimalbaroque VII, Kenji Taki Gallery, Aichi Shigeo Toya, Mie Prefectural Art Museum, Mie minimalbaroque VI, ShugoArts, Tokyo 2009 minimalbaroque V, Kenji Taki Gallery, Aichi 2008 minimalbaroque III, ShugoArts, Tokyo 2007 minimalbaroque II, Kenji Taki Gallery, Aichi 2006 Shigeo Toya, Miyazaki Prefectural Art Museum, Miyazaki Minimalbaroque, ShugoArts, Tokyo 2005 Shigeo Toya new works, Kenji Taki Gallery, Aichi 2004 Projection Body, ShugoArts, Tokyo 2003 Metamorphosis into Wood, Kenji Taki Gallery, Aichi Shigeo Toya: Folds, Gazes and Anima of the Woods, Aichi Prefectural Museum of Art, Aichi 2002 Shigeo Toya new works, Kenji Taki Gallery, Aichi Shigeo Toya, Nizayama Forest Art Museum, Toyama 2001 Shigeo Toya - Wondering Woods, Aomori Contemporary Art Center Recent Sculptures, Rice Gallery by G2, Tokyo 2000 Shigeo Toya, Kenji Taki Gallery, Aichi 1999 Shigeo Toya, Kenji Taki Gallery, Aichi 1998 From Borders V, -
G a G O S I a N G a L L E R Y Hiroshi Sugimoto Biography
G A G O S I A N G A L L E R Y Hiroshi Sugimoto Biography Born in 1948, Tokyo. Lives and works in New York. Education: 1972 BFA, Art Center College of Design, Los Angeles. 1966-1970 BA, Saint Paul's University, Tokyo. Solo Exhibitions: 2009 Lightning Fields, Gallery Koyanagi, Tokyo, Japan. Lightning Fields, Fraenkel Gallery San Francisco, CA. 2008 Hiroshi Sugimoto: Seven Days/Seven Nights, Gagosian Gallery, New York. Hiroshi Sugimoto, Museum der Moderne, Salzburg, Austria. Hiroshi Sugimoto, Neue Nationalgalerie, Berlin. Hiroshi Sugimoto, Kunstmuseum Luzern, Switzerland. Hiroshi Sugimoto: History of History, The National Museum of Art, Osaka, Japan. Travelled to: 21st century Museum of Contemporary Art, Kanazawa, Japan. 2007 Leakage of Light, Gallery Koyanagi, Tokyo. Hiroshi Sugimoto, K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany. Travlled to: Fine Arts Museum of San Francisco, Villa Manin Centro d’Arte Contemporanea, Udine, Italy. Hiroshi Sugimoto, Villa Manin, Passariano, Italy. Hiroshi Sugimoto: Colors of shadow, Fraenkel Gallery, San Francisco, CA. 2006 Hiroshi Sugimoto, Modern Art Museum, Fort Worth, TX. Hiroshi Sugimoto: Colors of Shadow, Sonnabend, New York. Hiroshi Sugimoto: Mathematical Forms, Galerie de l’Aterlier Brancusi, Paris. Hiroshi Sugimoto, Galerie Marian Goodman, Paris. Hiroshi Sugimoto:Joe, Gagosian Gallery, Beverly Hills. Hiroshi Sugimoto: Photographs of Joe, The Pulitzer Foundation for the Arts, St. Louis, MO. Hiroshi Sugimoto, Hirshhorn Museum and Sculpture Garden, Washington, D.C. Hiroshi Sugimoto: History of History, Arthur M. Sackler Gallery, The Smithsonian, Washington D.C. 2005 Hiroshi Sugimoto: History of History, Japan Society, New York. Hiroshi Sugimoto: Retrospective, Mori Art Museum, Tokyo. (through 2006) Conceptual Forms, Gagosian Gallery, London (Britannia Street) and Sonnabend Gallery, New York. -
Japan Content Showcase2016 マーケットレポート
Market Report 2016 Focused on latest trends 18,330 participants conducted various business meetings PARTICIPANTs Japan Content Showcase is a leading multi-content market in Asia featuring music, films, TV and animation. JCS celebrated 5th anniversary in 2016 as a joint market with TIFFCOM (the affiliated market of Tokyo International Film Festival*1), Tokyo International Music Market (TIMM) and Tokyo International Anime Festival (TIAF) and highest recorded, 18,330 participants visited the market*2. In addition to many buyers and sellers, producers and other various professionals from different fields also attended JCS 2016. *1 The only film festival in Japan approved by the International Federation of Film Producers Associations *2 Excluding live showcase outside the market Breakdown of Participants' Profession Valid responses 3,139 : Buyer's VOICE PRODUCER's VOICE Buyer's VOICE Buyer(Acquisitions) 1,189 Film Commission Film Fund 5 1 / Mary Alana Gibson Pancha Charam.P NALLIAH Irene Lloren Seller 423 Talent Management 37 Digital Media Rights LLC / USA MALAYSIAN FILM PRODUCERS ASSOCIATION /Malaysia Primetrade Asia, Inc. / Philippines Producer 340 Legal Expert/Clerk 30 The market is pretty A well organized I think it is great nice bacause I can t i m e . B e c a u s e Content Creator 299 Public Relations/Journalist 25 focus more on the event. Bravo! Asian content and buyers can actually Marketing 2 1 2 Translator/Interpreter 23 Anime. There are lots cross over from of local companies Director 74 Government Agency/Embassy 20 music to film. It t h e U S h a s n eve r wo u l d b e g re a t Festival/Market 66 Publisher 1 8 worked with before and that is kind of o p p o r t u n i t y fo r Filmmaker 57 Other 223 important. -
Dalí's Surrea¡¡St Activities and the Model of Scientific Experimentationr
@ Astrid Ruffa, 2005 Dalí's surrea¡¡st activities and the model of scientific experimentationr Astrid Ruffa Abstract This paper aims to explore relationships between Salvador Dalí's practices at the end of the 1920i ånd during the 1930s, and models of scientific experimentation. ln 1928 Dalí took a growing interest in André Breton's automatism and elaborated his first conception of õurrealilm which was based on the model of the scientific observation of nature. Dalí's writings of this period mimicked protocols of botanic or entomological experiments and refonñulated in an original way Bre'ton's surrealist proiect: they simulated the conditions and practices of scientific óbservaiions of nature. Paradoxically, this documentaristic and hyper- were oO¡éctive attitude led to a hyper-subjective and surrealistic description of reality: objects taken out of their context, if,ey were broken up and no longer recognisable' When Dalí his officially entered Breton's group-and conceived the paranoiac-critical method, he focused attention on another scieniific model: Albert Einstein;s notion of space{ime. Dalí appropriated and a concept which defined the inextricable relationship between space{ime and the object which b'ecame, in his view, the mental model of the interaction between interiority and exteriority, invisible and visible, subjectivity and objectivity. Significantly, the Catalan artist almost rewrote one of Einstein's own papers, by pointing out the active dimension of Einstein's space-time and by conferring new meanings on his notion of the space-time curve. I will track down the migrátion of thiã concept from physics to Dalí's surrealist vision by most considering its importancã in writings where the artist uses his method to interpret the varied phðnomena, from the my[n ot Narcissus, to English pre-Raphaelitism and the architecture of Antoni Gaudí. -
Navin Rawanchaikul Selected Solo/Collaborative
NAVIN RAWANCHAIKUL 1971 Born in Chiang Mai, Thailand Lives and works in Chiang Mai and Fukuoka, Japan. SELECTED SOLO/COLLABORATIVE EXHIBITIONS/PROJECTS 2016 Lost on the Farm, Jim Thompson Farm Tour, Pak Thong Chai district, Nakhon Ratchasima, Thailand OKLAND, presented by Sovereign Art Foundation, Art Central, Hong Kong Postcards from Dubai, Southeast Asia Platform, presented by Yavuz Gallery, Art Stage Singapore, Singapore 2015 Tales of Navin, DC Collection, Chiang Mai, Thailand A Tale of Two Homes, OK Store and stuiOK, Chiang Mai, Thailand 2014 Every Second, Yokohama, Japan Hometowns, Fukutake House, Shodoshima Island, Japan Postcards from Dubai, presented by Yavuz Fine Art, Art Dubai, Dubai, UAE 2013 Slow Boat to Navinland, Slow Boat project in collaboration with Ikon Youth Program, Ikon Gallery, Birmingham, UK 2012 A Tale of Two Cities, presented by Yavuz Fine Art, ART HK, Hong Kong 2011 Navinland, Gallery Niklas Belenius, Stockholm, Sweden Paradiso di Navin, Paradiso, 54th International Exhibition Venice Biennale, Venice, Italy Places of Rebirth, Valentine Willie Fine Art, Singapore Places of Rebirth, Sakshi Gallery, Mumbai, India 2010 Māhākād Festival, Chiang Mai, Thailand Who is Navin?, Gallery Niklas Belenius, Stockholm, Sweden SUPER CHINA!, Ullens Center For Contemporary Art, Beijing, China We Love You Comrade Navin, Café for Contemporary Art, Vancouver, Canada 2008 Dim Sum Rider, Tang Contemporary Art, Hong Kong Navin’s Sala, The River Promenade, Bangkok, Thailand Navinland Cinema, Sakshi Gallery, Mumbai, India 2007 Navins of -
Barbara Kruger Born 1945 in Newark, New Jersey
This document was updated February 26, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Barbara Kruger Born 1945 in Newark, New Jersey. Lives and works in Los Angeles and New York. EDUCATION 1966 Art and Design, Parsons School of Design, New York 1965 Syracuse University, Syracuse, New York SELECTED SOLO EXHIBITIONS 2021-2023 Barbara Kruger: Thinking of You, I Mean Me, I Mean You, Art Institute of Chicago [itinerary: Los Angeles County Museum of Art; The Museum of Modern Art, New York] [forthcoming] [catalogue forthcoming] 2019 Barbara Kruger: Forever, Amorepacific Museum of Art (APMA), Seoul [catalogue] Barbara Kruger - Kaiserringträgerin der Stadt Goslar, Mönchehaus Museum Goslar, Goslar, Germany 2018 Barbara Kruger: 1978, Mary Boone Gallery, New York 2017 Barbara Kruger: FOREVER, Sprüth Magers, Berlin Barbara Kruger: Gluttony, Museet for Religiøs Kunst, Lemvig, Denmark Barbara Kruger: Public Service Announcements, Wexner Center for the Arts, Columbus, Ohio 2016 Barbara Kruger: Empatía, Metro Bellas Artes, Mexico City In the Tower: Barbara Kruger, National Gallery of Art, Washington, DC 2015 Barbara Kruger: Early Works, Skarstedt Gallery, London 2014 Barbara Kruger, Modern Art Oxford, England [catalogue] 2013 Barbara Kruger: Believe and Doubt, Kunsthaus Bregenz, Austria [catalogue] 2012-2014 Barbara Kruger: Belief + Doubt, Hirshhorn Museum and Sculpture Garden, Washington, DC 2012 Barbara Kruger: Questions, Arbeiterkammer Wien, Vienna 2011 Edition 46 - Barbara Kruger, Pinakothek -
Bibliography
SELECTED bibliOgraPhy “Komentó: Gendai bijutsu no dōkō ten” [Comment: “Sakkazō no gakai: Chikaku wa kyobō nanoka” “Kiki ni tatsu gendai bijutsu: henkaku no fūka Trends in contemporary art exhibitions]. Kyoto [The collapse of the artist portrait: Is perception a aratana nihirizumu no tōrai ga” [The crisis of Compiled by Mika Yoshitake National Museum of Art, 1969. delusion?]. Yomiuri Newspaper, Dec. 21, 1969. contemporary art: The erosion of change, the coming of a new nihilism]. Yomiuri Newspaper, “Happening no nai Happening” [A Happening “Soku no sekai” [The world as it is]. In Ba So Ji OPEN July 17, 1971. without a Happening]. Interia, no. 122 (May 1969): (Place-Phase-Time), edited by Sekine Nobuo. Tokyo: pp. 44–45. privately printed, 1970. “Obŭje sasang ŭi chŏngch’ewa kŭ haengbang” [The identity and place of objet ideology]. Hongik Misul “Sekai to kōzō: Taishō no gakai (gendai bijutsu “Ningen no kaitai” [Dismantling the human being]. (1972). ronkō)” [World and structure: Collapse of the object SD, no. 63 (Jan. 1970): pp. 83–87. (Theory on contemporary art)]. Design hihyō, no. 9 “Hyōgen ni okeru riaritī no yōsei” [The call for the Publication information has been provided to the greatest extent available. (June 1969): pp. 121–33. “Deai o motomete” (Tokushū: Hatsugen suru reality of expression]. Bijutsu techō 24, no. 351 shinjin tachi: Higeijutsu no chihei kara) [In search of (Jan. 1972): pp. 70–74. “Sonzai to mu o koete: Sekine Nobuo-ron” [Beyond encounter (Special issue: Voices of new artists: From being and nothingness: On Sekine Nobuo]. Sansai, the realm of nonart)]. Bijutsu techō, no. -
Japan International Boat Show 2021 Exhibition Outline and Rules
Time on the Water – Where the Heart Runs Free Japan International Boat Show 2021 Exhibition Outline and Rules Event Outline Name: Japan International Boat Show 2021 Organizer: Japan Marine Industry Association (JMIA) Supporting Organizations (planned): Ministry of Land, Infrastructure, Transport and Tourism; Japan Coast Guard; Kanagawa Prefecture; Yokohama Port Agency ; U.S. Commercial Service (Tokyo); Port of Yokohama Promotion Association; Yokohama Convention & Visitors Bureau; The Yokohama Chamber of Commerce and Industry; NHK Yokohama Broadcasting Station; Kanagawa Shimbun; Television Kanagawa, Inc.; FM Yokohama Special Cooperation (planned): Yokohama Bayside Marina Co., Ltd.; Mitsui Outlet Park Yokohama Bayside; Japan Marine Recreation Association; KMC Corporation Cooperating Organizations (planned): Marine Sports Foundation; Japan Sailing Federation; Japan Used Boat Association; Japan Game Fish Association; Marine Journalists Conference; Kanto Boat Safety Association; UMI Conference; Umi-no-eki Network; Japan Sportfishing Foundation; Japan Fishing Tackle Manufacturers Association; Personal Watercraft Safety Association; Seabird Japan; Zushi-Hayama Community Broadcasting Inc. Dates: Four days from April 15 (Thu.) to 18 (Sun.), 2021 Exhibitor booth/display installation and setup days: Floating displays (April 13–14), on-land tent booths (April 14) Exhibitor booth/display removal day: On-land tent booths (April 18, after 17:00), floating displays (April 19) Open hours: April 15 (Thu.) 11:00–17:00 (Opening ceremony from 10:00) April 16 (Fri.) 10:00–17:00 April 17 (Sat.) 10:00–17:00 April 18 (Sun.) 10:00–17:00 Venue: Special display area at the Yokohama Bayside Marina (on-land and floating displays) Pier area admission: 1,000 JPY (Free for Junior High School and under) *However, children without an adult guardian will not be allowed to enter. -
Boron-Doped Diamond Powder (BDDP)-Based Polymer Composites for Dental Treatment Using flexible Pinpoint Electrolysis Unit
Electrochemistry Communications 68 (2016) 49–53 Contents lists available at ScienceDirect Electrochemistry Communications journal homepage: www.elsevier.com/locate/elecom Boron-doped diamond powder (BDDP)-based polymer composites for dental treatment using flexible pinpoint electrolysis unit Tsuyoshi Ochiai a,b,c,⁎, Shoko Tago b, Mio Hayashi b, Kazuo Hirota d, Takeshi Kondo c, Kazuhito Satomura e, Akira Fujishima b,c a Materials Characterization Center, Kanagawa Academy of Science and Technology, Ground Floor East Wing, Innovation Center Building, 3-2-1 Sakado, Takatsu-ku, Kawasaki City, Kanagawa 213- 0012, Japan b Photocatalyst Group, Kanagawa Academy of Science and Technology, 407 East Wing, Innovation Center Building, 3-2-1 Sakado, Takatsu-ku, Kawasaki City, Kanagawa 213-0012, Japan c Photocatalysis International Research Center, Tokyo University of Science, 2641 Yamazaki, Noda City, Chiba 278-8510, Japan d Research Laboratory of Materials & Equipment for Oral Health Care, Inc., 2F-G03 THINK Keihin Building, 1-1 Minamiwatarida-cho, Kawasaki-ku, Kawasaki City, Kanagawa 210-0855, Japan e Department of Oral Medicine, School of Dental Medicine, Tsurumi University, 2-1-3 Tsurumi, Tsurumi-ku, Yokohama City, Kanagawa 230-8501, Japan article info abstract Article history: We devised a flexible pinpoint electrolysis unit employing a boron-doped diamond powder (BDDP)-based poly- Received 31 March 2016 mer composite for use in dental treatment. A metal wire surface (the anode) was coated by the BDDP-based poly- Received in revised form 20 April 2016 mer composite comprising BDDP and a 20% Nafion® dispersion at a mixing ratio of 2/1 (w/w). A Pt ribbon with an Accepted 25 April 2016 ion-exchange membrane was spirally wound around the metal wire's surface for use as the cathode. -
MANABI Leaflet2020-2021-EN
NAGANO TOKYO Campus Campus Scholarship EJU Prep. Program JLPT Prep. Program University entry support Part Time Job Support NAGANO Campus Learning in a city with rich in nature, and the full of urban functions Nagano Campus is located in the middle of Nagano Prefecture. Nagano Campus has a lot of natural resources like Cherry blossom in Spring, maple leaves in Autumn and snow in Winter. You can enjoy a lot of activities here which you can not experience in the capital city of Japan, like mountain climbing, ski sports and a lot of hot springs. There also a lot of activities and events which you can participate and interact with Japanese people. It is only 72 minutes away from Tokyo by Shinkansen, cost of living is reasonable and everyone can live securely during their student life. (Principal Takashi Hatada) The place where you can concentrate on your studies, and an advantage for low-cost of living. A city with full of urban functions Within just 10 minutes from your house you will find places that are necessary for living such as large 1month Income supermarkets, schools, hospitals and convenience stores. It is the best place for concentrating on your Part-time job +80,000 studies since the city itself is peaceful and beautiful. Salary Rent -17,000 Zero transportation fee, Cheap room Utility fee -7,000 rental ! Food -15,000 There will be no transportation cost since you'll be able Phone bill -7,000 to move around the city using your bicycle. And the Others -10,000 most important thing is that the cost of living is cheap. -
Curriculum Vitae for Koji Enokura
KŌJI ENOKURA Born 1942 in Tokyo, Japan Died 1995 in Tokyo, Japan Education BFA, Tokyo National University of Fine Arts and Music, Tokyo, Japan, 1966 MFA, Tokyo National University of Fine Arts and Music, Tokyo, Japan, 1968 One-Person Exhibitions 2018 Tokyo Gallery + BTAP, Tokyo, Japan 2017 Skin, Tokyo Publishing House, Tokyo, Japan Figure, Taka Ishii Gallery, Tokyo, Japan 2016 VeneKlasen/Werner, Berlin, Germany Taka Ishii Gallery, New York, NY 2015 Story & Memory, Tokyo Publishing House, Tokyo, Japan Taka Ishii Gallery, Tokyo, Japan 2013 Blum & Poe, Los Angeles, CA Photographic Works, Gallery Space 23°C, Tokyo, Japan Prints, Ohshima Fine Art, Tokyo, Japan Tokyo Gallery + BTAP, Beijing, China McCaffrey Fine Art, New York, NY 2012 Documentation, Taka Ishii Gallery, Tokyo, Japan Prints, Gallery Space 23°C, Tokyo, Japan Tokyo Gallery + BTAP, Beijing, China 2010 ’90s Print Works and Painting, Shimada Shigeru Gallery, Tokyo, Japan Painting as Sign, Ohshima Fine Art, Tokyo, Japan Photographic Works, Gallery Space 23℃, Tokyo, Japan Ten Ten, Yokota Shigeru Gallery, Tokyo, Japan 2009 ’80s Print Works, Shimada Shigeru Gallery, Tokyo, Japan Drawings, Gallery Space 23°C, Tokyo, Japan & POE LOS ANGELES NEW YORK TOKYO 2008 Paper and Oil, Gallery Space 23°C, Tokyo, Japan 2007 Intervention Ratio, Gallery Space 23°C, Tokyo, Japan 2006 Charcoal Drawings IⅠ, Gallery Space 23°C, Tokyo, Japan SPACE TOTSUKA ’70 – In Photographs, Gallery Space 23°C, Tokyo, Japan 2005 Charcoal Drawings Ⅰ, Gallery Space 23°C, Tokyo, Japan Homage to Kōji Enokura, Nagai Fine Arts, -
Idols and Celebrity in Japanese Media Culture, Edited by Patrick W
Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Idols and Celebrity in Japanese Media Culture Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin This page intentionally left blank Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Idols and Celebrity in Japanese Media Culture Edited by Patrick W. Galbraith and Jason G. Karlin University of Tokyo, Japan Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Introduction, selection