DOCSLIB.ORG

ROBOTS by Amos

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

For Immediate Release Contact: [email protected] Danza Piccolina, acrylic on canvas, 16 x 12” Amos Poe © 2012 ROBOTS Paintings by Amos Poe February 15 – March 18, 2013 opening reception Friday February 15, 6-10pm MICROSCOPE GALLERY is very pleased to present ROBOTS, a solo exhibition of new paintings by No Wave Cinema pioneer Amos Poe. ROBOTS marks Poe’s painting debut and is also the first time the artist – whose early film works were most recently featured at “Come Closer: Art Around the Bowery, 1969-1989” at the New Museum – has exhibited his artworks in the United States. The black and white acrylic paintings were inspired by a week of strangely provoking robot dreams and Poe's resulting reflections on intelligent technology. In this series of works, the robots evolve across the canvases, some appearing as formal abstractions composed of geometrical shapes, while others acquire more figurative elements and sometimes overtly human characteristics and sexual traits. The robot figures are presented as full-body portraits, purposefully situated within their rectangular canvases, with the constraints occasionally used to amusing effect. The varied dimensions and configurations combined with Poe’s use of solely gray scale pigments – the palette of early photography and moving image and also the artist’s first mediums – effectively ground the robots in a space traversing historical fact and the world of speculation and fantasy, making it unclear whether the robots are from the past, of the future, or cross generations and time. “Decades, if not a century, of Sci-Fi prophesies that the future will include a stage of evolution in which humans become extinct because they are incapable of surviving their own entropy, and in their place cyborgs, humanoids and eventually full-fledged robots – all offspring of human intellect – will survive, thrive and "procreate"... if and when this era emerges, what traits and features, if any, will resemble robots' maternal and paternal humans?... are they and will they continue to be masculine? feminine? or neutral?" – AP AMOS POE is a filmmaker, writer, producer, and artist. Poe is a leading figure of the No Wave Cinema movement (1975-85) that emerged from the East Village music and art scene and included Jim Jarmusch, Abel Ferrara, Vivienne Dick, James Nares, John Lurie, Charlie Ahearn and others. His 1976 collaboration with Ivan Kral THE BLANK GENERATION chronicled the seminal performances of Richard Hell, Patti Smith, Blondie, Ramones, Talking Heads, Television, Wayne County, etc. Other noted works of the time include Poe’s UNMADE BEDS (1976), an homage to Godard's "Breathless" and the French New Wave, and THE FOREIGNER (1978), starring Eric Mitchell, Patti Astor, Duncan Hannah and Debbie Harry. Poe’s most recent work, “A Walk in the Park” opened the 2012 Rome International Film Festival and debuted at Landmark Sunshine Cinema in NYC. Poe’s films regularly screen in the US and abroad including at institutions such as The New Museum, MoMA, The Whitney Museum, Anthology Film Archives, MoCA, and the Pompidou Center in Paris among others. An archive of Poe’s writings and other works is housed at The Fales Library in New York. Poe was born in Tel Aviv, in 1949 and emigrated to the US with his family in 1958. He currently lives and works in New York City. ROBOTS opens Friday February 15, 6-10pm and runs through Monday March 18th, 2013. Additional & high resolution images are available for preview upon request. MICROSCOPE GALLERY 4 Charles Place Brooklyn, NY 11221 tel: 347.925.1433 email: [email protected] www.microscopegallery.com t: @MicroscopeEvent Gallery Hours: Thurs. to Mon. 1-6PM or by appointment.
Recommended publications
  • Press Release

    Press Release

    LOOKING AT MUSIC: SIDE 2 EXPLORES THE CREATIVE EXCHANGE BETWEEN MUSICIANS AND ARTISTS IN NEW YORK CITY IN THE 1970s AND 1980s Photography, Music, Video, and Publications on Display, Including the Work of Jean-Michel Basquiat, Blondie, Richard Hell, Sonic Youth, and Patti Smith, Among Others Looking at Music: Side 2 June 10—November 30, 2009 The Yoshiko and Akio Morita Gallery, second floor Looking at Music: Side 2 Film Series September—November 2009 The Roy and Niuta Titus Theaters NEW YORK, June 5, 2009—The Museum of Modern Art presents Looking at Music: Side 2, a survey of over 120 photographs, music videos, drawings, audio recordings, publications, Super 8 films, and ephemera that look at New York City from the early 1970s to the early 1980s when the city became a haven for young renegade artists who often doubled as musicians and poets. Art and music cross-fertilized with a vengeance following a stripped-down, hard-edged, anti- establishment ethos, with some artists plastering city walls with self-designed posters or spray painted monikers, while others commandeered abandoned buildings, turning vacant garages into makeshift theaters for Super 8 film screenings and raucous performances. Many artists found the experimental music scene more vital and conducive to their contrarian ideas than the handful of contemporary art galleries in the city. Artists in turn formed bands, performed in clubs and non- profit art galleries, and self-published their own records and zines while using public access cable channels as a venue for media experiments and cultural debates. Looking at Music: Side 2 is organized by Barbara London, Associate Curator, Department of Media and Performance Art, The Museum of Modern Art, and succeeds Looking at Music (2008), an examination of the interaction between artists and musicians of the 1960s and early 1970s.
  • Patti DP.Indd

    Patti DP.Indd

    patti smith dream of life a film by steven sebring THIRTEEN/WNET NEW YORK AND CLEAN SOCKS PRESENT PATTI SMITH AND THE BAND: LENNY KAYE OLIVER RAY TONY SHANAHAN JAY DEE DAUGHERTY AND JACKSON SMITH JESSE SMITH DIRECTORS OF TOM VERLAINE SAM SHEPARD PHILIP GLASS BENJAMIN SMOKE FLEA DIRECTOR STEVEN SEBRING PRODUCERS STEVEN SEBRING MARGARET SMILOW SCOTT VOGEL PHOTOGRAPHY PHILLIP HUNT EXECUTIVE CREATIVE STEVEN SEBRING EDITORS ANGELO CORRAO, A.C.E, LIN POLITO PRODUCERS STEVEN SEBRING MARGARET SMILOW CONSULTANT SHOSHANA SEBRING LINE PRODUCER SONOKO AOYAGI LEOPOLD SUPERVISING INTERNATIONAL PRODUCERS JUNKO TSUNASHIMA KRISTIN LOVEJOY DISTRIBUTION BY CELLULOID DREAMS Thirteen / WNET New York and Clean Socks present Independent Film Competition: Documentary patti smith dream of life a film by steven sebring USA - 2008 - Color/B&W - 109 min - 1:66 - Dolby SRD - English www.dreamoflifethemovie.com WORLD SALES INTERNATIONAL PRESS CELLULOID DREAMS INTERNATIONAL HOUSE OF PUBLICITY 2 rue Turgot Sundance office located at the Festival Headquarters 75009 Paris, France Marriott Sidewinder Dr. T : + 33 (0) 1 4970 0370 F : + 33 (0) 1 4970 0371 Jeff Hill – cell: 917-575-8808 [email protected] E: [email protected] www.celluloid-dreams.com Michelle Moretta – cell: 917-749-5578 E: [email protected] synopsis Dream of Life is a plunge into the philosophy and artistry of cult rocker Patti Smith. This portrait of the legendary singer, artist and poet explores themes of spirituality, history and self expression. Known as the godmother of punk, she emerged in the 1970’s, galvanizing the music scene with her unique style of poetic rage, music and trademark swagger.
  • Bamcinématek Presents Indie 80S, a Comprehensive, 60+ Film Series Highlighting the Decade Between 70S New Hollywood and the 90S Indie Boom, Jul 17—Aug 27

    Bamcinématek Presents Indie 80S, a Comprehensive, 60+ Film Series Highlighting the Decade Between 70S New Hollywood and the 90S Indie Boom, Jul 17—Aug 27

    BAMcinématek presents Indie 80s, a comprehensive, 60+ film series highlighting the decade between 70s New Hollywood and the 90s indie boom, Jul 17—Aug 27 Co-presented by Cinema Conservancy The Wall Street Journal is the title sponsor of BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/June 11, 2015—From Friday, July 17 through Thursday, August 27, BAMcinématek and Cinema Conservancy present Indie 80s, a sweeping survey of nearly 70 films from the rough-and-tumble early days of modern American independent cinema. An aesthetic and political rebuke to the greed-is-good culture of bloated blockbusters and the trumped-up monoculture of Reagan-era America, Indie 80s showcases acclaimed works like Jim Jarmusch’s Stranger Than Paradise (1984—Jul 18), David Lynch’s Blue Velvet (1986—Aug 8), and Steven Soderbergh’s sex, lies, and videotape (1989—Aug 14) alongside many lesser- known but equally accomplished works that struggled to find proper distribution in the era before studio classics divisions. Filmmakers including Ross McElwee, William Lustig, Rob Nilsson, and more will appear in person to discuss their work. Like the returning expatriate’s odyssey in Robert Kramer’s four-hour road movie Route One/USA (1989—Aug 16), a sampling of 80s indie cinema comprises an expansive journey through the less-traveled byways of America. From the wintry Twin Cities of the improvised, hilariously profane road trip Patti Rocks (1988—Aug 25) to the psychopath’s stark Chicago hunting grounds in John McNaughton’s Henry: Portrait of a Serial Killer (1986—Jul 29) to the muggy Keys of Florida in filmmaker Victor Nuñez’s eco-thriller A Flash of Green (1984—Aug 12), regional filmmakers’ cameras canvassed an America largely invisible to Hollywood.
  • 2005 Next Wave Festival

    2005 Next Wave Festival

    November 2005 2005 Next Wave Festival Mary Heilmann, Last Chance for Gas Study (detail), 2005 BAM 2005 Next Wave Festival is sponsored by: The PerformingNCOREArts Magazine Altria BAML....---- _ Brooklyn Academy of Music Alan H. Fishman William I. Campbell Chairman of the Board Vice Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Producer presents Patti Smith Horses BAM Howard Gilman Opera House Nov 30 & Dec I, 2005 at 7:30pm Vocals Patti Smith Guitar Lenny Kaye Drums Jay Dee Daugherty Bass & keyboards Tony Shanahan Guitar Tom Verlaine Bass &trumpet Flea Sou nd Emery Dobyns Head of crew Barre Duryea BAM music consultant Danny Kapilian Patti Smith and band, along with BAM, will donate a portion of the event's proceeds to Gulf Coast hurricane-relief organizations. HORSES de I'ame pour I'ame gloria: in excelsis deo gloria redondo beach birdland free money kimberly break it up land: horses land of a thousand dances la mer (de) elegie OUTSIDE SOCIETY 7 songs for our time pissing in a river beca use the night southern cross ain't it strange gandhi peoploe have the power rock and roll nigger ErogllirnnQt~e _ The guardians of history are soon rewarded with history themselves. I don't remember where we found the phrase. Perhaps we read it, or dreamed it out of the air; it seemed prescient. We wanted to honor those who gave us inspiration, and to find the many ways music can become art: rhythm and melody, drawing and poetry and film. And we hoped by word and deed to inspire.
  • RESEARCH DEGREES with PLYMOUTH UNIVERSITY Gold Griot

    RESEARCH DEGREES with PLYMOUTH UNIVERSITY Gold Griot

    University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2018 Gold Griot: Jean-Michel Basquiat Telling (His) Story in Art Ross, Lucinda http://hdl.handle.net/10026.1/11135 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. RESEARCH DEGREES WITH PLYMOUTH UNIVERSITY Gold Griot: Jean-Michel Basquiat Telling (His) Story in Art by Lucinda Ross A thesis submitted to Plymouth University In partial fulfilment for the degree of Doctor of Philosophy Humanities and Performing Arts Doctoral Training Centre May 2017 Gold Griot: Jean-Michel Basquiat Telling (His) Story in Art Lucinda Ross Basquiat, Gold Griot, 1984 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis and no information derived from it may be published without the author’s prior consent. Gold Griot: Jean-Michel Basquiat Telling (His) Story in Art Lucinda Ross Abstract Emerging from an early association with street art during the 1980s, the artist Jean-Michel Basquiat was largely regarded within the New York avant-garde, as ‘an exotic other,’ a token Black artist in the world of American modern art; a perception which forced him to examine and seek to define his sense of identity within art and within society.
  • FUTURA2000 (Born Leonard Hilton Mcgurr in New York City) Is a Graffiti Pioneer Who Began Painting Subways in the Late 1970S

    FUTURA2000 (Born Leonard Hilton Mcgurr in New York City) Is a Graffiti Pioneer Who Began Painting Subways in the Late 1970S

    FUTURA2000 (born Leonard Hilton McGurr in New York City) is a graffiti pioneer who began painting subways in the late 1970s. In 1980 he painted the iconic whole car titled “Break,” which was recognized for its abstraction, rather than a focus on lettering. This painting established some of the enduring aesthetic motifs and approaches FUTURA2000 would explore over the decades that followed. FUTURA2000 was among the first graffiti artists to be shown in contemporary art galleries in the early 1980s. His paintings were shown at Patti Astor’s Fun Gallery and Tony Shafrazi, alongside those of his friends Keith Haring, Jean-Michel Basquiat, Rammellzee, DONDI, and Kenny Scharf. MoMA PS1 brought the artists together in their landmark 1981 exhibition, “New York / New Wave.” In this period, FUTURA2000 illustrated the sleeve cover for The Clash’s ‘This is Radio Clash’ seven-inch single. He accompanied The Clash on their Combat Rock tour, spray painting in the background while the band played. He painted as an accompaniment to demonstrations of break dance by the Rock Steady Crew, and concerts by Grand Master Flash and Afrika Bombataa. With the Clash, he recorded the vinyl “The Escapades of Futura 2000,” a manifesto for graffiti. By the 1990s, as the commercialization of global street culture in the 1990s inspired collaborations with fashion and lifestyle brands, FUTURA2000’s work moved toward a more refined expression of his abstract style. Commissions from brands such as Supreme, A Bathing Ape, Stüssy, and Mo' Wax saw his artwork canonized as an elemental component of cross-genre street aesthetic. He has collaborated with Nike, BMW, Comme des Garçons, Louis Vuitton, and Off-White.
  • Punk · Film RARE PERIODICALS RARE

    Punk · Film RARE PERIODICALS RARE

    We specialize in RARE JOURNALS, PERIODICALS and MAGAZINES Please ask for our Catalogues and come to visit us at: rare PERIODIcAlS http://antiq.benjamins.com music · pop · beat · PUNk · fIlM RARE PERIODICALS Search from our Website for Unusual, Rare, Obscure - complete sets and special issues of journals, in the best possible condition. Avant Garde Art Documentation Concrete Art Fluxus Visual Poetry Small Press Publications Little Magazines Artist Periodicals De-Luxe editions CAT. Beat Periodicals 296 Underground and Counterculture and much more Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT Visiting address: Klaprozenweg 75G · 1033 NN Amsterdam · The Netherlands Postal address: P.O. BOX 36224 · 1020 ME Amsterdam · The Netherlands tel +31 20 630 4747 · fax +31 20 673 9773 · [email protected] JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM cat.296.cover.indd 1 05/10/2016 12:39:06 antiquarian PERIODIcAlS MUSIC · POP · BEAT · PUNK · FILM Cover illustrations: DOWN BEAT ROLLING STONE [#19111] page 13 [#18885] page 62 BOSTON ROCK FLIPSIDE [#18939] page 7 [#18941] page 18 MAXIMUM ROCKNROLL HEAVEN [#16254] page 36 [#18606] page 24 Conditions of sale see inside back-cover Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM 111111111111111 [#18466] DE L’AME POUR L’AME. The Patti Smith Fan Club Journal Numbers 5 and 6 (out of 8 published). October 1977 [With Related Ephemera]. - July 1978. [Richmond Center, WI]: (The Patti Smith Fan Club), (1978). Both first editions. 4to., 28x21,5 cm. side-stapled wraps. Photo-offset duplicated. Both fine, in original mailing envelopes (both opened a bit rough but otherwise good condition). EUR 1,200.00 Fanzine published in Wisconsin by Nanalee Berry with help from Patti’s mom Beverly.
  • Katrin Pesch Writing Sample

    Katrin Pesch Writing Sample

    Pesch, Katrin. "No No Wave." Text for Film Program curated for Now and 10 Years Ago - On the Relationship between Cultural Production and Urban Development, curated by Axel John Wieder, Stefan Dillemuth and Josef Strau, Kunstwerke Berlin, 2004. No No Wave - Film Notes A Selection of Films Produced in New York between 1978-1986 This cultural construction ‘bohemia’ is continuously carbonated by music, film, television, and advertising, window-dressed for sale in cycles of generation and appropriation that, while decades old, have become increasingly sophisticated and entangled, even vivified, with irony. Nonetheless, people still live for this fugitive and often-prostituted ideal, understanding themselves as revolutionaries, criminals, and whores. Bohemia contains real aspiration and real human stories – the raw material of narrative art.1 The short film Not a Warhol Factory by David Blair documents an installation and performance of artist Mike Bidlo, which was presented in 1984 at P.S. 1 in Long Island City, New York. Photocopied or silk-screened Marylins hang on the walls. The rooms themselves are populated with people whose appearance and costumes simultaneously reference the ‘fun-chic’ of the early eighties and the glamour of Warhol's Factory. Bidlo himself strolls through the screen as Warhol; someone else wears a Marilyn Monroe dress. All of those present mimic various roles - revolutionaries, criminals, and whores - from a chapter in the script of the avant-garde, which has already been commercialized and become a part of the canon of art history. Tropes of underground, stardom, art and commerce are played upon here - half in love, half tauntingly, rather foolishly yet with much energy.
  • Reading Sample

    Reading Sample

    BASQUIAT BOOM FOR REAL 191115_Basquiat_Book_Spreads.indd 1 20.11.19 14:31 EDITED BY DIETER BUCHHART AND ELEANOR NAIRNE WITH LOTTE JOHNSON 191115_Basquiat_Book_Spreads.indd 2 20.11.19 14:31 BASQUIAT BOOM FOR REAL PRESTEL MUNICH · LONDON · NEW YORK 191115_Basquiat_Book_Spreads.indd 3 20.11.19 14:31 191115_Basquiat_Book_Spreads.indd 4 20.11.19 14:31 191115_Basquiat_Book_Spreads.indd 5 20.11.19 14:31 191115_Basquiat_Book_Spreads.indd 6 20.11.19 14:31 8 FOREWORD JANE ALISON 4. JAZZ 12 BOOM, BOOM, BOOM FOR REAL 156 INTRODUCTION DIETER BUCHHART 158 BASQUIAT, BIRD, BEAT AND BOP 20 THE PERFORMANCE OF FRANCESCO MARTINELLI JEAN-MICHEL BASQUIAT ELEANOR NAIRNE 162 WORKS 178 ARCHIVE 1. SAMO© 5. ENCYCLOPAEDIA 28 INTRODUCTION 188 INTRODUCTION 30 THE SHADOWS 190 BASQUIAT’S BOOKS CHRISTIAN CAMPBELL ELEANOR NAIRNE 33 WORKS 194 WORKS 58 ARCHIVE 224 ARCHIVE 2. NEW YORK/ 6. THE SCREEN NEW WAVE 232 INTRODUCTION 66 INTRODUCTION 234 SCREENS, STEREOTYPES, SUBJECTS JORDANA MOORE SAGGESE 68 EXHIBITIONISM CARLO MCCORMICK 242 WORKS 72 WORKS 252 ARCHIVE 90 ARCHIVE 262 INTERVIEW BETWEEN 3. THE SCENE JEAN-MICHEL BASQUIAT, GEOFF DUNLOP AND SANDY NAIRNE 98 INTRODUCTION 268 CHRONOLOGY 100 SAMO©’S NEW YORK LOTTE JOHNSON GLENN O’BRIEN 280 ENDNOTES 104 WORKS 288 INDEX 146 ARCHIVE 294 AUTHOR BIOGRAPHIES 295 IMAGE CREDITS 191115_Basquiat_Book_Spreads.indd 7 20.11.19 14:31 Edo Bertoglio. Jean-Michel Basquiat wearing an American football helmet, 1981. 8 191115_Basquiat_Book_Spreads.indd 8 20.11.19 14:31 FOREWORD JANE ALISON Jean-Michel Basquiat is one of the most significant painters This is therefore a timely presentation of a formidable talent of the 20th century; his name has become synonymous with and builds on an important history of Basquiat exhibitions notions of cool.
  • Origins of Rock the Seventies

    Origins of Rock the Seventies

    from the definitive, illustrated encyclopedia of rock the definitive, illustrated encyclopedia of rock Richard Buskin, Alan Clayson, Joe Cushley, Rusty Cutchin, Jason Draper, Hugh Fielder, Mike Gent, Drew Heatley, Michael Heatley, Jake Kennedy, Colin Salter, Ian Shirley, John Tobler General Editor: Michael Heatley • Foreword by Scotty Moore FLAME TREE PUBLISHING from the definitive, illustrated encyclopedia of rock FlameTreeRock.com offers a very wide This is a FLAME TREE digital book range of other resources for your interest and entertainment: Publisher and Creative Director: Nick Wells Project Editor: Sara Robson Commissioning Editor: Polly Prior 1. Extensive lists and links of artists , Designer: Mike Spender and Jake The sunshine 1960s were followed by the comparatively grey 1970s. organised by decade: Sixties, Picture Research: Gemma Walters Yet a number of stars of that drab decade started their Contents Seventies etc. Production: Kelly Fenlon, Chris Herbert and Claire Walker life in the 1960s. 2. Free ebooks with the story of other Special thanks to: Joe Cushley, Jason Draper, Jake Jackson, Karen Fitzpatrick, Rosanna Singler and Catherine Taylor In Britain, the chameleon-like David Bowie suffered several musical genres, such as David Bowie ........................................4–5 years of obscurity, Status Quo were psychedelic popsters yet to soul, R&B, disco, rap & Hip Hop. Based on the original publication in 2006 discover 12-bar blues, while Humble Pie was formed by The Eagles ..........................................6–7
  • Parallel Tracks: Three Case Studies of the Relationship Between Street Art and U.S. Museums in the Twenty-First Century

    Parallel Tracks: Three Case Studies of the Relationship Between Street Art and U.S. Museums in the Twenty-First Century

    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 11-2-2018 Parallel Tracks: Three Case Studies of the Relationship between Street Art and U.S. Museums in the Twenty-First Century Erin Rolfs Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Art Practice Commons, Museum Studies Commons, and the Urban, Community and Regional Planning Commons Recommended Citation Rolfs, Erin, "Parallel Tracks: Three Case Studies of the Relationship between Street Art and U.S. Museums in the Twenty-First Century" (2018). LSU Master's Theses. 4835. https://digitalcommons.lsu.edu/gradschool_theses/4835 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 11-2-2018 Parallel Tracks: Three Case Studies of the Relationship between Street Art and U.S. Museums in the Twenty-First Century Erin Rolfs Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Art Practice Commons, Museum Studies Commons, and the Urban, Community and Regional Planning Commons PARALLEL TRACKS THREE CASE STUDIES OF THE RELATIONSHIP BETWEEN STREET ART AND U.S. MUSEUMS IN THE TWENTY-FIRST CENTURY A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Erin Rolfs B.A., Louisiana State University, 2006 December 2018 Table of Contents Abstract ................................................................................................................................................................
  • Course Syllabus

    Course Syllabus

    Professor Louie Dean Valencia English 1102, R15 [email protected] Office Hours: @BurntCitrus on Twitter Dealy Hall 627 |Mon, 11am-12noon NotebooksForDialogue.org Rodrigues|Thurs, 1pm-2:00pm PaintingBohemia.org Class Location: FMH 308, 2:30pm Course Objectives: This is an intensive course in expository writing that aims to teach you to write effectively by using correct grammar, sound logic, and persuasive rhetoric. Though we will read and discuss writing by a variety of authors, your own writing will be the primary focus in this class. Through your writing, revision, reading, and class discussion, you will analyze the relationship between writing and thinking. To aid you in this endeavor, this course will introduce you to various research techniques, including the use of the library, the conventions and principles of documentation, the art of synthesis, and the analysis of sources. You are expected to participate actively in class, revise your work, and critique the work of your fellow students. You will receive individual guidance in discovering for yourself the ways in which our writing affects our thinking, and our thinking our writing. With the primary focus of the course being bettering students’ rhetorical and logical skills, the class will focus on bohemian and youth cultures in modernity, debating issues of gender, race, class, nationalism, consumer culture and technology. In addition to the required texts, supplementary texts will include essays, primary sources, films and scholarly articles. This course demands self-motivation, dedicated reading, critical writing, and class participation. Note: Changes may be made to this syllabus during the course of the semester.