Highland Public Library Anime Master List (Updated January 2021)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
US EPA, Pesticide Product Label, CLOROX BLEACH, 09/13/2011
UNITED STATES ENVIRONMENTAL PROTECTION AGENCY WASHINGTON, DC 20460 OFFICE OF CHEMICAL SAFETY AND POLLUTION PREVENTION September 13, 2011 Ms. J. Evelyn Lawson Senior Regulatory Information Scientist The Clorox Company C/o PS&RC; P. O. Box 493 Pleasanton, CA 94566-0803 Subject: Notification Application per PR Notice 98-10 Clorox Bleach EPA Registration Number 5813-1 Application Date: August 22, 2011 EPA Receipt Date: August 23, 2011 Dear Ms. Lawson: This acknowledges receipt of the above notification application, submitted under the provision of PR Notice 98-10, FIFRA 3(c)9. Proposed Notifications: • Add an ingredient disclosure website on page 32; • Updated EPA Est. information including alternate language for Puerto Rico, and updated year. General Comments: Based on a review of the material submitted, the following comment applies: The notification application is acceptable. A copy of the accepted notification has been inserted in your file for future reference. Should you have any questions or comments concerning this letter, please contact Adam Heyward via email at heyward. adam(q),epa.gov or by telephone at (703) 347-0274 during the hours of 6:00 am to 2:30 pm EST. MbWsBS Harris^ Product Manager (32) Regulatory Management Branch II Antimicrobials Division (751 OP) a/Sf Plftte reid instruction* on nv»r*e b»for» coir I'm form. Form Aporov OMB No. 2070-O06O. Approval expire* 2-28-95 United States Registration OPP Identifier Number Environmental Protection Agency &EPA Amendment EL0359 Washington, OC 20460 Other Application for Pesticide - Section I 1. Company/Product Number 2. EPA Product Manager 3. Proposed Classification 5813-1 Monisha Harris None Restricted 4. -
The Anime Galaxy Japanese Animation As New Media
i i i i i i i i i i i i i i i i i i i i Herlander Elias The Anime Galaxy Japanese Animation As New Media LabCom Books 2012 i i i i i i i i Livros LabCom www.livroslabcom.ubi.pt Série: Estudos em Comunicação Direcção: António Fidalgo Design da Capa: Herlander Elias Paginação: Filomena Matos Covilhã, UBI, LabCom, Livros LabCom 2012 ISBN: 978-989-654-090-6 Título: The Anime Galaxy Autor: Herlander Elias Ano: 2012 i i i i i i i i Índice ABSTRACT & KEYWORDS3 INTRODUCTION5 Objectives............................... 15 Research Methodologies....................... 17 Materials............................... 18 Most Relevant Artworks....................... 19 Research Hypothesis......................... 26 Expected Results........................... 26 Theoretical Background........................ 27 Authors and Concepts...................... 27 Topics.............................. 39 Common Approaches...................... 41 1 FROM LITERARY TO CINEMATIC 45 1.1 MANGA COMICS....................... 52 1.1.1 Origin.......................... 52 1.1.2 Visual Style....................... 57 1.1.3 The Manga Reader................... 61 1.2 ANIME FILM.......................... 65 1.2.1 The History of Anime................. 65 1.2.2 Technique and Aesthetic................ 69 1.2.3 Anime Viewers..................... 75 1.3 DIGITAL MANGA....................... 82 1.3.1 Participation, Subjectivity And Transport....... 82 i i i i i i i i i 1.3.2 Digital Graphic Novel: The Manga And Anime Con- vergence........................ 86 1.4 ANIME VIDEOGAMES.................... 90 1.4.1 Prolongament...................... 90 1.4.2 An Audience of Control................ 104 1.4.3 The Videogame-Film Symbiosis............ 106 1.5 COMMERCIALS AND VIDEOCLIPS............ 111 1.5.1 Advertisements Reconfigured............. 111 1.5.2 Anime Music Video And MTV Asia......... -
Appleseed - Tome 1 PDF TÉLÉCHARGER
Appleseed - Tome 1 PDF TÉLÉCHARGER TÉLÉCHARGER LIRE ENGLISH VERSION DOWNLOAD READ Appleseed - Tome 1 PDF TÉLÉCHARGER Description L'action se situe au tout début du 22ème siècle à la suite d'un conflit armé ayant débouché sur une guerre mondiale. La paix vient tout juste d'être rétablie, et les nouveaux pouvoirs politiques se mettent en place. Cette répartition des responsabilités est contrôlée de main de maître par un organisme nommé Aegis, dont une partie du personnel est constitué de Bioroïds (des humains artificiels). C'est alors que toutes les nations terriennes commencent à relever la tête et à réparer les dégâts causés par la guerre que débute l'histoire qui nous intéresse... Deunan exiting her Landmate exoskeleton in the original Appleseed manga series. Découvrez All You Need Is Kill, tome 1, de Takeshi Obata,Hiroshi. Appleseed, 1, Appleseed I, 06/1994, 2-87695-228-9. Appleseed, 5, Appleseed V, 07/1996, 2- 7234-2162-7. Bande à Tchô ! (La), 1, Tome 1, 03/2001. Bande à. 16 juil. 2005 . Couverture de l'album APPLESEED Tome #1 Apple Seed, vol1 Extrait de . Apple Seed est le premier chef d'oeuvre de Masamune SHIROW. 22 avr. 2007 . Okko - Le Cycle de L'eau Tome 1 de HUB, une bande dessiné dans l'univers médiéval du Japon avec des samouraïs et une . Appleseed. 10 juil. 1996 . Autre livre dans la même série. Apple seed., APPLESEED - TOME 1, 1. Masamune Shirō. Glénat. 13,25. Présentation. Maître Shirow lève enfin. [BD] - Appleseed/Appleseed tome 4.cbz, 39.55MB. [BD] - Appleseed/Appleseed tome 3.cbz, 37.20MB. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Bleach, the Final Frontier
BLEACH, THE FINAL FRONTIER By dj Date Masamune Also, friendly reminder from Kenpachi-sama… Need to Knows • Panel will be available online + my resources on my blog • Will upload .pdf of PowerPoint that will be available post-con • Contact info. • Take a business card before you leave • If you have any questions left, feel free to ask me after the panel or e-mail me • ‘Discussion panel’ is nothing w/o the discussion part ~^.^~ How It’s Going to Be… • For every arc, I’ll do a super quick, super basic summation (accompanied by a crapload of pics), then everyone else can add in their own things, move the crap on rapidly, rinse & repeat • i.e., everyone gets a chance to talk • So, none of that “anime expert”/“I know more than the panelist” b.s. • Important mindset to have: Bleach is a recently ended train wreck you can never look away from Tite Kubo Audience SO LET’S GET STARTED~! & may kami-sama help us all ~.~; AGENT OF THE SHINIGAMI, SNEAK ENTRY, & THE RESCUE ARC Episodes 1-63 Manga: 1-182 Ishida Uryuu Chad Yasutora Ichigo Kurosaki Orihime Inoue Chizuru Honsho Mizuiro Kojima Asano Keigo Tatsuki Arisawa Mizuho Asano Yuzu & Karin Don Kanonji Kon Genryusai Yamamoto Soi Fon Gin Ichimaru Retsu Unohana Sousuke Aizen Zanpakuto: (Sui-Feng) Zanpakuto: Zanpakuto: Zanpakuto: Ryujin Jakka Zanpakuto: Shinsou Minazuki Kyoka Suigetsu Suzemabachi Zanpakuto: Bankai: Bankai: Bankai: Zanka no Tachi Kamishini no Yari *Suzumushi Jakuho Raikoben Bankai: Zanpakuto: Zanpakuto: Suzumushi Senbonzakura Tenken Tsuishiki: Enma Bankai: Bankai: Zanpakuto: Korogi Senbonzakura -
US EPA, Pesticide Product Label, CPPC ULTRA BLEACH 2, 08/29
UNITED STATES ENVIRONMENTAL PROTECTION AGENCY WASHINGTON, DC 20460 OFFICE OF CHEMICAL SAFETY AND POLLUTION PREVENTION J Evelyn Lawson Clorox Professional Products Company c/o PS&RC PO Box 493 Pleasanton, CA 94566-0803 Subj ect CPPC Ultra Bleach 2 EPA Registration Number 67619-8 Letter Date August?, 2012 EPA Receipt Date August 8,2012 Dear Ms Lawson This acknowledges receipt of the following notification, submitted in accordance with the provisions of PR Notice 98-10 under the Federal Insecticide, Fungicide, and Rodenticide Act (FIFRA) section 3(c)9 Proposed amendments • Added infant safety pictogram, two new graphics for subregistration use (washing machine), and ingredient disclosure website • Updated EPA Establishment Nos " Corrected a typo at bottom of page 23 General Comments Based on a review of the material submitted, the notification as referenced above is acceptable A copy of the label has been added to the product's file Should you have any questions or comments concerning this letter, please contact Eliza Blair via email at blair ehza(q),epa gov or by telephone at (703) 308-7279 Sincerely, >msha 'n >duct Manager (32) Regulatory Management Branch II Antimicrobials Division (751 OP) Pfetse read instruction* on nvene baton ing form Form Approvr OMB No 2070-006O. Approval expire 2 28 95 United States Registration OPP Identifier Number Environmental Protection Agency Amendment xvEPA EL0459 Washington DC 20460 Other Application for Pesticide - Section I 1 Company/Product dumber 2 EPA Product Manager 3 Proposed Classification 676198 -
Download the Program (PDF)
ヴ ィ ボー ・ ア ニ メー シ カ ョ ワ ン イ フ イ ェ と ス エ ピ テ ッ ィ Viborg クー バ AnimAtion FestivAl ル Kawaii & epikku 25.09.2017 - 01.10.2017 summAry 目次 5 welcome to VAF 2017 6 DenmArk meets JApAn! 34 progrAmme 8 eVents Films For chilDren 40 kAwAii & epikku 8 AnD families Viborg mAngA AnD Anime museum 40 JApAnese Films 12 open workshop: origAmi 42 internAtionAl Films lecture by hAns DybkJær About 12 important ticket information origAmi 43 speciAl progrAmmes Fotorama: 13 origAmi - creAte your own VAF Dog! 44 short Films • It is only possible to order tickets for the VAF screenings via the website 15 eVents At Viborg librAry www.fotorama.dk. 46 • In order to pick up a ticket at the Fotorama ticket booth, a prior reservation Films For ADults must be made. 16 VimApp - light up Viborg! • It is only possible to pick up a reserved ticket on the actual day the movie is 46 JApAnese Films screened. 18 solAr Walk • A reserved ticket must be picked up 20 minutes before the movie starts at 50 speciAl progrAmmes the latest. If not picked up 20 minutes before the start of the movie, your 20 immersion gAme expo ticket order will be annulled. Therefore, we recommended that you arrive at 51 JApAnese short Films the movie theater in good time. 22 expAnDeD AnimAtion • There is a reservation fee of 5 kr. per order. 52 JApAnese short Film progrAmmes • If you do not wish to pay a reservation fee, report to the ticket booth 1 24 mAngA Artist bAttle hour before your desired movie starts and receive tickets (IF there are any 56 internAtionAl Films text authors available.) VAF sum up: exhibitions in Jane Lyngbye Hvid Jensen • If you wish to see a movie that is fully booked, please contact the Fotorama 25 57 Katrine P. -
Sanitizer and Disinfectant
How to Properly Make and Use Sanitizers & Disinfectants SANITIZING FOOD CONTACT SURFACES A solution of bleach and water should be used to sanitize all food preparation and contact surfaces. 1 tablespoon of bleach per 1 gallon of water will give you a 50-200 ppm sanitizing solution. This can be used to sanitize dishes, utensils, food preparation counters and tables. * Make sure that you use only UNSCENTED bleach for food contact surfaces and that you are using chemical test strips to check the sanitizer concentration. All spray bottles must be clearly labeled with contents.* DISINFECTING CHANGING TABLES, BATHROOMS, TOYS All changing tables/diapering areas, bathrooms and toys must be disinfected after each use. The following solution of bleach and water should be used on these surfaces: 1 tablespoon of bleach per 1 quart of water OR ¼ cup of bleach per 1 gallon of water This will give you a 500-800 ppm disinfecting solution. Remake solution daily. Soaking method for toys: Wash and rinse toys to remove any visible dirt. Soak toys in a solution of ¾ cup of bleach per gallon of water for 5 minutes. Rinse toys and allow to fully air dry. IN CASE OF ACCIDENTS AND ILLNESS For all surfaces impacted by ill children (vomiting, diarrhea), a stronger solution of bleach and water is required. 1/3 cup bleach per 1 gallon of water OR 2 tablespoons bleach per 1 quart water. This will give you a 1000+ ppm disinfecting solution. After cleaning the area with detergent, spray or wipe with surfaces with the disinfectant. Make sure to allow surfaces to fully air dry. -
Japanese Manga and Its Buds Lynne, Miyaki Final Project Bleach
Priest 1 Alexander Priest May 2013 Jpnt 179 Graphically Speaking: Japanese Manga and Its Buds Lynne, Miyaki Final Project Bleach ‘Live Action’ Screenplay This is a satirical screenplay of the manga series created by Tite Kubo. Priest 2 Introduction: There haven’t been many American ‘live action’ movie adaptations of manga. There was a brief period, where movies Speed Racer (2008), Astro Boy (2009), and Dragonball Evolution (2009) debuted and theatres, but they would receive negative or mixed reception. To commemorate these movies, I have drafted an intentionally horrible screenplay for my imaginary movie, Bleach: Soul Reaper ™. Unfortunately, I was not able to create that would actually span an entire movie. A myriad of difficulties and challenges embodies the difficulties that come with creating these adaptations in the first place. Firstly, I have had a lack of experience in screenplay writing. My second struggle came with adapting the much-loved Bleach and trying to corrupt it for the sake of satire. Maintaining a coherent storyline is difficult when you are also trying tamper with existing plots and storylines. Adaptations will always contradict the source material, it is inevitable, but much effort goes in deciding what should and shouldn’t be changed. Successfully fulfilling the notion of a “terrible adaptation” proves more challenging than initially expected. Thirdly, I didn’t know how to keep the screenplay informative without inserting footnotes to provide context and justification. The purpose of this project is to reveal common mistakes and disastrous trends within American interpretations of Japanese source materials, so I created a portion of a live-action screenplay that embodies this. -
Collaborative Creativity, Dark Energy, and Anime's Global Success
Collaborative Creativity, Dark Energy, and Anime’s Global Success ◆特集*招待論文◆ Collaborative Creativity, Dark Energy, and Anime’s Global Success 協調的創造性、ダーク・エナジー、アニメの グローバルな成功 Ian Condry Associate Professor, Comparative Media Studies, Massachusetts Institute of Technology コンドリー・イアン マサチューセッツ工科大学比較メディア研究准教授 In this essay, I give an overview of some of the main ideas of my new book The Soul of Anime: Collaborative Creativity and Japan’s Media Success Story. Drawing on ethnographic research, including fieldwork at Madhouse, as well as a historical consideration of the original Gundam series, I discuss how anime can be best understood in terms of platforms for collaborative creativity. I argue that the global success of Japanese animation has grown out of a collective social energy that operates across industries—including those that produce film, television, manga (comic books), and toys and other licensed merchandise—and connects fans to the creators of anime. For me, this collective social energy is the soul of anime. 本論文において、拙著『アニメのダーク・エナジー:協調的創造性と日本のメディアの成功例』 における中心的なアイデアの紹介を行う。アニメを制作する企業マッドハウスにおけるフィール ドワークを含む、人類学的な研究を行うとともに、オリジナルの『ガンダム』シリーズに関する 歴史的な考察をふまえて、協調的創造性のプラットフォームとしてアニメを位置付けることがで きるかどうか検討する。日本アニメのグローバルな成功は、映画、テレビ、漫画、玩具、そして その他のライセンス事業を含めて、アニメファンと創作者をつなぐ集団的なソーシャル・エナジー に基づいていると主張する。このような集団的なソーシャル・エナジーがアニメの精神であると 著者は考えている。 Keywords: Media, Popular Culture, Globalization, Japan, Ethnography Acknowledgements: Thank you to Motohiro Tsuchiya for including me in this project. I think “Platform Lab” is an excellent rubric because I believe media should be viewed as a platform of participation rather than content for consumption. I view scholarship the same way. My anime research was supported by the Japan Foundation, the US National Science Foundation, and the Japan Society for the Promotion of Science. I have also received generous funding from, MIT, Harvard, Yale, and the Fulbright program. -
S19-Seven-Seas.Pdf
19S Macm Seven Seas Nurse Hitomi's Monster Infirmary Vol. 9 by Shake-O The monster nurse will see you now! Welcome to the nurse's office! School Nurse Hitomi is more than happy to help you with any health concerns you might have. Whether you're dealing with growing pains or shrinking spurts, body parts that won't stay attached, or a pesky invisibility problem, Nurse Hitomi can provide a fresh look at the problem with her giant, all-seeing eye. So come on in! The nurse is ready to see you! Author Bio Shake-O is a Japanese artist best known as the creator of Nurse Hitomi's Monster Infirmary Seven Seas On Sale: Jun 18/19 5 x 7.12 • 180 pages 9781642750980 • $15.99 • pb Comics & Graphic Novels / Manga / Fantasy • Ages 16 years and up Series: Nurse Hitomi's Monster Infirmary Notes Promotion • Page 1/ 19S Macm Seven Seas Servamp Vol. 12 by Strike Tanaka T he unique vampire action-drama continues! When a stray black cat named Kuro crosses Mahiru Shirota's path, the high school freshman's life will never be the same again. Kuro is, in fact, no ordinary feline, but a servamp: a servant vampire. While Mahiru's personal philosophy is one of nonintervention, he soon becomes embroiled in an ancient, altogether surreal conflict between vampires and humans. Author Bio Strike Tanaka is best known as the creator of Servamp and has contributed to the Kagerou Daze comic anthology. Seven Seas On Sale: May 28/19 5 x 7.12 • 180 pages 9781626927278 • $15.99 • pb Comics & Graphic Novels / Manga / Fantasy • Ages 13 years and up Series: Servamp Notes Promotion • Page 2/ 19S Macm Seven Seas Satan's Secretary Vol.