DOCSLIB.ORG

Head! #9 Porpoise Song Contents It’S the Sunday Before Corflu

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Head! #9 Porpoise Song Contents It’S the Sunday Before Corflu Head! #9 Porpoise Song Contents It’s the sunday before Corflu. Outside the sun is shining, boats sail carefree and indolent on Novas, Nazis and Natural Selection 3 the blue waters of the harbour. Even the seagulls Christina Lake are out having fun, gliding across the sky, in- stead of bickering with each other on the rooftops Waking the Kraken 7 of the student flats opposite. Only I’m left in- Doug Bell side, trying to finish off the fanzine (and Doug too, of course, but he’s got his PS3 to play, so How to make a Science Fiction Movie 11 doesn’t mind about the boats and the gulls.) Pete Crump Yes, it’s a proud and foolishly time-consuming thing to be a faned! Bof! The Secret History of France 16 according to the Metro Sometimes I feel a bit cut off from fandom Christina Lake down here in Cornwall. In spite of the Internet, there’s nothing to beat face to face conversa- LOCS 19 tions with fellow fans to spark off ideas and pre- You lot! vent the day-to-day reality of work and other responsibilities from taking over. It’s that con- Art versation which is essential for the making of Covers - the One, the Only, Brad Foster! fanzines. Without it, the best intentions in the Headings on page 3 and 7 by ace fanboy, TAFF world will wilt and die (a bit like my Farmville plants, winner and all-round great guy Steve Green. once I got bored after Christmas!) and our plan We are please to welcome back, albeit from to produce two issues a year of Head! (and the far side of the world now John Toon, whose maybe a couple of perzines on the side) comes artwork brightens up pages 5, 20 and 25. to be revealed as delusional as my plans to lose Artwork on pages 15, 19 , 21 and 22 by the weight without cutting down on drinking beer! legendary William Rostler (as last ish kindly And perhaps that’s why we always seem to be donated by Sandra Bond). Anyone sitting on writing about conventions. Well, they are our a stack of un-used Rostlers let us know and only real contact with other fans, so they’re we’ll take them off your hands! bound to make a big impression. I’m not sure The Jeff Hawke strip on Pg 8 is of course by how we’re going to cope with two conventions Sydney Jordan. only a fortnight apart; it will either blow our poor Photos on pages 12-14 by kind permission of parochial minds, or turn us into publishing Pete Crump from his film “Harvest”. supergiants! Allt the other stuff is the fault of the Headitors. Luckily we continue to be on the mailing list for a Head! #9 was thrown together for Corflu Co- number of brilliant and inspiring fanzines. Is it balt and Odyssey 2010 by Christina Lake and just me, or is the quality of fanzines going up, Doug Bell somewhere between Olympic Ice- despite the much discussed decline in numbers? Hockey and the end of March. As every fan of Maybe this is something to investigate for a fu- 60’s psych-popsters The Zombies knows, this ture issue? year’s Eastercon committee can’t spell the name of their con correctly - it should be Odessey. Well, what have we got here to justify this little exercise in self-denial? All the usual fripperies from Drop us a line at: Doug and I. A few snippets on the last Novacon, a little bit of Wyndham, and a quirky soupcon of [email protected] hot air from the Paris metro. Then we have [email protected] Pete Crump, narrating the dramatic saga of his venture into science fiction film-making. Steve Or with locs, letters, love and liquor to: Green has come through with some great page headings, despite the lamentably short notice 35 Gyllyng Street we gave him and Brad Foster has yet again Falmouth amazed and gratified us with another fabulous Cornwall cover! TR11 3EL, UK. - Christina 2 Porpoise Song Conventions March 2010 Last year Novacon finally moved to a new venue in Nottingham which was a widely welcomed and positive move, but seemed to add a signficant amount of time to the drive from Cornwall. Train fares to Nottingham are astronomical, and it was not till after we’d done the drive that I realised that maybe we ‘d reached the tipping point in the viability of the two day Novacon... It was Friday night at Novacon and I was trying Nevertheless, I was pleased to be there at to explain to my friend Juli why I’d driven all the Novacon. Doug and I had arrived a couple way from Cornwall to Nottingham in some frankly of hours earlier, and we’d quickly hooked up quite dodgy weather to attend this particular with Pete Crump, smug from his bargain convention. First Class journey from London, Lennart Uhlin, Doug’s Swedish best buddy, and “What’s the big attraction?” asked Juli, trying to Clarrie and Tim, the fannish heart of the be diplomatic. From her tone, I guessed what Bristol SF Group. The new hotel seemed she really meant to say was, “What on earth to promise all kinds of possibilities of possessed you!” reconfiguration of the Novacon experience, even if the bar staff didn’t seem too I’ve known Juli since we were at university comfortable with handling the real ale (the together. I’ve even taken her to a con before. Baa Baa Black Sheep, which like Mary’s lamb How hard could it be to explain? “Uhm, Justina had followed us from Walsall) or meeting Robson, she’s the guest of honour. I’ve read the unexpectedly high demand for drinks one of her books.” Okay, I didn’t like it as much from their new guests. as I’d hoped I might, but that’s not the point. I did want to give Justina another chance. “And The bottom line was I felt at home and then there’s a woman talking about Darwin. And happy to be back at Novacon. But how to a book room...” communicate that to Juli? I’ve driven all the way to Nottingham to stand in a beer queue, I could feel myself running out of steam. We talk to a Swede and see some friends who were sitting in the hotel restaurant, and Juli could we could see any time in Bristol? see for herself that this wasn’t a glamorous occasion. And although my friends had been Doug later supplied the word I was lacking. there when she arrived, no-one since had shown Community. It’s not about seeing friends, any evidence that they knew me, let alone that but about reconnecting with the community. they might constitute a reason for driving six hours to be there. Maybe fandom was easier to explain in the 80s. Perhaps I should ask Juli what she Usually I think of Novacon as a well earned thought of the convention she attended: break, after the toughest months of my working the post-Worldcon relaxacon in Leicester calendar. But this year, I’d been to Paris with where we re-enacted the Worldcon with the Doug in October, and taken several days off help of soft toys (interpretive dance not the week before to help out my mother, as having been invented as a fannish she’d broken her hip. In fact, the real break I communication medium at that point!) I needed was a quiet weekend at home. think I had fanzines as my justification back Conventions 3 Head! #9 Conventions then. I was a fanzine writer and I believed to clean certain parts of her anatomy. I could that fanzines were important. But I could hardly see there were some fans round the table say that at Novacon, where fanzines were quite happy to put up with the fixed showerhead invisible, and the death of the Novas was high in exchange for the image of Kate’s on the agenda. handstands, but even they had to agree that the lack of a bath might be a handicap to After Juli had gone home, I rejoined the gang stocking beer for a room party. Dave Hicks just in time to hear Steve Green suggest that reminisced about how his partner Cat had what we needed was a NaNoWriMo for fanzines. imagined the beer being poured straight into We could hold it in September so the fanzines the bath when she first heard about the could be published in time to be eligible for the legendary American bath tubs full of beer. Now Novas. I was full of enthusiasm for the idea. it would all run away down the plug hole. Not How difficult could it be for fan editors all around that there seemed any danger of a room party the country to devote the month of September breaking out. An invitation to a private wine to pubbing their ish? After all, wasn’t that the tasting seemed far more likely. norm in Leeds back in the ‘80s? Anyway, it couldn’t be as hard as writing a novel in a month. Next morning I was still pondering how to explain There was only one barrier to the success of the attraction of Novacon, especially considering the concept. What to call it? Somehow, that the only item on the morning’s programme NaFaWriMo, didn’t have much of a ring to it.
Load more

Recommended publications
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Head! Doesn’T Appear Often These Days, As Both Our Lives Have Become Increasingly Busy
    Contents Porpoise Song LonCon III is just around the corner and we’re Come and Keep Your Comrade 3 spending the weekend in front of our laptops Warm:The Curious Story of trying to pull a semi-coherent issue together. “Back in the U.S.S.R.” Andy Hooper Head! doesn’t appear often these days, as both our lives have become increasingly busy. There Songs From The Top Of The 10 are jobs to hold down, PhD’s to study for, houses World and gardens to tend and somehow zines always Doug Bell get shunted down the list of priorities. Then there is con-running which seems to have infiltrated our Keeping It Weird 15 lives and is taking up what little fannish energy Christina Lake we have left after a day at work. I’m sure our star contributors Andy Hooper and Brad Foster must Talking Head 19 have wondered if their work would ever see the You Lot - edited by Christina light of day. Sorry guys! With a WorldCon almost on our doorstep, we felt it right to pub our ish. It provided a nice hard deadline. Which brings us Art Credits bang up to date. Once again we welcome the hugely talented Brad Foster back to the cover of I have forgotten the quiet pleasures of Head! with a splendid playful illustration. assembling a zine. You get the chance to re-read Steve Green provided the excellent loccol intelligent and well researched articles (Thank header. Spot illustrations this issue are you Mr Hooper) and place artwork where you from Brad (again, p.24) and Sue Mason think will be the most attractive.
    [Show full text]
  • The Chrysalids
    The Chrysalids Introduction to the Author John Wyndham was born in England, on July 10, 1903. When he was growing up, he went to a series of boarding schools because his parents were separated. He then attended an advanced co- educational school until he reached the age of eighteen. After he left school, Wyndham studied farming for a while, then "crammed" to write the examinations for Oxford University. Finally, in 1929, Wyndham picked up a copy of an American magazine called Amazing Stories, and became very interested in science fiction. Not long after that a series of stories under the name of John Beynon began to appear in Amazing Stories, and in another publication called Wonder Stories. He wrote English science fiction stories under the names "John Beynon Harris," "John Beynon," and "Lucas Parkes," as well as John Wyndham. By 1937, he was being called the best living British science fiction writer. Wyndham's work in science fiction is interesting in its emphasis. He does not generally concentrate on amusing the reader with strange inventions of technology from a bewildering future. The settings he employs for the future are logical, identifiable extensions of the world of today. His consuming interest lies in speculation about human nature and human behaviour. This would account for his attention to customs and moral codes displayed in the different societies in his books. Thus, time and again he points out the hypocrisy, bigotry and ignorance which are so often a part of our social life, and he stresses that changing conditions demand new ways, new customs and new codes of conduct.
    [Show full text]
  • In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
    BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire
    [Show full text]
  • The Monkees Hit Factory Mp3, Flac, Wma
    The Monkees Hit Factory mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Hit Factory Country: US Released: 1985 MP3 version RAR size: 1482 mb FLAC version RAR size: 1144 mb WMA version RAR size: 1738 mb Rating: 4.8 Votes: 540 Other Formats: MP2 MP1 VQF MOD WAV DMF FLAC Tracklist Hide Credits Monkees Theme A1 2:17 Written-By – Boyce & Hart Tomorrow's Gonna Be Another Day A2 2:33 Written-By – Steve Venet, Tommy Boyce I'll Be True To You (Yes I Will) A3 2:48 Written-By – Gerry Goffin, Russ Titelman Sweet Young Thing A4 1:55 Written-By – Goffin And King, Michael Nesmith When Love Comes Knockin' A5 1:45 Written-By – Carole Bayer Sager, Neil Sedaka Forget That Girl A6 2:21 Written-By – Douglas Farthing Hatlelid D.W. Washburn A7 2:47 Written-By – Leiber & Stoller Can You Dig It? A8 3:19 Written-By – Peter Tork Last Train To Clarksville B1 2:40 Written-By – Boyce & Hart Tapioca Tundra B2 3:03 Written-By – Michael Nesmith Through The Looking Glass B3 2:41 Written-By – Boyce & Hart, Red Baldwin Shorty Blackwell B4 5:42 Written-By – Micky Dolenz Porpoise Song B5 3:00 Written-By – Goffin And King I'll Be Back Up On My Feet B6 2:27 Written-By – Denny Randell, Sandy Linzer Little Girl B7 1:59 Written-By – Micky Dolenz Looking For The Good Times B8 2:15 Written-By – Boyce & Hart Companies, etc. Marketed By – Pair Records Distributed By – Pair Records Copyright (c) – Arista Records Notes 1985 Arista Records Double Play Equal to two albums Other versions Category Artist Title (Format) Label Category Country Year PDL2-1109 The Monkees Hit Factory (2xLP, Comp) Pair Records PDL2-1109 US 1985 Related Music albums to Hit Factory by The Monkees 1.
    [Show full text]
  • Satisfaction Rolling Stones 1965 3 American Pie Don Mclean 1972 4
    AS VOTED AT OLDIESBOARD.COM 10/30/17 THROUGH 12/4/17 CONGRATULATIONS TO “HEY JUDE”, THE #1 SELECTION FOR THE 19 TH TIME IN 20 YEARS! Ti tle Artist Year 1 Hey Jude Beatles 1968 2 (I Can’t Get No) Satisfaction Rolling Stones 1965 3 American Pie Don McLean 1972 4 Light My Fire Doors 1967 5 In The Still Of The Nite Five Satins 1956 6 I Want To Hold Your Hand Beatles 1964 7 MacArthur Park Richard Harris 1968 8 Rag Doll Four Seasons 1964 9 God Only Knows Beach Boys 1966 10 Ain't No Mount ain High Enough Diana Ross 1970 11 Bridge Over Troubled Water Simon and Garfunkel 1970 12 Because Dave Clark Five 1964 13 Good Vibrations Beach Boys 1966 14 Cherish Association 1966 15 She Loves You Beatles 1964 16 Hotel California Eagles 1977 17 St airway To Heaven Led Zeppelin 1971 18 Born To Run Bruce Springsteen 1975 19 My Girl Temptations 1965 20 Let It Be Beatles 1970 21 Be My Baby Ronettes 1963 22 Downtown Petula Clark 1965 23 Since I Don't Have You Skyliners 1959 24 To Sir With Love Lul u 1967 25 Brandy (You're A Fine Girl) Looking Glass 1972 26 Suspicious Minds Elvis Presley 1969 27 You've Lost That Lovin' Feelin' Righteous Brothers 1965 28 You Really Got Me Kinks 19 64 29 Wichita Lineman Glen Campbell 1968 30 The Rain The Park & Ot her Things Cowsills 1967 31 A Hard Day's Night Beatles 1964 32 A Day In The Life Beatles 1967 33 Rock Around The Clock Bill Haley & His Comets 1955 34 Imagine John Lennon 1971 35 I Only Have Eyes For You Flamingos 1959 36 Waterloo Sunset Kinks 1967 37 Bohemian Rhapsody Queen 76 -92 38 Sugar Sugar Archies 1969 39 What's
    [Show full text]
  • Scratch Pad 46
    SCRATCH PAD 46 THE JOHN WYNDHAM ISSUE Joe Szabo Scratch Pad 46 Based on the January 2002 issue of The Great Cosmic Donut life Life, for Acnestis by Bruce Gillespie, 59 Keele Street, Collingwood VIC 3066, Australia. Phone: 61-3-9419-4797. Email: [email protected] Cover graphic by Joe Szabo. 2 Contents JOHN WYNDHAM ISSUE: 6 JOHN WYNDHAM AS NOVELIST OF IDEAS by Owen 3 A TRIBUTE TO THE TRIFFID by Jane Sullivan Webster 4 2001 INTRODUCTION TO OWEN WEBSTER by Bruce Gillespie 21 LAST THINGS by Bruce Gillespie 5 1975 INTRODUCTION TO OWEN WEBSTER by 23 BOOKS READ SINCE SEPTEMBER 2001 by Bruce Bruce Gillespie Gillespie The John Wyndham Issue, Part 1 Age discovers Acnestid Wyndhamite A tribute to the triffid by Jane Sullivan TURNING PAGES, Melbourne Sunday Age, 25 November ised sequel’ published to celebrate the anniversary, which 2001: ‘Agenda’ section, p. 10: takes up the story 25 years after Wyndham left off. Simon Clark is a very popular British horror and science When I was 10, I read the most terrifying book in the world. fiction writer: as one reviewer says, in apparent approval, ‘the It was about a man who woke up in hospital one morning blood doesn’t flow through the text so much as pump with his eyes bandaged from an operation. Everything was arterially into the reader’s face’. Clark fans will no doubt be very quiet. Gradually he realised he was not the only person delighted, but his book didn’t do much for me. My memo- who couldn’t see.
    [Show full text]
  • Head! #8 Porpoise Song Contents Hello and Welcome to Head! 8!
    Head! #8 Porpoise Song Contents Hello and welcome to Head! 8! You: Cider: Ian Sorensen 2 This issue of Head! has been a long time in the mak- Doug Bell ing. First, as ever, came the cover from the wondrous Brad Foster, bringing colour into our black and white TV Towers and the Essence of Post-War 7 world at last. Then came my conrep on Year of the Humour Teledu, written mostly on the train journey home, back Christina Lake in the summer of 2007. By early 2008 we’d already fingered Randy Byers for an article, and his fascinat- Punking The Diva 10 ing reappraisal of the film Diva turned up well before Randy Byers Easter. By May, Doug had plotted and elaborated his Ballardesque account of Orbital. There should have Methuselah’s Children: The Science Fic- 12 been no stopping us! But here in Cornwall we’re a long tion Influences of Salman Rushdie or my way from any other fans, and the cut and thrust of life percieved as an allegory of the BSFA conversations about fandom that nurtures and inspires Christina Lake an interest in writing and publishing. And besides, sum- mer in our household is traditionally the season for Secret Sounds Vol. 1 14 camping, going for long walks and braving the waves. Doug Bell Not that last summer provided much opportunity for any of those activities, but we weren’t to know that The Year of the Teledu, how the new fans 17 and somehow kept failing to take advantage of the play rain and wind to get on with completing the fanzine.
    [Show full text]
  • Etherline 63
    . p u o e r G n o i t c i F e c n e i c S e n r u o b l e M r o F A P F A y b d . e o h N s i l b E u U P S S I Published by AMATEUR FANTASY PUBLICATIONS OF AUSTRALIA and edited by Ian J. Crozier, production by Mervyn R. Binns. All material for publi­ cation to be forwarded to 6 Bramerton Road, Caulfield, S.E.8, Victoria, Australia. All Subscriptions to AFPA, 90 Lilydale Grove, Hawthorn East, Victoria. ETHERLUffi ETHERLINE AUTHOR STORY LISTING 3 Girdles enquiries to : the OPERATION FANTAST, Globe 22 Broad St., Syston, Leics., ENGLAND. THE LARGEST FAN ORGANIZATION IN THE WORLD ~Th e Largest AND WIDEST STOCKS OF NEW AND BACK ISSUES This author originally came to prominence for his writings under the pseudonym ‘John Beynon’ in the '30's, which OF ORIGINAL AND REPRINT included appearances in WONDER STORIES and the publishing of two BRITISH books. Post war he adopted the pseudonym ’John Wyndham* and SoEa/c£ PKTiOA/ this is now used on all works and by which he is conceded to be one of the best British science fiction writers. Part of • his success has been shown in that the BBC broadcast' his THE KRAKEN BOOKS AND MAGAZINES TO BE WAKES in 1954. FOUND IN AUSTRALIA !! I! BOOKS THE ONLY STOCKS IN AUSTRALASIA OF KALIAN PRESS ISSUES Bl THE CHRYSALIDS (Michael Joseph: London 1955 239 10/6) Writ­ ten under pseudonym ’John Wyndham’ ; US ed - the first THE BL1C CENTAUR BOOK CO., Box 4940, G.P.O., Sydney, Neil,SButH.Wale to appear - is P3.
    [Show full text]
  • March2008:Layout 1.Qxd
    MATT’S GRAMMY MOMENTS ELLIS FREEBIE: FREAKANGELS by Matt Springer – I understand Sir George Martin waved Ringo Starr in front of him when he went up to get his Grammy for the sound- track to that Weird French Circus Show, Love, but it still felt like Ringo had to upstage Martin…yet again. It seems like the Fabs are constantly downplaying the contribution of George Martin to their sound, their records, and their overall greatness, as if it somehow diminishes their absolute bril- liance that they had a producer. Martin’s gotta be nearing death; it’s time to be gracious and give him the accolades he’s earned. Let the old boy accept a damn Grammy on his own, with his son, and get a standing ovation, by himself, for his work. Jeez. – Jason Bateman introducing the odd “My Grammy Moment” contestants was just unbelievably funny. Of course a cello is “a violin with a thyroid problem.” OF COURSE. – Is it weird that I like the fact that Kanye West is kind of an asshole? He doesn’t seem really apologetic about it, either. I really don’t believe his ego trips are calculated strategy or a “character” he plays; I think he really is that big of a jerk, and by Chris Stewart I’m glad for it. Pop music today needs more unrepentant dick- rather than read) and The Kraken head geniuses. There is a fine line between homage Wakes, in which deep-sea loving extra- and rip-off. Done right, you provide a terrestrials cause the Earth’s oceans to fresh take on a classic idea, which, one – Amy Winehouse.
    [Show full text]
  • Colgems Records” Under COLGEMS at Top No ® Symbol Beside COLGEMS Years: Summer 1966 Through August, 1967 Numbers: 1001 to 1007
    COLGEMS SINGLES Part 1 Produced by Frank Daniels 1. Singles Label Styles 2. Clips from Billboard 3. Mono Singles listings (1001 to 1035) Label Styles Singles Label 66 Red/White Label “TM of Colgems Records” under COLGEMS at top No ® symbol beside COLGEMS Years: Summer 1966 through August, 1967 Numbers: 1001 to 1007 Label 66a Red/White Label “TM of Colgems Records” under COLGEMS at top With ® symbol beside COLGEMS Years: Late Spring, 1967, to January, 1968 Numbers: 107; 1008 to 1016 Label 68 Red/White Label Redundant “TM” statement has been removed at top With ® symbol beside COLGEMS “Manufactured and Distributed by RCA” has been added underneath the RCA logo at the bottom. Years: February, 1968 to February, 1969 (or 1970, west) Numbers: 1013 to 1035; also 5000 to 5014 (west coast) Label 69 Red/White Label Redundant “TM” statement has been removed at top With ® symbol beside COLGEMS There is no RCA logo at the bottom. Years: 1969 Numbers: 5000 to 5012 (east coast) Label 70 Red/White Label Colgems logo at left Years: 1970-1972 Numbers: reissues; 5014 Clips from Billboard Billboard, June 25, 1966 Billboard, March 25, 1967 Billboard, July 27, 1967 Mono Singles 66-1001 The Monkees “Last Train to Clarksville”/ “Take a Giant Step” Date: CB August 20, 1966 Label 66-01 has the group’s name in small print. Copies 66-01A have the P in Produced over the T in Tommy on side A. Copies 66-01B have the P in Produced over the o in Tommy. Label 66-02 has the group’s name in large print.
    [Show full text]
  • STAR Digio 100 チャンネル：４４９ ROCK/POPS ARTIST SPECIAL１ 放送日：２００１／６／２５～７／１ 「番組案内（３時間サイクル）」 開始時刻：4:00～7:00～10:00～13:00～16:00～19:00～ 22:00～1:00～
    STAR digio 100 チャンネル：４４９ ROCK/POPS ARTIST SPECIAL１ 放送日：２００１／６／２５～７／１ 「番組案内（３時間サイクル）」 開始時刻：4:00～7:00～10:00～13:00～16:00～19:00～ 22:00～1:00～ 楽曲タイトル 演奏者名 MONKEES 特集 (THEME FROM) THE MONKEES (モンキーズのテーマ) THE MONKEES I WANNA BE FREE （自由になりたい） THE MONKEES LAST TRAIN TO CLARKSVILLE THE MONKEES MARY, MARY THE MONKEES (I'M NOT YOUR)STEPPIN' STONE THE MONKEES I'M A BELIEVER THE MONKEES A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES THE GIRL I KNEW SOMEWHERE （どこかで知った娘） THE MONKEES RANDY SCOUSE GIT THE MONKEES WORDS（恋の合言葉） THE MONKEES PLEASANT VALLEY SUNDAY THE MONKEES GOIN' DOWN THE MONKEES AUNTIE'S MUNICIPAL COURT THE MONKEES TAPIOCA TUNDRA THE MONKEES DAYDREAM BELIEVER THE MONKEES VALLERI THE MONKEES D.W. WASHBURN THE MONKEES IT'S NICE TO BE WITH YOU （君と一緒に） THE MONKEES PORPOISE SONG (THEME FROM "HEAD") (Single Version) THE MONKEES LISTEN TO THE BAND (Single Version) （すてきなミュージック） THE MONKEES MAMAS & PAPAS 特集 CALIFORNIA DREAMIN'/夢のカリフォルニア THE MAMAS & THE PAPAS GO WHERE YOU WANNA GO/青空を探せ THE MAMAS & THE PAPAS MONDAY, MONDAY THE MAMAS & THE PAPAS WORDS OF LOVE/愛の言葉 THE MAMAS & THE PAPAS DANCING IN THE STREET/街で踊れば THE MAMAS & THE PAPAS I SAW HER AGAIN THE MAMAS & THE PAPAS DEDICATED TO THE ONE I LOVE/愛する君に THE MAMAS & THE PAPAS CREEQUE ALLEY THE MAMAS & THE PAPAS LOOK THROUGH MY WINDOW/窓辺に恋を THE MAMAS & THE PAPAS TWELVE THIRTY (YOUNG GIRLS ARE COMING TO THE CANYON)/ THE MAMAS & THE PAPAS 朝日を求めて GLAD TO BE UNHAPPY/悲しみを幸せに THE MAMAS & THE PAPAS DANCING BEAR THE MAMAS & THE PAPAS DREAM A LITTLE DREAM OF ME/私の小さな夢 THE MAMAS & THE PAPAS SAFE IN MY GARDEN/夢の花園
    [Show full text]