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Popular Television Programs & Series
Middletown (Documentaries continued) Television Programs Thrall Library Seasons & Series Cosmos Presents… Digital Nation 24 Earth: The Biography 30 Rock The Elegant Universe Alias Fahrenheit 9/11 All Creatures Great and Small Fast Food Nation All in the Family Popular Food, Inc. Ally McBeal Fractals - Hunting the Hidden The Andy Griffith Show Dimension Angel Frank Lloyd Wright Anne of Green Gables From Jesus to Christ Arrested Development and Galapagos Art:21 TV In Search of Myths and Heroes Astro Boy In the Shadow of the Moon The Avengers Documentary An Inconvenient Truth Ballykissangel The Incredible Journey of the Batman Butterflies Battlestar Galactica Programs Jazz Baywatch Jerusalem: Center of the World Becker Journey of Man Ben 10, Alien Force Journey to the Edge of the Universe The Beverly Hillbillies & Series The Last Waltz Beverly Hills 90210 Lewis and Clark Bewitched You can use this list to locate Life The Big Bang Theory and reserve videos owned Life Beyond Earth Big Love either by Thrall or other March of the Penguins Black Adder libraries in the Ramapo Mark Twain The Bob Newhart Show Catskill Library System. The Masks of God Boston Legal The National Parks: America's The Brady Bunch Please note: Not all films can Best Idea Breaking Bad be reserved. Nature's Most Amazing Events Brothers and Sisters New York Buffy the Vampire Slayer For help on locating or Oceans Burn Notice reserving videos, please Planet Earth CSI speak with one of our Religulous Caprica librarians at Reference. The Secret Castle Sicko Charmed Space Station Cheers Documentaries Step into Liquid Chuck Stephen Hawking's Universe The Closer Alexander Hamilton The Story of India Columbo Ansel Adams Story of Painting The Cosby Show Apollo 13 Super Size Me Cougar Town Art 21 Susan B. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
17 Essential Social Skills Every Child Needs to Make & Retain Friends
Thriving Series by MICHAEL GROSE 17 essential social skills every child needs to make & retain friends www.parentingideas.com.au 17 essential social skills every child needs to make and retain friends Contents Skill 1: Ability to share possessions and space 4 Skill 2: Keeping confidences and secrets 4 Skill 3: Offering to help 5 Skill 4: Accepting other’s mistakes 5 Skill 5: Being positive and enthusiastic 6 Skill 6: Holding a conversation 6 Skill 7: Winning and losing well 7 Skill 8: Listening to others 7 Skill 9: Ignoring someone who is annoying you 8 Skill 10: Giving and receiving compliments 8 Skill 11: Approaching and joining a group 9 Skill 12: Leading rather than bossing 9 Skill 13: Arguing well – seeing other’s opinions 10 Skill 14: Bringing others into the group 10 Skill 15: Saying No – resisting peer pressure 11 Skill 16: Dealing with fights and disagreements 11 Skill 17: Being a good host 12 Get a ready-to-go At Home parenting program now at www.parentingideas.com.au 2 17 essential social skills every child needs to make and retain friends First a few thoughts Popularity should not be confused with sociability. A number of studies in recent decades have shown that appearance, personality type and ability impact on a child’s popularity at school. Good-looking, easy-going, talented kids usually win peer popularity polls but that doesn’t necessarily guarantee they will have friends. Those children and young people who develop strong friendships have a definite set of skills that help make them easy to like, easy to relate to and easy to play with. -
Arrested Development What Parents Need to Know About Adolescent and Young Adult Substance Abuse
Arrested Development What parents need to know about adolescent and young adult substance abuse The teenage years and young adulthood are times of pushing boundaries, taking risks, and learning through experience. But when alcohol and other drugs are in the mix, risk taking can bring increasingly dangerous and potentially irreversible consequences, including psychological and emotional damage as well as a greater likelihood of developing addiction later in life. Five key considerations for parents are discussed below. 1. The adolescent and young adult brain is not fully mature. Development of the brain’s prefrontal cortex—the center for logical thought, judgment, and higher- order decision making—continues until people reach their early- to mid-20s. Use of alcohol and other psychoactive substances, including marijuana, other illicit drugs, and prescription painkillers, can alter or impair healthy brain development. 2. Teen substance use increases the likelihood of other risky behaviors. Teenagers and young adults tend to feel invincible and many are prone to impulsive behavior. Their focus is less on the consequences and long-term effects of their behavior and more on fitting in socially, testing norms, and experimenting. Alcohol and other drug use can impair the young person’s still-developing capacities for logical thinking and impulse control. 3. Substance use threatens a young person’s emotional development. Adolescents and young adults learn to delay gratifitcation through practice and experience. For example, a young person learns he must study to earn good grades or show up for work on time in order to receive a paycheck. Emotional health and a sense of well-being come as a result of making small efforts on a day-to-day basis that lead to long-term benefitt. -
Campus Spotlight
Vol. 9, No. 20 March 16,1992 i XFSHSSVS * "*' " I*" "" * "* '* **" **.'**•*!.*OCOI» O •*\ V* V i V . ' • " . v - V* • *. \ v • *-*• J? ••.*•" *• •* •••••• .* • v .v. * .* • • * J * v ,* •w.\J t » *» t' •WHS -*:•• *!*•:**:••• !TO5 -.SOT:; CAMPUS SPOTLIGHT — HRIM Advisory Board THE BUSINESS AND CHEMISTRY departments have developed an interdisciplinary "The best time to plant a tree was 50 years ago," or so major entitled "Business/Chemistry." The goal of the new program is to produce the saying goes, "the next best time is today." That graduates that have specialized training in the marketing aspects of several chemistry- saying best sums up the Hotel Restaurant and related areas: scientific equipment, pharmaceuticals, chemicals or chemical analysis Institutional Management Department's (HRIM) services. This major will attract students who are interested in science, but aren't philosophy behind its creation of an advisory board 15 interested in laboratory work. Karen Stahl '93 is currently specializing in this discipline. years ago. Like in the planting of a tree, the HRIM Students must complete the following requirements: accounting I & II, organizational Advisory Board has been central to the growth of the behavior, macroeconomics, microeconomics, financial management, principles of HRIM program. This group of volunteer industry marketing, personal selling, marketing research, microcomputer systems, business leaders makes suggestions on vital issues such as statistics, business law, calculus, general chemistry I & II, instrumental analysis, placement, curriculum, recruitment, program develop- advanced instrumental analysis, chemistry industry seminar and a business/chemistry ment and industry trends. The HRIM Department sees co-op. To learn more about this program, contact Dr. Jack Williams or Dr. Robert Cisek, the board's participation as critical to the program's directors of the chemistry and business departments, respectively. -
Page 1 1 ALL in the FAMILY ARCHIE Bunker Emmy AWARD
ALL IN THE FAMILY ARCHIE Bunker Based on the British sitcom Till MEATHEAD Emmy AWARD winner for all DEATH Us Do Part MIKE Stivic four lead actors DINGBAT NORMAN Lear (creator) BIGOT EDITH Bunker Archie Bunker’s PLACE (spinoff) Danielle BRISEBOIS FIVE consecutive years as QUEENS CARROLL O’Connor number-one TV series Rob REINER Archie’s and Edith’s CHAIRS GLORIA (spinoff) SALLY Struthers displayed in Smithsonian GOOD Times (spinoff) Jean STAPLETON Institution 704 HAUSER (spinoff) STEPHANIE Mills CHECKING In (spinoff) The JEFFERSONS (spinoff) “STIFLE yourself.” “Those Were the DAYS” MALAPROPS Gloria STIVIC (theme) MAUDE (spinoff) WORKING class T S Q L D A H R S Y C V K J F C D T E L A W I C H S G B R I N H A A U O O A E Q N P I E V E T A S P B R C R I O W G N E H D E I E L K R K D S S O I W R R U S R I E R A P R T T E S Z P I A N S O T I C E E A R E J R R G M W U C O G F P B V C B D A E H T A E M N F H G G A M A L A P R O P S E E A N L L A R C H I E M U L N J N I O P N A M R O N Z F L D E I D R E D O O G S T I V I C A E N I K H T I D E T S A L L Y Y U A I O M Y G S T X X Z E D R S Q M 1 84052-2 TV Trivia Word Search Puzzles.indd 1 10/31/19 12:10 PM THE BIG BANG THEORY The show has a science Sheldon COOPER Mayim Bialik has a Ph.D. -
The Montana Alumnus, July 1927
She iflontmta Alumnus MAIN LIBRARY ENTRANCE Published by the ALUMNI ASSOCIATION OF THE STATE UNIVERSITY OF MONTANA Missoula Montana VOL. 6 JULY, 1927 NO. 1 . ♦ ♦ ®J) t ;.. jWontana Alumnus! VQL- 6 NO. 1 Entered as second-class matter November 1, 1922, at the postoffice at Missoula, Montana, under the Act of March 3, 1879. WINIFRED FEIGHNER ........................................................ ...Editor GERTRUDE BUCKHOUS ....................................................... Associate Editor CARL McFARLAND.............................................................. Managing Editor J. B. SPEER..... ......................................... Business Manager The Montana Alumnus is published in October, December, March and June by the Alumni Association of the State University of Montana. Subscription: 75c a year; subscription and annual dues of Alumni Association combined, $1.50 a year. Table of Contents, July, 1927 Page Prom Small Beginnings........................................ 4 Largest Homecoming Planned................................. 5 Summer School ................................................ 7 Thirtieth Annual Commencement ............................ 9 Alumni News ................................................... 10 Class Notes ...................................................... 11 THE ALUMNI ASSOCIATION of the STATE UNIVERSITY OF MONTANA Executive Committee, 1926-27 WILLIAM J. JAMESON, JR., ’19..............................................President JOHN PATTERSON. 20........................... Vice President E. -
NYTVF Overall PR 092215 11
PRESS NOTE: Media interested in covering any 2015 New York Television Festival events can apply for credentials by completing this form at NYTVF.com. 11TH ANNUAL NEW YORK TELEVISION FESTIVAL TO FEATURE WGN AMERICA'S MANHATTAN AND A SPECIAL EVENT HOSTED BY NBC DIGITAL ENTERPRISES FEATURING DAN HARMON AS PART OF OPENING NIGHT DOUBLE-HEADER *** Official Artists to have exclusive access to an Industry Welcome Keynote from Joel Stillerman of AMC and SundanceTV and a series of events sponsored by Pivot, including a screening of Please Like Me and Q&A with Josh Thomas, and the NYTVF 2015 Opening Night Party, hosted with Time Warner Cable Free Festival line-up to include Creative Keynote Showrunner Panel; BAFTA, CNN, Pop (Schitt’s Creek) and truTV (Those Who Can’t)-hosted special events; screenings of 50 Official Selections from the Independent Pilot Competition; closing night awards reception and more [NEW YORK, NY, September 22, 2015] – The NYTVF today announced schedule highlights for its eleventh annual New York Television Festival, which begins Monday, October 19 with an opening night screening celebrating season two of WGN America's Manhattan, the critically acclaimed, Emmy Award-winning drama produced by Lionsgate Television, Skydance Television and Tribune Studios. Following a first-look at the episode set to premiere the next night, cast members John Benjamin Hickey, Rachel Brosnahan, Ashley Zukerman, Michael Chernus, Katja Herbers and Mamie Gummer, along with series creator, writer and executive producer Sam Shaw and director and executive producer Thomas Schlamme, have been confirmed to participate in a talk-back panel. Also on opening night will be a special event hosted by NBCUniversal Digital Enterprises, featuring a live performance by Dan Harmon and special guests. -
Narrative Complexity in Television
Jason Mittell 29 JASON MITTELL Narrative Complexity in Contemporary American Television longside the host of procedural crime tended Bordwell’s approach to television, suggesting that dramas, domestic sitcoms, and reality com- programs like Twin Peaks and The Singing Detective might petitions that populate the American televi- be usefully thought of as “art television,” importing norms A sion schedule, a new form of entertainment from art cinema onto the small screen.2 Although certainly television has emerged over the past two decades to both cinema influences many aspects of television, especially critical and popular acclaim. This model of television concerning visual style, I am reluctant to map a model of storytelling is distinct for its use of narrative complexity storytelling tied to self-contained feature films onto the as an alternative to the conventional episodic and serial ongoing long-form narrative structure of series televi- forms that have typified most American television since sion and thus believe we can more productively develop its inception. We can see such innovative narrative form a vocabulary for television narrative in terms of its own in popular hits of recent decades from Seinfeld to Lost, medium. Television’s narrative complexity is predicated West Wing to The X-Files, as well as in critically beloved on specific facets of storytelling that seem uniquely suited but ratings-challenged shows like Arrested Development, to the series structure that sets television apart from film Veronica Mars, Boomtown, and Firefly. HBO has built its and distinguish it from conventional modes of episodic reputation and subscriber base upon narratively com- and serial forms. -
Asian Americans Unsilenced
Asian Americans Unsilenced April 20, 2021 at 3:00pm Hawaii Speaker Biographies Manjusha “Manju” P. KULKARNI Executive Director, Asian Pacific Policy and Planning Council and Co-founder, Stop AAPI Hate, Los Angeles, CA, USA @KulkarniManju Manjusha “Manju” P. Kulkarni is executive director of the Asian Pacific Policy and Planning Council, a coalition of over forty community-based organizations that serves and represents the 1.5 million Asian Pacific Islanders in Los Angeles County. She is also co-founder of Stop AAPI Hate and serves as a lecturer in the Asian American Studies Department at UCLA. Ms. Kulkarni’s work has been featured in numerous publications, including the New York Times, PBS Newshour, and NBC, and she has been a regular contributor to Huffington Post. She began her career working at the Southern Poverty Law Center in her hometown of Montgomery, Alabama. Ms. Kulkarni received a Bachelor of Arts degree from Duke University and a Juris Doctor degree from Boston University School of Law. In April 2014, she received the White House Champions of Change award for her dedication to improving health care access for Asians American communities. Ted W. LIEU (D-CA, 33) U.S. Representative and Member, Congressional Asian Pacific American Caucus, Washington, DC, USA @tedlieu Ted W. Lieu was first elected in 2014 to represent California’s 33rd Congressional District in the United States House of Representatives. In 2016 and 2018, he was reelected and currently serves on the House Judiciary Committee and the House Foreign Affairs Committee. He was also elected by his democratic colleagues to serve as a co-chair of the Democratic Policy and Communications Committee. -
"Do I Look Like a Chick?": Men, Women, and Babies on Sitcom Maternity Stories1
"Do I Look Like a Chick?": Men, Women, and Babies on Sitcom Maternity Stories1 Judy Kutulas On Monday evening, January 19,1953, forty million Americans watched as the very pregnant Lucy Ricardo (7 Love Lucy, 1951-57) emerged from her bedroom to declare that it was time to go to the hospital.2 What followed was a slapstick salute to 1950s gender stereotypes. Lucy, radiant and serene, was left behind in the panic her announcement generated. Husband Ricky had rehearsed the moment, but choked when it actually arrived, spilling her suitcase, losing the phone, and putting her coat on the neighbor. When they reached the hospital, it was dazed Ricky who rode in the wheelchair. The audience modestly bade goodbye to Lucy at the elevator door, thereafter watching Ricky's response to fatherhood. He paced the fathers' waiting room, exchanged comments with the other fathers about the advantages of sons over daughters, and finally fainted at the sight of his son. Fast-forward about forty years to the blended family of Frank Lambert and Carol Foster {Step by Step, 1991-present): Frank and Carol got off to the hospital without a hitch and we didn't say goodbye to Carol at the elevator. Instead, we saw her in labor, cranky and demanding. Frank was there too, inadequate and embarrassed. Their children, meanwhile, paced the waiting room no longer reserved for fathers, girls in blissful smiles and boys looking uncom fortable. How long does it take to have a baby, one boy asked another. "How should I know," was the reply, "do I look like a chick?" Two TV birthing stories, forty years apart, reveal some curious changes and continuities. -
Seinfeld Nick Erber Cedarville University
Cedarville Review Volume 11 Article 17 2008 Seinfeld Nick Erber Cedarville University DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The uthora s are solely responsible for the content of their work. Please address questions to [email protected]. Recommended Citation Erber, Nick (2008) "Seinfeld," Cedarville Review: Vol. 11 , Article 17. Available at: https://digitalcommons.cedarville.edu/cedarvillereview/vol11/iss1/17 Seinfeld Browse the contents of this issue of Cedarville Review. Keywords Prose Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Follow this and additional works at: https://digitalcommons.cedarville.edu/cedarvillereview Part of the Creative Writing Commons This nonfiction is available in Cedarville Review: https://digitalcommons.cedarville.edu/cedarvillereview/vol11/iss1/17 NICK ERBER Seinfeld My younger brother likes to watch Seinfeld. Last summer, when I would come home from work, he'd be laying on one of our green couches or sitting in the giant brown velvet armchair that my Dad bought himself A plaid-dad George Costanza would be on our rigorously indulgent 42-inch Phillips plasma screen television yelling at Jerry, his glasses brightly flashing directly into the camera, catching my attention and certainly blinding the cameraman. My brother would sit there, transfixed and tired from his day of running up and down the football field, face unsmiling and eyes dimmed.