Government of India Geographical Indications
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2018 YJA Convention Dress Code
2018 YJA Convention Dress Code HIGH SCHOOL & COLLEGE JNF Laughing Yoga | Zumba | English Pratikraman Comfortable Casual Attire loose-fitting, comfortable clothing (t-shirts, sweatpants, etc.) Sessions | Keynotes Business Casual Attire knee-length dresses; slacks or knee-length skirts with blouses and/or sweaters, etc. khakis or dress pants with polos, button downs, etc. Daytime Events NO: tight clothing, shorts, denims, t-shirts, sleeveless tops (for gentlemen), spaghetti strap tops (for ladies), and gym shoes/attire Casual Attire non-ripped jeans, shorts, sweatpants, gym shorts, and t-shirts Rec Hour Thursday, July 5th: Opening Ceremony | Netflix & Skillz Please come dressed as you would for your age group’s post-talent show event as shown below! YJA Madness whadaYJAknow: Trivia Night Summer Casual Attire Summer Sports Attire knee-length dresses, non-ripped your favorite sports jersey! combine with jeans or non-gym shorts with polos, dresses with leggings, non-ripped jeans, appropriate t-shirts/tops button-downs, baseball caps, etc. Friday, July 6th: Garba in the Galaxy | Lassipalooza | All of the Lights Traditional Indian Raas/Garba Attire chanya cholis, salwar kameezes, sarees, or long dress, blouse and long skirt kurta pajama, sherwani, dhoti/kurta, or dress shirt and slacks Nighttime Events Saturday, July 7th: Windy Wonderland | Enchanted Garden American Formal Attire long formal/semi-formal or floor-length banquet dresses suits, dress shoes, ties/bowties, or dress shirts and pants, etc. PROHIBITED CLOTHING • All jeans (except as stated above) • Any provocative or disrespectful clothing • Any gang-affiliated attire and hats • All tube tops, spaghetti strap tops, halters, • No t-shirts and shorts (except as stated midriffs, low-cut tops, and short skirts above), no tight pants, no short shorts • Shorts must be finger-tip length • All ripped, torn, and overly-tight clothing • Skirts must be knee-length IMPORTANT If your clothing is unacceptable to a convention representative, you will be asked to change. -
Geographical Indication Tag
www.gradeup.co Geographical Indication Tag What is Geographical Indication Tag? A geographical indication (GI) is a sign used on products having a particular geographical origin and having qualities or a reputation due to that origin. You might have heard about copyright, patent, trademark, etc. which are rights of intellectual property. Geographical Indication Tag provides holders with similar rights and protection. Darjeeling tea was the first product to be given a GI tag in India. The Geographical Indications of Goods Act was enacted by India in 1999. Why GI tag? India enacted the Geographical Indications of Goods (Registration & Protection) Act 1999 as a member of the World Trade Organization (WTO), that entered into force with effect from 15 September 2003. It supports local production and helps in mainstreaming and upliftment of the rural and the tribal communities. These GI tags must not be confused with IPR. GI is a collective right, unlike IPRs which grants protection to individual interest. India has registered 236 GI products so far and more than 270 more have applied for the label GI recently got a logo and a tagline given by the Commerce and Industry Minister to increase the awareness about the IPRs in the country. LOGO 1 www.gradeup.co Here we give you an infographic of the most recent addition in the GI list over the past couple of years (2017-2019 Feb) Recently Awarded GI Tag Commodity/handicraft/food Name Place item Konkan (Western Indian states of Maharashtra, Alphonso Food Goa, and the South Indian state of Karnataka) -
Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
A Case Study of Batik in Java and Santiniketan
Universiteit Leiden Journey of Textile Designs: A Case Study of Batik in Java and Santiniketan Master Thesis, Asian Studies (60 EC) 2015-16 Name of student: Deboshree Banerjee Student Number: s1684337 Date: 1st September 2016 Supervisors: Prof. dr. N.K. Wickramasinghe-Samarasinghe Prof. dr. P.R. Kanungo Table of Contents Table of Contents ....................................................................................................................... ii List of Figures and Tables......................................................................................................... iv Abstract ...................................................................................................................................... v Chapter 1: Introduction .............................................................................................................. 1 1.1. Textiles: A Medium of Cultural Studies ......................................................................... 1 1.2. Diffusion Theory ............................................................................................................. 3 1.3. Literature Review: Javanese and Santiniketan Batik ...................................................... 4 1.3.1. Javanese Batik .......................................................................................................... 5 1.3.2 Santiniketan Batik ..................................................................................................... 7 1.4. Proposed Hypothesis ...................................................................................................... -
Visual Foxpro
RAJASTHAN ADVOCATES WELFARE FUND C/O THE BAR COUNCIL OF RAJASTHAN HIGH COURT BUILDINGS, JODHPUR Showing Complete List of Advocates Due Subscription of R.A.W.F. AT BHINDER IN UDAIPUR JUDGESHIP DATE 06/09/2021 Page 1 Srl.No.Enrol.No. Elc.No. Name as on the Roll Due Subs upto 2021-22+Advn.Subs for 2022-23 Life Time Subs with Int. upto Sep 2021 ...Oct 2021 upto Oct 2021 (A) (B) (C) (D) (E) (F) 1 R/2/2003 33835 Sh.Bhagwati Lal Choubisa N.A.* 2 R/223/2007 47749 Sh.Laxman Giri Goswami L.T.M. 3 R/393/2018 82462 Sh.Manoj Kumar Regar N.A.* 4 R/3668/2018 85737 Kum.Kalavati Choubisa N.A.* 5 R/2130/2020 93493 Sh.Lokesh Kumar Regar N.A.* 6 R/59/2021 94456 Sh.Kailash Chandra Khariwal L.T.M. 7 R/3723/2021 98120 Sh.Devi Singh Charan N.A.* Total RAWF Members = 2 Total Terminated = 0 Total Defaulter = 0 N.A.* => Not Applied for Membership, L.T.M. => Life Time Member, Termi => Terminated Member RAJASTHAN ADVOCATES WELFARE FUND C/O THE BAR COUNCIL OF RAJASTHAN HIGH COURT BUILDINGS, JODHPUR Showing Complete List of Advocates Due Subscription of R.A.W.F. AT GOGUNDA IN UDAIPUR JUDGESHIP DATE 06/09/2021 Page 1 Srl.No.Enrol.No. Elc.No. Name as on the Roll Due Subs upto 2021-22+Advn.Subs for 2022-23 Life Time Subs with Int. upto Sep 2021 ...Oct 2021 upto Oct 2021 (A) (B) (C) (D) (E) (F) 1 R/460/1975 6161 Sh.Purushottam Puri NIL + 1250 = 1250 1250 16250 2 R/337/1983 11657 Sh.Kanhiya Lal Soni 6250+2530+1250=10030 10125 25125 3 R/125/1994 18008 Sh.Yuvaraj Singh L.T.M. -
Handicrafts-And-Khadi-Industry
LOCATION OF INDUSTRIES-LoGENERAL STUDIES PAPER 1 HANDICRAFTS AND KHADI INDUSTRY The handloom, industry has been one of the oldest industries in India. Although the industry was ruined was ruined during the British colonial rule.it got tremendous boost after India attained independence, especially hen the Five-Year Plan started. The industry today provides employment to about 10 million people and contributes over 23 per cent of the total cloth production in the country . The handloom industry is widely distributed in the country, mostly concentrated in small towns and rural areas. Tamil Nadu, Odisha, Uttar Pradesh, Assam and Andhra Pradesh Account for over 50 per cent of the production capacity. Among other states Manipur, Maharashtra , West Bengal, Nagaland, Kerala, Rajasthan, Haryana, Jammu and Kashmir, Madhya Pradesh and Karnataka are important for handloom industry. Problems of Handloom and Khadi Industries The handloom and khadi industry faces a number of problems. These include the following: 1. The raw materials available for this industry are neither adequate nor of satisfactory quality. 2. The craftsmen employed in this industry belong to poor families and have no technical skills. 3. The technology used in these industries is old and obsolete. 4. The goods produced y these industries are no match to the modern fast changing fashions and designs. 5. These industries have to face competition from mill-made cloth. 6. These industries lack capital as few facilities exist for providing cheap credit. The Kutch embroidery of Gujarat or Zari-Zardozi and Chikankari of Uttar Pradesh, wooden toys of Karnataka or bamboo craft of Assam, puppets of Rajasthan or Sikki, Tikuli and Madhubani arts of Bihar are not only the traditional arts of the respective provinces but also form an important source of alternative income for the artisans. -
RAJASTHAN STATE LEGAL SERVICES AUTHORITY, JAIPUR MEDIATION TRAINING PROGRAMME up to 31-5-2012 S.No
RAJASTHAN STATE LEGAL SERVICES AUTHORITY, JAIPUR MEDIATION TRAINING PROGRAMME UP TO 31-5-2012 S.No. Divisional Head Date of holding the Concerned No. of No. Judicial officer Total No. of No. of No. of Name of trainers Remarks. Quarter Mediation training districts Advocates Trained Trained Referral mediators Judicial Judges. Advocates Offers as Mediator 01 Jaipur HQ 25 .4.2009 to -- 13Adv.+4 02 Dy. 18 02 --- Mr. Prasad Subbanna, 30.4.2009 Adv. Total Sec. RSLSA Advocate and 18 Mediator and co- ordinator, Bangalore. Mr. B.K. Mehta, Advcoate & mediator, Bangalore 02 Jodhpur HQ 31 Marth 2011 to 1st RHC Jodhpur 18 -- 18 -- 25 Mrs. Neena Krishna April,2011 and 9 to Bansal- Home Court 12 April, 2011 Delhi. Shri Arun Kumar Arya- Home Court – Delhi. 03 Jaipur Division 15.7.2011 to Jaipur Distt. 07 08 40+01 42 32 Mr. V.K. Bansal- Home 17.7.2011 Jaipur Metro 11+01 S.W. 14 123 Court,Delhi 22.7.2011 to Dausa 05 04 11 09310384709 24.7.2011 Sikar 04 04 13 Ms. Anju Bajaj 2nd round Jhunjhunu 06 04 12 Chandra- Home 06-01-2012 to 08-1- Alwar 07 08 55 Court,Delhi 2012 and 27-1-2012 09910384712 to 29-1-2012 2nd round 10-2-2012 to 12-2- Anju Bajaj chandana & 2012and 24 to 26-02- V.Khana , Shalinder 2012 JPR DISTT. kaur.(Jaipur Distt.) 11-5-2012 to 13-5- Ms. Neena Krishana 2012 and 25-5-2012 Bansal 09910384633 to 27-5-2012 Sh. Dharmesh Sharma 09910384689 04 Ajmer Division 05.08-2011 to Ajmer 10+01 S.W. -
Jaipur Jda Region with Administrative Zones
I H L E D O T JAIPUR JDA REGION WITH Bhuranpura @nestiwas Chak Manoharpur Lakher ADMINISTRATIVE ZONES Nakawala Kanwarpura Arniya Deo Ka Harmara TO S IK T A Roondal O R Sunder Ka Bas S Salarwas I Sirohi K Harchandpura @kankarwa A Lamya Mewal Peelwa R D O SundCaHrpAuNraDWAJI M Chandwaji A S O Beelpur T Jaisingh Nagar Chandawas Rajpurwas Chandwaji Chitanukalan Kushalpura Shyampura JUGALPURA Manpura Mancheri Jugalpura Puth Ka Bas @ Chawa Ka TO K ALAD ECO-FRIENDLY RES. SCHEME,CHOMU ERA Chak Jaisinghnagar Chomu Town Chomu (m) Morija(P.F.-266Hact) Kant Rampura @ Baniyawala Kalwad Kalan & Khurd Ghatwada Morija Kiratpura Syari Shri Govindpura Na Ladana JAITPURA AMBER GARDEN A Sar Sangawala GOLF COURSE/SCIENCE TECK CITY Biharipura MANGALAM VIHAR_INDUSTRIAL CITY Bilochi INSTITUTIONAL SCHEME JAITPURA Achrol ANANTPURA JDA GH Israwala Kalighati Anatpura Jaitpura ANANTPURA JDA GH Jaitpura Ind. Area ANANTPURA SCHEME Jaitpura Kheenchee TO R Jahota IATHA L Chimanpura Chak Degrawas Atalbiharipura Pokharawala @ Anandpur Mori 13 Ani Chak Pokharawala Bheempura Dheengpur Kanwarpura Chhaprari Deogudha Risani Chonp Barh Jahota Labana MukandpuraSWAPNLOK SCHEME Dabri Boodthal Akeda Chaud Bas Baori RampuraRAJARAMPURA SCHEME Degrawas Seengwana Bhoorawali Dwarkapura Bhatton Ki Gali Mohanbari ANAND LOK II VISTAR Anand Lok I Bagwada Gunawata ANANDLOK I Raja Rampura Khora Shyamdas Teekampura Badanpura Bhanpur Kalan Mothoo Ka Bas Chokhlawas @ Kacherawa Jairampura Tantyawas Maheshpura Rawan Chhanwar Ka BasChetawala Dhand EDEN GARDEN Chirara Rampura Rajawas Daulatpura SEWAPURA -
(In)Visible Entrepreneurs
(IN)VISIBLE ENTREPRENEURS Understanding the market landscape and enterprise readiness for women-led home-based businesses in Tamil Nadu and Rajasthan Image: Kamala Lakshminarayanan 2 | ABOUT THIS PUBLICATION This document is not a priced publication. Copyright @ 2020 Initiative for What Works to Advance Women and Girls in the Economy (IWWAGE), an initiative of LEAD at Krea University. Reproduction of this publication for educational or other non-commercial purpose is authorised, without prior written permission, provided the source is fully acknowledged. For further information, please write to communications@iwwage. org. This publication was possible with the generous support of the Bill & Melinda Gates Foundation. The findings and conclusions in this publication are those of the authors and do not necessarily represent the views of the Bill & Melinda Gates Foundation. ABOUT IWWAGE Initiative for What Works to Advance Women and Girls in the Economy (IWWAGE) aims to build on existing research and generate new evidence to inform and facilitate the agenda of women’s economic empowerment. IWWAGE is an initiative of LEAD, an action-oriented research centre of IFMR Society (a not for profit society registered under the Societies Act). IWWAGE is supported by the Bill & Melinda Gates Foundation. ABOUT LEAD LEAD (formerly IFMR LEAD), an action-oriented research centre of IFMR Society, leverages the power of research, innovation and co-creation to solve complex and pressing challenges in development. LEAD has strategic oversight and brand support from Krea University (sponsored by IFMR Society) to enable synergies between academia and the research centre. Since 2005, the centre has been at the forefront of development research and programming in India, and has managed a portfolio of over 200 projects in collaboration with over 300 academics, governments, NGOs and private sector organisations from across the globe. -
RAJASTHAN STATE ROAD TRANSPORT CORPORATION Vaishali Depot Departure Arrival S.No
RAJASTHAN STATE ROAD TRANSPORT CORPORATION Vaishali Depot Departure Arrival S.No. From To Via Distance Bus Type Time Time 1 SHAHPURA DEHLI KEKRI 429 1625 484 EXP 2 SHAPURA DELHI KOTPUTLI 429 1625 484 EXP 3 GOVERDHAN JAIPUR KEDHLI 430 959 214 EXP 4 BHILWARA JAIPUR KEKRI 459 1220 251 EXP 5 JAIPUR BASNWARA KEKRI 459 1659 495 EXP 6 GOVERDHAN JAIPUR KEDHLI 500 914 214 EXP 7 GANGAPUR PUSKHAR AJMER 514 1244 253 ORD 8 TODAMEENA BADI CHOPAR BHANPUR 515 630 33 ORD 9 GANGAPUR PUSHKAR PHAGI 520 1250 253 ORD 10 KEKRI JAIPUR MALPURA 520 0950 143 ORD 11 GOLA KA BASS BADI CHOPAR RAMGARH 529 729 43 ORD 12 KANDEL JAIPUR BANDE KA BALAJI 529 829 91 ORD 13 VANSHTALI JAIPUR KOTHUN 529 0814 82 ORD 14 BADISADARI JAIPUR KEKRI 529 1640 369 EXP 15 JAIPUR BOLI KOTHUN 529 0859 108 ORD 16 JAIPUR SHAPURA KEKRI 529 1059 198 EXP 17 JAIPUR SIKAR KALWAR 529 1029 150 ORD 18 MALPURA JAIPUR PHAGI 529 0759 97 EXP 19 NAKCHIGHATI GHATGATE NAYLA 529 714 41 ORD 20 SHAHPURA JAIPUR MALPURA 529 1110 198 EXP 21 TODA JAIPUR MALPURA 529 0920 132 ORD 22 JOBNER JAIPUR KALWAR 530 659 47 ORD 23 NEEMI BADI CHOPAR BHANPUR 530 645 34 ORD 24 PHADI JAIPUR KEDHLI 530 1059 215 EXP 25 DANGARWADA BADI CHOPAR RAMGARH 535 720 49 ORD 26 DIGGI JAIPUR PHAGI 544 0810 81 ORD 27 GUDASALT JAIPUR KALWAR 544 829 81 ORD 28 JAIPUR VANSHATLI KOTHUN 544 829 82 ORD 29 KEKRI BHILWARA KEKRI 544 0859 110 ORD 30 GUDAMAN JAIPUR KALWAR 545 714 44 ORD 31 BUTATI DHAM JAIPUR AJMER 559 1229 242 EXP 32 HANATIA LALNIWAS CHAKSU 559 829 74 ORD 33 MOJMABAD JAIPUR BAGRU 559 759 58 ORD 34 NIHALPURA JAIPUR KOTPUTLI 559 1059 171 -
Bareilly Dealers Of
Dealers of Bareilly Sl.No TIN NO. UPTTNO FIRM - NAME FIRM-ADDRESS 1 09107300009 BE0001281 RAJ CROCKERY CENTER HOSPITAL ROAD BAREILLY 2 09107300014 BE0008385 SUPER PROVISION STORE PANJABI MARKET, BAREILLY. 3 09107300028 BE0006987 BHATIA AGEMCIES 89 CIVIL LINES, BAREILLY. 4 09107300033 BE0010659 VIJAY KIRANA STORE SUBHAS NAGAR BY 5 09107300047 BE0001030 MUKUT MURARI LAL WOOD VIKRATA CHOUPLA ROAD BY 6 09107300052 BE0008979 GARG BROTHERS TOWN HALL BAREILLY. 7 09107300066 BE0001244 RAJ BOOK DEPOT SUBHAS MKT BY 8 09107300071 BE0000318 MONICA MEDICAL STORE 179, CIVIL LINES, BAREILLY. 9 09107300085 BE0001762 RAM KUMAR SUBASH CHAND AONLA ,BAREILLY. 10 09107300090 BE0009124 GARU NANA FILLING STN KARGANA BAREILLY. 11 09107300099 BE0005657 KHANDUJA ENTERPRISES GANJ AONLA,BAREILLY. 12 09107300108 BE0004857 ADARSH RTRADING CO. CHOPUPLA ROAD BY 13 09107300113 BE0007245 SWETI ENTERPRISES CHOUPLA ROAD BY 14 09107300127 BE0011496 GREEN MEDICAL STORE GHER ANNU KHAN AONLA BAREILLY 15 09107300132 BE0002007 RAMESHER DAYAL SURENDRA BHAV AONLA BAREILLY 16 09107300146 BE0062544 INDIAN FARMERS FERTILISERS CORP AONLA, BAREILLY. LTD 17 09107300151 BE0007079 BHARAT MECH STORE BALIA AONLA, BAREILLY. 18 09107300165 BE0011395 SUCHETA PRAKASHAN MANDIR BAZAR GANJ AONLA BAREILLY 19 09107300170 BE0003628 KICHEN CENTER & RAPAIRS JILA PARISAD BY 20 09107300179 BE0006421 BAREILLY GUN SERVICE 179/10 CIVIL LINES,BAREILLY 21 09107300184 BE0004554 AHUJA GAS & FAMILY APPLIANCES 179 CIVIL LINES, BAREILLY. 22 09107300198 BE0002360 IJAAT KHA CONTRACTOR SIROLY AONLA BAREILLY. 23 09107300207 BE0003604 KRISHAN AUTAUR CONTRACTOR BAMANPURI BAREILLY. 24 09107300212 BE0009945 PUSTAK MANDIR SUBASH MKT BY 25 09107300226 BE0005758 NITIN FANCY JEWELERS CANAAT PLACE MKT BY 26 09107300231 BE0005520 DEHLI AUTO CENTER CAROLAAN CHOUPLA ROAD BY 27 09107300245 BE0003248 KHANN A PLYWOOD EMPORIUM CIVIL LINES, BAREILLY. -
Batik V I S U a L M a G I C O N F a B R I C
EZCC Batik V I S U A L M A G I C O N F A B R I C Batik is an ancient form of a manual wax- dyes. India had abundant sources of cotton, resist dyeing process, which is practiced in as well as several plant and mineral sources Indonesia, Malaysia, Japan, China, Thailand, from which the dyes could be extracted. Philippines, Sri Lanka, Nigeria, Middle East, Traditional colours of batik have always India and some other countries. The exact been indigo, dark brown and white – origin of batik is not known, but it is widely colours that represent the gods of the practiced in Indonesia. In India, the resist Hindu trinity – Brahma, Vishnu and Shiva. method of printing designs on fabrics can The art probably declined over the years as be traced back 2000 years, to the 1st it was a tedious and labour intensive century AD. Religious tapestries of ancient process. India bear testimony of the fact that batik The word batik means ‘wax writing’, and printing has existed in our country for a involves three major processes – waxing, long time. Also, traditionally batik was done dyeing and de-waxing – and several sub- only on cotton and silk fabrics, using natural processes – starching, stretching the fabric dipped in boiling water to melt off the layers on a frame and outlining the design using a of wax, to get the final pattern. Colours are special Kalamkari pen. Depending on the significantly changed by the preceding number of colours being used, creating a colour on the fabric as the process involves batik print on a fabric can take several days.