Legal Challenge Launched
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Old Photos of Tower Hamlets
Caught on camera! – Using film and Historical photos might be useful if you want to compare your study area with what it used to be like –Even photos from a few years ago can show photographs as secondary sources stark contrasts in terms of rebranding/ gentrification etc Excerpt from the ALCAB report 2014 (on which the A Level specifications are based) Human Geography: Changing places - Meaning and Representation Meaning and representation relates to how humans perceive, engage with and form attachments to the world. This might be the everyday meanings that humans attach to places bound up with a sense of identity and belonging. It also extends to ways that meanings of place might be created, such as through place making and marketing. Representations of places are important because of the way in which they shape peoples' actions and behaviours, and those of businesses, institutions and governments. Representations also provide a reference point for people's sense of identity, underpinning their attachments to place, particularly in times of change. Attention to meaning highlights the processes of representation through which places are depicted, variously by external agencies and by those who live in them. The meanings and identities ascribed to a place may also be related to its function, both social and economic, in the present and in the past. Places can have multiple meanings and identities, reflecting different perceptions and perspectives. Students should select one of the following topics through which to address the concepts of meaning and representation as applied to place: Place making and marketing, drawing on examples such as regional development agencies, tourist marketing, and property marketing materials. -
In This Media Briefing: Most People Get Almost All Their News and Information Pg.1 Plan a Media Strategy from Mainstream Media
Dealing with the Media In this media briefing: Most people get almost all their news and information Pg.1 Plan a media strategy from mainstream media. This means that for many Pg.2 Write your news release projects it can be useful to be reported on in newspa- Pg.5 Follow up on a story pers and on the local TV and radio. Pg.6 Interviews Pg.8 Media stunts Using the media can help you win your campaign. But Pg.8 Media and direct action there are some important things you should bear in mind Pg.9 Other ways to use the media when you are preparing contact with the media. Pg.10 Unwelcome media attention Pg.11 A sceptical look at the main- stream media Plan a media strategy Pg.12 Media contacts With a little planning you'll have more success in getting your message across. Preparation gives you a chance to set the agenda, not just respond to events. Don't just engage the media because you can – always use your media work strategically. Ask whether engaging with the media is the best way to get across your message, and if so, how that can be done best. First of all: you need a clear aim . Why contact the media? What message are you trying to convey? Generally an unclear aim results in an unclear message . Don't forget: however complicated the argu- ments for your campaign are you need to keep them simple when using the mainstream media. Now decide who your target audience is. -
Finding a New Folk Devil:(Mis) Constructing Anti-Capitalist Activists March, 2002
Working Paper Series Paper 24 Finding a new folk devil: (mis)constructing anti-capitalist activists March, 2002 Fiona Donson, Graeme Chesters, Andy Tickle and Ian Welsh ISBN 1 872330 65 7 1 Finding a new folk devil: (mis)constructing anti-capitalist activists Fiona Donson, Graeme Chesters, Andy Tickle and Ian Welsh “Their aim is clear. They want a violent and bloody conflagration on the streets. They want to … cause anarchy.”1 Abstract The paper will offer an account of how political activists are (mis)constructed as “folk devils” through an examination of recent media coverage in the UK and Czech Republic. It will seek to show how their construction as violent criminals and dangerous anarchists has influenced the treatment of those involved in protests by public authorities in the UK and Prague. The paper will also offer, in juxtaposition to this representation of the current anti-capitalism movement, a discussion of the accounts of activists themselves. In particular it examines the activists’ own perceptions of their engagement in the global social movement against capitalism. The paper is based on evidence derived from preliminary findings from interdisciplinary research into global social movements, and in particular the protests against the International Monetary Fund and World Bank in Prague in September 2000. 1 The Telegraph, 18/2/01 2 Introduction This paper argues that we are currently witnessing the development of a new type of folk devil. The discussion will consider this claim both in terms of the construction of political activists as a deviant group and the consequences which flow from that construction. -
Consumer Poster Project Project Completed During Phd by Project In
Consumer Poster Project Project completed during PhD by project in Fine Art at the Royal College of Art, Oct 2011 – December 2016, funded with a grant from Lipman-Milliband Trust. 'Consumer' examines the influence of capitalism on the visual landscape. In March – May 2015 I purchased advertising space around Cardiff city centre and populated it with artworks that critique capitalism. The artworks employ the methods of enticement that are often found in adverts but will invite people to think about the pervasiveness of capitalist consumption rather than impel them to buy something. The ultimate aim of the project is to encourage people to think about the pervasiveness of consumerism in capitalist society. By creating disruptions within the commercial advertising field the exhibition aims to provoke the audience to reconsider consumerism as a distraction that inhibits positive social development towards social justice and equality. I selected three artists of international repute; Ellie Harrison is an artist based in Scotland. She studied Fine Art at Nottingham Trent University, Goldsmiths College and Glasgow School of Art, where she undertook a Leverhulme Scholarship on the Master of Fine Art programme. In 2003 her project Eat 22 was shown at the Science Museum, London as part of the exhibition ‘Treat Yourself’. It is now on permanent display at the Wellcome Collection museum. In 2012 she created The Redistribution of Wealth installation at Tate Britain. Ellie Harrison is Lecturer in Contemporary Art Practices at Duncan of Jordanstone College of Art & Design. Peter Kennard is an established London-based British artist. His artwork aims to instigate debate about art, politics and society. -
Art Catalogue Introduction
Art Catalogue Introduction Welcome to the inaugural Green Creates… art exhibition. Artistic expression, in its many forms, has existed in every age, every culture, and every country. Art can be both rooted in history and a catalyst for change. It connects us to the past, expresses our views of the present and suggests new ideas and visions for the future. As such, it is only fitting that we should call upon the support of the arts’ community today, as we stand on the brink of an uncertain future, attempting to hold onto the values and achievements that make us proud to be British, whilst working towards a new and better tomorrow. ‘‘Green’ suggests healthy options and therefore Green Creates… is an opportunity for the arts community to show their support for the Green Party, our policies healthy outcomes. Green issues should be the first and our work, but also an example of art as a social commentary in a time of social, economic and political consideration in everything from housing, to health unrest. The theme of Green Voices called for artists to express their opinions on the issues of the day and they to education and beyond.’’ have produced work that encompasses everything from climate change to the ephemeral beauty of nature. Ralph Steadman We are delighted at the richness and diversity of the work that we have on display and to welcome you to this celebration of some of the different interpretations of what it means to be green today. Best wishes, Jonathan Bartley and Caroline Lucas Co-Leaders - Green Party of England and Wales 4 -
05C 20130529 Consultation Report for Brixton SPD
CONSULTATION STATEMENT BRIXTON SPD 10 June 2013 20130529 Consultation Report for Brixton SPD Consultation Statement for Brixton area Supplementary Planning Document 1.0 Introduction 3 2.0 Background 3 3.0 Executive summary of feedback 4 4.0 Who was involved 14 5.0 How people were involved 17 6.0 Participation and evaluation 25 Appendix 1 Thematic overview of consultation feedback and responses 1/32 20130529 Consultation Report for Brixton SPD 1.0 Introduction This Consultation Statement describes how the council has worked with the local community, businesses and other stakeholders to develop and consult on a supplementary planning document (SPD) for the Brixton town centre area. As a cooperative council, we wanted to give local people more involvement in and control of the places where they live. Consequently, the draft SPD taken out to consultation was the result of a co- drafting process, further detail of which is in the Consultation Statement that accompanied the draft SPD (available to view online at www.futurebrixton.org). Engagement objectives 1. To engage community and business organisations in order to coproduce the draft SPD and consultation on it. 2. To agree on shared principles that will determine what type of development we want to see in the area. 3. To proactively consult with the whole community on the draft SPD 4. To facilitate a partnership approach to the regeneration of Brixton The development of the SPD has complied with Town and Country Planning (Local Development) (England) Regulations 2012 and with the additional recommendations set out in Lambeth’s Statement of Community Involvement (SCI) adopted in April 2008, and our cooperative ethos to ensure that the SPD is a reflection of the community’s aspirations for the area. -
Understanding Guerrilla Gardening: an Exploration of Illegal Cultivation in the UK
Centre for Environment and Society Research Working Paper series no. 1 Understanding guerrilla gardening: an exploration of illegal cultivation in the UK Michael Hardman Understanding guerrilla gardening: an exploration of illegal cultivation in the UK Michael Hardman School of Property, Construction and Planning, Birmingham City University Working Paper Series, no. 1 2011 ISBN 978-1-904839-44-6 © Author, 2011 Published by Birmingham City University Centre for Environment and Society Research Faculty of Technology, Engineering and the Environment City Centre campus, Millennium Point, Curzon Street, Birmingham, B4 7XG, UK ii CONTENTS Contents ii List of illustrations ii Abstract ii Acknowledgements iii The development of guerrilla gardening 1 The purpose of guerrilla gardening 3 Case study: F Troop 6 The ethical implications of researching a guerrilla troop 7 F Troop digs 7 Guerrilla gardening as a movement 10 Understanding a ‘movement’ 10 The four stages 11 Acting collectively 12 Conclusion 15 References 16 List of illustrations Figure 1: Seed bombs moulded to look like hand grenades 2 Figure 2: A suburban guerrilla food-producing alleyway 4 Figure 3: A large skirt which hid the planting of saplings into the M41 5 Figure 4: Hardman’s spectrum of guerrilla groups 6 Figure 5: The location of many of F Troop’s digs 8 Figure 6: F Troop in action 9 Figure 7: The food alley, and F Troop’s Nasturtium arrangement 11 Figure 8: The four stages theory applied to guerrilla gardening troops 13 Abstract This paper explores the concept of guerrilla gardening. It begins with a history of unlawful growing before investigating why individuals take part in guerrilla gardening. -
Trespassory Art
The University of Iowa College of Law University of Iowa Legal Studies Research Paper Number 09-17 April 2009 Trespassory Art Randall P. Bezanson College of Law, University of Iowa & Andrew Finkelman Affiliation not provided This paper can be downloaded without charge from the Social Science Research Network electronic library at: http://ssrn.com/abstract=1393290 Electronic copy available at: http://ssrn.com/abstract=1393290 Trespassory Art Randall Bezanson* and Andrew Finkelman** CONTENTS I. Introduction................................................................................................................................. II. Five Examples of Trespassory Art ............................................................................................ A) Spencer Tunick.............................................................................................................. B) Billboard Liberation, Shopdropping, and the New Non-Propositional Urban Trespassory Art............................................................................................................... C) Graffiti and Laser Graffiti.............................................................................................. D) ImprovEverywhere ........................................................................................................ E) Parkour........................................................................................................................... III. Modifying the Common Law of Real Property and Tort!Trespass, Nuisance and -
Black Students March for the Release of the Brockwell Three in Brixton, England (1974)
Published on Global Nonviolent Action Database (https://nvdatabase.swarthmore.edu) Black Students march for the release of the Brockwell Three in Brixton, England (1974) 9 June 1973 to: 3 April 1974 Country: England Location City/State/Province: Brixton Goals: To get Brockwell Three to be released from jail Methods Methods in 1st segment: Methods in 2nd segment: Methods in 3rd segment: Methods in 4th segment: 001. Public speeches 002. Letters of opposition or support 008. Banners, posters, and displayed communications 038. Marches Methods in 5th segment: 001. Public speeches 002. Letters of opposition or support 008. Banners, posters, and displayed communications 038. Marches Methods in 6th segment: 001. Public speeches 002. Letters of opposition or support 008. Banners, posters, and displayed communications 038. Marches Classifications Cluster: Democracy Human Rights National/Ethnic Identity Group characterization: Black Students and Black Brixton Community Members Leaders, partners, allies, elites Leaders: Black SAC, Courtney Laws Partners: Paul Stephenson Involvement of social elites: N/A Joining/exiting order of social groups Groups in 1st Segment: None Groups in 2nd Segment: None Groups in 3rd Segment: None Groups in 4th Segment: Black SAC Community Organizers Groups in 5th Segment: Groups in 6th Segment: Segment Length: 2 months Opponent, Opponent Responses, and Violence Opponents: English Government, Police Nonviolent responses of opponent: N/A Campaigner violence: None Repressive Violence: None Success Outcome Success in achieving specific demands/goals: 5 points out of 6 points Survival: 1 point out of 1 points Growth: 3 points out of 3 points Notes on outcomes: The outcome was positive, however all three were not released. -
Rebel Alliances
Rebel Alliances The means and ends 01 contemporary British anarchisms Benjamin Franks AK Pressand Dark Star 2006 Rebel Alliances The means and ends of contemporary British anarchisms Rebel Alliances ISBN: 1904859402 ISBN13: 9781904859406 The means amiemls 01 contemllOranr British anarchisms First published 2006 by: Benjamin Franks AK Press AK Press PO Box 12766 674-A 23rd Street Edinburgh Oakland Scotland CA 94612-1163 EH8 9YE www.akuk.com www.akpress.org [email protected] [email protected] Catalogue records for this book are available from the British Library and from the Library of Congress Design and layout by Euan Sutherland Printed in Great Britain by Bell & Bain Ltd., Glasgow To my parents, Susan and David Franks, with much love. Contents 2. Lenini8t Model of Class 165 3. Gorz and the Non-Class 172 4. The Processed World 175 Acknowledgements 8 5. Extension of Class: The social factory 177 6. Ethnicity, Gender and.sexuality 182 Introduction 10 7. Antagonisms and Solidarity 192 Chapter One: Histories of British Anarchism Chapter Four: Organisation Foreword 25 Introduction 196 1. Problems in Writing Anarchist Histories 26 1. Anti-Organisation 200 2. Origins 29 2. Formal Structures: Leninist organisation 212 3. The Heroic Period: A history of British anarchism up to 1914 30 3. Contemporary Anarchist Structures 219 4. Anarchism During the First World War, 1914 - 1918 45 4. Workplace Organisation 234 5. The Decline of Anarchism and the Rise of the 5. Community Organisation 247 Leninist Model, 1918 1936 46 6. Summation 258 6. Decay of Working Class Organisations: The Spani8h Civil War to the Hungarian Revolution, 1936 - 1956 49 Chapter Five: Anarchist Tactics Spring and Fall of the New Left, 7. -
Public Engagement & Community Participation
Public Engagement & Community Participation Mr. Laurence Lam, MA (Social Work) St. James’ Settlement My Profile • Have been a social worker in Community Centre Service since 1990 • Have worked in community engagement since 1998 • H15 Community Planning (利東街) • Time Coupon Project (時分券) • Wanchai Livelihood Place (灣仔民間生活 館) Why we need to do public engagement and community participation? World Trend? Post-materialism? King Cross Railway Station Project Links - UK • King Cross Railway Station Group: http://www.kxrlg.org.uk/links/index.htm • An organisation linking and supporting cultural industry enterprises in the locality is Create King's Cross www.createkx.org.uk • Autumn 2006: New blog by Will Perrin on the Islington side of King's Cross. http://northkingscross.typepad.co.uk/my_weblog/ • Spring 2005 Camden Central Community Umbrella: www.camdennet.org.uk/groups/cccu • The Calthorpe Project: http://www.segalselfbuild.co.uk/projects/calthorpe.html • Coram's Fields: http://www.opensquares.org/pages/square/23.html • The Islington Society: http://www.libraries.islington.gov.uk/inform/published/1618/1709.html • The Amwell Society: http://www.amwellsociety.co.uk/ • Camley Street Natural Park http://www.wildlondon.org.uk/reserves/camleyst.htm • St Pancras Cruising Club: http://members.aol.com/MALBABS/index.htm • Camden Cycling Campaign: http://www.greengas.u-net.com/homebase.html • Regents Canal Network: http://www.camden-canals.demon.co.uk/pages/RegentsNetwork.html • London Canal Museum: http://www.canalmuseum.org.uk/ • Voluntary Action Camden: -
Art and Conflict
ART AND CONFLICT Essays by Jananne Al-Ani Bernadette Buckley Michaela Crimmin Malu Halasa Jemima Montagu Sarah Rifky Larissa Sansour Charles Tripp A research enquiry supported by the Arts and Humanities Research Council and the Royal College of Art 2013 to 2014 1 ART AND CONFLICT ©Royal College of Art 2014 and the authors ISBN 978-1-910642-01-6 British Library Cataloguing-in-Publication Data. A catalogue record for this book is available from the British Library. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior consent of the publishers. First published in electronic format in 2014 by Royal College of Art Kensington Gore London SW7 2EU www.rca.ac.uk Published with the support of the Arts and Humanities Research Council and the British Council, in association with Culture+Conflict. Edited by Michaela Crimmin and Elizabeth Stanton with Sophie Oxenbridge-Hastie and Chloe Wood Designed by Tom Merrell CONTENTS 3 Introduction: Reflections on Art and Conflict Michaela Crimmin 15 The Aesthetics of Disappearance: A Land Without People Jananne Al-Ani 21 Crosshatching: Culture+Conflict Bernadette Buckley 38 Martyrs of Revolution: Art and Memory in Troubled Times Charles Tripp 44 Contemporary Visual Art in Afghanistan: ‘An art of laughter and forgetting…’ Jemima Montagu 56 The Post-apocalyptic Present Larissa Sansour 61 The Engaged Book Malu Halasa 70 Delusions of Reference: In