Drum & Percussion

Total Page:16

File Type:pdf, Size:1020Kb

Drum & Percussion HAL LEONARD DRUM & PERCUSSION 454 Instruction and Supplementary Materials 454 Snare Drum 455 Mallet Instruments (Marimba, Xylophone, Vibraphone) 457 Timpani 457 Percussion Music for One Player 458 Percussion Ensembles 461 Percussion with Various Instruments CLASSICAL 454 DRUM & PERCUSSION GAUTHREAUX, GUY INSTRUCTION AND _______00317056 American Suite for Unaccompanied Snare Drum Meredith Music ........................................................... $14.95 SUPPLEMENTARY GINER, BRUNO ______50561309 Etudes de peaux No. 1: Et in terra pax hominibus MATERIALS Snare drum. Durand DF1485700 .................................. $7.95 ______50482544 45 Exercises (Book/cassette package) (Verdère) HARTUNG, FRIEDRICH Salabert SEAS18877 ................................................... $41.95 ______49000660 School for Side-Drum Side/Snare Drum ______50482537 Album of Music Styles (Dardot) Schott BAT2 ............................................................... $17.95 Salabert SEAS18869 ................................................... $29.95 ______00317081 Art of Bass Drum and Cymbal Playing JAMES, WILLIAM (Crone/Whaley) Meredith Music .................................. $9.95 • ______00126463 The Modern Concert Snare Drum Roll ______00317095 Art of Percussion Accessory Playing Meredith Music ........................................................... $19.95 (Crone/Whaley) Meredith Music .................................. $9.95 ______00317158 The Art of Percussion Playing KELLY by Anthony J. Cirone, Neil Grover and Garwood Whaley _______4479344 Newgulf Drummer (Grade III) Meredith Music ........................................................... $24.95 Rubank RUBX390 ........................................................ $5.95 ______00317063 Art of Tambourine and Triangle Playing WHALEY, GARWOOD (Crone/Whaley) Meredith Music ................................ $14.95 _______00317067 Essay for Snare Drum Meredith Music ...................... $8.95 ______00317000 Audition Etudes (Whaley) Meredith Music .............. $12.95 _______00317068 Etude in 32nd’s Meredith Music ................................. $8.95 Basics in Rhythm (Whaley) Meredith Music _______00317051 Recital Solos for Snare Drum ______00317025 Bass Clef Instruments ................................................. $12.95 Meredith Music ........................................................... $12.95 Contemporary Rhythm and Meter Duets (Del Borgo) Meredith Music ______00317011 Treble Clef Instruments ................................................ $9.95 COLLECTIONS AND METHODS ______00317010 Bass Clef Instruments ................................................... $9.95 FOR SNARE DRUM Contemporary Rhythm and Meter Studies (Del Borgo) Meredith Music _______00347783 12 Progressive Solos for Snare Drum 00317008 Treble Clef Instruments ................................................ $9.95 (Morris Goldenberg) Hal Leonard ................................ $5.95 ______00317009 Bass Clef Instruments ................................................... $9.95 _______06620059 The Hal Leonard ______50486066 Grooves for Drums & Bass Elementary Snare Drum Method Over 200 Rhythms in Many Different Styles Book/CD Pack. Hal Leonard ...................................... $10.99 Ricordi MLR678 ......................................................... $24.95 _______00317054 Flams, Ruffs & Rolls for Snare Drum (Beck) Meredith Music ............................................................. $8.95 ______48019250 Learn as You Play Drums by Chris Barron Book/CD Pack _______06620017 Inner Rhythms – Modern Studies for Snare Drum Boosey & Hawkes M060117787 ................................ $24.99 (Colonnato) Hal Leonard .............................................. $7.95 _______06631474 Master Studies (Morello) Modern Drummer ............ $14.95 ______00317024 More Audition Etudes (Whaley) _______00347777 Modern School for Snare Drum (Goldenberg) Hal Leonard .................................................................. $9.99 Book/CD Pack ............................................................ $19.95 _______00330458 The Modern Snare Drummer (Spagnardi) ______00317028 Note Grouping (Thurmond) Modern Drummer ....................................................... $12.95 Meredith Music ........................................................... $34.95 Primary Handbook for Snare Drum (Whaley) ______50014010 Passi Difficili e “a solo” (Torrebruno) Meredith Music Ricordi RER2769 ........................................................ $20.95 _______00317120 Book/Audio Online ..................................................... $15.95 ______00317082 Practical Guide to Percussion Terminology _______00317049 Book Only – Original Edition .................................... $10.95 by Russ Girsberger, edited by Anthony J. Cirone _______50449458 The Reading Drummer – Second Edition (Vose) Meredith Music ........................................................... $14.95 Berklee Press ............................................................... $10.99 ______00317055 Snare Drum in the Concert Hall by Al Payson _______04470090 Rubank Elementary Method – Drums (Yoder) Meredith ...................................................................... $14.95 Rubank .......................................................................... $5.99 ______00317196 Symphonic Repertoire for Percussion Accessories _______04470260 Rubank Intermediate Method – Drums (Buggert) (Tim Genis/ed. Anthony J. Cirone) Rubank .......................................................................... $5.95 Meredith Music ........................................................... $24.95 _______04470480 Rubank Advanced Method – Drums (Whistler) ______00317156 Symphonic Repertoire for Snare Drum A Detailed Rubank .......................................................................... $6.95 Analysis of the Major Orchestral Snare Drum Repertoire _______04471530 Rubank Instrumental Drum Chart by Anthony J. Cirone Rubank .......................................................................... $1.95 Book and Parts Meredith Music ................................. $19.95 _______00317118 Rudimental Solos for the Accomplished Drummer ______00317146 Symphonic Repertoire for Timpani The Nine Beethoven (John S. Pratt) Meredith Music .................................. $12.95 Symphonies by Gerald Carlyss Meredith Music ....... $19.95 _______00347778 Snare Drum for Beginners (Goldenberg) ______00317159 Symphonic Repertoire for Timpani The Brahms and Hal Leonard .................................................................. $7.99 Tchaikowsky Symphonies by Gerald Carlyss _______00317055 The Snare Drum in the Concert Hall (Payson) edited by Anthony J. Cirone Meredith Music ............ $24.95 Meredith Music ........................................................... $14.95 _______00317053 Solos and Duets for Snare Drum (Garwood Whaley) Meredith Music ........................................................... $14.95 SNARE DRUM BUGGERT ______04479337 Bobbin’ Back (Grade IV) Rubank RUBX313 ............. $4.95 ______04479340 Echoing Sticks (Grade IV) Rubank RUBX315 ........... $4.95 ______04479345 Rolling Accents (Grade IV) Rubank RUBX391 ......... $4.95 ______04479346 Thundering Through (Grade V) Rubank RUBX317 ........................................................ $4.95 Don’t see what you’re looking for? Check www.halleonard.com for titles available by special order! DRUM & PERCUSSION 455 HENZE, HANS WERNER MALLET ______49000680 5 Scenes from the Snow Country Marimba. Schott BAT39 ............................................ $16.95 INSTRUMENTS HOSOKAWA, TOSHIO ______49013768 Reminiscence With Piano unless otherwise noted. Marimba solo. Schott Japan SJ1160 ........................... $10.95 HUESGEN, TIM ABE, KEIKO ______00317043 Trilogy: Three Movements for Solo Vibraphone ______49042571 Marimba d’amore Schott Japan SJ00051 ................ $18.00 Meredith Music ............................................................ $9.95 ______49042570 Works for Marimba Schott Japan SJ00050 ............. $29.95 ______49013538 Works for Marimba Duo HUMMEL, BERTOLD Performance Score Schott Japan SJ052 ..................... $16.95 ______49000675 Tempo Di Valse Solo Vibraphone. Schott BAT34 ................................ $10.95 ALDRIDGE, ROBERT ______35023613 Threedance Violin, Marimba and Tabla. ICHIYANAGI, TOSHI Margun Music MP1091 .............................................. $45.00 ______49042586 Paganini Personal for Marimba and Piano Schott Japan SJ01013 ................................................. $22.95 BACH, JOHANN SEBASTIAN ______49042591 Portrait of Forest for Marimba ______00347792 Concerto in A minor (Goldenberg) Schott Japan SJ01018 ................................................. $12.95 Xylophone. Hal Leonard ............................................. $5.00 ______49042634 The Source for Marimba BALLIF, CLAUDE Schott Japan SJ01061 ................................................. $17.95 ______50564048 Solfeggietto Marimba. Durand DF1483400 ............... $15.95 IRINO, YOSHIRO BRAHMS, JOHANNES ______49043892 Movements for Marimba Zen-On Z899141 ......................................................... $29.00 ______04479368 Hungarian Dance No. 5 (Quick) Grade II Marimba or Xylophone. Rubank RUBX295 ................ $4.95 JACKSON, MILT CARTER, ELLIOTT ______00040011 John Brown’s Body for Vibes and Piano Lauren Keiser Music Publishing SJ302002 ............... $19.95 • ______48022641 Figment V Solo Marimba Boosey & Hawkes
Recommended publications
  • The Snare Drum Roll
    ACADEMY OF MUSIC AND DRAMA The Snare Drum Roll Lúcia Viana da Silva Independent Project (Degree Project), 30 HEC, Master of Fine Arts in Symphonic Orchestra Performance Spring Semester, 2017 Independent Project (Degree Project), 30 higher education credits Master of Fine Arts in Symphonic Orchestra Performance Academy of Music and Drama, University of Gothenburg Spring semester, 2017 Author: Lúcia Viana da Silva Title: The Snare Drum Roll Supervisor: PhD Maria Bania Examiner: PhD. Tilman Skowroneck ABSTRACT Key words: orchestral percussion, snare drum, technique, roll. Like most other percussion instruments, the snare drum was introduced relatively late in the symphonic orchestra, and major changes and improvements concerning its playing techniques are still taking place. One of the most distinctive aspects of the snare drum is the roll, which consists of a challenge that most percussionists face eventually during their career. This project reflects my research on the snare drum roll during the last two years, gives a short background of snare drum playing and its technical development, and provides observations and reflections of different techniques to play a roll. As a percussionist myself, I analyzed and practiced on the execution of rolls as part of the research. This project includes notes on my interpretation of four orchestral excerpts, showing how technical development and control over the roll open musical possibilities to the orchestral percussionist. 2 ACKNOWLEDGEMTS I would first like to thank my supervisor, PhD Maria Bania, who was always available and responsive to my questions and supportive of my ideas. Her enthusiasm and constant demand gave me the drive and encouragement for writing this thesis.
    [Show full text]
  • Relating Stave Pitches to DAW Piano & Drum Rolls for Inputting Notes Relating Notation Durations to MIDI Sequencer Note Leng
    Relating Notation durations to MIDI sequencer note lengths Note Name Duration Piano roll Snap/Quantise Semibreve 4 1/1 1-DAW (Digital Audio Workstation): a digital system designed for recording and editing digital audio. It may refer to audio hardware, audio software, or both. 2-MIDI (Musical Instrument Digital Interface): the interchange Dotted 3 - of musical information between musical instruments, synthesizers and computers. Minim 3-MIDI controller: any hardware or software that generates and transmits MIDI data to electronic or digital MIDI-enabled devices, typically to trigger sounds Minim 2 1/2 and control parameters of an electronic music performance. 4-Sequencer: a software application or a digital electronic device that can record, save, play and edit audio files. Dotted 1 ½ - 5-Arrange Window: the main window of Logic Pro. It incorporates other Logic Pro Crotchet editors and it's where you do most of your work. 6-Drum Machine: An electronic device containing a sequencer that can be Crotchet 1 1/4 programmed to arrange and alter digitally stored drum sounds. 7-Tempo: the pace or speed at which a section of music is played. 8-Quantise/Quantisation: the rhythmic correction of audio or MIDI regions to a Dotted ¾ - specific time grid. Quaver 9- Fader: a device for gradually increasing or decreasing the level of an audio signal. Basic Functions of a DAW Quaver ½ 1/8 Audio Recording: The basic function of any DAW is record audio. DAWs can handle dozens to hundreds of audio tracks without causing too much strain on most systems. Audio Editing: Audio clips can be cut, copied and pasted.
    [Show full text]
  • University of Oklahoma
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE PIANO CONCERTOS OF PAUL HINDEMITH A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirement for the degree of Doctor of Musical Arts By YANG-MING SUN Norman, Oklahoma 2007 UMI Number: 3263429 UMI Microform 3263429 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 THE PIANO CONCERTOS OF PAUL HINDEMITH A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY Dr. Edward Gates, chair Dr. Jane Magrath Dr. Eugene Enrico Dr. Sarah Reichardt Dr. Fred Lee © Copyright by YANG-MING SUN 2007 All Rights Reserved. ACKNOWLEDGMENTS This paper is dedicated to my beloved parents and my brother for their endless love and support throughout the years it took me to complete this degree. Without their financial sacrifice and constant encouragement, my desire for further musical education would have been impossible to be fulfilled. I wish also to express gratitude and sincere appreciation to my advisor, Dr. Edward Gates, for his constructive guidance and constant support during the writing of this project. Appreciation is extended to my committee members, Professors Jane Magrath, Eugene Enrico, Sarah Reichardt and Fred Lee, for their time and contributions to this document. Without the participation of the writing consultant, this study would not have been possible. I am grateful to Ms. Anna Holloway for her expertise and gracious assistance. Finally I would like to thank several individuals for their wonderful friendships and hospitalities.
    [Show full text]
  • 50Th Annual Concerto Concert
    SCHOOL OF ART | COLLEGE OF MUSICAL ARTS | CREATIVE WRITING | THEATRE & FILM BOWLING GREEN STATE UNIVERSITY 50th a n n u a l c o n c e r t o concert BOWLING GREEN STATE UNIVERSITY Summer Music Institute 2017 bgsu.edu/SMI featuring the SESSION ONE - June 11-16 bowling g r e e n Double Reed Strings philharmonia SESSION TWO - June 18-23 emily freeman brown, conductor Brass Recording Vocal Arts SESSION THREE - June 25-30 Musical Theatre saturday, february 25 Saxophone 2017 REGISTRATION OPENS FEBRUARY 1ST 8:00 p.m. For more information, visit BGSU.edu/SMI kobacker hall BELONG. STAND OUT. GO FAR. CHANGING LIVES FOR THE WORLD.TM congratulations to the w i n n e r s personnel of the 2016-2 017 Violin I Bass Trombone competition in music performance Alexandria Midcalf** Nicholas R. Young* Kyle McConnell* Brandi Main** Lindsay W. Diesing James Foster Teresa Bellamy** Adam Behrendt Jef Hlutke, bass Mary Solomon Stephen J. Wolf Morgan Decker, guest Ling Na Kao Cameron M. Morrissey Kurtis Parker Tuba Jianda Bai Flute/piccolo Diego Flores La Le Du Alaina Clarice* undergraduate - performance Nia Dewberry Samantha Tartamella Percussion/ Timpani Anna Eyink Michelle Whitmore Scott Charvet* Stephen Dubetz, clarinet Keisuke Kimura Jerin Fuller+ Elijah T omas Oboe/Cor Anglais Zachary Green+ Michelle Whitmore, flute Jana Zilova* Febe Harmon Violin II T omas Morris David Hirschfeld+ Honorable Mention: Samantha Tartamella, flute Sophia Schmitz Mayuri Yoshii Erin Reddick+ Bethany Holt Anthony Af ul Felix Reyes Zi-Ling Heah Jamie Maginnis Clarinet/Bass clarinet/ Harp graduate - performance Xiangyi Liu E-f at clarinet Michaela Natal Lindsay Watkins Lucas Gianini** Keyboard Kenneth Cox, flute Emily Topilow Hayden Giesseman Paul Shen Kyle J.
    [Show full text]
  • Red Note New Music Festival Program, 2013 School of Music Illinois State University
    Illinois State University ISU ReD: Research and eData Red Note New Music Festival Music 2013 Red Note New Music Festival Program, 2013 School of Music Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/rnf Part of the Music Commons Recommended Citation School of Music, "Red Note New Music Festival Program, 2013" (2013). Red Note New Music Festival. 7. https://ir.library.illinoisstate.edu/rnf/7 This Book is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in Red Note New Music Festival by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. calendar of events SUNDAY, MARCH 3, 2013 3 PM COMPOSER PRESENTATION CENTER FOR THE PERFORMING ARTS David Kirkland Garner centennial east building, room 229 2 - 2:50 pm the illinois state university wind symphony, conducted by daniel belongia, performs music composer david kirkland garner, winner of the by scott lindroth, john mackey, and paul dooley, composition competition, presents on his music as well as marcus maroney’s “rochambeau” (winner of the red note call for scores). COMPOSER Q&A - Tony Solitro MONDAY, MARCH 4, 2013 2-4 PM Kemp Recital Hall 4 - 5:30 pm KEMP RECITAL HALL composer tony solitro discusses his vocal music and career as a composer of opera and songs chicago-based spektral quartet leads a master class for string students in the illinois state university school of music string studio. TUESDAY, MARCH 5, 2013 8 PM KEMP RECITAL HALL MONDAY, MARCH 4, 2013 8 PM KEMP RECITAL HALL illinois state university faculty members and guest pianist blair mcmillen perform works of guest composer joan tower.
    [Show full text]
  • Áskell Másson's Solos for Snare Drum: Maximizing Musical Expression Through Varying Compositional Techniques and Experimenta
    ÁSKELL MÁSSON’S SOLOS FOR SNARE DRUM: MAXIMIZING MUSICAL EXPRESSION THROUGH VARYING COMPOSITIONAL TECHNIQUES AND EXPERIMENTATION IN TIMBRE John Michael O’Neal, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS December 2015 Christopher Deane, Major Professor Eugene Corporon, Related Field Professor Mark Ford, Committee Member Benjamin Brand, Director of Graduate Studies, College of Music James Scott, Dean of the College of Music Costas Tsatsoulis, Dean of the Toulouse Graduate School O’Neal, John Micheal. Áskell Másson’s Solos for Snare Drum: Maximizing Musical Expression through Varying Compositional Techniques and Experimentation in Timbre. Doctor of Musical Arts (Performance), December 2015, 38 pp., 7 figures, 29 musical examples, references, 27 titles. This dissertation and accompanying lecture recital explores the musical elements present in Áskell Másson’s three solos for snare drum, PRÍM (1984), KÍM (2001) and B2B: Back to Basics (2010). Two of the primary challenges for the performer when playing solo literature on a non-pitch oriented instrument are identifying thematic structures and understanding how to interpret all innovative sound production techniques employed within the music. A thematic and compositional analysis, as well as an investigation into the experimentation of timbre found in Másson’s three pieces for solo snare drum will help to clarify the musical complexities that are present throughout. Copyright 2015 by John Michael O’Neal ii ACKNOWLEDGEMENTS My sincere thanks and gratitude to my committee members and mentors Christopher Deane, Mark Ford and Eugene Corporon for their assistance with this project and their influence in shaping me as a teacher and performer.
    [Show full text]
  • 2018 Available in Carbon Fibre
    NFAc_Obsession_18_Ad_1.pdf 1 6/4/18 3:56 PM Brannen & LaFIn Come see how fast your obsession can begin. C M Y CM MY CY CMY K Booth 301 · brannenutes.com Brannen Brothers Flutemakers, Inc. HANDMADE CUSTOM 18K ROSE GOLD TRY ONE TODAY AT BOOTH #515 #WEAREVQPOWELL POWELLFLUTES.COM Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 408 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2018 available in Carbon Fibre. Orlando! 00 44 (0)20 8778 0752 [email protected] www.wisemanlondon.com MAKE YOUR MUSIC MATTER Longy has created one of the most outstanding flute departments in the country! Seize the opportunity to study with our world-class faculty including: Cobus du Toit, Antero Winds Clint Foreman, Boston Symphony Orchestra Vanessa Breault Mulvey, Body Mapping Expert Sergio Pallottelli, Flute Faculty at the Zodiac Music Festival Continue your journey towards a meaningful life in music at Longy.edu/apply TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ................................................................ 14 From the Convention Program Chair ................................................. 21 2018 Lifetime Achievement and Distinguished Service Awards ........ 22 Previous Lifetime Achievement and Distinguished
    [Show full text]
  • Repertoire List
    APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op.
    [Show full text]
  • Hindemith Viola Project
    HINDEMITH VIOLA PROJECT CONCERT II DOCTORAL RECITAL KATHERINE LEWIS, Viola ,,, Wednesday, March 8, 2006 8:00 p.m. Lillian H. Duncan Recital Hall Z975 -2005 Ce l e b ratin g ~1/J Years THE SHEPHERD SCHOOL ~ SIC RICE UNIVERSITY The Hindemith Viola Project brings together fifteen viola students from the combined studios of Karen Ritscher and James Dunham to perform this unique series of concerts featuring music for the viola by the eminent German composer and violist Paul Hindemith. These stud­ ents have devoted much of the school year to learning and rehearsing this music in preparation for these concerts, and they participated in a series of all-Hindemith studio classes. Hindemith was a prolific com­ poser in all genres, and his numerous works for the viola occupy a sig­ nificant portion of the repertoire for the instrument. Hindemith's four Solo Sonatas and three Sonatas for Viola and Piano are presented on Tuesday and Thursday in a complete cycle that will demonstrate the virtuosic and sonorous qualities of the viola. These sonatas, composed between 1919 and 1939, are written in a variety of styles that reflect Hindemith's different influences and compositional phases. In addition, two chamber concertos are performed on Wednesday with orchestra: Kammermusik No. 5 and Trauermusik. All of these works were writ­ ten for Hindemith's own performance, and due to his intimate know­ ledge of the viola, they challenge the technique and skill of the violist in new and innovative ways. It is our hope that throughout the week, this project will not only showcase the talents and achievements of the violists at the Shepherd School, but also promote Paul Hindemith, who many consider to be the greatest and most creative violist-composer of all time.
    [Show full text]
  • A Nickel for Music in the Early 1900'S
    A Nickel for Music in the Early 1900’s © 2015 Rick Crandall Evolution of the American Orchestrion Leading to the Coinola SO “Super Orchestrion” The Genesis of Mechanical Music The idea of automatic musical devices can be traced back many centuries. The use of pinned barrels to operate organ pipes and percussion mechanisms (such as striking bells in a clock) was perfected long before the invention of the piano. These devices were later extended to operate music boxes, using a set of tuned metal teeth plucked by a rotating pinned cylinder or a perforated metal disc. Then pneumatically- controlled machines programmed from a punched paper roll became a new technology platform that enabled a much broader range of instrumentation and expression. During the period 1910 to 1925 the sophistication of automatic music instruments ramped up dramatically proving the great scalability of pneumatic actions and the responsiveness of air pressure and vacuum. Usually the piano was at the core but on larger machines a dozen or more additional instruments were added and controlled from increasingly complicated music rolls. An early example is the organ. The power for the notes is provided by air from a bellows, and the player device only has to operate a valve to control the available air. Internal view of the Coinola SO “orchestrion,” the For motive most instrumented of all American-made machines. power the Photo from The Golden Age of Automatic Instruments early ©2001 Arthur A. Reblitz, used with permission. instruments were hand -cranked and the music “program” was usually a pinned barrel. The 'player' device became viable in the 1870s.
    [Show full text]
  • Early Music Influences in Paul Hindemith's Compositions for the Viola Domenico L
    James Madison University JMU Scholarly Commons Dissertations The Graduate School Fall 2014 Early music influences in Paul Hindemith's Compositions for the Viola Domenico L. Trombetta James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Music Performance Commons Recommended Citation Trombetta, Domenico L., "Early music influences in Paul Hindemith's Compositions for the Viola" (2014). Dissertations. 5. https://commons.lib.jmu.edu/diss201019/5 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Early Music Influences in Paul Hindemith’s Compositions for the Viola Domenico Luca Trombetta A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Doctor of Musical Arts School of Music December 2014 To my wife Adelaide ii CONTENTS DEDICATION…………………………………………………………………………….ii LIST OF MUSICAL EXAMPLES……………………………………………………….iv LIST OF FIGURES………………………………………………………………………vi ABSTRACT……………………………………………………………………………..vii INTRODUCTION………………………………………………………………………...1 I. The Origins of Hindemith’s Interest in Early Music………………………………….5 II. The Influence of Bach’s D-Minor Chaconne for Solo Violin on Hindemith’s Viola Sonatas op. 11, no.5 and op. 31, no.4………………………………………………..14 III. Viola Concerto Der Schwanendreher………………………………………………..23 IV. Trauermusik for Viola and Strings…………………………………………………..35 CONCLUSION…………………………………………………………………………..42 BIBLIOGRAPHY………………………………………………………………………..45 APPENDICES…………………………………………………………………………...48 A. Musical Examples B. Figures iii Musical Examples 1a Hindemith, Solo Viola Sonata Op. 11, No. 5, movt. IV (In Form und Zeitmass einer Passacaglia), Theme…………………............................................49 1b Bach, Chaconne, Theme………………………………………………………....49 1c Hindemith, Solo Viola Sonata Op.
    [Show full text]
  • The Race of Sound: Listening, Timbre, and Vocality in African American Music
    UCLA Recent Work Title The Race of Sound: Listening, Timbre, and Vocality in African American Music Permalink https://escholarship.org/uc/item/9sn4k8dr ISBN 9780822372646 Author Eidsheim, Nina Sun Publication Date 2018-01-11 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Race of Sound Refiguring American Music A series edited by Ronald Radano, Josh Kun, and Nina Sun Eidsheim Charles McGovern, contributing editor The Race of Sound Listening, Timbre, and Vocality in African American Music Nina Sun Eidsheim Duke University Press Durham and London 2019 © 2019 Nina Sun Eidsheim All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Courtney Leigh Baker and typeset in Garamond Premier Pro by Copperline Book Services Library of Congress Cataloging-in-Publication Data Title: The race of sound : listening, timbre, and vocality in African American music / Nina Sun Eidsheim. Description: Durham : Duke University Press, 2018. | Series: Refiguring American music | Includes bibliographical references and index. Identifiers:lccn 2018022952 (print) | lccn 2018035119 (ebook) | isbn 9780822372646 (ebook) | isbn 9780822368564 (hardcover : alk. paper) | isbn 9780822368687 (pbk. : alk. paper) Subjects: lcsh: African Americans—Music—Social aspects. | Music and race—United States. | Voice culture—Social aspects— United States. | Tone color (Music)—Social aspects—United States. | Music—Social aspects—United States. | Singing—Social aspects— United States. | Anderson, Marian, 1897–1993. | Holiday, Billie, 1915–1959. | Scott, Jimmy, 1925–2014. | Vocaloid (Computer file) Classification:lcc ml3917.u6 (ebook) | lcc ml3917.u6 e35 2018 (print) | ddc 781.2/308996073—dc23 lc record available at https://lccn.loc.gov/2018022952 Cover art: Nick Cave, Soundsuit, 2017.
    [Show full text]