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Quality Services for Quality Life Annual Report 2018-2019 Contents Pages 1. Foreword 1-4 2. Performance Pledges 5-6 3. Vision, Mission & Values 7-8 4. Leisure Services 9-56 Leisure Services 9 Recreational and Sports Facilities 10-28 Recreational and Sports Programmes 29-35 Sports Subvention Scheme 36-38 2018 Asian Games and Asian Para Games in Indonesia 39-40 The 7th Hong Kong Games 41-42 Sports Exchange and Co-operation Programmes 43 Horticulture and Amenities 44-46 Green Promotion 47-52 Licensing 53 Major Recreational and Sports Events 54-56 5. Cultural Services 57-165 Cultural Services 57 Performing Arts 58-62 Cultural Presentations 63-69 Contents Pages Festivals 70-73 Arts Education and Audience-Building Programmes 74-80 Carnivals and Entertainment Programmes 81-84 Cultural Exchanges 85-91 Film Archive and Film and Media Arts Programmes 92-97 Music Office 98-99 Indoor Stadia 100-103 Urban Ticketing System (URBTIX) 104 Public Libraries 105-115 Museums 116-150 Conservation Office 151-152 Antiquities and Monuments Office (AMO) 153-154 Major Cultural Events 155-165 6. Administration 166-193 Financial Management 166-167 Human Resources 168-180 Information Technology 181-183 Facilities and Projects 184-185 Outsourcing 186-187 Environmental Efforts 188-190 Public Relations and Publicity 191-192 Public Feedback 193 7. Appendices 194-218 Foreword The LCSD has another fruitful year delivering quality leisure and cultural facilities and events for the people of Hong Kong. In its 2018-19 budget, the Government announced that it would allocate $20 billion to improve cultural facilities in Hong Kong, including the construction of the New Territories East Cultural Centre, the expansion of the Hong Kong Science Museum and the Hong Kong Museum of History, as well as the renovation of Hong Kong City Hall. -
Contemporary Conceptualisations of the Tomboy Identity in Lesbian Communities in China, Hong Kong, and Taiwan
Sketching out the Tomboy: Contemporary Conceptualisations of the Tomboy Identity in Lesbian Communities in China, Hong Kong, and Taiwan Carman Ka Man Fung 0000-0002-3872-2565 Doctor of Philosophy April 2021 Screen and Cultural StuDies, School of Culture and Communication, Faculty of Arts Submitted in total fulfilment for the degree of Doctor of Philosophy 2 Abstract This thesis examines the conceptualisations, uses, and politics of the lesbian secondary gender1 “tomboy” within lesbian communities in China (PRC), Hong Kong, and Taiwan during the late 2010s. The term tomboy has been widely used by queer women in these communities to describe masculine lesbian expressions, fashion, and/or gender role for over four decades.2 Screen representations of tomboy originating from within the Chinese-speaking world and from neighbouring Asian regions were particularly popular among these women during the late 2000s and early 2010s. And yet, since the 1990s3 and increasingly today, a growing section of these communities has been calling for a collective rejection of tomboy, claiming that it reinforces conservative patriarchal and heteronormative values and is therefore anti-feminist. This thesis draws on life stories from those caught between the once-popular use of tomboy and their newfound anti-tomboy feminist sensibilities. It explores the stories of the many women who decided to abandon their tomboy identity in search of their real gender, women who turn to American queer media in hopes of finding true feminist lesbian representations, those who struggle with whether to identify as tomboy or not, and those who in the process of self-searching no longer see themselves as lesbians or women at all. -
Final Program & Abstracts
ENAR 2015SPRING MEETING With IMS & Sections of ASA MARCH 15 –18 Hyatt Regency Miami Miami, FL FINAL PROGRAM & ABSTRACTS 4 Welcome and Overview 6 Acknowledgements 13 Special Thanks 15 Miami Highlights 18 Presidential Invited Speaker 19 IMS Medallion Lecture 20 Short Courses 23 Tutorials 26 Roundtables 29 Program Summary 44 Scientific Program 148 Abstracts & Poster Presentations 383 Index 397 Floor Plan WELCOME ¡Bienvenidos a Miami! It is my great pleasure to introduce the 2015 ENAR Spring Meeting to be held at the Hyatt Regency Miami, in Miami, FL, from March 15-18. The ENAR Spring Meeting brings together researchers and practitioners from academia, industry and government, connected through a common interest in Biom- etry. It offers a unique opportunity for learning new exciting methods and software, hearing about interesting and impactful applications, meeting new people (including prospective employers and job candidates), reconnecting with friends, and, this year, getting a break from the cold and snowy winter. The ENAR Spring Meeting only hap- pens through the diligent work of a large number of people who organize and contrib- ute to the program, plan and oversee the meeting logistics, and help with sponsorship – my heartfelt gratitude to all of them. Scientific Program: Through the leadership of Program Chair Mithat Gönen, of Memorial Sloan- Kettering Cancer Center, and Associate Chair Brisa Sánchez, of the University of Michigan School of Public Health, and with contributions from many of you, the Program Committee (with representatives from different ASA sections) has created an outstanding invited program. The sessions cover a wide range of topics of great interest to both researchers and practitioners, such as, data sciences (big data), genomics, clinical trials, neuroimaging, biomarkers, health policy, electronic health records, ecology, and epidemiol- ogy. -
2019 Gala Stewardship Report
SPONSORSHIP REPORT FOR EVENT HIGHLIGHTS $564,426 raised! Thanks to your support and that of other corporate and community partners, the 2019 Bridge to S.U.C.C.E.S.S. Gala raised an impressive $564,426 on March 16. More than 750 guests gathered to support S.U.C.C.E.S.S. programs and services that receive partial or no government funding. This year, the gala focused on raising funds for services that benefit children and youth in the community. Vancouver-born-and-raised singer and actor Joyce Cheng specially flew from Hong Kong to join the event as its feature performer. Joyce’s return to Vancouver was particularly meaningful as she paid tribute to the legacy left by her mother, the late Lydia Shum, who was a much beloved Hong Kong entertainer and longtime supporter of S.U.C.C.E.S.S. Thank you for making the 2019 Bridge to S.U.C.C.E.S.S. Gala a night to remember! You are making a remarkable difference in the lives of the 61,000 clients who rely on us each year. SPONSOR RECOGNITION Above: Corporate logo highlighted and acknowledged as Program Support Sponsor in the sponsor recognition video shown to all guests on the night of the gala. Sponsor Video: https://youtu.be/d1f5ZqZcRxU Below: Corporate logo looped on sponsor video shown on multiple screens throughout the evening of the gala. SPONSOR RECOGNITION Above: A2Z Capital’s logo is featured prominently on the centrespread of the event program book. Left: A2Z Capital’s full-page advertisement is included in the event program book distributed to all 750 guests. -
LEE-THESIS.Pdf (2.452Mb)
Copyright by Lorin Ann Lee 2012 The Thesis Committee for Lorin Ann Lee Certifies that this is the approved version of the following thesis: Singing Sinophone: A Case Study of Teresa Teng, Leehom Wang, and Jay Chou APPROVED BY SUPERVISING COMMITTEE: Supervisor: Chien-Hsin Tsai Sung-Sheng Yvonne Chang Singing Sinophone: A Case Study of Teresa Teng, Leehom Wang, and Jay Chou by Lorin Ann Lee, B.A. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2012 Acknowledgements This thesis would not be possible without the guidance and support of many. First I would like to thank my supervisor, Dr. Chien-hsin Tsai for initially pointing me in the direction of this topic. Most of all, I would like to thank him for his patience, guidance, and encouragement throughout the entire process. Thank you also to Dr. Sung-Sheng Yvonne Chang for your encouragement and support. I would also like to express my appreciation towards my friends at Chop Suey and the Asian Radio! collective. Thank you for letting me be a part of your project. Without the knowledge and skills obtained from this experience, the bulk of this thesis probably would not have been possible. Finally, I would like to convey my gratitude to my family and friends for all their support and encouragement throughout the entire process. Thanks above all else to my mom and grandmother for their indirect encouragements, and for believing in me when I no longer believed in myself.