A Sketch of a Physical Description of the Universe / by Alexander Von
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Volume 3. From Vormärz to Prussian Dominance, 1815-1866 Alexander von Humboldt: Excerpts from Cosmos (1845-58) Toward the end of his life, the geographer, naturalist, and explorer Alexander von Humboldt (1769-1859) authored Cosmos (1845-58), an ambitious multi-volume work. Cosmos was one of the last manifestations of the classicistic/idealistic quest to articulate the unity of all scholarly and scientific knowledge. Humbodlt’s study was subsequently superseded by works that took a more pluralistic approach to epistemology. [ . ] In considering the study of physical phenomena, not merely in its bearings on the material wants of life, but in its general influence on the intellectual advancement of mankind, we find its noblest and most important result to be a knowledge of the chain of connection, by which all natural forces are linked together, and made mutually dependent upon each other; and it is the perception of these relations that exalts our views and ennobles our enjoyments. Such a result can, however, only be reaped as the fruit of observation and intellect, combined with the spirit of the age, in which are reflected all the varied phases of thought. He who can trace, through by- gone times, the stream of our knowledge to its primitive source, will learn from history how, for thousands of years, man has labored, amid the ever-recurring changes of form, to recognize the invariability of natural laws, and has thus, by the force of mind, gradually subdued a great portion of the physical world to his dominion. In interrogating the history of the past, we trace the mysterious course of ideas yielding the first glimmering perception of the same image of a Cosmos, or harmoniously ordered whole, which, dimly shadowed forth to the human mind in the primitive ages of the world, is now fully revealed to the maturer intellect of man kind as the result of long and laborious observation. -
The Shape of Biogeography: Endemism, Maps, and Classification of Fish Distributions in the Western Pacific
Received: 29 November 2018 | Revised: 18 December 2018 | Accepted: 1 February 2019 DOI: 10.1111/jbi.13551 SPECIAL ISSUE The shape of biogeography: Endemism, maps, and classification of fish distributions in the western Pacific Lynne R. Parenti Department of Vertebrate Zoology, National Museum of Natural History, Smithsonian Abstract Institution, Washington, District of Columbia Aim: The aim of this study is to describe and illustrate with maps the distribution and Correspondence shape of biotic areas of endemism of fish clades in the western Pacific, including East Lynne R. Parenti, Department of Asia and Australasia. This study also depicts the allopatric or sympatric distributions Vertebrate Zoology, National Museum of Natural History, Smithsonian Institution, of major subclades and makes general statements about the shared history among Washington, DC. the areas using information provided by the shape of the distributions, phylogeny, Email: [email protected] and geology. This study also tests the hypothesis that Australasia is a locus of survival Editor: Dr. Malte Ebach or differentiation for inferred “basal” subclades of global taxa. Location: Western Pacific. Taxa: Teleost fishes. Methods: Clades are mapped to illustrate the shape of their distribution and to infer the shared relationships among distribution, phylogeny, and geology. Phylogenetic hypotheses for groups of taxa are converted into area cladograms which are used to summarize area relationships. This information is compared with that from other clades, ecology, and geology, to make general statements about the biogeographical history of the fish biota. Results: The distribution of each clade has an identifiable shape. The “basal” sub- clades of many widespread teleost fish taxa are endemic to the western Pacific, in- cluding East Asia and Australasia; hence, this is the inferred location of a principal vicariant event for each clade. -
Geographies of Outer Space
Forum Progress in Human Geography 1–23 ª The Author(s) 2017 Geographies of outer space: Reprints and permission: sagepub.co.uk/journalsPermissions.nav Progress and new opportunities DOI: 10.1177/0309132517747727 journals.sagepub.com/home/phg Oliver Dunnett Queen’s University Belfast, UK Andrew S. Maclaren University of Aberdeen, UK Julie Klinger Boston University, USA K. Maria D. Lane University of New Mexico, USA Daniel Sage Loughborough University, UK Abstract Research into outer space has burgeoned in recent years, through the work of scholars in the social sciences, arts and humanities. Geographers have made a series of useful contributions to this emergent work, but scholarship remains fairly limited in comparison to other disciplinary fields. This forum explains the scholarly roots of these new geographies of outer space, considering why and how geographies of outer space could make further important contributions. The forum invites reflections from political, environmental, historical and cultural geographers to show how human geography can present future avenues to continued scho- larship into outer space. Keywords culture, environment, geography, history, labour, outer space, politics I Introduction thereby opened up extra-terrestrial perspectives in contemporary studies of geographical repre- Human geographers have begun to re-engage sentations. A further significant intervention with outer space as an object of their research. Much of this work has drawn inspiration from a landmark paper by Denis Cosgrove (1994), which examined the Apollo astronaut Corresponding author: Oliver Dunnett, Department of Geography, School of photographs of the earth from space, and their Natural and Built Environment, Queen’s University significance in the genealogy of the global Belfast, University Road, Belfast BT7 1NN, UK. -
The Birth of the Two Cultures
CHAPTER 21 The Birth of the Two Cultures Laura Dassow Walls Alexander von Humboldt presents a paradox for Americans: at once ubiqui- tous in American culture of his own day, soon after his death in 1859 he sank out of sight. By the twentieth century, outside of specialist studies he gener- ally appears only in the occasional footnote, where he is not infrequently con- fused with his brother Wilhelm. Thus scholars who wish today to write of Humboldt to an American audience must begin by establishing, first, who he was, and second, that despite his “obscurity” he was in fact important enough to deserve rediscovery and reconsideration; that, indeed, any study of nine- teenth-century American literature and culture, let alone of science, is radi- cally incomplete if it fails to include an understanding of Humboldt’s centrality to the self-fashioning of the United States. The fact that he has so largely disappeared from scholarly and popular memory in a country that once claimed him so fervently appears as a puzzle. His absolute absence sug- gests more an active excision than a mere lapse—not merely a forgetting but an erasure. This essay suggests one part of the answer: Humboldt champi- oned aesthetic forms that emerged from the particulars of nature, and scien- tific forms that embraced, rather than excluded, the subjectivity of the observer. This put him on a collision course with the emergent concept of “objectivity,” such that Humboldt’s bold, experimental texts were absorbed, reshaped, and in large part silenced by the split we have come to know as “the Two Cultures.” The boundary between what could and could not count as science was erected by Immanual Kant in 1786, in his Metaphysical Foundations of Natu- ral Science. -
Teacher Resource
TEACHER RESOURCE Frederic Edwin Church (American, 1826–1900), School & Teacher Coast Scene, Mount Desert Programs (Sunrise off the Maine Coast), 1863 , 1863 , Frederic Edwin Church Edwin Frederic 1826–1900American, Mount Desert the Maine Coast) (Sunrise off Scene, Coast Oil on canvas 36 1/8 x 48 in. 1948.178 Gould, Hinton Bequest of Clara About the Artist: Frederic Edwin Church (American, 1826–1900) Hartford native Frederic Edwin Church spent much of his youth developing his artistic sensibilities. Although his father’s position as an original subscriber of the Wadsworth Atheneum indicated his support of the arts, Joseph Church preferred that his son pursue a career in business. Museum of Art Joseph’s close relationship with the museum’s founder, Daniel Wadsworth (1771–1848), however, proved integral to his son’s place in art history. It was Wadsworth who arranged the young Church’s apprenticeship (1844–46) with Thomas Cole (1801–1848), the acknowledged founder of the Hudson River School. Making him worthy of such an appointment was Church’s considerable talent in landscape painting, a skill perhaps inspired and cultivated by his exposure to Wadsworth’s extraordinary private art collection in Hartford. Wadsworth Atheneum Atheneum Wadsworth www.thewadsworth.org/teachers (860) 838-4170 1 At Cole’s suggestion, Church relocated to the Catskill region of New York to study his instructor’s method of outdoor sketching. He consequently developed a love of nature and adopted Cole’s style, most notably the integration of historical and moralistic themes into his landscapes. Cole later acknowledged that Church had “the finest eye for drawing in the world.” He is considered School & to be his mentor’s most illustrious pupil. -
Essay on the Geography of Plants
Essay on the Geography of Plants Essay on the Geography of Plants alexander von humboldt and aime´ bonpland Edited with an Introduction by Stephen T. Jackson Translated by Sylvie Romanowski the university of chicago press :: chicago and london Stephen T. Jackson is professor of botany and ecology at the University of Wyoming. Sylvie Romanowski is professor of French at Northwestern University and author of Through Strangers’ Eyes: Fictional Foreigners in Old Regime France. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2009 by The University of Chicago All rights reserved. Published 2008 Printed in the United States of America 17 16 15 14 13 12 11 10 09 1 2 3 4 5 isbn-13: 978-0-226-36066-9 (cloth) isbn-10: 0-226-36066-0 (cloth) Library of Congress Cataloging-in-Publication Data Humboldt, Alexander von, 1769–1859. [Essai sur la géographie des plantes. English] Essay on the geography of plants / Alexander von Humboldt and Aimé Bonpland ; edited with an introduction by Stephen T. Jackson ; translated by Sylvie Romanowski. p. cm. Includes bibliographical references. isbn-13: 978-0-226-36066-9 (cloth : alk. paper) isbn-10: 0-226-36066-0 (cloth : alk. paper) 1. Phytogeography. 2. Plant ecology. 3. Physical geography. I. Bonpland, Aimé, 1773–1858. II. Jackson, Stephen T., 1955– III. Romanowski, Sylvie. IV. Title. qk101 .h9313 2009 581.9—dc22 2008038315 The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ansi z39.48-1992. -
Biogeography - Meadows, Michael E
GEOGRAPHY – Vol. I - Biogeography - Meadows, Michael E. BIOGEOGRAPHY Meadows, Michael E. University of Cape Town, South Africa Keywords: Biogeography, distribution patterns, ecology, evolution, ecosystems, biological conservation, ecosystem management Contents 1. Introduction: defining the indefinable 2. History of biogeography 2.1 Development of the spatial tradition 2.2 Ecological biogeography 3. The major approaches to biogeography 3.1 The spatial tradition: phytogeography and zoogeography 3.2 The spatial tradition: historical biogeography 3.3 The spatial tradition: vicariance and dispersal 3.4 The ecological tradition: ecosystems 3.5 The ecological tradition: palaeoecology 3.6 The ecological tradition: island biogeography 4. Towards an applied biogeography 4.1 Conservation biology 4.2 Global change studies 4.3 Ecosystem management Glossary Bibliography Biographical Sketch Summary Biogeography is a natural science that deals with the study of the earth’s plant and animal distribution patterns in geographical space, both in terms of the present day and also in the context of their evolution and development over time. It has deep historical roots in the identification of the spatial relationships of organisms, while its fundamental principles embody those of the theory of evolution and the ecosystem concept. UNESCO The most significant theorists – of biogeographyEOLSS in the past have been Carl Linnaeus, Alexander von Humboldt and Charles Darwin, while more recently the work of, for example,SAMPLE Robert MacArthur and Ed wardCHAPTERS Wilson has proved instrumental in developing thinking as to how organisms achieve and maintain their ranges. Over longer, geological, time scales, the key principles of biogeography include the influence of changing global geography, especially through continental drift, on biological distributions. -
Physical Geography - Olav Slaymaker
GEOGRAPHY – Vol. I - Physical Geography - Olav Slaymaker PHYSICAL GEOGRAPHY Olav Slaymaker Department of Geography, University of British Columbia, Canada Keywords: Physical geography, geomorphology, climatology, hydrology, biogeography, soil geography, coastal systems, mountain geoecology, natural hazards, landscape ecology, biogeochemical cycles, global environmental change, Quaternary period, Pleistocene epoch, Holocene epoch Contents 1. Historical Background 1.1. Chinese, Islamic, and Classical Greek and Roman Scholarship 1.2. Translation of Ptolemy’s Geography into Latin, and the Age of Discovery 1.3. The General and Special Geographies of Varenius 1.4. Seventeenth-Century Scientific Revolution, Eighteenth-Century Natural Theology and Natural History 1.5. The Role of Immanuel Kant (1724–1804) 1.6. Emergence of “That European Science” 1.7. The Role of Alexander von Humboldt (1769–1859) 1.8. The Origins of “Process” Studies: Jean Baptiste de Lamarck (1744–1829), Charles Lyell (1797–1875), and Charles Darwin (1809–1882) 1.9. The Two Traditions of American Physical Geography and W.M. Davis (1850– 1935) 1.10. Contemporary Physical Geography 2. The Main Fields of Study 2.1. Geomorphology 2.2. Climatology 2.3. Hydrology 2.4. Biogeography 2.5. Soil Geography 2.6. Coastal Systems 2.7. Mountain Geoecology 2.8. NaturalUNESCO Hazards – EOLSS 2.9. Landscape Ecology 2.10. Biogeochemical Cycles 3. Past EnvironmentalSAMPLE Change CHAPTERS ©Encyclopedia of Life Support Systems(EOLSS) GEOGRAPHY – Vol. I - Physical Geography - Olav Slaymaker 3.1. Natural Archives and Proxy Data 3.2. Historical Sketch of Data Sources 3.3. Cryosphere 3.4. Hydrosphere 3.5. Lithosphere 3.6. Biosphere 3.7. Anthroposphere 3.8. The Quaternary Period 3.9. -
NINETEENTH CENTURY LIGHT and COLOR THEORY: RAINBOW SCIENCE in the ART of FREDERIC EDWIN CHURCH THESIS Presented to the Graduate
37! NO. A7 NINETEENTH CENTURY LIGHT AND COLOR THEORY: RAINBOW SCIENCE IN THE ART OF FREDERIC EDWIN CHURCH THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Diane M. Upchurch, B.F.A. Denton, Texas May, 1991 Upchurch, Diane M., Nineteenth Century Light and Color Theory: Rainbow Science in the Art of Frederic Edwin Church. Master of Arts (Art History), May, 1991, 136 pp., 18 illustrations, bibliography, 195 titles. The purpose of this study was to investigate the depiction of rainbows in the art of Frederic Church in relation to mid-nineteenth century scientific developments in order to determine Church's reliance on contemporary concerns with light and color. An examination of four Church paintings with rainbows, three oil sketches, and nearly a dozen pencil drawings shows that Church's rainbow art represents a response to mid-century cultural values connecting science and art. Changes within Church's rainbow depictions occurred as the artist explored the visual representations of light, synthesizing the scientific knowledge of light and color available to him, and reconciling that information with the requirements of art. TABLE OF CONTENTS Page LIST OF ILLUSTRATIONS .. .... .......... ii Chapter I. INTRODUCTION ....... .............. 1 Statement of the Problem Review of the Literature Methodology II. HISTORICAL BACKGROUND .. ......... 5 Religious Ideas and Values Philosophical Ideas and Values Political Ideas and Values The American Land and Its Impact on American Culture III. SCIENCE AND LANDSCAPE ART . ......... 15 The Ideas of Alexander von Humboldt The Scientific Ideas of Writers on Art Photography and Landscape Painting Artist-Scientists Meteorology and American Art IV.