CHRISTOPHER BRIAN MARTIN Curriculum Vitae Cmartin

Total Page:16

File Type:pdf, Size:1020Kb

CHRISTOPHER BRIAN MARTIN Curriculum Vitae Cmartin CHRISTOPHER BRIAN MARTIN Curriculum Vitae [email protected] www.christopher-martin.net BIOGRAPHY Christopher Martin is author of This Gladdening Light: An Ecology of Fatherhood and Faith, which won the 2015 Will D. Campbell Award in Creative Nonfiction and will be published by Mercer University Press in 2017. He is also author of the poetry collections Marcescence: Poems from Gahneesah (Finishing Line Press, 2014), Everything Turns Away: Poems from Acworth and the Allatoonas (La Vita Poetica Press, 2014), and A Conference of Birds (New Native Press, 2012). Chris’s work has appeared in publications across the country, including American Public Media’s On Being, Broad River Review, Buddhist Poetry Review, Loose Change, McSweeney’s, Pilgrimage, Poecology, Ruminate Magazine, Shambhala Sun, Still: The Journal, Thrush Poetry Journal, and Waccamaw. His poems are anthologized in Hard Lines: Rough South Poetry (University of South Carolina Press, 2016), The World is Charged: Poetic Engagements with Gerard Manley Hopkins (Clemson University Press, forthcoming), Stone, River, Sky: An Anthology of Georgia Poems (Negative Capability Press, 2015), and The Southern Poetry Anthology (Texas Review Press, 2012). Chris is the editor of Flycatcher, a contributing editor at New Southerner, and winner of the 2014 George Scarbrough Award for Poetry. He is an instructor of English at Georgia Highlands College, the creative nonfiction instructor at the Appalachian Young Writers Workshop, and a board member of the Acworth Cultural Arts Center. In this latter capacity, he founded and hosts SHORE: Acworth’s Creative Reading Series. Chris holds an MA in Professional Writing from Kennesaw State University, where he was recognized as the 2013 Outstanding Graduate Student of the Year and winner of the 2014 Robert W. Hill Award in Graduate Writing. He lives with his wife and their two young children in northwest Georgia, between the Allatoona Range and Kennesaw Mountain. MARTIN CV 1 EDUCATION Master of Arts in Professional Writing Kennesaw State University, 2013 Field of Study: Professional Writing Concentration: Creative Writing Secondary Concentrations: Applied Writing and Composition/Rhetoric Thesis: Second Coming on South Cobb Drive: Poems Now titled All Formations, All Creatures, Second Coming on South Cobb Drive is a full-length poetry collection that is nearing publication, having placed highly in national competitions. As a result of my work in this program, I was named a University Scholar and 2013 Outstanding Graduate Student of the Year. I also earned the 2013 – 2014 Robert W. Hill Award in Graduate Writing and graduated with honors. Dr. H. William Rice, English Department Chair at Kennesaw State, presented my achievements in the MAPW program as representative of the English Department, and indeed the entire College of Humanities and Social Sciences, at Kennesaw State University’s 2014 All Boards Day. Bachelor of Science in Middle Grades Education Kennesaw State University, 2009 Field of Study: Middle Grades Education Concentrations: English and Social Studies CURRENT POSITIONS Instructor of English, Georgia Highlands College. August 2014 – Present. Part-time. Creative Nonfiction Instructor, Appalachian Young Writers Workshop, in conjunction with Humanities Tennessee. Lincoln Memorial University, Harrogate, TN. June 2014 – Present. Part-time. This is a weeklong residential workshop that takes place each June. The 2016 workshop will be my third summer with AYWW, and my involvement is ongoing. Freelance Editor, Allatoona Creative. August 2010 – Present. Part-time. I have edited projects in multiple genres—including academic essays, poetry collections, novels, and children’s books—for writers of varying levels of experience. A novella that I copyedited was featured on WABE in October 2015. I am able to provide testimonials on request. VOLUNTEER POSITIONS IN LITERARY SERVICE AND STEWARDSHIP Board Member, Acworth Cultural Arts Center. December 2015 – Present. I am primarily responsible for coordinating the ACAC’s literary initiatives, as well as providing input on and assisting with various other functions of this community-oriented non-profit organization. www.acworthculturalarts.org Program Coordinator, Allatoona Book Festival. December 2015 – Present. The inaugural Allatoona Book Festival will take place in Acworth, GA, in October 2016. I supported its inception, scheduled its keynote (Janisse Ray), and wrote much of the content for a $2,000 grant that the MARTIN CV 2 Georgia Humanities Council recently awarded to the Acworth Cultural Arts Center to make the Allatoona Book Festival a reality. Founder and Coordinator, SHORE: Acworth’s Creative Reading Series. December 2015 – Present. Set in downtown Acworth and backed by the Acworth Cultural Arts Center, SHORE is a monthly reading series I founded to support the literary arts and nurture community through shared passion for the written word. I direct the creative vision for the series, schedule readers, and assist with promotion and hosting. Founding Editor, Flycatcher. June 2011 – Present. Flycatcher is an award-winning online art and literary journal driven by the themes of empathy, ecology, and belonging. I direct its team of volunteer editors and am responsible for the journal’s creative direction, content, and promotion, in addition to publishing each issue. www.flycatcherjournal.org Contributing Editor, New Southerner. July 2012 – Present. New Southerner is an online magazine promoting environmental stewardship and local economies. I write a commissioned blog—Kairos and Crisis: Race, Religion, and Social Justice in the South—for New Southerner, and also contribute book reviews and assist with editing. www.newsoutherner.com STUDENT SERVICE Success Coach, Georgia Highlands College. August 2015 – Present. As a volunteer member of GHC’s Success Coaching Initiative, I assist a group of first-year students for two semesters at a time, serving as their point of contact and mentor. RELATED EXPERIENCE Editorial Assistant, The Southern Poetry Anthology. August 2013 – August 2015. A multi-volume anthology featuring contemporary poetry of the American South. Poetry Workshop Instructor, Mountain Heritage Literary Festival. “Place: Literal and Psychological Landscapes,” co-taught with Rosemary Royston. Lincoln Memorial University, Harrogate, TN. June 2013. Media Outreach, One For Ten. February – August 2013. An award-winning film series about innocence and the death penalty. Special Education Teacher, Cobb County Schools. August – December 2009. Special Education Paraprofessional, Cobb County Schools. August 2006 – May 2008. MARTIN CV 3 BOOK PUBLICATIONS NONFICTION This Gladdening Light: An Ecology of Fatherhood and Faith Full-Length Essay Collection Winner of the 2015 Will D. Campbell Award in Creative Nonfiction Mercer University Press, forthcoming 2017 POETRY Marcescence: Poems from Gahneesah (co-authored with David King) Chapbook Finishing Line Press, 2014 Everything Turns Away Chapbook La Vita Poetica Press, 2014 A Conference of Birds Chapbook New Native Press, 2012 Everything Turns Away and A Conference of Birds are permanently housed at Duke University’s David M. Rubenstein Rare Book and Manuscript Library. OTHER PUBLICATIONS POETRY Anthologized Poems “Parable of the Red-tailed Hawks.” The World Is Charged: Poetic Engagements with Gerard Manley Hopkins (Clemson University Press, forthcoming). “Parable of the Carolina Chickadee.” Hard Lines: Rough South Poetry (University of South Carolina Press, 2016). “Visiting Wildman’s Civil War Surplus and Herb Shop.” Hard Lines: Rough South Poetry (University of South Carolina Press, 2016). “Marcescence.” Stone, River, Sky: An Anthology of Georgia Poems (Negative Capability Press, 2015). “Second Coming on South Cobb Drive.” Thrush Poetry Journal: An Anthology of the First Two Years (Thrush Press, 2014). “At the Periodic Table Display, Tellus Science Museum, Cartersville, Georgia.” Thrush Poetry Journal: An Anthology of the First Two Years (Thrush Press, 2014). “Revelation on the Cherokee County Line.” The Southern Poetry Anthology, Volume V: Georgia (Texas Review Press, 2012). “Antidote to Narcissus.” The Southern Poetry Anthology, Volume V: Georgia (Texas Review Press, 2012). MARTIN CV 4 Poems as Broadsides “The Wish to Sing with Primitives Baptists” (La Vita Poetica Press, forthcoming). “My Children Pile Sticks on a Headstone” (Occasional Snakes Press, 2014). “Marcescence” (Thrush Press, 2012). Poems in Journals and Other Media “After St. Francis.” Sanctuary (2016). “Hummingbird, New Hope McDonald’s.” Sanctuary (2016). “Shady Dale Nirvana.” Sanctuary (2016). “Jethro.” Sanctuary (2016). “Catching Salamanders at Indian Grave Gap.” Bridge Eight (2015). “Psalm 139.” Broad River Review (2015). “My Children Pile Sticks on a Headstone.” Old Red Kimono (2015). “Silence at New Echota.” Old Red Kimono (2015). “Feeding American Bison at the Yellow River Game Ranch.” Poecology (2014). “Listening to Fables on Old 41.” Raven Chronicles (2014). “Two Possums.” The Best of Loose Change Magazine (2014). “The Nuthatch.” Calamaro (2014.) “My Daughter Laughs in Her Sleep.” Menacing Hedge (2014). “You Have Turned My Mourning into Dancing.” Menacing Hedge (2014). “A Privy on the Appalachian Trail.” Menacing Hedge (2014). “My Old Man Turns Off Lithium.” Menacing Hedge (2014). “Incarnation on the Fall Line Highway.” Menacing Hedge (2014). “The Fox.” Menacing Hedge (2014). “Ringneck Snake, Lake Acworth Trail.” Town Creek Poetry (2014).
Recommended publications
  • MFABROCHURE1012.Pdf
    MASTER OF FINE ARTS CREATIVE WRITING The mission of the low-residency MFA program at Murray State University is to provide quality advanced instruction to creative writers while allowing them to live and work where they choose. Our foremost goal is to facilitate the creative and professional growth of writers, but the degree also offers the necessary academic credentials for a writer to teach creative writing at the college or university level. It also provides a foundation for careers in other writing-related fields. “When I decided to go back to school and get my MFA, I wanted someplace that was unpretentious, with a faculty that represented a wide swath of experience. Murray has definitely provided that, while keeping me on my mental toes. I haven’t learned so much, or laughed so much in a classroom, ever.” — Larry Dean Of the 49 hours required for the degree, 13 hours must be completed on campus in January and July residencies. The remaining 36 can be completed via distance learning. These 36 hours comprise three semester-long Graduate Tutorials (6 hours each), a Creative Thesis (6 hours), the New Madrid Field Study (3 hours) and three graduate literature courses (3 hours each). The graduate literature courses may also be completed on campus at Murray State. (While students may transfer up to nine semester hours — “B” or higher — of graduate-level literature courses from another accredited graduate institution, they must complete all residencies, tutorials and the field study within the MFA program at Murray State.) Although the program allows students to work in more than one genre, upon admission each student will select a concentration in fiction, poetry or creative nonfiction.
    [Show full text]
  • Newsletter | Department of English and Rhetoric | Georgia College
    Newsletter 1.1 February 2009 Georgia College THE DOER The Department of English & Rhetoric Newsletter 1.1 February 2009 Writing Blazer, Alex E. "Glamorama, Fight Club, and the Terror of Narcissistic Abjection." American Fiction of the 1990s: Reflections of History and Culture. Ed. Jay Prosser. London: Routledge, 2008. 177-89. Friman, Alice. "Ace," "Modigliani’s Girls," "Because You Were Mine," "Depression Glass," "Learning Language." [Poems.] Prairie Schooner 82.3 (2008): 64- 70. ---. "Autobiography: The Short Version," "Diapers for My Father," "Silent Movie," "Snow," "Vinculum." [Poems.] When She Named Fire: An Anthology of Contemporary Poetry by American Women. Ed. Andrea Hollander Budy. Pittsburgh: Autumn, 2009. 122-25. ---. "Coming Down." [Poem.] Shenandoah 58.2 (2008): 106-7. ---. "Leonardo’s Roses." [Poem.] Alhambra Poetry Calendar 2009. Bertem, Belgium: Alhambra, 2008. Poem for 26 July. ---. "More Clearly This Time Around." Rev. of Hazard and Prospect: New and Selected Poems by Kelly Cherry. New Letters 74.3 (2008): 151-55. ---. "On Deck." [Poem.] The Georgia Review 62 (2008): 373-74. ---. "The Refusal," "The Arranged Marriage." [Poems.] Boulevard 24.1 (2008): 101-3. ---. "Siren Song for Late September," "Borne Again." [Poems.] The Southern Review 43 (2008): 389-91. Gentry, Marshall Bruce. "A Closer Look: Cheers! Interviews Review Editor http://faculty.gcsu.edu/webdav/alex_blazer/Newsletter/2009-02.htm[4/24/2013 11:09:57 AM] Newsletter 1.1 February 2009 Marshall Bruce Gentry." With Avis Hewitt. Cheers!: The Flannery O’Connor Society Newsletter 15.2 (2008): 1, 4-5. ---. "On Getting Published (in the Flannery O’Connor Review): Notes from Bruce Gentry." Cheers!: The Flannery O’Connor Society Newsletter 15.2 (2008): 5.
    [Show full text]
  • Appalachian Understories: Growing Hope and Resilience From
    43rd ANNUAL APPALACHIAN STUDIES CONFERENCE Appalachian Understories: Growing Hope and Resilience from Commonwealth to Global Commons University of Kentucky | Lexington, Kentucky March 12 - 15 • 2020 2020 Conference Program Welcome We are thrilled to welcome you to Lexington for the 43rd more help us celebrate these native forests’ beauty, cultural annual meeting of the Appalachian Studies Association vitality, biodiversity, and healing power. Mary Hufford, Ruby (#AppalachianUnderstories)! For the first time ever, we gather at Daniels, and Tommy Cabe present “Mixed Mesophytic Nation: the University of Kentucky (UK), the Commonwealth’s flagship Pathways to Citizenship,” a plenary recognizing that forest university. UK is, and for decades has been, a vital center of understories, though easily overlooked, are places of beauty teaching, research, and service for our beloved region. It has and strength. a well-earned and long-standing reputation for leadership in Appalachian studies. Key supporters of the work beneath The 2020 conference also focuses on a range of human this reputation, including the UK Appalachian Center, the “understories.” Here we work to help amplify the many Graduate Appalachian Research Community, and the College Appalachian voices that are too often obscured. The 2020 of Arts and Sciences are among our on-campus hosts. Beyond- gathering highlights black Appalachians; health and healing; campus hosts include two inspiring Kentucky-based service women, gender, and sexuality; and hope spots. A plenary on organizations with deep Appalachian roots, Appalshop and Black Appalachian women, featuring Karida Brown, Ash-Lee LiKEN (Livelihoods Knowledge Exchange Network). The 2020 Woodard Henderson, Crystal Wilkinson, and Kelley Navies, conference—like ASA itself—grows from the collaborative showcases work in various areas, from film and literature to work of academics and activists.
    [Show full text]
  • Thursday, November 1
    Thursday, November 1 8:00 AM - Registration in Hotel Lobby (2nd Floor, outside Salons) 4:30 PM 9:30 AM - Ballroom Conference Welcome 10:45 AM On Collections Venita Blackburn, Chen Chen, Angela Morales, Sarah Viren, & Elissa Washuta What is a collection? What can we learn from thinking about other physical collections—of stamps, coins, baseball cards, shoes? And what can writers of different genres learn from talking to each other about their process of writing, and organizing, a collection of their work? In this panel three nonfiction writers of recent essay collections will talk with a short story writer and poet about the intuition and calculations that go into collecting one’s work into a book. Panelists will discuss practical things like structure, transitions, titles, and form, as well sillier things like collections in popular media and whether a poem is more like a stamp and an essay like a shoe. 11:00 AM - Salon 3 From Memoir to #MeToo 12:15 PM Janice Gary, Reyna Grande, Karen Salyer McElmurray, & Sue William Silverman In the 1990’s, a curious phenomenon appeared on bookshelves: memoirs written by women. These ordinary stories of ordinary lives were extraordinary in that they told the truth of what it was like to be a woman in a patriarchal world. Subjects previously off limits - rape, domestic violence, sexual harassment, mental and physical illness - were now exposed to the page. The predominantly male literary establishment pushed back, dismissing the work as “navel- gazing” and “whining.” “Whatever happened to the lost art of shutting up?” asked a NYT reviewer.
    [Show full text]
  • Preliminary Program Friday
    PRELIMINARY PROGRAM FRIDAY, MARCH 13, 2020 CONCURRENT SESSION 1 Fri. 8:30am-9:45am. SPONSORED SESSION: "Teaching Placed-Based Courses in the Online Classroom" Convener: Leah K. Vance "Teaching Placed-Based Courses in the Online Classroom" Leah Vance, University of Kentucky. Fri. 8:30am-9:45am. PANEL: "Appalachia-Science in the Public Interest: Sustainability Stories from the Past, Present, & Future" Convener: Tammy Clemons Presenters: Father Albert J. Fritsch, Earth Healing / Appalachia-Science in the Public Interest; Timi Reedy, Appalachia-Science in the Public Interest; Tammy Clemons, University of Kentucky / Appalachia-Science in the Public Interest; Father Jack Kieffer, and Mark Spencer, Appalachia-Science in the Public Interest. Fri. 8:30am-9:45am. PANEL: "Appalachian Englishes 1: Intersections of Place, Sound, Grammar, and Ethnicity" Convener: Jennifer Cramer "Where is Appalachia?" Daniel Hasty, Coastal Carolina University; "Sounds Across Appalachia" Paul Reed, University of Alabama; "Grammar Across Appalachia" Kirk Hazen, West Virginia University; "Language and Ethnicity in Appalachia" Becky Childs, Coastal Carolina University. Fri. 8:30am-9:45am. PERFORMANCE: "The Riparian Way: Giving Voice to the Ohio River Through Literature, Music, and Images" Convener: Richard Hague Presenters: Sherry Cook Stanforth, Thomas More University; James Cook and Nancy Cook, Tellico Family Band; Erin Carrus, Thomas More University; Ben Cutforth, St. Xavier High School; Corinne Stanforth, University of Dayton; Aubrey Stanforth, St. Ursula Academy; Olivia Stanforth, Carillon Family Practice; Eli Stanforth, Seven Hills High School; Siena Cutforth, Summit Country Day High School. Fri. 8:30am-9:45am. PANEL: "Using Institutional Repositories to Increase Visibility and Accessibility of Appalachian Materials" Convener: Gretchen Rae Beach Presenters: Elizabeth D.
    [Show full text]
  • A Chapbook of Lectures on the Craft of Creative Writing
    Volume I, 2017 A Chapbook of Lectures on the Craft of Creative Writing Volume I, 2017 Contents Preface . 5 Pay No Attention to That Man Behind the Curtain: This chapbook, curated by Jessie van Eerden, is a collaboration of Notes on Narrator, Persona, Voice, West Virginia Wesleyan College’s MFA in Creative Writing and Kim Dana Kupperman . 7 Welcome Table Press, an independent, nonprofit publisher devoted to publishing and celebrating the essay, in all its forms . Why a Memoir? Copyright © 2017 Kim Dana Kupperman, Karen Salyer McElmurray, Karen Salyer McElmurray . 17 Estate of Irene McKinney, Jessie van Eerden, and Eric Waggoner Ultra-Talk: Poetry in the Fast Lane All rights reserved Irene McKinney . 25 With many thanks to Eugenia Kim A Thousand Years as One Day: Layered Time in Noy Holland’sBird Jessie van Eerden . 29 Against Sentimentality Eric Waggoner . 39 Contributor Biographies . 47 Preface est Virginia Wesleyan’s low-residency MFA program was founded in 2011 by the late Dr . Irene McKinney . The mornings of the pro- Wgram’s summer and winter residencies are devoted to craft seminars . All students, regardless of genre track (fiction, poetry, or nonfiction), participate in all seminars . The interdisciplinary nature of the morning reflects the reality that writing is always interdisciplinary and genre categories are fluid: prose and poetry don’t happen without one another . The compressed musicality of a poem sharp- ens the paragraph, and the well-wrought narrative reverberates with the poetic line . Thus, the interdisciplinary seminars are not a default of a small program, but rather an intentional curricular design: all-cohort sessions build and maintain a founda- tion for the rich and ongoing residency-wide discussion .
    [Show full text]
  • Newsletter | Department of English and Rhetoric | Georgia College
    Newsletter 1.1 February 2009 Georgia College THE DOER The Department of English & Rhetoric Newsletter 1.1 February 2009 Writing Blazer, Alex E. "Glamorama, Fight Club, and the Terror of Narcissistic Abjection." American Fiction of the 1990s: Reflections of History and Culture. Ed. Jay Prosser. London: Routledge, 2008. 177-89. Friman, Alice. "Ace," "Modigliani’s Girls," "Because You Were Mine," "Depression Glass," "Learning Language." [Poems.] Prairie Schooner 82.3 (2008): 64- 70. ---. "Autobiography: The Short Version," "Diapers for My Father," "Silent Movie," "Snow," "Vinculum." [Poems.] When She Named Fire: An Anthology of Contemporary Poetry by American Women. Ed. Andrea Hollander Budy. Pittsburgh: Autumn, 2009. 122-25. ---. "Coming Down." [Poem.] Shenandoah 58.2 (2008): 106-7. ---. "Leonardo’s Roses." [Poem.] Alhambra Poetry Calendar 2009. Bertem, Belgium: Alhambra, 2008. Poem for 26 July. ---. "More Clearly This Time Around." Rev. of Hazard and Prospect: New and Selected Poems by Kelly Cherry. New Letters 74.3 (2008): 151-55. ---. "On Deck." [Poem.] The Georgia Review 62 (2008): 373-74. ---. "The Refusal," "The Arranged Marriage." [Poems.] Boulevard 24.1 (2008): 101-3. ---. "Siren Song for Late September," "Borne Again." [Poems.] The Southern Review 43 (2008): 389-91. Gentry, Marshall Bruce. "A Closer Look: Cheers! Interviews Review Editor http://faculty.gcsu.edu/webdav/alex_blazer/Newsletter/2009-02.htm[4/24/2013 11:09:57 AM] Newsletter 1.1 February 2009 Marshall Bruce Gentry." With Avis Hewitt. Cheers!: The Flannery O’Connor Society Newsletter 15.2 (2008): 1, 4-5. ---. "On Getting Published (in the Flannery O’Connor Review): Notes from Bruce Gentry." Cheers!: The Flannery O’Connor Society Newsletter 15.2 (2008): 5.
    [Show full text]
  • Nonfictionow 2015
    NonfictioNOW 2015 Northern Arizona University 28 - 31 October, 2015 www.nonfictionow.org Presented by Northern Arizona University in partnership with RMIT University and Yale NUS College, Singapore Contents Welcome .....................................................................................................................................4 Keynote Speakers ..............................................................................................................6 Maps ................................................................................................................................................8 Schedule .................................................................................................................................. 10 General Information ................................................................................................... 14 Conference Venues ..................................................................................................... 14 Offsite Events .................................................................................................................... 14 Panel Sessions ................................................................................................................... 15 Thursday 9–10.15am ......................................................................................15 Thursday 10.45am–12pm..........................................................................16 Thursday 2.30–3.45pm .................................................................................17
    [Show full text]
  • 2020-2021 Readings and Lectures
    February 10, 2021 English & Creative Writing Department 2020-2021 Readings and Lectures All events are free and open to the public unless otherwise noted. FALL 2020 Zoom connectivity information will be available closer to the time of each event. All times are given in Eastern Standard Time. To those outside of Hollins University who wish to receive an event Zoom link: send an email by 3:00 pm the day of the event to [email protected] and provide the event(s) you are interested in attending, as well as your name, phone number, and, if different, the name on your Zoom account. Thursday, September 10, 2020 – 7:30 pm Virtual reading by Lia Purpura Purpura is an essayist, poet, and translator whose books include All the Fierce Tethers, It Shouldn’t Have Been Beautiful, Rough Likeness, King Baby, and On Looking. A finalist for the National Book Critics Circle Award for On Looking, Purpura has received fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Fulbright Foundation, and the Maryland State Arts Council, among others. She is also the recipient of four Pushcart Prizes. Purpura is Writer in Residence at the University of Maryland, Baltimore County, and teaches at the Rainier Writing Workshop in Tacoma, Washington. Funding provided by the Dee Hull Everist Visiting Speakers Fund. Thursday, September 24, 2020 – 7:30 pm Virtual reading by Kaveh Akbar Akbar is the author of Calling a Wolf a Wolf and a forthcoming volume of poems, Pilgrim Bell. He is also the author of the chapbook, Portrait of the Alcoholic.
    [Show full text]