Tweens and TV: UCLA's 50-Year Survey Reveals the Values Kids Learn from Popular Shows 15 March 2021, by Stuart Wolpert
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An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
From Disney to Disaster: the Disney Corporation’S Involvement in the Creation of Celebrity Trainwrecks
From Disney to Disaster: The Disney Corporation’s Involvement in the Creation of Celebrity Trainwrecks BY Kelsey N. Reese Spring 2021 WMNST 492W: Senior Capstone Seminar Dr. Jill Wood Reese 2 INTRODUCTION The popularized phrase “celebrity trainwreck” has taken off in the last ten years, and the phrase actively evokes specified images (Doyle, 2017). These images usually depict young women hounded by paparazzi cameras that are most likely drunk or high and half naked after a wild night of partying (Doyle, 2017). These girls then become the emblem of celebrity, bad girl femininity (Doyle, 2017; Kiefer, 2016). The trainwreck is always a woman and is usually subject to extra attention in the limelight (Doyle, 2017). Trainwrecks are in demand; almost everything they do becomes front page news, especially if their actions are seen as scandalous, defamatory, or insane. The exponential growth of the internet in the early 2000s created new avenues of interest in celebrity life, including that of social media, gossip blogs, online tabloids, and collections of paparazzi snapshots (Hamad & Taylor, 2015; Mercer, 2013). What resulted was 24/7 media access into the trainwreck’s life and their long line of outrageous, commiserable actions (Doyle, 2017). Kristy Fairclough coined the term trainwreck in 2008 as a way to describe young, wild female celebrities who exemplify the ‘good girl gone bad’ image (Fairclough, 2008; Goodin-Smith, 2014). While the coining of the term is rather recent, the trainwreck image itself is not; in their book titled Trainwreck, Jude Ellison Doyle postulates that the trainwreck classification dates back to feminism’s first wave with Mary Wollstonecraft (Anand, 2018; Doyle, 2017). -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
What Are They Doing There? : William Geoffrey Gehman Lehigh University
Lehigh University Lehigh Preserve Theses and Dissertations 1989 What are they doing there? : William Geoffrey Gehman Lehigh University Follow this and additional works at: https://preserve.lehigh.edu/etd Part of the English Language and Literature Commons Recommended Citation Gehman, William Geoffrey, "What are they doing there? :" (1989). Theses and Dissertations. 4957. https://preserve.lehigh.edu/etd/4957 This Thesis is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. • ,, WHAT ARE THEY DOING THERE?: ACTING AND ANALYZING SAMUEL BECKETT'S HAPPY DAYS by William Geoffrey Gehman A Thesis Presented to the Graduate Committee of Lehigh University 1n Candidacy for the Degree of Master of Arts 1n English Lehigh University 1988 .. This thesis 1S accepted and approved in partial fulfillment of the requirements for the degree of Master of Arts. (date) I Professor 1n Charge Department Chairman 11 ACD01fLBDGBNKNTS ., Thanks to Elizabeth (Betsy) Fifer, who first suggested Alan Schneider's productions of Samuel Beckett's plays as a thesis topic; and to June and Paul Schlueter for their support and advice. Special thanks to all those interviewed, especially Martha Fehsenfeld, who more than anyone convinced the author of Winnie's lingering presence. 111 TABLB OF CONTBNTS Abstract ...................•.....••..........•.•••••.••.••• 1 ·, Introduction I Living with Beckett's Standards (A) An Overview of Interpreting Winnie Inside the Text ..... 3 (B) The Pros and Cons of Looking for Clues Outside the Script ................................................ 10 (C) The Play in Context .................................. -
Disney Letar Ny Stjärna I Sverige
Disney letar ny stjärna i Sverige I höst är det premiär för ungdomsserien Violetta på Disney Channel i Sverige. Tv-serien har på kort tid etablerat sig som ett ungdomsfenomen på flera internationella marknader där programmets musik spelas flitigt även utanför tv-rutan. Inför premiären i Sverige söker Disney nu tillsammans med Universal MusiC oCh Spinnup en lokal talang för att spela in seriens svenska ledmotiv. Tv-serien Violetta följer huvudpersonen med samma namn i allt det som hör tonårstiden till; kompisar, kärlek, familj och drömmar om framtiden. En stor del av historien utspelar sig på den sång- och dansskola som ’Violetta’ går på och musik är en integrerad del i berättelsen där varje avsnitt innehåller flera specialskrivna låtar. - Det känns fantastiskt roligt att Violetta snart kommer hit. Efter succéerna med Hannah Montana och High School Musical har vi väntat på nästa serie med lika stor potential och att döma av vad vi sett på andra marknader har vi nu det i Violetta. I ett sådant sammanhang känns det extra kul att kunna vidareutveckla vårt samarbete med Universal Music för att hitta rätt sångtalang, säger Anna Glanmark, Marknadsdirektör, The Walt Disney Company Nordic. Arbetet med att identifiera rätt talang för det svenska ledmotivet görs i samarbete med Universal Music genom Spinnup som är en digital distributionstjänst för osignade artister. Det som gör Spinnup unikt är att de osignade artisterna som distribuerar sin musik via tjänsten har tillgång till ett dedikerat team av Spinnup Scouter som söker nya talanger att jobba med, nu även med fokus att hitta Disneys nya stjärna. -
080905 Tv Land Premieres Tv Land Confidential, a New Original Series
Contacts: Jennifer Zaldivar Vanessa Reyes TV Land & Nick at Nite MTV Networks 212/846-8964 310/752-8081 IT USED TO BE CLASSIFIED INFORMATION BUT NOT ANYMORE… TV LAND PREMIERES TV LAND CONFIDENTIAL, A NEW ORIGINAL SERIES ON SEPTEMBER 14 Series Reveals Untold Stories from Television’s Celebrated Shows and Stars New York, NY, August 9, 2005 – What happened when Barbara Eden found out she was pregnant the same day the I Dream of Jeannie pilot was picked up by NBC? How did Garry Marshall handle network objections to Fonzie wearing a leather jacket on Happy Days ? What did Phil Rosenthal do when he was asked to make Everybody Loves Raymond sexier? You’ve seen the shows and you know all the characters. Now, the network that brings you America’s most beloved television shows, shares the stories you haven’t heard with the debut of its next original series, TV Land Confidential . Beginning September 14, 2005 at 10 p.m. (ET/PT), this seven episode series kicks off with “Network Notes,” and airs every Wednesday at 10 p.m. through October 26. The series is executive produced by David P. Levin of BrainStorm Inc. “These are the untold stories behind some of the greatest shows on TV,” explains Sal Maniaci, Vice President, Development and Production, TV Land and Nick at Nite. “We are thrilled to continue to create originals for TV Land that celebrate all that is special about television.” Each 30-minute episode of TV Land Confidential is filled with anecdotes and clips, bringing viewers the tales behind their favorite comedies, dramas and commercials on and off the screen, from the earliest days of the Golden Age of television through today’s current hits. -
Introduction to the Complete Directory to Prime Time Network and Cable TV Shows
Broo_9780345497734_2p_fm_r1.qxp 7/31/07 10:32 AM Page ix INTRODUCTION In the following pages we present, in a sin- eral headings. For example, newscasts are gle volume, a lifetime (or several lifetimes) of summarized under News, movie series under television series, from the brash new medium Movies and sports coverage under Football, of the 1940s to the explosion of choice in the Boxing, Wrestling, etc. All other series are 2000s. More than 6,500 series can be found arranged by title in alphabetical order. There here, from I Love Lucy to Everybody Loves is a comprehensive index at the back to every Raymond, The Arthur Murray [Dance] Party cast member, plus appendixes showing an- to Dancing with the Stars, E/R to ER (both nual network schedules at a glance, the top with George Clooney!), Lost in Space to Lost 30 rated series each season, Emmy Awards on Earth to Lost Civilizations to simply Lost. and other information. Since the listings are alphabetical, Milton Network series are defined as those fed out Berle and The Mind of Mencia are next-door by broadcast or cable networks and seen si- neighbors, as are Gilligan’s Island and The multaneously across most of the country. Gilmore Girls. There’s also proof that good Broadcast networks covered are ABC, CBS, ideas don’t fade away, they just keep coming NBC, Fox, CW, MyNetworkTV, ION (for- back in new duds. American Idol, meet merly PAX) and the dear, departed DuMont, Arthur Godfrey’s Talent Scouts. UPN and WB. We both work, or have worked, in the TV Original cable series are listed in two dif- industry, care about its history, and have ferent ways. -
On the Disney Channel's Hannah Mont
Tween Intimacy and the Problem of Public Life in Children’s Media: “Having It All” on the Disney Channel’s Hannah Montana Tyler Bickford Contradictions of public participation pervade the everyday lives of con- temporary children and those around them. In the past two decades, the children’s media and consumer industries have expanded and dramat- ically transformed, especially through the development and consolida- tion of “tweens”—people ages nine to thirteen, not yet “teenagers” but no longer quite “children”—as a key consumer demographic (Cook and Kaiser 2004). Commentators increasingly bemoan the destabilization of age identities, pointing to children’s purportedly more “mature” taste in music, clothes, and media as evidence of a process of “kids getting older younger” (Schor 2004), and to adults’ consumer practices as evidence of their infantilization (Barber 2007). Tween discourses focus especially on girls, for whom the boundary between childhood innocence and adolescent or adult independence is fraught with moral panic around sexuality, which only heightens anxieties about changing age identities. Girls’ consumption and media participation increasingly involve per- formances in the relatively public spaces of social media, mobile media, and the Internet (Banet-Weiser 2011; Bickford, in press; Kearney 2007), so the public sphere of consumption is full of exuberant participation in mass-mediated publics. Beyond literal performances online and on social media, even everyday unmediated consumption—of toys, clothes, food, and entertainment—is fraught with contradictory meanings invoking children’s public image as symbols of domesticity, innocence, and the family and anxiety about children’s intense affiliation with peer com- munities outside the family (Pugh 2009). -
Effective 7/12/20
Daniel Boone EFFECTIVE 7/12/20 ALL TIMES EASTERN / PACIFIC MONDAY - FRIDAY SATURDAY SUNDAY 6:00a Dragnet The Beverly Hillbillies 6:00a The Powers of Matthew Star 6:30a I Love Lucy The Beverly Hillbillies 6:30a 7:00a The Beverly Hillbillies Bat Masterson Saved by the Bell (E/I) 7:00a 7:30a My Three Sons Bat Masterson Saved by the Bell (E/I) 7:30a 8:00a Leave It to Beaver Trackdown Saved by the Bell (E/I) 8:00a 8:30a Leave It to Beaver Trackdown Saved by the Bell (E/I) 8:30a 9:00a Have Gun, Will Travel Saved by the Bell (E/I) 9:00a Perry Mason 9:30a Have Gun, Will Travel Saved by the Bell (E/I) 9:30a 10:00a The Flintstones 10:00a Matlock Maverick 10:30a The Flintstones 10:30a 11:00a The Flintstones 11:00a In the Heat of the Night Wagon Train 11:30a The Flintstones 11:30a 12:00p 12:00p The Waltons The Big Valley 12:30p 12:30p The Brady Bunch Brunch 1:00p Gunsmoke Gunsmoke 1:00p 1:30p Gunsmoke Gunsmoke 1:30p 2:00p Happy Days 2:00p Bonanza Bonanza 2:30p Happy Days 2:30p 3:00p The Rifleman Laverne & Shirley 3:00p Rawhide 3:30p The Rifleman Laverne & Shirley 3:30p 4:00p Wanted: Dead or Alive Happy Days 4:00p Wagon Train 4:30p Wanted: Dead or Alive Happy Days 4:30p 5:00p Adam-12 The Rifleman Mama's Family 5:00p 5:30p Adam-12 The Rifleman Mama's Family 5:30p 6:00p The Flintstones 6:00p The Love Boat 6:30p Happy Days 6:30p The Three Stooges 7:00p M*A*S*H M*A*S*H 7:00p 7:30p M*A*S*H M*A*S*H 7:30p 8:00p The Andy Griffith Show 8:00p 8:30p The Andy Griffith Show Svengoolie 8:30p Columbo 9:00p Gomer Pyle, U.S.M.C. -
031906 It's a Parade of Stars As Tv Land Honors Dallas
Contacts: Jennifer Zaldivar Vanessa Reyes TV Land TV Land 646/228-2479 310/752-8081 IT’S A PARADE OF STARS AS TV LAND HONORS DALLAS, CHEERS, GOOD TIMES, BATMAN AND GREY’S ANATOMY Diana Ross, Billy Crystal, Hilary Swank, Patrick Dempsey, Robert Downey Jr., Mary Tyler Moore, Sid Caesar, Patrick Duffy, Larry Hagman, Ted Danson, Kelsey Grammer, John Amos, Jimmy “JJ” Walker, Jeremy Piven and Quentin Tarantino Among Dozens of Performers Celebrating Classic TV Santa Monica, CA, March 19, 2006 – It was an unforgettable evening as celebrities from television, music and film bestowed special tribute awards tonight to some of television’s most beloved series and stars at the fourth annual TV Land Awards: A Celebration of Classic TV . The honored shows included Cheers (Legend Award), Dallas (Pop Culture Award), Good Times (Impact Award), Batman (40 th Anniversary) and Grey’s Anatomy (Future Classic Award). The TV Land Awards was taped at The Barker Hangar on Sunday, March 19 and will air on TV Land (and simulcast on Nick at Nite) Wednesday, March 22 from 9 p.m. to 11 p.m. ET/PT. This star-studded extravaganza featured some unforgettable moments such as when actor and comedian Billy Crystal presented TV icon Sid Caesar with The Pioneer Award. Grammy award-winning superstar Diana Ross performing a medley of her famous hits including “Touch Me in the Morning,” “The Boss,” “Do You Know,” and “Ain’t No Mountain High Enough.” Acclaimed actor Robert Downey Jr. presented two-time Oscar winner Hilary Swank with the Big Screen/Little Star award. -
Happy Days Are Here Again 4/4 1...2...1234
HAPPY DAYS ARE HERE AGAIN 4/4 1...2...1234 So long, sad times, go 'long, bad times, we are rid of you at last Howdy, gay times, cloudy gray times, you are now a thing of the past Happy days are here again, the skies above are clear a-gain So let's sing a song of cheer a-gain, happy days are here a-gain Altoge-ther, shout it now, there's no one who can doubt it now So let's tell the world a-bout it now, happy days are here a-gain Your cares and troubles are gone, there'll be no more from now on, from now on Happy days are here a-gain, the skies above are clear again So let's sing a song of cheer a-gain, happy days are here a-gain So let's sing a song of cheer a-gain, happy days..... are..... here..... a-gain HAPPY DAYS ARE HERE AGAIN 4/4 1...2...1234 Am G F E7 Am E7 E7+ Am So long sad times, go long bad times, we are rid of you at last Am G B7 E7 C#m7 F#7 B7 E7 Howdy, gay times, cloudy gray times, you are now a thing of the past A E7+ A E7+ A E7+ A Happy days are here again, the skies above are clear a-gain Bbdim Bm7 E7 Bm7 E7 A D A E7 So let's sing a song of cheer a-gain, happy days are here a-gain A E7+ A E7+ A E7+ A Altoge-ther, shout it now, there's no one who can doubt it now Bbdim Bm7 E7 Bm7 E7 A D A So let's tell the world a-bout it now, happy days are here a-gain C# G#7 C# B7 E B7 E7 F7 Your cares and troubles are gone, there'll be no more from now on, from now on Bb F#+ Bb F#+ Bb F#+ Bb Happy days are here a-gain, the skies above are clear again Bdim Cm7 F7 Cm7 F7 Bb Eb Bb So let's sing a song of cheer a-gain, happy days are here a-gain Bdim Cm7 F7 Cm7 F7 Bb Eb Bb F#+ Bb So let's sing a song of cheer a-gain, happy days... -
Inkier Belieiv'~'P;Enzie'lmage
I I I "=:'::::-'':'-::~::,=,:::::=~::~': :::'::-:~~"':.~:.':~:~~': :.. ~ .. :'....... .' .-~' -~-.. ..·.·~,.c .. _. __ ... " .._ "'_ _" ... ~:; '.--.-".-;-,-~~",-,~-,,-, "".--' - .• ."_- .• -. '~, ".,.- ., -····.. --:P,..I.'!M..' _. , .. ',. " .•. , ',." ,""" __ ~"., ..,._. ________ ._"' __ ~ •. _". _'_. ~ __-_... ..~ " .•, ' .. _ . _ .. , -~--- .. "'.--~.. --- ,,- ,.--, .. ,- .... (,-_ .. ,,-,..... - ',- I I . I , .' i"1 I, . 30. - THE JEWISH POST, THURSDAY, OCTOBER. 27, 1977 r , " -- " , -". ,-.,,'.'» ,_. ", ," < " I, r.:• 'rllf JEWiSH POST, THURSDAY, OCTOBER 27, 15m - it {, , '.,--, Firep~i)ce Do ;. ;i The'Modern rrend is to call: . l:· inkier Belieiv'~'P;enzie'lmage . , ' Henry Winkler, as. leather- vocabulary, a New Y{)rker who boy from Manhattan;";,whose .commercials· before branching Nehemiah Persoff, the noted W. W. Arcade' LTD. , and Don1t 'jacketed, self-assured,' cool Ar- spent his college years in parents, Ilse and Harry Winkler, out into the. theatrical field with Jerusalem-born. actor' wno por Edmonton's Largest Hardware thur Fonzarelli (Fonzie or The Lausanne,1 Switzerland and came from Berlin in 1939 to "The Great American Dream trayed the key role of Katherine Tempted to install your own ft. Fonz) in the ABC comedy- received his Bachelor of Fine escape Nazism six years before Machine" and "Masquerade" for Ross' anguished father in Voyage. V2 fireplace? How ab9ut one of those television series, "Happy Days" Arts degree from Boston's Emer- he, Henry, was born in this coun- National Educational Televison. of the Damned, told meofa new free-standing models to take All your hal'dwal'6 needs at - in real life is of an entirely dif- son College, try. With friends he put together an television film, "The Making of A the chill out of the family room? the lowest pricesl ferent mold, ~ft-spoken, with It IS little'known that the Latin He actually fell into the con- off-Broadway show, an evening of President," in which he par- Watch out, advises Trudy Daly, Eastern accent and rich character of Fonzie.