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7 Great Pottery Projects
ceramic artsdaily.org 7 great pottery projects | Second Edition | tips on making complex pottery forms using basic throwing and handbuilding skills This special report is brought to you with the support of Atlantic Pottery Supply Inc. 7 Great Pottery Projects Tips on Making Complex Pottery Forms Using Basic Throwing and Handbuilding Skills There’s nothing more fun than putting your hands in clay, but when you get into the studio do you know what you want to make? With clay, there are so many projects to do, it’s hard to focus on which ones to do first. So, for those who may wany some step-by-step direction, here are 7 great pottery projects you can take on. The projects selected here are easy even though some may look complicated. But with our easy-to-follow format, you’ll be able to duplicate what some of these talented potters have described. These projects can be made with almost any type of ceramic clay and fired at the recommended temperature for that clay. You can also decorate the surfaces of these projects in any style you choose—just be sure to use food-safe glazes for any pots that will be used for food. Need some variation? Just combine different ideas with those of your own and create all- new projects. With the pottery techniques in this book, there are enough possibilities to last a lifetime! The Stilted Bucket Covered Jar Set by Jake Allee by Steve Davis-Rosenbaum As a college ceramics instructor, Jake enjoys a good The next time you make jars, why not make two and time just like anybody else and it shows with this bucket connect them. -
Use and Applications of Draping in Turkey's
USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION DUYGU KOCABA Ş MAY 2010 USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF IZMIR UNIVERSITY OF ECONOMICS BY DUYGU KOCABA Ş IN PARTIAL FULFILLMENTOF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF DESIGN IN THE GRADUATE SCHOOL OF SOCIAL SCIENCES MAY 2010 Approval of the Graduate School of Social Sciences ...................................................... Prof. Dr. Cengiz Erol Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Design. ...................................................... Prof. Dr. Tevfik Balcıoglu Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adaquate, in scope and quality, as a thesis for the degree of Master of Design. ...................................................... Asst. Prof. Dr. Şölen Kipöz Supervisor Examining Committee Members Asst. Prof. Dr. Duygu Ebru Öngen Corsini ..................................................... Asst. Prof. Dr. Nevbahar Göksel ...................................................... Asst. Prof. Dr. Şölen Kipöz ...................................................... ii ABSTRACT USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION Kocaba ş, Duygu MDes, Department of Design Studies Supervisor: Asst. Prof. Dr. Şölen K İPÖZ May 2010, 157 pages This study includes the investigations of the methodology and applications of draping technique which helps to add creativity and originality with the effects of experimental process during the application. Drapes which have been used in different forms and purposes from past to present are described as an interaction between art and fashion. Drapes which had decorated the sculptures of many sculptors in ancient times and the paintings of many artists in Renaissance period, has been used as draping technique for fashion design with the contributions of Madeleine Vionnet in 20 th century. -
Pottery Pieces Designed & Handmade in Our Ceramic Studios and Fired in Our Kilns
GLAZES ACCESSORIES FOUNTAINS PLANTERS & URNS OIL JARS ORNAMENTAL PIECES BIRDBATHS INTRODUCTION TERY est. 1875 Gladding, McBean & Co. POT Over A Century Of Camanship In Clay INTRODUCTION artisan made This catalog shows the wide range of pottery pieces designed & handmade in our ceramic studios and fired in our kilns. These pieces are not only for the garden, but also for general use of decoration indoors and out. Gladding, McBean & Co. has been producing this pottery for 130 years. Its manufacture began in the earliest years of the company’s existence at a time when no other terra cotta plant on the Pacific Coast was attempting anything of the sort. Gladding, McBean & Co. therefore, has pioneered in pottery-making. The company feels that it has carried the art to an impressive height of excellence. In every detail but color the following photographs speak for themselves. Each piece is glazed in one of our beautiful proprietary glazes. A complete set of glaze samples can be seen at our retail showrooms. This pottery is on display at, and may be ordered from, any of the retail showrooms listed on our website at www.gladdingmcbean.com. In photographing the pieces, and in reproducing the photographs for this catalog, the strictist care was taken to make the pictures as faithful as possible to the objects themselves. We are confident that in every instance the pottery will be found lovelier than its picture. The poet might well have had this pottery in mind when he wrote: “A thing of beauty is a joy forever.” BIRDBATHS no. 1099 birdbath width: 15.5” height: 24.5” base: 10” Birdbath no. -
Iroquois Beadwork Teachers Guide
This is an older Teacher Guide made into a PDF for our new Societies and Territories site at http://societies.learnquebec.ca Note also, the new location for the Iroquois Beadwork Kids’ Zone ! at http://blogdev.learnquebec.ca/societies/iroquois-beadwork-kids-zone/ Home Many First Nations in Québec and Canada have lonG practiced beadwork. This art has become a very real tradition for two Iroquois nations in particular, the Mohawks, who live near Montreal, and the Tuscaroras, who live on the American side of NiaGara Falls. This website and the McCord Museum exhibition that inspired it - Across Borders: Beadwork in Iroquois Life - are based mainly on the beadwork of these two nations. The photoGraphs and the imaGes of beaded objects, which are a combination of old and new, show that the art of beadwork not only has a lonG history but is still very much alive today. In order to reflect this reality, a number of objects were made especially for the Across Borders: Beadwork in Iroquois Life exhibition which was held last year at the McCord Museum and is now travelling to various locations in North America. The exhibition is orGanized and circulated by the McCord Museum, Quebec, and the Castellani Art Museum of Niagara University, NY, in collaboration with the Kanien'kehaka Raotitiohkwa Cultural Center, Kahnawake, the Tuscarora Nation community beadworkers within New York State, and the Royal Ontario Museum, Toronto. This project is beinG developed by teachers and consultants in partnership with the McCord Museum and the Kanien'kehaka Raotitiohkwa Cultural Center. Iroquois Beadwork: General Overview What initiated the project? The project was initiated when Ann Cohen, pedaGoGical consultant at Sir Wilfrid Laurier School Board, toured the Across Borders Iroquois Beadwork exhibition at the McCord Museum in 1999. -
Ch. 4. NEOLITHIC PERIOD in JORDAN 25 4.1
Borsa di studio finanziata da: Ministero degli Affari Esteri di Italia Thanks all …………. I will be glad to give my theses with all my love to my father and mother, all my brothers for their helps since I came to Italy until I got this degree. I am glad because I am one of Dr. Ursula Thun Hohenstein students. I would like to thanks her to her help and support during my research. I would like to thanks Dr.. Maysoon AlNahar and the Museum of the University of Jordan stuff for their help during my work in Jordan. I would like to thank all of Prof. Perreto Carlo and Prof. Benedetto Sala, Dr. Arzarello Marta and all my professors in the University of Ferrara for their support and help during my Phd Research. During my study in Italy I met a lot of friends and specially my colleges in the University of Ferrara. I would like to thanks all for their help and support during these years. Finally I would like to thanks the Minister of Fournier of Italy, Embassy of Italy in Jordan and the University of Ferrara institute for higher studies (IUSS) to fund my PhD research. CONTENTS Ch. 1. INTRODUCTION 1 Ch. 2. AIMS OF THE RESEARCH 3 Ch. 3. NEOLITHIC PERIOD IN NEAR EAST 5 3.1. Pre-Pottery Neolithic A (PPNA) in Near east 5 3.2. Pre-pottery Neolithic B (PPNB) in Near east 10 3.2.A. Early PPNB 10 3.2.B. Middle PPNB 13 3.2.C. Late PPNB 15 3.3. -
A Comparative Study of the Swennes Woven Nettle Bag and Weaving Techniques
Karoll UW-L Journal of Undergraduate Research XII (2009) A Comparative Study of the Swennes Woven Nettle Bag and Weaving Techniques Amy Karol Faculty Sponsors: Dr. Connie Arzigian and Dr. David Anderson, Department of Sociology and Archaeology ABSTRACT During recent years, the Mississippi Valley Archaeology Center (MVAC) has acquired permission to look at a beautifully preserved bag from 47Lc84, a rockshelter located in La Crosse County, Wisconsin. The bag is tentatively dated to the Oneota cultural tradition (A.D. 1250-1650) based on pottery sherds associated with it. Nothing of its kind has been found archaeologically in this region before, owing mostly to poor preservation conditions. Due to its uniqueness, there is nothing to compare it to within the Oneota tradition. Therefore, to gain a better understanding of this bag, a cross-cultural study was undertaken. This paper examines separate sites in the American Midwest, as well as textile impressions that are preserved on pottery, the ethnohistoric and early historic record, and modern hand-weaving techniques to determine the textile tradition from which the bag may have emerged as well as how it was constructed. INTRODUCTION Textiles in the archaeological record are poorly preserved in the American Midwest. Only in very few sites are they actually found, and in even fewer are the fragments large enough to be studied in depth. Detailed studies conducted on textiles are not numerous. Lacking in these studies is a cross-cultural comparison of types and materials from sites that do have better preserved textiles to try and determine similarities and differences in textile manufacture. -
Report from the Secretary of War, in Compliance with a Resolution of the Senate, Relative to an Examination with a View of Conne
University of Oklahoma College of Law University of Oklahoma College of Law Digital Commons American Indian and Alaskan Native Documents in the Congressional Serial Set: 1817-1899 5-12-1832 Report from the Secretary of War, in compliance with a resolution of the Senate, relative to an examination with a view of connecting Lake Michigan with the Wabash River in Indiana. Follow this and additional works at: https://digitalcommons.law.ou.edu/indianserialset Part of the Indian and Aboriginal Law Commons Recommended Citation S. Doc. No. 143, 22nd Cong., 1st Sess. (1832) This Senate Document is brought to you for free and open access by University of Oklahoma College of Law Digital Commons. It has been accepted for inclusion in American Indian and Alaskan Native Documents in the Congressional Serial Set: 1817-1899 by an authorized administrator of University of Oklahoma College of Law Digital Commons. For more information, please contact [email protected]. 22d CONGRESS, 143] 1st Session. i REPORT FROM THE SECRETARY OF WAR, IN COMPLJA.NCE IYith a resolution nf the Senate, relative to an examination with a view of connecting Lake Michigan with the Wabash river, in Indiana. • MAY 14, 1832. R ead, and ordered to be printed, • DEPARTMENT OF WAR, May 12, 183.2. rn: In compliance wi.th a resolution of the Senate, of the 23d ultimo, I have the honor to transmit the report of" the examinations made by How ard Stansbury, esq ., United States' Civil Engineer, relative to the con nection of Lake Michigan with the Wabash river, in the State of Indiana." I have the honor to be, Very respectfully, Your obedient servant, LEW. -
January, 2021 Gov
January, 2021 Gov. Holcomb unveils 2021 Next In this issue Level agenda Canstruction returns to help re- 2 stock food pantries New year, new opportunities to 3 be well! Indiana Grown launches online 8 marketplace 10 Wild, wild life Governor Eric J. Holcomb • Cultivate a strong and The Torch is published monthly announced his 2021 Next Level diverse economy by the Indiana State Personnel Agenda in December, which is • Maintain and build the Department and is available focused on safely navigating out of online at https://www.in.gov/ the pandemic and emerging as a state’s infrastructure spd/employee-resources/the- stronger Indiana. • Education, training and torch/ “The 2021 Next Level Agenda is workforce development focused on making sure Indiana • Public health remains a state of opportunity Got a story? for all,” Gov. Holcomb said. “To • Deliver great government Submit your story ideas to: do that, we must manage our service [email protected] way through the world’s worst pandemic in over a century.” To watch Gov. Holcomb’s agenda speech at Dentons Legislative Social media The 2021 Next Level Agenda Conference and learn more about includes five pillars detailing the 2021 Next Level Agenda, Follow legislative and administrative visit http://www.in.gov/gov. @SOIEmployees priorities for the year ahead.To watch Gov. Holcomb’s agenda Like speech at Dentons Legislative @SOIEmployees Conference and learn more about the 2021 Next Level Agenda, visit http://www.in.gov/gov. Follow State of Indiana Employees Canstruction returns to help re-stock food pantries Registration opens Jan. 6 Your chance to do your part to help food pantries throughout the Hoosier State is almost here! Registration opens for the third annual State of Indiana employ- ees’ “Canstruction Competition” Wednesday, Jan. -
Interactivity in Louisville Museums
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2013 Interactivity in Louisville museums. Robert Stephen Goforth 1983- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Goforth, Robert Stephen 1983-, "Interactivity in Louisville museums." (2013). Electronic Theses and Dissertations. Paper 509. https://doi.org/10.18297/etd/509 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. INTERACTIVITY IN LOUISVILLE MUSEUMS By Robert Stephen Goforth A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of History University of Louisville Louisville, Kentucky May 2013 INTERACTIVITY IN LOUISVILLE MUSEUMS By Robert Stephen Goforth A Thesis Approved on April 22, 2013 by the following Thesis Committee: ______________________________________ Daniel Vivian (Thesis Director) ______________________________________ A. Glenn Crothers ______________________________________ John P. Begley ii DEDICATION This thesis is dedicated to my grandparents Mr. Clyde Goforth and Mrs. Bobbie Joyce Goforth without whom this would not exist. iii ACKNOWLEDGMENTS I would like to thank my thesis adviser, Dr. Daniel Vivian, for his help with my thesis over the past year. -
Board Minutes, the Abuse Prevention Policy and the Revised Fiscal Policy
Indiana State Museum and Historic Sites Regular meeting of the Board of Directors via Zoom March 3, 2021 Board members present: William Browne Jr., board chair; Andrew Dahlem, vice chair; Andrew Briggs, treasurer; Liz Witte, secretary; Steve Anderson; Melissa Caito; Fred Cate; Nancy Jordan; Thao Nguyen; Kathy Roudebush; Alice Schloss; Judy Singleton; Mary Walker; John Wechsler; and Robin Winston. Board members absent: Gary Anderson and Linda Conti. Staff present: Cathy Ferree, president and CEO; Susannah Koerber, chief curator and research officer; Amy Ahlersmeyer, chief marketing officer; Brian Mancuso, chief officer of engagement; Nora Woodman, chief development officer; David Daum, vice president of finance and IT; Katherine Gould, curator of cultural history, Charlie Shock, concierge and volunteer manager; and Renee Bruck, manager of communication. State-appointed representatives: Indiana District 82 Rep. Dave Abbott Partners: Dan Bortner, director of the Indiana Department of Natural Resources; and Carolene Mays- Medley, executive director of the White River State Park Development Commission. Guests: Emily Shoemaker, legislative intern to Reps. Baird, Eberhart and May; and William Smeltzer, legislative assistant to Reps. Heaton, Morrison and Payne. The regular meeting of the Board of Directors was called to order at 12:03 p.m. Consent agenda A motion to approve the consent agenda was made by Mary Walker with the motion seconded by Liz Witte. The motion was unanimously approved. The consent agenda included the December 2, 2020 board minutes, the Abuse Prevention Policy and the revised Fiscal Policy. Investment Committee Report Steve Anderson presented the investment committee report for Gary Anderson, who was unable to attend the meeting. -
Outdoor Pottery Sculpture in Ife Art School
E-ISSN 2281-4612 Academic Journal of Interdisciplinary Studies Vol 4 No 3 ISSN 2281-3993 MCSER Publishing, Rome-Italy November 2015 Outdoor Pottery Sculpture in Ife Art School Moses Akintunde Akintonde1 Toyin Emmanuel Akinde2 Segun Oladapo Abiodun3 Michael Adeyinka Okunade4 1,2,3 Department of Fine and Applied Arts, Ladoke Akintola University of Technology, Ogbomoso, Nigeria 4Department of Fine Arts, Obafemi Awolowo University, Ile-Ife, Nigeria; [email protected] [email protected], [email protected], [email protected] Doi:10.5901/ajis.2015.v4n3p219 Abstract The rich public outdoor sculpture practice of the Southwest of Nigeria still lacks scientific and empirical experimentation of non- conventional material for the production of outdoor sculpture, particularly pottery images. Although scholarship on public outdoor sculpture in the Southwest of Nigeria is becoming steady in growth, yet a reconnaissance study of the pottery sculpture in art practice and historical perspective has not been made. A study of this type of art, erected in the garden of Ife art school is exigent and paramount now that many of the works are not being maintained. The study underscores the inherent values in the genre of the art; and examined pottery sculpture types, its uses in public sphere and its development in morphology, iconic thematic and stylistic expressions. The study observed that outdoor pottery sculptures are impressive, apparent in sculpture multiplicity of type and dynamics; it is rare in occurrence in Southwestern Nigeria. Keywords: Ife Art School; outdoor sculpture, pottery sculpture; handbuilt pottery; Yoruba pottery. 1. Introduction The praxes of outdoor sculpture in Nigeria, beginning from the first quarter of twentieth century presented different latitudes. -
Annual Meeting of the National Council on Public History
THE MIDDLE: WHERE DID WE COME FROM? WHERE ARE WE GOING? April 19-22, 2017 // Indianapolis, Indiana Annual Meeting of the National Council on Public History Aerial View of a Parade on Monument Circle, Bretzman Collection, Indiana Historical Society, P0338. IUPUI Graduate Program in Public History Established in 1984, the Graduate Program in Public History at Indiana University – Purdue University Indianapolis (IUPUI) trains historians in the research, analytical, and communications skills needed to apply their work in the public arena. Students benefit from a combination of classroom instruction and practical experiences that prepare them for a wide range of public history occupations. Campus adjacent to downtown Indianapolis, which serves as a learning laboratory for public history students. Program highlights include: • A nationally-recognized public history degree program, with opportunities for students to pursue additional qualifications and certifications in Library Science, Museum Studies, and Documentary Editing • Two academic years of half-time paid internships in local institutions provide significant practical training (interns also receive a substantial tuition remission and health insurance) • Situated near several long-time partner institutions and research repositories (including the Indiana Historical Society, Indiana State Library and Historical Bureau, and Eiteljorg Museum of American Indians and Western Art) Graduate public history courses include: Digital Humanities, Historical Administration, Historic Preservation,