A Good Weekend Cookbook
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BLACK Baselitz, De Kooning, Mariscotti, Motherwell, Serra
Upsilon Gallery 404 Fifth Avenue, New York, NY 10018 [email protected] www.upsilongallery.com For immediate release BLACK Baselitz, de Kooning, Mariscotti, Motherwell, Serra April 13 – June 3, 2017 Curated by Marcelo Zimmler Spanish Elegy I, Lithograph, on brown HMP handmade paper, 13 3/4 x 30 7/8 in. (35 x 78.5 cm), 1975. Photo by Caius Filimon Upsilon Gallery is pleased to present Black, an exhibition of original and edition work by Georg BaselitZ, Willem de Kooning, Osvaldo Mariscotti, Robert Motherwell and Richard Serra, on view at 146 West 57 Street in New York. Curated by Marcelo Zimmler, the exhibition explores the role played by the color black in Post-war and Contemporary work. In the 1960s, Georg BaselitZ emerged as a pioneer of German Neo–Expressionist painting. His work evokes disquieting subjects rendered feverishly as a means of confronting the realities of the modern age, and explores what it is to be German and a German artist in a postwar world. In the late 1970s his iconic “upside-down” paintings, in which bodies, landscapes, and buildings are inverted within the picture plane ignoring the realities of the physical world, make obvious the artifice of painting. Drawing upon a dynamic and myriad pool of influences, including art of the Mannerist period, African sculptures, and Soviet era illustration art, BaselitZ developed a distinct painting language. Upsilon Gallery 404 Fifth Avenue, New York, NY 10018 [email protected] www.upsilongallery.com Willem de Kooning was born on April 24, 1904, into a working class family in Rotterdam, the Netherlands. -
Poche Parole the Italian Cultural Society of Washington D.C
January, 2014 Vol. XXXI, No. 5 Poche Parole The Italian Cultural Society of Washington D.C. Preserving and Promoting Italian Culture for All www.italianculturalsociety.org ICS EVENTS Social meetings start at 3:00 PM on the third Sunday of the month, September thru May, at the Friendship Heights Village Center, 4433 South Park Ave., Chevy Chase, MD (See map on back cover) Sunday, January 19: Pianist Sophia Pileggi and mezzo soprano Madeleine Curtis in concert Saturday, February 22: Carnevale !! Sunday, March 16: ICS Member, numismatist Frank Palumbo, will speak on coins oF ancient Italy Movie of the Month at 1:00 PM on January 19: Le Mani sulla Citta’, Kids’ Movie at 3:00 PM Pinocchio Italian Lesson and Conversation on January 19 at 2:00 PM PRESIDENT’S MESSAGE The festivities of this year’s Festa di Natale were overshadowed by the death, just a few days later, of Maria Wilmeth, founder and former director of the ICS Italian Language Program, who was an inspiration to teachers and others well beyond our community See page 2. This year’s Festa was attended by over 150 adults and at least 50 children. We put special emphasis on the children this year, with two separate children’s activities, theater and crafts, and a choir recital in Italian by the children from the ICS Italian Language Program, and of course Babbo Natale (Riccardo Cannavo’), La Befana (Sabrina Munao), and the Elves (Lucio and Edvige D’Andrea) handing out presents to the kids. See pictures on page 10. Of course our star attraction was Lyric-Coloratura Soprano Angela Knight, back by popular demand, singing operatic arias and Christmas carols and two versions of Ave Maria. -
M Oldes I M Portados
MOLDES IMPORTADOS Moldes individuales para pan de caja Material: Acero aluminizado y glaseado Código Descripción Clave CM Medida individual 40103 40101 Molde p/pan caja 40415 14.3 x 7.9 x 5.5 alto 40102 Molde p/pan caja 41065 20.3 x 10.0 x 6.3 alto 40103 Molde p/pan caja c/tapa 44615/60 33.0 x 10.2 x 10.2 alto 40101 40120 Juegos de moldes para pan de caja Material: Acero aluminizado y glaseado Código Descripción Clave CM Medida individual Medida total 40120 Jgo 4 p/pan caja 49145 25.4 x 12.7 x 7.6 alto 27.2 x 60.6 40121 Jgo 4 p/pan caja c/tapa 44685/95 33.0 x 10.0 x 10.0 alto 35.0 x 54.3 40130 Jgo 5 p/pan caja 44255 21.6 x 11.4 x 7.0 alto 23.4 x 66.0 40130 Placas para mantecada / muffin Material: Acero aluminizado y glaseado Código Descripción Clave CM Cavidades Medida individual Medida total 40200 Placa minimantecada 45195 5 x 6 4.8 diám. x 2.2 alto 32.7 x 45.4 40201 Placa minimantecada 45245 4 x 6 5.2 diám. x 2.9 alto 32.7 x 45.4 40202 Placa mantecada 45125 3 x 4 7.0 diám. x 3.5 alto 28.3 x 40.0 40203 Placa mantecada 45525 4 x 6 7.0 diám. x 3.5 alto 35.7 x 52.5 40204 Placa mantecada* 45605 4 x 6 7.0 diám. -
E 01 Pr..Sident
Dokument 1 25.03.2004 8:36 Uhr Seite 2 2003 Dokument 1 25.03.2004 8:36 Uhr Seite 3 Dokument 1 25.03.2004 8:37 Uhr Seite 4 Key Financial Data of the Lindt & Sprüngli Group 2003 2002 Change Income statement in % Consolidated sales CHF million 1 800.5 1 680.5 7.1 EBITDA CHF million 265.2 242.4 9.4 in % of consolidated sales % 14.7 14.4 EBIT CHF million 188.7 170.8 10.5 in % of consolidated sales % 10.5 10.2 Net income CHF million 122.4 101.9 20.1 in % of consolidated sales % 6.8 6.1 Cash flow CHF million 206.2 178.3 15.6 in % of consolidated sales % 11.5 10.6 Balance Sheet Total assets CHF million 1 592.3 1 492.1 6.7 Current assets CHF million 1 042.2 940.0 10.9 in % of total assets % 65.5 63.0 Fixed assets CHF million 550.1 552.1 –0.4 in % of total assets % 34.5 37.0 Long-term liabilities CHF million 382.6 379.8 0.7 in % of total assets % 24.0 25.5 Shareholders’ equity CHF million 728.7 608.9 19.7 in % of total assets % 45.8 40.8 Investments in fixed assets CHF million 75.1 77.6 –3.2 in % of cash flow % 36.4 43.5 Employees Average number of employees 6 011 6 029 –0.3 Sales per employee 1 000 CHF 299.5 278.7 7.5 Data per share Net income per share/10 PC CHF 562 468 20.1 Cash flow per share/10 PC CHF 947 819 15.6 Dividend per share/10 PC 1) CHF 140 110 27.3 Payout ratio % 24.9 23.5 Shareholders’ equity per share/10 PC CHF 3 345 2 799 19.5 Price registered share 31.12. -
Pastries Viennoiseries Viennoiseries
PASTRIES VIENNOISERIES VIENNOISERIES February 13, 2020 current rates, subject to change VIENNOISERIES Viennoiseries Ladurée croissant $3.90 Pain au chocolat $4.80 Plain croissant Chocolate croissant Croissant aux noix $4.80 Palmier $4.30 Walnut croissant Crispy puff pastry Chausson aux pommes $4.80 Croissant à la rose $5.00 Apple turnover Rose croissant VIENNOISERIES Mini Viennoiseries Mini Ladurée Croissant $2.90 Mini Croissant aux noix $3.30 Mini Pain au chocolat $3.30 Mini Chausson aux pommes $3.30 Madeleine $3.00 Financier $3.00 Three mini viennoiseries $8.50 INDIVIDUAL PASTRIES Minimum order of 3pce (of the same type of cake) is required for pre-orders of individual size pastries. For smaller orders, please contact our boutique for our daily selection and we will be able to reserve cakes for you with pre-payment for the order. We will be happy to assist. LADURÉE ÉCLAIRS Dark Chocolate Éclair Gourmet éclair, guanaja dark chocolate cream, chocolate fondant $10.00 SEASONAL RANGE Lemon Tart Praline Hazelnut Gateau Sweet pastry, lemon jam and cream, Almond and hazelnut biscuit, hazelnut praline mousse, lime zest meringue caramelized hazelnuts, milk chocolate belt, hazelnut milk chocolate glaze. $10.50 $10.50 Choux Nougatine Vanilla Millefeuille Choux pastry, vanilla pastry cream, Caramelized puff pastry, light vanilla pastry cream almond nougatine, Chantilly cream $10.50 $10.50 LADURÉE CLASSICS Ispahan Pistachio Religieuse Rose flavoured soft macaron biscuit garnished with Choux pastry, pistachio cream, pistachio icing rose petal cream, -
Robert Morris, Minimalism, and the 1960S
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 1988 The Politics of Experience: Robert Morris, Minimalism, and the 1960s Maurice Berger Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1646 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. -
San Francisco Baking Institute 480 Grandview Drive, S San Francisco, CA 94080 | P: 650.589.5784 | F: 650.589.5729 |
Below is a list of all the educational videos you will have unlimited access with SFBI videos: To reach The Advance Bread and Pastry Companion Videos, visit www.sfbi.com. 1: Preferments 1.1 Comparison of Poolish 1.2 Comparison of Sponge 2: Dough Mixing 2.1 Short Mix 2.2 Improved Mix 2.3 Intensive Mix 2.4 Double Hydration 2.5 Basic Autolyse 2.6 Autolyse with Liquid Preferments 2.7 Autolyse with Stiff Preferments 2.8 Mixing Sourdough Rye 2.9 Mixing 100 Percent Rye 2.10 Mixing 100 Percent Whole Grain 2.11 Sprouted Wheat 2.12 Sprouted Wheat Mixing Dough 2.13 Comparison of Mixes 3: Dough Folding 3.1 Folding in Tub 3.2 Folding on Bench 4: Preshaping 4.1 Preshape Baguette 4.2 Preshape Boule 5: Shaping Basic Shapes 5.1 Shape Baguette 5.2 Shape Batard 5.3 Shape Boule 5.4 Seed Garnish San Francisco Baking Institute 480 Grandview Drive, S San Francisco, CA 94080 | p: 650.589.5784 | f: 650.589.5729 | www.sfbi.com 6: Shaping Rolls 6.1 Shape Roll 6.2 Shape Kaiser Stamp 6.3 Shape Single Knot 6.4 Shape Double Knot 6.5 Shape Twist 7: Bagels 7.1 Shape Bagels 7.2 Boiling and Seeding Bagels 8: Pretzels 8.1 Shape Pretzels 8.2 Dipping and Panning Pretzels 9: Shaping Braided Breads 9.1 Shape 2 Braids 9.2 Shape 3 Braids 9.3 Shape 4 Braids 9.4 Shape 6 Braids 10: Shaping Pan Bread 10.1 Shape Pan Bread Batard 10.2 Shape Pan Bread 3 Boules 10.3 Shape Pan Bread Twist 11: Shaping Specialty Breads 11.1 Shape Rye and Score 11.2 Shape Corn Bread 11.3 Shape Crown 11.4 Shape Fougasse 11.5 Shape Pain de Beaucaire 11.6 Shape Roasted Potato Bread 11.7 Shape Pear Buckwheat -
FY 15 ANNUAL REPORT August 1, 2014- July 31, 2015
FY 15 ANNUAL REPORT August 1, 2014- July 31, 2015 1 THE PHILLIPS COLLECTION FY15 Annual Report THE PHILLIPS [IS] A MULTIDIMENSIONAL INSTITUTION THAT CRAVES COLOR, CONNECTEDNESS, A PIONEERING SPIRIT, AND PERSONAL EXPERIENCES 2 THE PHILLIPS COLLECTION FY15 Annual Report FROM THE CHAIRMAN AND DIRECTOR This is an incredibly exciting time to be involved with The Phillips Collection. Duncan Phillips had a deep understanding of the “joy-giving, life-enhancing influence” of art, and this connection between art and well-being has always been a driving force. Over the past year, we have continued to push boundaries and forge new paths with that sentiment in mind, from our art acquisitions to our engaging educational programming. Our colorful new visual identity—launched in fall 2014—grew out of the idea of the Phillips as a multidimensional institution, a museum that craves color, connectedness, a pioneering spirit, and personal experiences. Our programming continues to deepen personal conversations with works of art. Art and Wellness: Creative Aging, our collaboration with Iona Senior Services has continued to help participants engage personal memories through conversations and the creating of art. Similarly, our award-winning Contemplation Audio Tour encourages visitors to harness the restorative power of art by deepening their relationship with the art on view. With Duncan Phillips’s philosophies leading the way, we have significantly expanded the collection. The promised gift of 18 American sculptors’ drawings from Trustee Linda Lichtenberg Kaplan, along with the gift of 46 major works by contemporary German and Danish artists from Michael Werner, add significantly to new possibilities that further Phillips’s vision of vital “creative conversations” in our intimate galleries. -
SUMMARY We Use Only the Highest Quality Pressed Extra Virgin Olive Oil and Canola Oils— No Hydrogenated Oils
Pitchoun! makes you a promess: be your premium ally for a succesful event with amazing food sprinkled by stylish presentation! From baby showers to business meetings, weddings to casual work lunches, Pitchoun! has everything you need to help make your next event a tasty hit! We use our french ‘savoir-faire’ to bake your catering! Everything is hand-made daily on site by our baking and pastry team using only fresh produce from local farms, sustainable & organic ingredients and with no GMOs neither preservatives. Our meat and poultry are antibiotic, hormone and nitrate-free. Our eggs are free-range and pasture raised. SUMMARY We use only the highest quality pressed extra virgin olive oil and canola oils— no hydrogenated oils. We offer organic beverages, coffees and teas. Bread p3 Breakfast - sweets p5 Bon Appétit ! Breakfast - savory p7 Sweet Bites p9 Cakes & Tarts p11 Savory Bites p17 • 24 to 48 hour notice minimum Sandwiches p21 • Pick-up ($50 minimum) or delivery ($100 minimum + delivery fee) Salads p23 • Time of pick-up/delivery must be specified at the order; everything is fresh and Lunch Boxes p24 made to order Drinks p25 • You may mix with our retail menu • Finger bites are served on fancy disposable black trays, ready to be served to Gifts p26 your guests, or in catering boxes for the rest • Payment is required at the order, except for events & large cakes planned in advance with 50% at order + 50% paid 2 weeks before pick-up or delivery • Orders, changes and cancellations must be made at least 48 hours in advance (except for events -
76 Jefferson Fall Penthouse Art Lending Service Exhibition
The Museum of Modern Art U West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart FOR RELEASE: SEPTEMBER 11, 1975 76 JEFFERSON FALL PENTHOUSE ART LENDING SERVICE EXHIBITION 76 JEFFERSON, an exhibition of 38 works produced at that Lower East Side New York address, is the Fall Penthouse exhibition of the Art Lending Service of The Museum of Modern Art, and will be on view from September 11 through December 1. Because of the large number of artists who have lived and worked in the building, the group of works reflects the diversity of art produced in New York 'during the last 15 years. Works by 18 artists in a variety of styles and mediums are included — abstract and realistic painting, sculpture in various materials, and drawings and prints. In addition, there are silkscreen prints published by Chiron Press, which was also located at 76 Jefferson Street from 1963 to 1967. The exhibition has been organized by Richard Marshall, se lections advisor to the Museum's Art Lending Service, and all of the works are for sale. The artists represented in the exhibition who lived and/or worked at 76 Jefferson Street are Milet Andrejevic, E. H. Davis, John Duff, Mel Edwards, Janet Fish, Valerie Jaudon, Neil Jenney, Richard Kalina, Kenneth Kilstrom, Kobashi, Robert Lobe, Brice Marden, Robert Neuwirth, Steve Poleskie, David Robinson, Ed Shostak, Gary Stephan and Neil Williams. The artists whose Chiron Press prints will be on view are Richard Anuskiewicz, Allan d'Arcangelo, Jim Dine, Rosalyn Drexler, Al Held, Robert Indiana, Alex Katz, Ellsworth Kelly, Nicholas Krushenick, Marisol, Robert Motherwell, Louise Nevelson, James Rosenquist, Saul Steinberg, Ernest Trova, Andy Warhol, Jack Youngerman, and Larry Zox. -
Análisis De Producto Productos Batidos
Análisis de producto Productos batidos Ing. Alim. Elizabeth P. Lezcano Introducción El estudio del presente informe se centra en los bizcochuelos, vainillas, magdalenas, piononos, muffins , budines, biscuits (o bizcochos), sus diferentes variedades y productos más estrechamente relacionados. Dentro del Código Alimentario Argentino (C.A.A.), en el Capítulo IX: “Alimentos Farináceos- cereales, harinas y derivados”, bajo el título: “Galletas, galletitas y facturas de panadería”, que agrupa a los artículos 760, 760 bis, 762 y 766, se considera a los productos batidos y se menciona la lista positiva de aditivos alimentarios permitidos para estos alimentos. Por otra parte, en la Real Academia Española, en su vigésima segunda edición, se puede encontrar las siguientes definiciones: Bizcochuelo: En Argentina y Uruguay. Torta esponjosa hecha con harina, huevos y azúcar muy batidos. Magdalena (también madalena): (Quizá por alusión a Madeleine Paumier, cocinera francesa a la que se atribuye la invención). Bollo pequeño, hecho y presentado en molde de papel rizado, con los mismos ingredientes que el bizcocho en distintas proporciones. Pionono: (De Pío nono). Dulce hecho de bizcocho, cubierto de crema o de huevo, y generalmente enrollado. Bizcocho: (De bi- y el lat. coctus , cocido). 1. Masa compuesta de la flor de la harina, huevos y azúcar, que se cuece en hornos pequeños. 2. Pan sin levadura, que se cuece por segunda vez para que se enjugue y dure mucho tiempo. Pudin o pudín (budín): (Del inglés pudding ). Dulce que se prepara con bizcocho o pan deshecho en leche y con azúcar y frutas secas. Las definiciones de vainillas y muffins no se encuentran en el diccionario de la Real Academia Española. -
Hartford, Connecticut R EPORT
W ADSWORTH A THENEUM M USEUM OF A RT 2009 A NNUAL R EPORT Hartford, Connecticut R EPORT from the President In 1932, in the midst of the Great Depression, A Everett Austin, Jr. opined that All tenses of time conjoin at the Wadsworth Atheneum, an institution “…the appreciation of works of art serves…to allay for some moments the which continuously honors its historic past, while living in the present and worry and anxiety in which we all share.” It is uplifting to know that over the planning for the future. As we continue to devise both short and long term strate - past twelve months, when the world experienced a challenging financial collapse, gies to preserve our financial stability and enhance the museum’s position as a the gravity of which has not been witnessed since the 1930s, the Wadsworth cultural leader both locally and internationally, we remain fully committed to Atheneum continued as a thriving and stable institution, ensuring that the the constituents who help make our visions a reality through their unwavering lega cy we leave to future generations will be a strong one. support. At the outset of the crisis, the museum implemented swift budgetary To all of the members, friends, patrons, and devotees of this museum— measures in a determined effort to reduce costs. Despite these difficult meas - you have my sincere gratitude. I encourage you to maintain your vital support ures, we remained committed to our artistic mission and to upholding the trust —particularly now, as institutions like ours play a critical role as a place of per - placed in us by our community.