Transcription of George Tingley's Memior

Total Page:16

File Type:pdf, Size:1020Kb

Transcription of George Tingley's Memior GEORGE TINGLEY MANUSCRIPT AND NOTES © Mystic Seaport Museum, MV 781. Foreward: The lean and slippered pantaloon sits by the ingle-nook in his easy chair enjoying a good cigar, while dreamingly reviewing in reminiscence the bygone events that bridge the gap lying between his first and second childhood: I was thankfully content and appreciative of the many blessings bestowed during a long and placid journey on this earthly sphere. Finding no solution as to why he is on this planet or where he is to go from there, speculation ceases. Whatever the reason for life, satisfaction causes him to believe that God Reigns All is well. Born in Mystic (now called Old Mystic) in the house still standing high on the edge of the brook and west side of the stream in the town of Groton State of Connecticut. September 17, 1864. At the age of 4 moved to Mystic Bridge (now called Mystic) – residing for six months in what is now known s the Methodist Parsonage located on north side of Church St. Six months later we again moved to #7 Haley St. in the same village. After renting this house for some years it was purchased by my father. This property remained in the Tingley family name until sold in 1945. Here were spent my youthful years up to the age of 23 at which time Nov. 1887 I took unto myself a wife on the same date as the wedding anniversary of my father and mother had occurred many years before (Nov. 1887) MY NATIVE VILLAGE In the early 17th century the Dutch explorer Adrian Block discovered and named the stream( on the edge of which I was born) Rover van Siccanamos” This stream flows peacefully down to the sea, dividing the lands that at a much earlier period had been the happy hunting grounds of the noble Red Man. On the one hand lived the Mohican and Pequot tribes, on the other the Narragansett and Wampanoags That this region was once a thickly occupied country of the Indians, is attested by the spattered circle of names surrounding this village. Here are a few names that have survived since the departure of the Pequots in 1637: Chippechaug, Chippedago, Quanquataug, Quiambaug, Wequetequok, Wamphassek, Wicopesit, Weekapaug, Pawcutuck, Poquonnock, Pequotsepos, Poquetannock, Anguilla, Nauyeaug, and Taugwank.. No, you are wrong. Aunt Zervioh did not discover me in the bulrushes. The exact spot was high above the rushes in the south east chamber of the second floor of the house. The sheer east wall of the building reared high above the stream. Its foundation had been built up from the edge of the stream to the level of the bridge street. Beneath the keystone of this bridge the sweet waters of the Great Brook have for untold years flowed down to meet the incoming tide of the river, there to be united and borne to the welcoming arms of the briny deep. Had Aunt Zervioh dropped me from the window to the stream – but not she decided – after carefully inspecting me that it would be better to give me a chance to ‘extinguish’ myself. Should she have decided otherwise, the current would have carried me to my present abode four and a half years earlier/ As a consequence of her decision my life has been an extended journey over a period of eighty seven years. Today finds me struggling in this attempt to entertain three generations of descendants while ‘sifting my ashes’ of reminiscence. The date: Just two years to a day after the battle of Antietam. My name was not Moses, nor was Miriam in the neighborhood at the time. I discovered Miriam 36 years later, at which time she lay snuggled close in the arms of her mother. Both were sleeping peacefully as if fatigued and in need of rest after their long journey together. My Madonna and my child! Though nearly 82 years had passed since opportunity afforded me the privilege of visiting my birth-place, the chance to do so came recently while attending an outing of my associates in a nearby grove. This grove was but a stones throw from the house where my voice was first heard in the land. An irresistible desire to visit this spot drew me on until I was standing on the stone arched bridge that spans the “Siccanamo” . It was mid-day, instead of midnight and no bell tolled the hour. Not a soul was in sight. The spirit of peace prevailed which brought to mind may mothers story of – Midnight Alarm It was Sunday. It was also a warm sunny September day. Nostalgia possessed me. My hand could touch the house as my eye sought the window of the second floor chamber. In dreamy meditation I viewed the scene looking up the stream, banked on either hand by trees whose tops formed an arch high up and over the stream, it was as if looking in an ever-narrowing funnel that ended in a small central black disc. On the right bank stood a maiden maple sapling, perhaps twenty feet in height, gowned in autumns high golden colors, bending gracefully forward, as if in adoration, and thankful devotion for the continuous blessings bestowed by the gently flowing stream. There looking west along the north side of the road stood first, the house where I was born - the home from which we eventually moved. Again we saunter westward, noting the site of what once was a tanyard with its numerous vats abandoned and cleared long ago. The familiar triangular shaped Green with its public signpost at the fork of the road and across the road at the foot of the hill, still stands the Ancient Tavern of Colonial days. Directly behind and above this inn towers stands the Oldest Baptist church in the state, founded in 1705 this church stands high against the heavens, the crowning glory of a charming colonial village. Crossing the street, turn east and return toward the bridge. There is no change in the residences, no loss, no gain, just the same as of yore. All in splendid condition, these houses give promise of enduring for another century. Arrived at the last structure standing on the high bank of the stream an aged forlorn and vacant building occupied for many years as grocery store confronts us. In the olden days any evening would find gathered here the “Brains of the Town “- seated around the sand- box in the center of which stood the small pot-bellied stove. Here the issues of the day both national and local were discussed, covering both the tales and reports from the war front, to the gossip and guesses on the home front. Witty relaters of tall stories, wags and practical jokers, weather prophets and sundry, could be found congenially enjoying their tobacco and each other. Among the regular attendants were the village physician and the ice man. They provided much of the jollity of any session. The following stories were told me by my father: PHILANDER AND THE KICKING COW Philander on one occasion consulted the old doctor, telling him his trouble and asking his advice. He said: “Doctor, I’ve got trouble. I’ve got a kicking cow. Every time, right in the middle of the milking, by gravy, she ups with her hind leg and kicks the pail over – that’s just what she does, gosh damn her!! Now, can you tell me what to do to stop it?” Doctor: “Well Phil, you certainly do need advice! It is a little out of my line, but your necessity and my sympathy, urge me to prescribe or recommend a remedy that may do the trick. “If she does it again, why not try grabbing her leg, placing both arms tightly around it? Seems like that ought to break the habit”. Phil: “By gosh, doctor, I never thought of that. I’ll try it.” On a later occasion, meeting at the store, the doctor enquired if the cow had kicked since last they met. Phil: “By gosh doctor, she did ! I did just as you told me. Something must have happened for when I came to, I just wondered why I was sleeping out doors on the manure heap. Well, I got to thinking, and it just comes to me. Do you know doctor, somehow, I shall always think that darned critter kicked me”. Doctor: “Somehow, I feel that perhaps I was somewhat to blame in that I neglected to caution you, to be sure to hold on firmly.” MIDNIGHT ALARM As my mother was able to nurse me for but a short time recourse to the nursing bottle became necessary. She told me, that awakening about 3 am, I would announce my hunger, by howling continuously until the nipple of the bottle, was placed in my mouth. My father worked hard, for long hours each day. He needed sleep. Because of my screaming his slumber became disturbed and abbreviated. Patience became no virtue. He took me in hand. Mother dear told me many years later, the shaking he applied, was the severest she ever saw given an eight months old baby. They also tell me, I never again indulged in Midnight Alarms. Who can deny that a child too young to remember must have been subconsciously impressed and aware of the purpose of the punishment GREAT OIL DISCOVERY Soon after the discovery of coal oil in the State of Pennsylvania became known, it was a common topic of the day, even in so remote a place as this quiet village.
Recommended publications
  • Alternative Digital Movies As Malaysian National Cinema A
    Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Hsin-ning Chang April 2017 © 2017 Hsin-ning Chang. All Rights Reserved. 2 This dissertation titled Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema by HSIN-NING CHANG has been approved for Interdisciplinary Arts and the College of Fine Arts by Erin Schlumpf Visiting Assistant Professor of Film Studies Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT CHANG, HSIN-NING, Ph.D., April 2017, Interdisciplinary Arts Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema Director of dissertation: Erin Schlumpf This dissertation argues that the alternative digital movies that emerged in the early 21st century Malaysia have become a part of the Malaysian national cinema. This group of movies includes independent feature-length films, documentaries, short and experimental films and videos. They closely engage with the unique conditions of Malaysia’s economic development, ethnic relationships, and cultural practices, which together comprise significant understandings of the nationhood of Malaysia. The analyses and discussions of the content and practices of these films allow us not only to recognize the economic, social, and historical circumstances of Malaysia, but we also find how these movies reread and rework the existed imagination of the nation, and then actively contribute in configuring the collective entity of Malaysia. 4 DEDICATION To parents, family, friends, and cats in my life 5 ACKNOWLEDGMENTS I would like to express my sincere gratitude to my advisor, Prof.
    [Show full text]
  • MCA-700 Midline/Reissue Series
    MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063.
    [Show full text]
  • Davince Tools Generated PDF File
    . ' \ VAUXHALL VICTOR I Canada's .Import ' THE DAILY NEWS No. 142 THE DAILY NEWS, ST. JOHN'S, NFLD., MONDAY, JUNE 20, 1960 (Price. 7 Cents) Charles Hutton &Sons President Eisenhower Receives Ecstatic Welcome In Seoul * · ·End !5 l.n Si~ht ,Demonstrating Crowds For K1sh1 Reg1me1Meet Him In Okinawa By GENE KRAMER 1 ratification documents on the new Kishi to drop out now. TOKYO TAP-The end is in' U.S.·Japan security alliance, pro- Masses of neutral-minded non- By John SCALI sight for the a•;,. year regime of· viding for U.S. bases in Japan for Communist workers, students and SEOUL, South Korea AP-A million cheering 1 Premier Nobusuke Kishi. at least another decade. intellectuals h a v t joined Red Koreans Sunday ecstatically welcomed President Eisen­ It may come next week or next' PLEDGE TO FULFIL demonstrati1ms because the dem- month or later, but the si~ns are: The 64-year-old premier him- i onstrations are, above ell. anti· how~r to Seoul-the final slop of his bobtailed Asian , there. • self says he will consider quitting . Kishi. good will tour. The greeting wos so intense his motor­ [ once he has fulfilled his pledge to! KISHI SCAPEGOAT Eve_n before _he was forced by sec the new treaty into force. The~ "Kishi has become a ~cape­ cade was sidetracked. i ~eft-wmg_ ag1tahon ,to c~n_cel r:1:es: exchange of documents· perhaps, goat," Shinoda Sf!id, "He has Eisenhower was fresh from on anti-American . 1dent F:1senhower s 1'1SJt, K1sh11 will be held June 27 or 28 in · taken on his· shoulders the hate demonstration in Okinawa, a stopover on his flight here ! was , slowly ?eing ~~s~rtcd by I Tokyo, .
    [Show full text]
  • Guide to the Preparation of an Area of Distribution Manual. INSTITUTION Clemson Univ., S.C
    DOCUMENT RESUME ID 087 919 CB 001 018 AUTHOR Hayes, Philip TITLE Guide to the Preparation of an Area of Distribution Manual. INSTITUTION Clemson Univ., S.C. Vocational Education Media Center.; South Carolina State Dept. of Education, Columbia. Office of Vocational Education. PUB DATE 72 NOTE 100p. EDRS PRICE MF-$0.75 HC-$4.20 DESCRIPTORS Business Education; Clothing Design; *Distributive Education; *Guides; High School Curriculum; Manuals; Student Developed Materials; *Student Projects IDENTIFIERS *Career Awareness; South Carolina ABSTRACT This semester-length guide for high school distributive education students is geared to start the student thinking about the vocation he would like to enter by exploring one area of interest in marketing and distribution and then presenting the results in a research paper known as an area of distribution manual. The first 25 pages of this document pertain to procedures to follow in writing a manual, rules for entering manuals in national Distributive Education Clubs of America competition, and some summary sheet examples of State winners that were entered at the 25th National DECA Leadership Conference. The remaining 75 pages are an example of an area of distribution manual on "How Fashion Changes Relate to Fashion Designing As a Career," which was a State winner and also a national finalist. In the example manual, the importance of fashion in the economy, the large role fashion plays in the clothing industry, the fast change as well as the repeating of fashion, qualifications for leadership and entry into the fashion world, and techniques of fabric and color selection are all included to create a comprehensive picture of past, present, and future fashion trends.
    [Show full text]
  • A Punk Rock Short Film
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-15-2015 For Want Of: A Punk Rock Short Film Jonathan P. Kieran University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Film Production Commons Recommended Citation Kieran, Jonathan P., "For Want Of: A Punk Rock Short Film" (2015). University of New Orleans Theses and Dissertations. 1992. https://scholarworks.uno.edu/td/1992 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. For Want Of: A Punk Rock Short Film A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film Production by Jonathan P. Kieran B.A. Ursinus College, 2007 May, 2015 Dedicated to my mother and sister and to my fellow filmmakers. ii Table of Contents Abstract ..............................................................................................................................
    [Show full text]
  • The Law, Culture, and Economics of Fashion
    THE LAW, CULTURE, AND ECONOMICS OF FASHION C. Scott Hemphill* & Jeannie Suk** INTRODUCTION....................................................................................................... 102! I. WHAT IS FASHION? ............................................................................................. 109! A. Status ........................................................................................................... 109! B. Zeitgeist ....................................................................................................... 111! C. Copies Versus Trends .................................................................................. 113! D. Why Promote Innovation in Fashion? ........................................................ 115! II. A MODEL OF TREND ADOPTION AND PRODUCTION ........................................... 117! A. Differentiation and Flocking ....................................................................... 118! B. Trend Adoption ............................................................................................ 120! C. Trend Production ........................................................................................ 122! III. HOW UNREGULATED COPYING THREATENS INNOVATION ............................... 124! A. Fast Fashion Copyists ................................................................................. 124! B. The Threat to Innovation ............................................................................. 128! 1. Harmful copying ..................................................................................
    [Show full text]
  • The Secret Life of Otto and Hilda
    THE SECRET LIFE OF OTTO AND HILDA Jody Hobbs Hesler Otto Augsburg knew exactly what he wanted when he walked into the Jiffy-J on Avon Street: Utz sour cream and onion potato chips, his favorite American junk food. Actually, the chips were the only American junk food Otto ate, and the Jiffy-J was the only store in town that carried them. He knew because he’d dispatched one of his underlings to search for them once when a craving hit him especially hard. Today he selected the single serving size, the bag no longer than the fin- gers of his own hand but enough to slake his craving. He would have bought the chips and gone on his way if one more thing, standing at the checkout counter, hadn’t caught his attention and set off an entirely new craving. The bright red human-height plastic M & M, with black plastic arms and legs, white mitts for hands, white boots for feet, wearing a Christmas hat and a smirk. Otto wanted that, too. 123 124 VALPARAISO FICTION REVIEW Unlike some of his colleagues, who bought Jaguars for their children’s six- teenth birthdays or vacation homes in Jamaica, Otto preferred more modest indulgences. Especially ones that tickled his sense of humor. Here—this thing was ridiculous: If one wished for candy, why would one be likelier to buy it at the hands of a giant, anthropomorphic morsel of it? Plus, the Santa Claus hat, four full months after the holiday had passed, added spice to the silliness. He would buy it and give it to his daughter, now in her third year at UVA.
    [Show full text]
  • Orphee Manuscript Engl Translation.Pdf
    ORPHÉE MÉCANIQUE Orpheus: Can you still remember the noise of the world? The noise of the streets, the subway, the noise of the electronic industry and the noise of the forests and rivers? Now, in this unbearable silence don't you yearn for it again? My head is full of this noise. I give it to you. Would you like to have it? Then, wait and attention....now! (the sound of the Psykotron) Orpheus: Can you remember the sound of breaking glass the harbor's nocturnal song the silent explosions from afar the sudden cloudburst in the afternoon the panting of your lover the buzzing of the fridge the instructing voice of a CAT scan the Christmas eve demonstrations Orpheus: Think of all the wonders, the sounds, the voices that filled you with light, there up above. Chorus: When Orpheus: The librarian standing on noise insulated floor gets scared of the visitors. Chorus: When Orpheus: On the 17th floor the elevator gets stuck Chorus: When Orpheus: The young physicist discovers numb spots on his skin Chorus: When Orpheus: The wind wails through the halls of an abandoned schoolhouse Chorus: When Orpheus: The doting old lady tenant always dials the wrong number Chorus: When Orpheus: Somebody suddenly plunges to a fall pass your window Chorus: When Orpheus: In the icy cold winter harbor the girls stand frozen to lampposts Chorus: When Orpheus: The world explodes behind your eyes Chorus: When Orpheus: At night the huge luminous ships arrive Chorus: When Orpheus: Out of narcosis, the patient awakes GHOSTS (Orpheus) Maya Deren is dead, Dennis Hopper is
    [Show full text]
  • 1-24-21 Sermon
    1-24-21 "The Trouble with Mercy" Jonah 3:1-5, 10; 4:1-5 Central Christian Church David A. Shirey The reading began with the words, “The word of the LORD came to Jonah a second time, saying, “Get up, go to Nineveh, that great city, and proclaim to it the message that I tell you.” If this is the “second time” God instructed Jonah to go to Ninevah, what happened the first time? Well, the first time is at the beginning of Chapter 1 when God says, “Arise, go to Ninevah.. and cry against it; for their wickedness has come up before me” (Jonah 1:1, 2). “Go to Ninevah,” God says. Ninevah—capitol city of Assyria. Assyria, the nation that destroyed Israel in 721 B.C. Assyria, the nation that then subjugated and oppressed the southern kingdom of Judah for almost 100 years. Assyria: present-day Iraq. The book of Jonah begins with a prophet called up for duty—drafted to serve in the Persian Gulf as a missionary to his nation’s bitterest foe. Well, Jonah was a draft-dodger. He said, “Go to Ninevah? Nothin’ doin’!” and rather than heading north to Canada, he fled west toward Tarshish. Ninevah was due east by land. Jonah sailed due west by sea. Caught the first ship out of Joppa the next morning and went AWOL from the Lord’s command. Tarshish, many scholars believe, was a coastal city in Spain. Think Acapulco. Maui. Shangri-la. In other words, a much more preferable place to serve God than Ninevah.
    [Show full text]
  • Ernest Glen Wever Biographical Memoir
    NATIONAL ACADEMY OF SCIENCES E RNEST GLEN WEVER 1902—1991 A Biographical Memoir by J A C K VERNON Any opinions expressed in this memoir are those of the author(s) and do not necessarily reflect the views of the National Academy of Sciences. Biographical Memoir COPYRIGHT 1997 NATIONAL ACADEMIES PRESS WASHINGTON D.C. ERNEST GLEN WEVER October 16, 1902–September 4, 1991 BY JACK VERNON E WERE DRIVING from Princeton, N.J., to Hibernia, N.␣ J., Wwhen I asked Glen Wever, “What do we know about hearing in bats?” He answered, “About all we know is what Donald Griffin has written; that is, they detect and catch their prey by echo location, a term invented by Griffin. We really know nothing about their hearing ability except that it must be amazing; after all, they do with their ears what the rest of us do with our eyes.” This conversation took place over forty years ago. Glen Wever and I were driving to Hibernia to try to lo- cate an abandoned zinc mine that we had heard was the home of hibernating bats. We were on a bat-collecting trip, the first of many to follow, from which we hoped to acquire some bats (Myotis Lucifugus, as it turned out) for experi- mental purposes. We planned to record the AC cochlear potentials from the bats’ inner ears, which, at that time, had never been done. A filling-station attendant in Hibernia directed us to the zinc mine, where we found the entrance blocked with a heavy steel plate and a sign that read “KEEP OUT.” Left to my own devices, I think I would have obeyed the sign, but Glen said, “I think we can just manage to crawl 371 372 BIOGRAPHICAL MEMOIRS under that barricade.” We proceeded to do just that.
    [Show full text]
  • Immaterial Dan Grace
    The Future Fire 2016.39 “I wrote from when I was twelve. That was therapeutic for me in those days. I wrote things to get them out of feeling them, and onto paper. So writing in a way saved me, kept me company. I did the traditional thing with falling in love with words, reading books and underlining lines I liked and words I didn’t know.” — Carrie Fisher Contents Editorial .......................................................................... 3 ‘The Cryptographer’s Body,’ (flash-fiction) Evelyn Deshane ..... 5 ‘Immaterial,’ Dan Grace ................................................. 8 ‘Songbird,’ J.L. Chan ................................................... 23 ‘Hard Rains,’ S.J. Sabri ................................................ 38 ‘We Are All Wasteland on the Inside,’ Benjanun Sriduangkaew ............................................................... 55 ‘Over The New Horizon,’ (novelette) T.D. Walker ..... 74 ‘Athena on Motherhood,’ (poem) Kari Castor ........... 109 Guidelines for submissions ........................................ 111 The Future Fire (http://futurefire.net/) is edited by Djibril al- Ayad, with associate editors Kathryn Allan and Regina de Búrca; assistant editors Serge Keller, Cécile Matthey, Valeria Vitale and Trace Yulie; occasional guest editors Fabio Fernandes and Lori Selke. This PDF copy-edited by Hûw Steer. ISSN: 1746-1839 Contact: [email protected] All work copyright © 2016 by the authors and artists 1 Editorial Djibril al-Ayad We don’t actively collect stories into themed issues here at The Future Fire, but often a handful of stories and poems will cluster together in ways that feel meaningful, and timely, and even purposeful, and we can’t help but run with that serendipity (we should probably pretend that we planned it all this way, and take credit as editors for the work of the inscrutable universe).
    [Show full text]
  • Lili Boulanger (1893–1918) and World War I France: Mobilizing Motherhood and the Good Suffering
    Lili Boulanger (1893–1918) and World War I France: Mobilizing Motherhood and the Good Suffering By Anya B. Holland-Barry A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music) at the UNIVERSITY OF WISCONSIN-MADISON 2012 Date of final oral examination: 08/24/2012 This dissertation is approved by the following members of the Final Oral Committee: Susan C. Cook, Professor, Music Charles Dill, Professor, Music Lawrence Earp, Professor, Music Nan Enstad, Professor, History Pamela Potter, Professor, Music i Dedication This dissertation is dedicated to my best creations—my son, Owen Frederick and my unborn daughter, Clara Grace. I hope this dissertation and my musicological career inspires them to always pursue their education and maintain a love for music. ii Acknowledgements This dissertation grew out of a seminar I took with Susan C. Cook during my first semester at the University of Wisconsin. Her enthusiasm for music written during the First World War and her passion for research on gender and music were contagious and inspired me to continue in a similar direction. I thank my dissertation advisor, Susan C. Cook, for her endless inspiration, encouragement, editing, patience, and humor throughout my graduate career and the dissertation process. In addition, I thank my dissertation committee—Charles Dill, Lawrence Earp, Nan Enstad, and Pamela Potter—for their guidance, editing, and conversations that also helped produce this dissertation over the years. My undergraduate advisor, Susan Pickett, originally inspired me to pursue research on women composers and if it were not for her, I would not have continued on to my PhD in musicology.
    [Show full text]