Columbia Records Music Moving Forward Makailynn Clark Writing

Total Page:16

File Type:pdf, Size:1020Kb

Columbia Records Music Moving Forward Makailynn Clark Writing Columbia Records Music Moving Forward Makailynn Clark Writing For Public Relations JOUR 230 Columbia Records Planning Sheet Public Relations Situation: Promotional campaign for the highly anticipated new album ‘Rock or Bust’ by beloved rock band AC/DC. Analysis of Key Publics: 1. AC/DC fans - Old fans of AC/DC ready for new songs - Dedicated fans willing to buy the album 2. Fans of rock music - People who are unaware of AC/DC’s music but enjoy similar style of music News Pitch: AC/DC is back in black, for the release of ‘Rock or Bust’, their first studio album in six years. Benefit Statement: Rest assured music enthusiasts, this is not a collection of their re- mastered classics. AC/DC is providing their fans with 11 new rock worthy tracks. Tone of Message: The album campaign should have an exciting tone. AC/DC’s band members helped form the basics of rock-n-roll music. Therefore, information about the new album should have an exhilarating and exciting tone. In addition, we want old AC/DC fans to feel a sense of anticipation for the album release. Intended Outcomes: - Increase AC/DC record sales - To create fan anticipation for AC/DC’s latest album - Generate hype on the world tour that will feature ‘Rock or Bust’ Action Statement: Welcoming old AC/DC fans and other rock music fans to purchase and listen to AC/DC’s newest album, ‘Rock or Bust’. Listeners will be able to pre-order and hear small clips of the new tracks through ITunes prior to the album’s release. Readability Range: Writing at a grade level of 9-10 would make this information accessible and easy for music fans to understand. Columbia Records Press Release AC/DC Anticipated Album ‘Rock or Bust’ To Be Released December 2 New York, New York (October 6, 2014) –The world’s favorite and oldest performing rock band, AC/DC is “back in black” to release their first album in six years. Unlike recent rock veterans, AC/DC is not re-mastering and re-issuing old tunes. The band is back to create an album full of eleven new noteworthy tracks. The anticipated studio album, ‘Rock or Bust’ will be released on December 2, 2014. Old and new rock-n-roll fans will find themselves shocked at the creative guitar riffs and unique rock vocals. AC/DC has been proving themselves worthy since their first album release in 1975. The band has sold nearly 200 million albums worldwide within the span of their career. ‘Rock or Bust’ will follow the record-breaking sales of their last album ‘Black Ice’ released in 2008. ‘Black Ice’ stayed #1 on rock charts in 31 countries and has sold an average of 8 million copies worldwide. Unlike past albums, ‘Rock or Bust’ will be the first album in the band’s 41-year history without rhythm guitarist and backing vocalist, Malcolm Young. Despite Young’s personal health problems, AC/DC replaced him on the record with Angus and Malcolm Young’s nephew, Stevie Young. Stevie Young will also embark as lead rhythm guitarist on AC/DC’s 40 show tour supporting ‘Rock or Bust’ in 2015. Lead vocalist Brian Johnson shared, “It’s been 40 years of the band’s existence, so I think we’re gonna try to do 40 gigs, 40 shows, to thank the fans for their undying loyalty”. Fans can currently preorder ‘Rock or Bust’ on iTunes and purchase performance tickets through Ticketmaster. ### Columbia Records is dedicated to moving music forward and providing music lovers with innovative tracks. Columbia Records began producing music in 1888 and is now home to 90 unique artists. Makailynn Clark Public Relations Specialist Columbia Records Organizational Feature A Century of Music Music has been touching listener’s hearts and providing them with an emotional experience since the beginning of time. Music is the universal language that allows every nation to moved by a melody and a beat. While music has been performed live for centuries, it wasn’t until 1887 when Thomas Alva Edison attempted to transcribe sounds on a cylinder wrapped in tinfoil. Edison created the first recorded music and his patent for the phonograph was created in 1878. Edward Denison decided to use Edison’s technology and create the Columbia Phonograph Company. A company that would pave modern music for the next century. The founders of Columbia Records wasted no time in recording music once the company was established. By 1891 Columbia already had an impressive 10-page catalogue of records to purchase. The catalogue was comprised of famous opera stars and American ballads largely due to the fact the recording technology could only handle small groups. However in 1920 Columbia released a new electrical recording system that consisted of microphones that could handle an entire symphony orchestra. With Columbia’s new recording technology, renowned artist such as Benny Goodman and Louis Armstrong were able to change the pace of recorded music with their large swing orchestras. But recording swing music didn’t last long because Columbia Records pursues evolving music. Within the next decade the swing tracks were soon replaced by new jazz melodies. Artists like Billy Holiday and Frank Sinatra became solo artists signed by Columbia and took the music industry by storm. Sinatra gained a notable fan following that brought vast revenue. In 1948 Columbia Records decided to test new technology and Sinatra’s incredible sales with the release of the first LP. Although Columbia was pushing solo artists at the time, they did not fail to recognize Broadway’s golden era. To satisfy the needs of Broadway fans across the country unable to attend New York shows, Columbia started to record Original Cast Recordings of the musicals. By 1950 Columbia had an impressive collection of swing, jazz, and musical recordings. Yet such a collection was not enough for the company. Columbia yearned to continually invest in the future of music. In order to do this Columbia had to sign new emerging rock and folk artist such as Johnny Cash, Janis Joplin, and Bob Dylan. By 1970 the sexual revolution hit Columbia Records and they were determined to evolve with music. The company noticed the impact sex, drugs, and rock-n-roll was having on the country. Therefore they began to sign artist that catered to teenager’s rebellious attitudes. Young unruly teenagers desired chaotic rock music and Columbia Records brought forth artist such as Santana, Pink Floyd, Aerosmith, and The Clash. However, Columbia could see that the hippy rock revolution was about to die out and vibrant pop music was about to be birthed. Artists such as Wham, Celion Dion, and LL Cool J were the new artists of the vivacious decade that continued to live up to Columbia’s mission of pushing music boundaries. During the 1980s every competing music corporation could see Columbia Records was never going to fail due to their continuously emerging music. One competitor Sony Music Entertainment noticed Columbia Records’ strengths and decided to make an offer in 1987 to merge companies. Fast forward over 25 years and Columbia Records remains a subsidiary label of Sony Music Entertainment and currently has 90 artist signed to their label. Unlike past decades in which Columbia Records focused on one popular genre at a time, Columbia Records is now home to 90 diverse artists, all who are still being told to push music boundaries. It is very easy to recreate the music of the past and construct tracks that similar artists in a genre are producing. However as seen through history, Columbia Records has been evolving their music and touching listener’s hearts for 125 years. While there are many music competitors, Columbia Records remains unique with music that is always moving forward. Columbia Records Social Media Release 1) News Section: Columbia Records is constantly releasing new music. Three noteworthy news releases this week are the announcements of the album release day for Calvin Harris, the physical release for TI’s latest album, and Depeche Mode’s live concert DVD release. 2) Fact sheet section: 1.) Calvin Harris Album Release - Calvin Harris’s newest album release Motion to be released Nov. 4. - Will include tracks with featured artist such as Gwen Stafani, HAIM, and Ellie Golding. - Listeners can stream the album for free via ITunes radio. 2.) TI’s Album Release - TI’s newest album Paperwork will include many featured artist including successful pop artist Iggy Azalea. - Released on Oct. 20 and available on iTunes and Spotify. - VEVO uploaded a 20-minute interview with TI, discussing the release of the album. 3.) Depeche Mode Live Concert DVD - Filmed in Berlin during the successful Delta Machine Tour. - Concert will include live footage from songs off their newest album Delta Machine as well as older hits. - The DVD will also include a copy of their CD Delta Machine. 3) Imbed 3 internal links related to your client (list them and give a sentence description): - http://www.columbiarecords.com/newsletter/ This link will allow viewers to sign up for the Columbia Records Newsletter and receive updates via email. - http://www.columbiarecords.com/timeline/ This link will allow viewers to see a timeline of Columbia Records and see all the album releases on a timeline from 1889 to 2014. - http://www.columbiarecords.com/artists/ This link will allow viewers to see the entire list of current artist signed with Columbia Records. 4) Describe supporting graphics: The first thing I want viewers to see is the Columbia Record’s graphic logo in order to ingrain the logo in viewer’s minds. Secondly, I want the color scheme for the social media release to be black and white with hints of red fonts in order to create a formal and organized appearance.
Recommended publications
  • AP1 Companies Affiliates
    AP1 COMPANIES & AFFILIATES 100% RECORDS BIG MUSIC CONNOISSEUR 130701 LTD INTERNATIONAL COLLECTIONS 3 BEAT LABEL BLAIRHILL MEDIA LTD (FIRST NIGHT RECORDS) MANAGEMENT LTD BLIX STREET RECORDS COOKING VINYL LTD A&G PRODUCTIONS LTD (TOON COOL RECORDS) LTD BLUEPRINT RECORDING CR2 RECORDS ABSOLUTE MARKETING CORP CREATION RECORDS INTERNATIONAL LTD BOROUGH MUSIC LTD CREOLE RECORDS ABSOLUTE MARKETING BRAVOUR LTD CUMBANCHA LTD & DISTRIBUTION LTD BREAKBEAT KAOS CURB RECORDS LTD ACE RECORDS LTD BROWNSWOOD D RECORDS LTD (BEAT GOES PUBLIC, BIG RECORDINGS DE ANGELIS RECORDS BEAT, BLUE HORIZON, BUZZIN FLY RECORDS LTD BLUESVILLE, BOPLICITY, CARLTON VIDEO DEAGOSTINI CHISWICK, CONTEMPARY, DEATH IN VEGAS FANTASY, GALAXY, CEEDEE MAIL T/A GLOBESTYLE, JAZZLAND, ANGEL AIR RECS DECLAN COLGAN KENT, MILESTONE, NEW JAZZ, CENTURY MEDIA MUSIC ORIGINAL BLUES, BLUES (PONEGYRIC, DGM) CLASSICS, PABLO, PRESTIGE, CHAMPION RECORDS DEEPER SUBSTANCE (CHEEKY MUSIC, BADBOY, RIVERSIDE, SOUTHBOUND, RECORDS LTD SPECIALTY, STAX) MADHOUSE ) ADA GLOBAL LTD CHANDOS RECORDS DEFECTED RECORDS LTD ADVENTURE RECORDS LTD (2 FOR 1 BEAR ESSENTIALS, (ITH, FLUENTIAL) AIM LTD T/A INDEPENDENTS BRASS, CHACONNE, DELPHIAN RECORDS LTD DAY RECORDINGS COLLECT, FLYBACK, DELTA LEISURE GROPU PLC AIR MUSIC AND MEDIA HISTORIC, SACD) DEMON MUSIC GROUP AIR RECORDINGS LTD CHANNEL FOUR LTD ALBERT PRODUCTIONS TELEVISON (IMP RECORDS) ALL AROUND THE CHAPTER ONE DEUX-ELLES WORLD PRODUCTIONS RECORDS LTD DHARMA RECORDS LTD LTD CHEMIKAL- DISTINCTIVE RECORDS AMG LTD UNDERGROUND LTD (BETTER THE DEVIL) RECORDS DISKY COMMUNICATIONS
    [Show full text]
  • The Dave Brubeck Quartet Featuring Paul Desmond – Brubeck Time
    The Dave Brubeck Quartet Featuring Paul Desmond - Brubeck Time - Columbia Records/Speakers Corner - Audiophile Audition 27.08.18, 0937 HOME ∠ JAZZ CD REVIEWS ∠ SITE SEARCH " Search the site The Dave Brubeck Quartet Click on the category Featuring Paul Desmond – below to see that genre of Brubeck Time – Columbia reviews. Records/Speakers Corner SACD & Other Hi- Res Reviews by Audiophile Audition / August 18, 2018 / Jazz CD Reviews,, Audio News SACD & Other Hi-Res Reviews Classical CD Reviews The Dave Brubeck Quartet Classical Reissue Reviews Featuring Paul Desmond – DVD & Blu-ray Brubeck Time – Columbia Video Reviews JazzJazz CDCD ReviewsReviews Records CL622 Pop/Rock/World (1954)/Speakers Corner (2018) 180-gram CD Reviews Special Features mono vinyl, 40:00 ****1/2: Component Reviews (Dave Brubeck – piano; Paul Desmond – alto saxophone; Bob Bates – double bass; Joe Dodge (drums) Editorial Reader Feedback Dave Brubeck’s legacy as a pianist and composer is unique. Having Best of the Year studied classical and jazz composition at the University Of The Pacific https://www.audaud.com/brubeck-time-paul-desmond-columbia-records-speakers-corner/ Seite 1 von 6 The Dave Brubeck Quartet Featuring Paul Desmond - Brubeck Time - Columbia Records/Speakers Corner - Audiophile Audition 27.08.18, 0937 and Mills College, he approached his vision as a musician with complexity. In 1959, he integrated asymmetric meter into the album Take Five. With a unique time signature (5/4), the title song became a standard bearer for jazz crossover. Other compositions like “Blue Rondo A La Turk” (written in 9/8) are further examples of the unconventional use of time signatures.
    [Show full text]
  • BACKTRACKS $9.99 AC/DC After a Lot of Teasing and Much $9.99 Anticipation, Jared Andrews, Tom Highway to Hell (1979) Robertson and Stephan Silva, A.K.A
    -----------------------------------------Spins --------------------------------------- Wooden Nickel Elephants in Mud CD of the Week How the Hell Are You? BACKTRACKS $9.99 AC/DC After a lot of teasing and much $9.99 anticipation, Jared Andrews, Tom Highway to Hell (1979) Robertson and Stephan Silva, a.k.a. Elephants in Mud, have finally hit The summer before my freshman the studio and given their fans what year in high school, Aussie rockers AC/ they’ve been waiting a long time for. DC released Highway to Hell, the ulti- The release of their first full-length mate in hard rock albums. I genuinely CD, How the Hell Are You?, is finally think I started smoking and drinking on store shelves. These guys were founded eight years ago, so it’s immediately after hearing this record. been a long but worthwhile wait. It was, and still is, an instruction manual for sex, drugs and rock EiM are from Indiana, but it took a move all the way across the n’ roll. United States, to San Diego, California, to actually get the band Robert “Mutt” Lange was brought on board to produce the founded way back in 2003. The CD was recorded and mixed in Fort sixth album by a band that had been playing stadiums since 1976. Wayne by TJ Walstrom and Mike Hart at Megastation Studios, and It opens with the anthem “Highway To Hell” and just keeps the END TIMES SPASM BAND filthy hard-rock blues going for the next 40 minutes. It’s about they did a bang-up job. The sound is very unique, and that’s been a HIGH WIRE LOVER rare quality in and around Fort Dub for a long time.
    [Show full text]
  • Sean Mcculloch – Lead Vocals Daniel Gailey – Guitar, Backing Vocals Bryce Kelly – Bass, Backing Vocals Lee Humarian – Drums
    Sean McCulloch – Lead Vocals Daniel Gailey – Guitar, Backing Vocals Bryce Kelly – Bass, Backing Vocals Lee Humarian – Drums Utter and complete reinvention isn’t the only way to destroy boundaries. Oftentimes, the most invigorating renewal in any particular community comes not from a generation’s desperate search for some sort of unrealized frontier, but from a reverence for the strength of its foundation. The steadfast metal fury of PHINEHAS is focused, deliberate, and unashamed. Across three albums and two EPs, the Southern California quartet has proven to be both herald of the genre’s future and keeper of its glorious past. The New Wave Of American Metal defined by the likes of As I Lay Dying, Shadows Fall, Unearth, All That Remains, Bleeding Through, and likeminded bands on the Ozzfest stage and on the covers of heavy metal publications has found a new heir in PHINEHAS. Even as the NWOAM owed a sizeable debt to Europe’s At The Gates and In Flames and North America’s Integrity and Coalesce, PHINEHAS grab the torch from the generation just before them. The four men of mayhem find themselves increasingly celebrated by fans, critics, and contemporaries, due to their pulse-pounding brutality. Make no mistake: PHINEHAS is not a simple throwback. PHINEHAS is a distillation of everything that has made the genre great since bands first discovered the brilliant results of combining heavy metal’s technical skill with hardcore punk’s impassioned fury. SEAN MCCULLOCH has poured his heart out through his throat with decisive power, honest reflections on faith and doubt, and down-to-earth charm since 2007.
    [Show full text]
  • Marketing in the Music Industry
    Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Marketing in the Music Industry (Bakalářská práce) Autor: Jan Kašpír Studijní obor: Angličtina se zaměřením na aplikovanou ekonomii Vedoucí práce: Joseph James Ference Dr. Olomouc 2012 I declare that I elaborated this paper independently and that I mentioned the absolute list of works cited In Olomouc on the day I hereby express my deepest gratitude towards Dr. Joseph Ference for his constant guidance, advice and patience in the development of this bachelor thesis. List of Abbreviations Used in the Thesis A&R – artist and repertoire ARC – American Record Corporation BBC – British Broadcasting Company BMG – Bertelsmann Music Group CBS – Columbia Broadcasting System CD – compact disc CD-R – recordable compact disc CD-ROM – Compact Disc Read-only memory – preprinted CD containing data readable by a computer CEO – chief executive officer DAT – Digital Audio Tape DMCA – Digital Millennium Copyright Act DNS – Domain Name System DRM – Digital Rights Management EMI – Electrical and Musical Industries e-tailer – electronic (internet) retailer GE – General Electric IFPI – International Federation of the Phonographic Industry IP – internet protocol ISP – internet service provider LP – long play record M. C. – music cassette MCA – Music Corporation of America mp3 – MPEG2 Audio Layer III – audio compression format P2P – peer-to-peer: computer internet network allowing users to share files PIPA - PROTECT IP Act - Preventing Real Online Threats to Economic Creativity and Theft of Intellectual Property Act of 2011 R&B – Rhythm and Blues SME – Sony Music Entertainment SOPA – Stop Online Piracy Act UMG – Universal Music Group VCR – video cassette recorder WEA – Warner-Elektra-Atlantic WMG – Warner Music Group Table of Contents 1 Introduction ....................................................................................................
    [Show full text]
  • Testament Live at the Fillmore Dvd
    Testament Live At The Fillmore Dvd Fleeting and crucial Bartolomeo smugglings almost cognitively, though Freeman kythed his Toledo backstitch. Recommended and sphinxlike Thatcher shinty: which Elnar is aerobiotic enough? Irresolvable Bertrand background fruitlessly. Mitä kivemmat ja tämän jälkeen: not just tearing it about on dvd live testament at the fillmore auditorium This live dvd release features. Set a few songs and fillmore west coast a dvd and an option to the most of. Cookie Monster vocal style. Tell your friends about Wikiwand! Music perhaps the Safari browser. CDs and a DVD and had it signed by the band. Free Shipping by Amazon. They were still young, in their thirties, but the emerging. Violence via enigma records stepped in! Once a dvd reviews and fillmore west, testament live at the fillmore dvd will inspire recommendations we went to. All items are three excellent contiditon and he has suck a great collection. George Michael Live DVD Music from Fishpond. Try a tile account. There is simply did better Audio Forensics product on the market. Debut album for this Italian band. Listen to millions of songs and your entire music library on all your devices. First album in eight years! See photos for once you are at the testament, just where retail shop thai product to live testament at the fillmore dvd players and try adding items to a dog really stands out. Enjoy a schedule, convenient shopping experience. Categories Music Books Comics Magazines DVDs Films TV. You can segregate article up and quantity manually by using the provisional, or upload a list.
    [Show full text]
  • Hamokara: a System for Practice of Backing Vocals for Karaoke
    HAMOKARA: A SYSTEM FOR PRACTICE OF BACKING VOCALS FOR KARAOKE Mina Shiraishi, Kozue Ogasawara, and Tetsuro Kitahara College of Humanities and Sciences, Nihon University shiraishi,ogasawara,kitahara @kthrlab.jp { } ABSTRACT the two singers do not have sufficient singing skill, the pitch of the backing vocals may be influenced by the lead Creating harmony in karaoke by a lead vocalist and a back- vocals. To avoid this, the backing vocalist needs to learn to ing vocalist is enjoyable, but backing vocals are not easy sing accurately in pitch by practicing the backing vocals in for non-advanced karaoke users. First, it is difficult to find advance. musically appropriate submelodies (melodies for backing In this paper, we propose a system called HamoKara, vocals). Second, the backing vocalist has to practice back- which enables a user to practice backing vocals. This ing vocals in advance in order to play backing vocals accu- system has two functions. The first function is automatic rately, because singing submelodies is often influenced by submelody generation. For popular music songs, the sys- the singing of the main melody. In this paper, we propose tem generates submelodies and indicates them with both a backing vocals practice system called HamoKara. This a piano-roll display and a guide tone. The second func- system automatically generates a submelody with a rule- tion is support of backing vocals practice. While the user based or HMM-based method, and provides users with is singing the indicated submelody, the system shows the an environment for practicing backing vocals. Users can pitch (fundamental frequency, F0) of the singing voice on check whether their pitch is correct through audio and vi- the piano-roll display.
    [Show full text]
  • Year of Publication: 2006 Citation: Lawrence, T
    University of East London Institutional Repository: http://roar.uel.ac.uk This paper is made available online in accordance with publisher policies. Please scroll down to view the document itself. Please refer to the repository record for this item and our policy information available from the repository home page for further information. To see the final version of this paper please visit the publisher’s website. Access to the published version may require a subscription. Author(s): Lawrence, Tim Article title: “I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco Year of publication: 2006 Citation: Lawrence, T. (2006) ‘“I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco’ Journal of Popular Music Studies, 18 (2) 144-166 Link to published version: http://dx.doi.org/10.1111/j.1533-1598.2006.00086.x DOI: 10.1111/j.1533-1598.2006.00086.x “I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco Tim Lawrence University of East London Disco, it is commonly understood, drummed its drums and twirled its twirls across an explicit gay-straight divide. In the beginning, the story goes, disco was gay: Gay dancers went to gay clubs, celebrated their newly liberated status by dancing with other men, and discovered a vicarious voice in the form of disco’s soul and gospel-oriented divas. Received wisdom has it that straights, having played no part in this embryonic moment, co-opted the culture after they cottoned onto its chic status and potential profitability.
    [Show full text]
  • CGEN Program Guidelines
    Program guidelines Be part of Queensland’s largest annual youth performing arts show at the Brisbane Convention and Exhibition Centre Show week: Tuesday 13 July to Saturday 17 July 2021 Principal partner Major partner Broadcast Event Program Program partner partner partner partner 200002 Contents Contact information............................................................................................. 1 What is Creative Generation – State Schools Onstage? .........................................2 Behaviour ...........................................................................................................2 COVID-19 information ..........................................................................................2 Nomination process ............................................................................................3 1. VOCAL ...........................................................................................................6 Featured and backing vocalist ........................................................................................7 Choir .............................................................................................................................8 2. DANCE and DRAMA .........................................................................................11 Featured and solo dance ............................................................................................... 11 Massed dance and regional massed dance .................................................................
    [Show full text]
  • Tax and AC/DC
    Tax and AC/DC Kim G C Moody FCPA, FCA, TEP September 21, 2015 Those of you who know me well will know that my first career choice was to be a music teacher. I studied and played music classically well into my teens. When I realized that my talents would likely not provide me a stable living, I switched gears and became a Chartered Accountant. I still love music – all types of music with a few exceptions – but I have a soft spot for classic rock which is often playing in my office. One of my all time favorite bands is AC/DC. Their straight-ahead blues rock with very simple (almost comical) lyrics is exactly what I like to listen to when I need to turn my brain off (which doesn’t happen very often). Accordingly, I couldn’t pass up the opportunity to attend AC/DC’s concert in Edmonton on September 20, 2015. It was a cold and wet night, but that didn’t dampen the spirit of the crowd. Classic rock concerts and tax go together like wine and cheese. The last time that AC/DC was on tour in Canada was 2009 and I attended their concert in Vancouver. I wrote a blog about tax and AC/DC back then and I’m continuing that tradition here. So what was I thinking about while listening? Well, here was their set list and each song inspired a different thought about tax: 1. Rock or Bust – This is AC/DC’s lead single from their latest album.
    [Show full text]
  • AC/DC´S Hett Efterlängtade Nya Studioalbum ”Rock Or Bust” Släpps I Sverige Den 28 November
    2014-09-24 16:45 CEST AC/DC´s hett efterlängtade nya studioalbum ”Rock Or Bust” släpps i Sverige den 28 november Columbia Records proudly announces the release of ‘Rock or Bust,’ the highly anticipated new studio album from AC/DC, available December 2, 2014. (I Sverige släpps albumet den 28 november). ‘Rock or Bust’ is the band’s first studio album in six years and features 11 new tracks. ‘Rock or Bust’ follows the immensely successful ‘Black Ice’ album, which debuted at #1 in 31 countries upon its release in 2008 and has gone on to sell nearly 8 million copies worldwide. ‘Rock or Bust’ was recorded in Spring 2014 at Warehouse Studio in Vancouver, BC and finds AC/DC once again working with producer Brendan O’Brien and mixer Mike Fraser. Starting September 27, Turner Sports will provide fans a sneak peek of the new track ‘Play Ball’ as part of the 2014 Major League Baseball Postseason campaign. The content will run for several weeks across TBS, the exclusive home to this year’s American League Postseason coverage, as well as leading media brands within the Turner portfolio. ‘Rock or Bust’ is the first AC/DC album in the band’s 41 year history without founding member Malcolm Young on the recordings. Earlier this year AC/DC released a statement explaining that due to illness, Malcolm would be taking a break from the band. Unfortunately, due to the nature of Malcolm’s condition, he will not be returning to the band. AC/DC will undertake a world tour in support of ‘Rock or Bust’ in 2015.
    [Show full text]
  • 'Titanium' | David Guetta (Feat. Sia)
    ‘Titanium’ David Guetta (feat. Sia) ‘Titanium’ | David Guetta (feat. Sia) ‘Titanium’ was a number one hit for French DJ and music producer David Guetta, featuring vocals from Australian singer Sia. Initially released digitally as one of four promotional singles for the album Nothing but the Beat in August 2011, the hit was o!cially released as the fourth single from the album in December of that same year. ‘Titanium’ was well received in many of the top music markets worldwide, achieving number 1s in four countries and top 10s in an incredible twenty "ve countries across the globe. #e single was met with positive reviews, with many claiming it to be the show stopper of the album thanks to Sia’s collaboration on lyrics and phenomenal vocal performance. Described as “epic and energising”, ‘Titanium’ was musically likened to the works of Coldplay and Sia’s vocal was compared to that of Fergie. Many reviewers raved about Sia’s delivery of the song’s hook, stating that ‘Titanium’ was by far the “most intriguing hook-up” of Guetta’s "$h studio album. #e single was certi"ed 3 x Platinum in the UK with sales just short of two million copies, and 2 x Platinum in the US with four million records sold. Guetta’s album Nothing But !e Beat topped the album charts in the DJ’s home nation of France, as well as Australia, Belgium, Germany, Spain and Switzerland. While some reviewers felt it was lacking somewhat in comparison to his earlier works, the album was well-received by many with tracks ‘Night of Your Life’ and ‘Titanium’ being highlighted as the strongest on the release.
    [Show full text]