Friends Indeed Gallery
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
EAMON ORE-GIRON Education 2006 MFA, University of California, Los Angeles 1996 BFA, San Francisco Art Institute Selected Solo E
EAMON ORE-GIRON Education 2006 MFA, University of California, Los Angeles 1996 BFA, San Francisco Art Institute Selected Solo Exhibitions 2021 TBA, Espace Muraille, Geneva, Switzerland 2020 Conspirateurs, Friends Indeed Gallery, San Francisco Ziggurat/Zigurat, Páramo, Guadalajara, Mexico 2019 Darién Gap, Nina Johnson, Miami 2015 Morococha, LAXART, Los Angeles 2013 Smuggling the Sun, Nicelle Beauchene Gallery, New York City Night Shade/Solanaceae, Pérez Art Museum Miami (as part of the two-person collaborative Los Jaichackers) 2012 Open Tuning, E-D-G-B-D-G, 18th Street Arts Center, Santa Monica, California 2010 Road to Ruins, Steve Turner Contemporary, Los Angeles 2009 Into A Long Punk, Steve Turner Contemporary, Los Angeles 2006 Los Jaichackers, El Museo Universitario de Ciencias y Arte (MUCA), Roma, Mexico City (as part of the two-person collaborative Los Jaichackers) 2005 Los Cremators, Queen’s Nails Annex, San Francisco Mirage, Pennsylvania Academy of the Fine Arts, Philadelphia Selected Group Exhibitions 2020 TBA, Fleisher/Ollman, Philadelphia Painting, Kayne Griffin Corcoran, Los Angeles Conversational Spirits, Jessica Silverman Gallery, San Francisco Record of Succession, fused, San Francisco 2019 Outrunning the Race, Friends Indeed Gallery, San Francisco Soft Power, curated by Eungie Joo, San Francisco Museum of Modern Art 2018 The Strangeness Will Wear Off, David Castillo Gallery, Miami Common Forms, PEANA, Monterrey, Mexico Made in L.A. 2018, Hammer Museum, Los Angeles School of Chairs, 500 Capp Street Foundation, San Francisco -
Rafa Esparza Carmen Argote, Nao Bustamante, Beatriz Cortez, Timo
tierra. sangre. oro. Rafa Esparza WITH Carmen Argote, Nao Bustamante, Beatriz Cortez, Timo Fahler, Eamon Ore-Giron, Star Montana AND Sandro Cánovas, Maria Garcia, Ruben Rodriguez AUGUST 25, 2017 – MARCH 18, 2018 1 Tierra. Sangre. Oro. is a group exhibition envisioned by Rafa Esparza that includes new work by Carmen Argote, Beatriz Cortez, Esparza, Timo Fahler, Eamon Ore-Giron; new and existing photographs by Star Montana; a major body of work by Nao Bustamante; the contributions of adoberos/artists Sandro Cánovas, Maria Garcia, Ruben Rodriguez, as well as many hands from the community of Marfa. Rafa and I began a conversation in June 2016. I had followed his work closely before we met, and had seen two of his adobe inter- ventions next to the Los Angeles River, building: a simulacrum of power (2014) and Con/Safos (2015). The generous and generative nature of his practice was immediately apparent to me, each architecture offering itself up both as a surface for other artists and as a physical embodiment of labor and land. Those two projects convinced me that Rafa should come to Marfa to see the vernacular adobe architecture of the region, and many months later we started dreaming, together, about a project for Ballroom. It has been a great privilege to work with Rafa and all of the artists that manifested this exhibition. In Marfa, Rafa worked along- side Sandro Cánovas, Maria Garcia, and Ruben Rodriguez for over two months, mixing adobe and molding bricks, to produce tons of building material that he used to create a rich ground for his peers and Ballroom’s visitors. -
IPS ARTIST LIST ALOK Vaid-Menon
IPS ARTIST LIST Alberto Lule - I am a 41 year-old undergraduate art major at UCLA. I realized I Was an artist while serving a thirteen year sentence in a California prison. About 4 years into my sentence I began to look for ways that would take me out of the prison space on a mental level. It was art that made the prison walls disappear, even if only for the hours I would work. This habit of simple pencil drawing led to art books, and then a passion for art in general. This passion led to other forms of knowledge such as philosophy, and eventually college correspondence courses. I realized I could overcome not only the prison I was physically in, but also the mental prison I had placed myself in even before prison. https://bertolule.weebly.com/ ALOK Vaid-Menon - ALOK (they/them) is a gender non-conforming writer and per- formance artist. Their eclectic style and poetic challenge to the gender binary have been internationally renowned. “People are okay with gender non-conforming people as long as we are entertaining them. The problem comes when we assert ourselves beyond our entertainment value, as full human beings.” https://www. alokvmenon.com/about Armando Ibañez - A Latinx queer filmmaker and activist from Acapulco, Guerrero, Mexico. He has been living in the United States for 20 years and lives in Los Ange- les, California. His passion for film began at the age of 7 years old while watching Mexican cinema from the 1950s. Currently, Armando is the director and writer of the youtube series “Undocumented Tales,” a story that follows the journey of a Mexican undocumented and queer server living in Los Angeles. -
Shizu Saldamando Selected Works Shizu Saldamando Selected Works
SHIZU SALDAMANDO SELECTED WORKS SHIZU SALDAMANDO SELECTED WORKS Michael Alvarez About the subject: Oil paint, wash paper, spray paint glitter on wood panel Michael Alvarez is a figurative painter and skateboarder. 36 x 72 inches Shizu met Michael because they were in a few art shows 2020 together. He is from Alhambra but lives in Montebello. SHIZU SALDAMANDO SELECTED WORKS Maria Maea Oil and collage on wood panel 48 x 36 inches 2020 About the subject: Maria Maea is a Samoan/ Latinx Los Angeles based multidisciplinary artist working in production, installation and performance. She was Co-Founder + director of MATA Gallery (2012-2016). SHIZU SALDAMANDO SELECTED WORKS Ramiro Oil, spray paint on wood panel 48 x 36 inches 2019 About the subject: Ramiro Gomez is an artist and activist. His work depicts the intersection of labor and luxury. SHIZU SALDAMANDO SELECTED WORKS La Mariana Oil, mixed media, collage on wood panel 48 x 36 inches 2019 About the subject: Mariana Botey is a conceptual artist from Mexico city who currently teaches art at UCSD. SHIZU SALDAMANDO SELECTED WORKS Waylon Allison Oil paint, collage, glitter on wood panel 48 x 36 inches 2020 About the subject: Waylon Allison is Native and goth from Boyle Heights who went to Roosevelt High School. The artist would see them every time she went to a concert or club night. SHIZU SALDAMANDO SELECTED WORKS Miljohn with Drink Oil on wood panel 48 x 36 inches approx. 2011 About the subject: Miljohn Ruperto is a video artist. This portrait was done for the Smithsonian’s Asian American Portraiture show at the National Portrait Gallery. -
ALICE KÖNITZ Born in 1970, Essen, Germany Education 1999 MFA, California Institute of the Arts, Valencia, California 1996
ALICE KÖNITZ Born in 1970, Essen, Germany Education 1999 MFA, California Institute of the Arts, Valencia, California 1996 Akademiebrief at the Kunstakademie in Düsseldorf 1994 Master Student, Kunstakademie in Düsseldorf Solo Exhibitions 2018 Bove Düsseldorf 2017 Das LAMOA präsentiert: Mülheim/Ruhr und die 1970'er Jahre, Museum der Stadt Mülheim an der Ruhr, Circle Chairs, Triangle Chairs, Main Museum, Beta Main, Los Angeles 2016 Commonwealth, Commonwealth and Council, Los Angeles Pistachio Concern, DXIX Projects, Venice, CA 2015 * Dr Gundula's Office*, Nächst St Stephan, Vienna 2012 The Wall House Mystery, Wall House, Groningen 2011 Peter Könitz & Alice Könitz, Familientreffen, Kunstverein Norden 2010 WDF, Long Beach City College Art Gallery 2009 “Arthur Ou & Alice Könitz: Resort, A Station for Display, LAXART, Los Angeles, CA 2008 Stay Calm, Walk Home, and Induce Low Stress, Susanne Vielmetter Berlin Projects, Berlin 2006 Two Proud Society Spouses Are Reclining on Contemporary Furniture As A Golden-Eyed Ghost Lady Looks Over The Coffee Tables, Hudson Franklin, New York, NY Public Sculpture, Susanne Vielmetter Los Angeles Projects, Culver City, CA 2004 Centric 66, University Art Museum, California State University Long Beach, curated by Mary-Kay Lombino Owl Society Part II, Susanne Vielmetter Los Angeles Projects, Culver City, CA Pan American Nightclub Sculptures, boom editions, Chicago, IL 2003 Owl Society, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA Owl Society Part II, Hudson and Franklin, New York, NY 2002 Beautiful Ornaments -
Poetic Art's Critiques Of—And Alternatives To—An
Forma, lo performativo, acción poética: Poetic Art’s Critiques of—and Alternatives to—an Americas of Conquest By Matthew S Gonzales A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature and the Designated Emphasis in Critical Theory in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Robert Kaufman, Co-Chair Professor Genaro Padilla, Co-Chair Professor Francine Masiello Professor Bryan Wagner Spring 2021 Forma, lo performativo, acción poética: Poetic Art’s Critiques of—and Alternatives to—an Americas of Conquest © 2021 By Matthew S Gonzales Abstract Forma, lo performativo, acción poética: Poetic Art’s Critiques of—and Alternatives to—an Americas of Conquest by Matthew Gonzales Doctor of Philosophy in Comparative Literature University of California, Berkeley Professor Robert Kaufman, Co-Chair Professor Genaro Padilla, Co-Chair This dissertation, “Forma, lo performativo, acción poética: Poetic Art’s Critiques of—and Alternatives to—an Americas of Conquest,” takes a comparative approach to the long history of poetic-artistic form in the Americas, together with an analysis rooted in traditions of Frankfurt- School critical aesthetics, in order to propose an alternative genealogy for the emergence of various modern experimentalisms. From the vantage point of the current fiftieth anniversary of the 1970 Chicano Moratorium Against the Vietnam War (though not limited to that moment alone), “Forma, lo performativo, acción -
Updated Data and Curated List of Sessions for the 2018 Annual Conference of the College Art Association
Updated Data and Curated List of Sessions for the 2018 Annual Conference of the College Art Association I. Update on the Representation of Latinx Art and Pedagogy for 2018 Sessions Dedicated to Latinx Art and Pedagogy: 7* Papers on Latinx Art and Pedagogy: 35** Total number of sessions: 308 Total number of papers: 1,076 Projected statistics for CAA 2018***: -Latinx art and pedagogy represents 2.27% of all sessions -Latinx art and pedagogy represents 3.25% of all papers II. Comparisons between the 2017 and 2018 Annual Conference -The 2017 Annual Conference included 3 sessions and 14 papers dedicated to Latinx art and pedagogy. This represented just 1.17% of all sessions and 1.47% of all papers at the conference. For the 2018 Annual Conference, the number of papers has more than doubled for a total of 35, with a 1.1% increase in sessions and 1.78% in papers—a significant increase over the comparison between 2016 and 2017. As was the case with the previous year’s tally’s, it must be noted that there was also an increase in the overall number of papers and sessions in this year’s conference. However, it is striking that in 2018 the majority of papers on Latinx topics appear in panels that did not explicitly solicit Latinx submissions. Given that the Call for Papers went out before the launch of the Getty’s Pacific Standard Time: LA/LA initiative, we intend to carefully analyze both the 2019 Call for Par- ticipation’s accepted sessions and the number of papers ultimately accepted to see how these numbers will have further changed in the aftermath of PST. -
Hammer Museum Appoints New Artist Council Members Njideka Akunyili Crosby and Rafa Esparza
For Immediate Release: Thursday, May 3, 2018 Media Contact: Nancy Lee, 310-443-7016, [email protected] Hammer Museum Appoints New Artist Council Members Njideka Akunyili Crosby and Rafa Esparza (Los Angeles, CA)— The Hammer Museum announced today the appointment of Njideka Akunyili Crosby and Rafa Esparza to its Artist Council. Established in 2006, the Artist Council is a rotating advisory group of 10-15 internationally renowned, Los Angeles-based artists. The group meets regularly with Hammer curators and leadership to engage in extended conversations about specific programmatic issues at the Hammer as well as broad conceptual questions facing contemporary museums today. “The Artist Council is a crucial guiding voice within the Hammer Museum, and I’m delighted to see Njideka and Rafa join their ranks. We rely on the Artist Council to challenge and enhance the Hammer’s standing as an intellectual and cultural laboratory of ideas. Njideka and Rafa are valuable additions to this esteemed group,” said Hammer Museum Director Ann Philbin. Njideka Akunyili Crosby was born in Enugu, Nigeria in 1983 and currently lives and works in Los Angeles. She is the recipient of a 2017 MacArthur Fellowship and was awarded Financial Times' Women of the Year, 2016, alongside the Future Generation Art Prize 2017 Shortlist. She is the recipient of the Prix Canson Prize, 2016, Foreign Policy's Leading 100 Global Thinkers of 2015, the Next Generation Prize, New Museum of Contemporary Art, 2015, the Joyce Alexander Wein Artist Prize, 2015, and the Smithsonian -
Forma, Lo Performativo, Acción Poética: Poetic Art's Critiques Of—And
Forma, lo performativo, acción poética: Poetic Art’s Critiques of—and Alternatives to—an Americas of Conquest By Matthew S Gonzales A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature and the Designated Emphasis in Critical Theory in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Robert Kaufman, Co-Chair Professor Genaro Padilla, Co-Chair Professor Francine Masiello Professor Bryan Wagner Spring 2021 Forma, lo performativo, acción poética: Poetic Art’s Critiques of—and Alternatives to—an Americas of Conquest © 2021 By Matthew S Gonzales Abstract Forma, lo performativo, acción poética: Poetic Art’s Critiques of—and Alternatives to—an Americas of Conquest by Matthew Gonzales Doctor of Philosophy in Comparative Literature University of California, Berkeley Professor Robert Kaufman, Co-Chair Professor Genaro Padilla, Co-Chair This dissertation, “Forma, lo performativo, acción poética: Poetic Art’s Critiques of—and Alternatives to—an Americas of Conquest,” takes a comparative approach to the long history of poetic-artistic form in the Americas, together with an analysis rooted in traditions of Frankfurt- School critical aesthetics, in order to propose an alternative genealogy for the emergence of various modern experimentalisms. From the vantage point of the current fiftieth anniversary of the 1970 Chicano Moratorium Against the Vietnam War (though not limited to that moment alone), “Forma, lo performativo, acción