Rega Aphelion 2 HFW Nov20.Indd

Total Page:16

File Type:pdf, Size:1020Kb

Rega Aphelion 2 HFW Nov20.Indd VINYL SECTION HI-FI WORLD Top 2 Rega’s Aphelion 2 is their top moving coil cartridge. Noel Keywood listens. his is not a Rega cartridge to do. But the as I know them; I was taken point is these aback. The Rega sound is dis- cantilevers are tinctively mild – but not so popular with here. This £3200 cartridge manufacturers, is a small change of tack, to they have significant Tuse a nautical term. Not so big as to strengths and Aphelion threaten the boat: “a course correc- 2 uses one. I regularly tion” so as to say. hear one in the Audio I’ll get straight to the point: the Technica OC9X SH I use Aphelion 2 doesn’t display the Rega frequently for review purposes. sound as I know it – or have known The light weight of boron helps it. Which is a bit of a surprise because keep tip mass in check which in turn Aphelion 2 has plenty of competition improves high frequency tracking. That in this price band and needs a unique said, top level torture tracks induced selling point, but I found it similar in slight mis-tracking with Aphelion 2 the vibration headshells exhibit, so balance to others. It is less expensive (see Measured Performance), where improving sound quality. than our reference Ortofon A95 others clear them. But to put this Rega supply three short hex head (£3900) but a tad more expensive into perspective, these test tracks bolts and – unusually – a small torque than Cadenza Black (£1825) both are above what you’ll find on any wrench to tighten them, possibly to technically similar to Aphelion 2 in the commercial LP, especially nowadays avoid the alloy threads being stripped use of a boron rod cantilever. as modern cutting lathes are held in by those who over-tighten. However, there is a wild card in all check by sophisticated electronics to Weighing just 6gms, this is a very this: Rega’s three-point fixing arm, to avoid such modulation levels. low mass cartridge – at the limit of which the Aphelion 2 is ideally suited Boron then helps Aphelion 2 what most arms can balance out. Most of course (unlike rivals). If you already track well in the mid-band and at high should just manage it. have a Rega arm or are thinking of frequencies, bringing a sense of steady Rega do not supply accessories getting one then Aphelion 2 awaits, confidence to high level vocals with such as tracking force gauge, stylus assuming you are willing to spend so sibilance in particular. brush or a range of screws. Screws much on a pickup cartridge. Whether a boron rod cantilever supplied are short M2.5s suitable only I have always been a Rega arm is strong enough not to bend or snap for their own arm; custom headshells man since owning and using an RB300 I do not know! Luckily I have not that come thicker – especially when – and remain so after reviewing their had that experience in all the many made of hardwood – will need longer Planar 10 turntable (March 20 issue). cartridges I have reviewed. Guess screws. Use in a Rega arm is a strong pull there’s a limit somewhere but likely a toward Aphelion 2. boron rod will be more durable than SOUND QUALITY What is Aphelion 2? It is Rega’s an aluminium tube. I used the Aphelion 2 in our SME309 own in-house designed and assembled The Aphelion 2 body is machined arm, mounted on a Timestep Evo high flyer that comes with a light, stiff from aluminium and as our pictures modified Technics SL-1210 Mk2 and strong boron rod cantilever fitted show there are three threaded Direct Drive turntable. Phono stage with a Line contact diamond stylus. fixing holes. Two are set half an inch was an Icon Audio PS3 MkII (valve) This is right on current technological (12.7mm) apart as usual, allowing the with MC input transformers to trend, boron cantilevers coming from cartridge to fit any arm, the third can eliminate hiss. Power amplifiers were an outside global supplier (who I be used only with Rega arms that have a Creek Evolution 100A and, alterna- have yet to identify) that I suspect three-point fixing. The idea here is tively, an Icon Audio Stereo 30 SE supplies all cartridge manufacturers, not just to clamp the cartridge more single-ended valve amplifier, feeding since manufacturing such a specialised securely, but also to make rigid the Martin Logan ESL-X hybrid electro- miniature part is all but a weird thing whole headshell assembly, reducing static loudspeakers through Chord www.hi-fiworld.co.uk OCTOBER 2020 HI-FI WORLD VINYL SECTION HI-FI WORLD Company Signature Reference cables. chuckled and said I liked a ‘romantic It did not take long when listening sound”. Boron is preferred by to Hugh Masekela’s Uptownship, on manufacturers. Hope (180gm), for my listening notes So there you are: forget romance to remark on speed of hand drums here, we are talking about cutting and general rigid clarity, with fine bass edge speed in the sound, or put definition. As the hand drums kept another way excellent time domain going I could detect this cartridge definition. However, materials has a boron cantilever. There was a have signature resonant hard edge to each transient and a properties that are easily identified by the ear and the hand drums had not only hard edged transients that I knew came from boron, but there was a coolness in the sound I also know from A95 and OC9X SH. Being an engineer I should enjoy this sense of precision – but a bit of romance in the sound always Colour coded rear connection pins helps methinks. are unobstructed by bodywork, In the case of Aphelion 2, that making for ease of connection. runs flat to 20kHz and peaks a little, The generator assembly can be there was vast insight and detail, with seen inside. a smidgeon of treble brightness on outer grooves. Bear in mind here our cartridge was new. As a stylus wears Rega's unique three point fixing top plate, with threaded holes "we are talking about cutting for ease of attachment. This strengthens the whole edge speed in the sound, or headshell assembly. slightly mechanical sound. When I put another way excellent time told Ortofon I preferred the tapered aluminium cantilever of Cadenza domain definition" Bronze to the boron rod of A95 they it gets progressively duller, so raised treble gives longest effective stylus life in subjective terms. Making Aphelion 2 well balanced in original form, before wear sets in. From Uptownship the striding bass line was firm and solid in our SME309 arm – and doubtless better in a three-point fixing Rega arm since this fixing method improves definition all-round. The Aphelion has an icily clear mid-range that made Masekela’s vocals shine out and cymbals were conspicuous, yet they had a lovely sonorous quality. I was pinned to the seat, blasted backwards! Well, when volume went up. Think speed and dynamics, with a sense of solid, well defined bass that we all like to hear shaking the room. This is no sonic wimp of a cartridge, yet it is well controlled in its behaviour. There is no warmth; it is brutally honest about what is in the groove: technically correct. Forget about the easy tone of yesteryear. Introducing yesteryear! I’d noticed Aphelion 2 comes in a sturdy machined alloy case, complete ticks and pops came out like rifle with torque wrench to ensure the attachment screws are shots, as they do from modern MCs, tightened by the correct amount. so wondered how a cartridge like www.hi-fiworld.co.uk OCTOBER 2020 HI-FI WORLD VINYL SECTION HI-FI WORLD this would play old records. On went Bringing me naturally to classical All Your Love, from Blues Breakers on LP where noise is a major point (Decca, 1966) and no problem; I of complaint. Spinning the lovely 2L just heard all the restrictions of a (Norway) LP of Marianne Thorsen recording of that time: pinched and playing Mozart violin concertos I coarse midrange mainly. Clapton’s was taken more by insight into the guitar work was vivid and John Trondheim Soloists behind her than Mayall’s distant vocals discernible. ticks or pops. Opening lower strings Noise was more evident in sounded fruity on track one and when a heavily played track, Out of Marianne Thorsen’s violin suddenly Reach, from World of Blues Power entered proceedings it was startlingly (Decca, 1969) where the gloriously clear and forward. A tad cool perhaps, atmospheric vocals of Peter Green but vivid. and his beautiful guitar work – second The term “cool” that I kept after Hendrix in my view – came over writing in my notes became more clearly, regular groove noise from defined with Mark Knopfler’s True heavy playing not being made intrusive. Love Will Never Fade, from Kill to RIP Peter Green. Get Crimson (180gm). This is a full The boron rod cantilever carries a line contact stylus. bodied recording Aphelion 2 cooled Above is a guard. From above it can be seen clearly by removing its sense of warmth (OK, when cueing. a logical inevitability!). I got to hear Knopfler’s fluid fingers, strummed and just how fast and controlled Aphelion plucked strings ringing out sharply 2 is. Trumpets were vivid and with and clearly; you get to hear it all with hard edge, the brass section generally Aphelion 2. dominating. The glorious drum solos On to the subject of inner were solid and clear too, but I wished grooves.
Recommended publications
  • Review: International Jazz Day, Istanbul
    jazzjo urnal.co .uk http://www.jazzjournal.co.uk/magazine/583/review-international-jazz-day-istanbul Review: International Jazz Day, Istanbul N. Buket Cengiz reports on an event marked by star-studded concerts and discussions that revealed the ’heretofore unknown’ rhetorical powers of bassist Marcus Miller On 30 April, the sun shone with the hum of jazz tunes in Istanbul, inviting Istanbulites to wake up f or a day of a sweet rush in the host city f or International Jazz Day 2013. The 32nd International Istanbul Film Festival, a major cinema f estival in Europe, had been wrapped up just a couple of weeks prior with yet another collection of unf orgettable memories, and the city was ready f or the International Jazz Day event to be celebrated in collaboration with the Republic of Turkey and Istanbul Jazz Festival as the host city partner, with preparations underway since winter. In Istanbul, culture and arts as well as night lif e are remarkable, particularly f or music enthusiasts. Throughout the year, there is an abundance of clubs to choose f rom, and thanks to its temperate climate, there are open air concerts and f estivals as well. All year round, rock and indie, classical, ethnic and f olk, and of course jazz tunes f lit about the city, particularly during the never-ending summer nights. Istanbul is proud of its two international jazz f estivals: The Istanbul Jazz Festival organized by Istanbul Foundation f or Culture and Arts (IKSV), which will celebrate its 20th anniversary this July, and the Akbank Jazz Festival, which will be held f or the 23rd time this September.
    [Show full text]
  • CB-1990-03-31.Pdf
    TICKERTAPE EXECUTIVES GEFFEN’S NOT GOOFIN’: After Dixon. weeks of and speculation, OX THE rumors I MOVE I THINK LOVE YOU: Former MCA Inc. agreed to buy Geffen Partridge Family bassist/actor Walt Disney Records has announced two new appoint- Records for MCA stock valued at Danny Bonaduce was arrested ments as part of the restructuring of the company. Mark Jaffe Announcement about $545 million. for allegedly buying crack in has been named vice president of Disney Records and will of the deal followed Geffen’s Daytona Beach, Florida. The actor develop new music programs to build on the recent platinum decision not to renew its distribu- feared losing his job as a DJ for success of The Little Mermaid soundtrack. Judy Cross has tion contract with Time Warner WEGX-FM in Philadelphia, and been promoted to vice president of Disney Audio Entertain- Inc. It appeared that the British felt suicidal. He told the Philadel- ment, a new label developed to increase the visibilty of media conglomerate Thom EMI phia Inquirer that he called his Disney’s story and specialty audio products. Charisma Records has announced the appointment of Jerre Hall to was going to purchase the company girlfriend and jokingly told her “I’m the position of vice president, sales, based out of the company’s for a reported $700 million cash, going to blow my brains out, but New York headquarters. Hall joins Charisma from Virgin but David Geffen did not want to this is my favorite shirt.” Bonaduce Records in Chicago, where he was the Midwest regional sales engage in the adverse tax conse- also confessed “I feel like a manager.
    [Show full text]
  • The New Fillmore
    RETAIL REPORT FOOD & DRINK REAL ESTATE New shops, A new bar, and Home sells for medspa open it’s a long one under a million PAGES 5 - 7 PAGE 10 PAGE 14 New FILLMORE SAN FRANCISCO ■ AUGUST 2008 A Good Egg For 40 years, Phil Dean and drives along Golden Gate Park as he makes his way back to Fillmore Street. was Fillmore Hardware. He retired two and a half years ago, He’s retired now, but he but he’s never really gotten away from the neighborhood where he worked for most still delivers fresh eggs of his adult life. As he looks for a parking on Friday afternoon. space near Fillmore and Pine, he can glance out the window and see his fi ngerprints B B K R on nearly every Victorian on the block T R — lumber he sold, paint he mixed, repairs made according to advice he dispensed. ’ on a Friday afternoon, For an hour on Friday afternoon, just and Phil Dean, longtime manager before closing time, he’s back behind the of Fillmore Hardware, gets into counter of the hardware store, still greeting his truck in Pacifi ca and makes the customers and occasionally giving advice or drive he’s made so many times: up cutting keys — and delivering eggs, some ISkyline Drive, onto the Great Highway, of them gathered from his henhouse earlier S B past Ocean Beach. He turns right on Fulton that day. TO PAGE 8 4 LOCALS NEIGHBORHOOD NEWS Good Riddance, Say Locals, as Redevelopment Ends B D G “In the early days,” said executive di- But by this time, the African American destroyed a community, a way of life.” rector Fred Blackwell, “there is much that community had had enough.
    [Show full text]
  • The Social Work of Music a Musician's Path to Change
    ALUMNI GAZETTE The Social Work of Music Jazz composer and pianist Darrell Grant ’84E measures his success not only by how his music sounds, but also by what it does. b y Karen McCally ’02 (PhD) Darrell Grant ’84E has been a celebrat- ed jazz composer and pianist since early in his career, when his first solo project, Black Art (Criss Cross), was named by the New York Times as one of the top 10 jazz recordings of 1994. In 1997, he took an unusual step for a ris- ing jazz artist. He moved out of New York City to Portland, Oregon, a place much less known for its jazz scene. Grant and his wife, Anne McFall ’85E, who studied viola at Eastman, were eager to start a new life there. Yet it was also a place Grant felt would allow him, to a far greater extent than in New York City, to form meaningful connections with audi- ences and with his community. “One of the things I was interested in was the idea of doing well by doing good,” says Grant, who teaches at Portland State University. “If you’re going to create some- thing, you get to determine the measures for success. And something I always want- ed to figure out was ways to connect my musical projects to something broader in VaLuE(S)-aDDED: In a variety of projects, Grant seeks to integrate his music with his values. the community.” ESSAY This past fall, Grant contributed an es- say for a special edition of Chamber Mu- sic magazine (see “A Musician’s Path to A Musician’s Path to Change Change”).
    [Show full text]
  • Mcintosh MA352 HYBRID VALVE AMPLIFIER 10 Transistor Power but with Valve Sound
    VINYL NEWS AND REVIEWS SECTION SEE PAGE 80 HI-FIHI-FIFEBRUARY 2020 UK £4.50 WORLDWORLDwww.hi-fiworld.co.uk FREE READER CLASSIFIED ADS IN THIS ISSUE! McINTOSH COMPETITION MA352 WIN A AUDIO TECHNICA ! Exclusive OC9X SL CARTRIDGE hybrid amplifier WORTH £660! (UK ONLY) KLIPSCH HERITAGE THE SIXES loudspeaker CHORD ELECTRONICS HUEI phonostage FEBRUARY 2020 TECHNICS SL-G700 network/sacd player ACOUSTIC ENERGY AE500 LOUDSPEAKERS SIVE! MUTECH MC3+ USB SMART CLOCK EXCLU PRO-JECT VC-E VINYL CLEANER MEASUREMENT B&W PX7 WIRELESS NC HEADPHONES FIVE PAGES OF LETTERS - THE BEST WINS A PAIR OF KEF Q150 LOUDSPEAKERS! (UK ONLY) [master] The definitive version. Ultimate performance, bespoke audiophile cable collection Chord Company Signature, Sarum and ChordMusic form the vanguard of our cable ranges. A master collection that features our latest conductor, insulation and connector technology. High-end audiophile quality at a realistic price and each one built to your specific requirements. Arrange a demonstration with your nearest Chord Company retailer and hear the difference for yourself. Designed and hand-built in England since 1985 by a dedicated team of music-lovers. Find more information and a dealer locator at: www.chord.co.uk chordco-ad-HFW-MAR19-MASTER-002a.indd 1 07/05/2019 13:57:32 welcome EDITOR alves can be a bit troublesome. If you’re lucky big ones responsible Noel Keywood for producing power will last a few thousand hours, but then need e-mail: [email protected] replacing. However, small ones that don’t dissipate power will sol- dier on past 10,000 hours – and what’s more they cost little, in the DESIGN EDITOR £10-£20 region.
    [Show full text]
  • Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
    Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant
    [Show full text]
  • CONGRESSIONAL RECORD— Extensions of Remarks E115 HON
    January 30, 2018 CONGRESSIONAL RECORD — Extensions of Remarks E115 from every walk of life and background. That 46. Had I been present, I would have voted as Tedeschi, Jack DeJohnette, Herbie Hancock, has certainly been my experience here in this follows: Roll Call 45—Yes, and Roll Call 46— Jimmy Heath, Zakir Hussain of India, House, and during my Army service in Viet- Yes. Angelique Kidjo of Benin, Lang Lang of China, nam. I thank my friends and colleagues with f Romero Lubambo of Brazil, Shankar whom I have served. My years in public serv- Mahadevan of India, Wynton Marsalis, Chris- ice have allowed me to represent my home PERSONAL EXPLANATION tian McBride, Dianne Reeves, Wayne Shorter, county of Morris for over 40 years, and also Esperanza Spalding, Hiromi Uehara of Japan. Essex, Passaic, Sussex Counties, and earlier HON. RUBEN GALLEGO Masekela returned to South Africa in 1990 on, Somerset. That would not have been pos- OF ARIZONA when Mandela was freed and has been a sible without the love and support of my wife, IN THE HOUSE OF REPRESENTATIVES vocal voice for freedom. I join fans and activ- Virginia, our two girls and my late father and Tuesday, January 30, 2018 ists around the world in paying tribute to a mentor, Peter. The unsung heroes of my time giant of African culture and the arts. in Congress are my staff, both in Morristown Mr. GALLEGO. Mr. Speaker, I was unavoid- f and Washington, who tend every day to the ably detained in my congressional district and needs of 730,000 constituents.
    [Show full text]
  • J. D. Thomas Accession
    JD THOMAS CULTURAL CENTER, INC. PAST-PERFECT CONTENT INDEX Charles “Madhatter” Collection Series 1: Awards Exhibit/Display Artist: Award: 1. The Fat Boys - “Cruisin” Platinum Sales Award 2. Jodici -“Forever My Lady” Multi-Platinum Sales Award 3. Levert -“The Big Throwdown” Gold Sales Award 4. M.C. Hammer -“Let’s Get it Started” Platinum Sales Award 5. Southern M.U.S.I.C. “Butterball Friendship Award” 6. Charles “MadHatter” Merritt Framed charcoal portrait 7. Charles “MadHatter” Merritt Self Photo 8. Charles “MadHaatter” Merritt Self Photo 9. Blues & Soul Blues Summit Honorium Award 10. Jasmine Guy - Actress Photo to MadHatter *(autographed) Box 1: Artist: Album: 1. Bobby Brown My Prerogative 2. New Edition Christmas All Over the World 3. Bobby Brown Every Little Hit 4. New Edition Heart Break 5. Lou Rawls Let Me Be Good To You 6. Lou Rawls At Last 7. Lou Rawls Live at the Mark Hellinger Theatre, NYC 8. Commodores Caught in the Act 9. Commorores Brick House 10. Commodores Rock Solid Box 2: Artist: Album: 1. L.L. Cool J I’m That Type of Guy 2. Nancy Wilson A Lady With A Song 3. ‘LaBelle & The Bluebells Merry Christmas From LaBelle 4. Myrna Summers/Rev. Wright We’re Going To Make It 5. Shirley Caesar I Remember Mama 6. Hannibal Visions of a New World 7. Manhattans Love Talk 8. St. Augustine’s College Choir The Divine Service 9. Lou Rawls Family Reunion 10. Hall & Oates Live at the Apollo (with David Ruffin & Eddie Kendricks) Box 3: Artist: Album: 1. Glady’s Knight LIFE 2.
    [Show full text]
  • Remembering Hugh Masekela: the Horn Player with a Shrewd Ear for Music of the Day
    1/24/2018 Remembering Hugh Masekela: the horn player with a shrewd ear for music of the day Academic rigour, journalistic flair Remembering Hugh Masekela: the horn player with a shrewd ear for music of the day October 29, 2017 1.12pm SAST •Updated January 23, 2018 10.13am SAST Hugh Masekela performing during the 16th Cape Town International Jazz Festival. Esa Alexander/The Times Trumpeter, flugelhorn-player, singer, composer and activist Hugh Ramapolo Masekela Author has passed away after a long battle with prostate cancer. When he cancelled his appearance last year at the Johannesburg Joy of Jazz Festival, taking time out to deal with his serious health issues, fans were forced to return to his recorded opus for reminders of his unique work. Listening through that half-century of Gwen Ansell Associate of the Gordon Institute for disks, the nature and scope of the trumpeter’s achievement becomes clear. Business Science, University of Pretoria Masekela had two early horn heroes. The first was part-mythical: the life of jazz great Bix Biederbecke filtered through Kirk Douglas’s acting and Harry James’s trumpet, in the 1950 movie “Young Man With A Horn”. Masekela saw the film as a schoolboy at the Harlem Bioscope in Johannesburg’s Sophiatown. The erstwhile chorister resolved “then and there to become a trumpet player”. The second horn hero, unsurprisingly, was Miles Davis. And while Masekela’s accessible, storytelling style and lyrical instrumental tone are very different, he shared one important characteristic with the American: his life and music were marked by constant reinvention.
    [Show full text]
  • Politics and Popular Culture: the Renaissance in Liberian Music, 1970-89
    POLITICS AND POPULAR CULTURE: THE RENAISSANCE IN LIBERIAN MUSIC, 1970-89 By TIMOTHY D. NEVIN A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FUFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2010 1 © 2010 Timothy Nevin 2 To all the Liberian musicians who died during the war-- (Tecumsey Roberts, Robert Toe, Morris Dorley and many others) Rest in Peace 3 ACKNOWLEDGMENTS I would like to thank my parents and my uncle Frank for encouraging me to pursue graduate studies. My father’s dedication to intellectual pursuits and his life-long love of teaching have been constant inspirations to me. I would like to thank my Liberian wife, Debra Doeway for her patience in attempting to answer my thousand and one questions about Liberian social life and the time period “before the war.” I would like to thank Dr. Luise White, my dissertation advisor, for her guidance and intellectual rigor as well as Dr. Sue O’Brien for reading my manuscript and offering helpful suggestions. I would like to thank others who also read portions of my rough draft including Marissa Moorman. I would like to thank University of Florida’s Africana librarians Dan Reboussin and Peter Malanchuk for their kind assistance and instruction during my first semester of graduate school. I would like to acknowledge the many university libraries and public archives that welcomed me during my cross-country research adventure during the summer of 2007. These include, but are not limited to; Verlon Stone and the Liberian Collections Project at Indiana University, John Collins and the University of Ghana at East Legon, Northwestern University, Emory University, Brown University, New York University, the National Archives of Liberia, Dr.
    [Show full text]
  • HI-FI WORLD Solid Power Mcintosh Release a Powerful Hybrid Amplifier with Solid-Sate Output, Fronted by Valves
    VINYL NEWS AND REVIEWS SECTION SEE PAGE 80 HI-FIHI-FIFEBRUARY 2020 UK £4.50 WORLDWORLDwww.hi-fiworld.co.uk FREE READER CLASSIFIED ADS IN THIS ISSUE! McINTOSH COMPETITION MA352 WIN A AUDIO TECHNICA ! Exclusive OC9X SL CARTRIDGE hybrid amplifier WORTH £660! (UK ONLY) KLIPSCH HERITAGE THE SIXES loudspeaker CHORD ELECTRONICS HUEI phonostage FEBRUARY 2020 TECHNICS SL-G700 network/sacd player ACOUSTIC ENERGY AE500 LOUDSPEAKERS SIVE! MUTECH MC3+ USB SMART CLOCK EXCLU PRO-JECT VC-E VINYL CLEANER MEASUREMENT B&W PX7 WIRELESS NC HEADPHONES FIVE PAGES OF LETTERS - THE BEST WINS A PAIR OF KEF Q150 LOUDSPEAKERS! (UK ONLY) REVIEW HI-FI WORLD Solid Power McIntosh release a powerful hybrid amplifier with solid-sate output, fronted by valves. Noel Keywood enjoys. ith a history that sinks either side. control circuitry inside though, as starts back in 1949, What the MA352 offers is valve our internal shot shows; this is one kicked off by a valve sound and romance with transistor complex amplifier in control terms, amplifier of legend- power, no less than 200 Watts having a remote control as well as ary ability, McIntosh claimed – but we measured more external bus control. remain in touch with (see Measured Performance). The When I pressed the volume Wthe valve today – although perhaps MA352 is an integrated amplifier control at right to switch on, the I should use the term ‘tube’ for this with RCA phono-socket unbalanced amplifier lit up immediately, LEDs U.S. company, based in New York. Line inputs, as well as XLR socketed beneath the valves glowing bright Explaining the ornately protected balanced inputs.
    [Show full text]
  • Great Instrumental
    I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T.
    [Show full text]