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The Ceramic Works of David Drake, Aka, Dave the Potter Or Dave the Slave of Edgefield, South Carolina
University of South Carolina Scholar Commons Staff ubP lications McKissick Museum 2005 The eC ramic Works of David Drake, aka, Dave the Potter or Dave the Slave of Edgefield, South Carolina Jill Beute Koverman University of South Carolina - Columbia, [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/mks_staffpub Part of the Anthropology Commons Publication Info Published in American Ceramic Circle Journal, Volume 13, 2005, pages 83-98. http://www.amercercir.org/ © 2005 by American Ceramic Circle This Article is brought to you by the McKissick Museum at Scholar Commons. It has been accepted for inclusion in Staff ubP lications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Fig. I . Sample of jug. jars. and pitchers. Dave. Lewis Miles Factory. Edgefield. S.C .. 1840- 59. Alkaline-glazed stoneware. Collections of McKissick Museum. University of South Carolina. Larry and Joan Carlson. and Dr. and Mrs. James K. Smith. Photo. courtesy of McKissick Museum. - The Ceramic Works of David Drake, aka, Dave the Potter or Dave the Slave of Edgefield, South Carolina Jill Beute Koverman This study examines the extant work ofa prolific potter, an African American named David Drake, who as a slave often signed his work "Dave" and incised verses he had written into his clay vessels. One hundred twenty-nine vessels either clearly marked or attributed to Dave were catalogued, photographed, and compared to define stylistic traits based on forms, glazes. dimensions, marks, handwriting, and dates. Combined with archival research. the author has answered questions surrounding incongruous theories about the life and work history of Dave posited by earlier scholarship. -
A Guide to the Classification of Medieval Ceramic Forms CONTENTS
A Guide to the Classification of Medieval Ceramic Forms Medieval Pottery Research Group Occasional Paper 1 A Guide to the Classification of Medieval Ceramic Forms Medieval Pottery Research Group Occasional Paper 1 First published in 1998 by the Medieval Pottery Research Group. Copyright © Medieval Pottery Research Group 1998. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission in writing of the Medieval Pottery Research Group. Within the UK, exceptions are allowed in respect of any fair dealing for the purpose of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act, 1988, or in the case of reprographic reproduction in accordance with the terms of the licenses issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside these terms or in other countries should be sent to MPRG. British Library Cataloguing in Publication Data available. ISBN 0-9506105 2 6 The Medieval Pottery Research Group is a Registered Charity, No. 1018513 The publishers acknowledge with gratitude a grant from English Heritage for the publication of this volume, and a further grant in 2019 from Historic England towards the preparation of the digitised version. Acknowledgements The Guide is the combined effort of many members of the Medieval Pottery Research Group (MPRG) over a number of years. It has been produced and published with the aid of English Heritage grants to Wessex Archaeology and to MPRG, for which we are most grateful. -
Where Have All the Fairies Gone? Gwyneth Evans
Volume 22 | Number 1 | Issue 83, Autumn Article 4 10-15-1997 Where Have All the Fairies Gone? Gwyneth Evans Follow this and additional works at: https://dc.swosu.edu/mythlore Recommended Citation Evans, Gwyneth (1997) "Where Have All the Fairies Gone?," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 22 : No. 1 , Article 4. Available at: https://dc.swosu.edu/mythlore/vol22/iss1/4 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. Where Have All the Fairies Gone? Abstract Examines a number of modern fantasy novels and other works which portray fairies, particularly in opposition to Victorian and Edwardian portrayals of fairies. Distinguishes between “neo-Victorian” and “ecological” fairies. Additional Keywords Byatt, A.S. Possession; Crowley, John. Little, Big; Fairies in literature; Fairies in motion pictures; Jones, Terry. Lady Cottington’s Pressed Fairy Book; Nature in literature; Wilson, A.N. Who Was Oswald Fish? This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol22/iss1/4 P a g e 12 I s s u e 8 3 A u t u m n 1 9 9 7 M y t h l o r e W here Have All the Fairies Gone? G wyneth Evans As we create gods — and goddesses — in our own Crowley's Little, Big present, in their very different ways, image, so we do the fairies: the shape and character a contrast and comparison between imagined characters an age attributes to its fairies tells us something about the of a Victorian and/or Edwardian past and contemporary preconceptions, taboos, longings and anxieties of that age. -
Antique Bottles, Pot Lids& Advertising
October 4 & 5 catalogue:Layout 1 4/9/14 10:09 Page 1 Saturday 4 Oct 500+ lot Unreserved Auction BBRAUCTIONS Sunday 5 Oct MAJOR Show & Auction BBR’s 2014 Autumn Extravaganza week-end & Antique “... the Yanks are coming...” Bottles, Pot Lids & Advertising Ginger beers Tins Poisons Old cabinets Pub Jugs Salt Glaze Pot lids Minerals Pharmacy Inks Stoneware Black glass Whisky jugs Kitchenalia Early Doulton Cream pots Guinness Enamel signs October 4 & 5 catalogue:Layout 1 4/9/14 10:09 Page 2 BBRAUCTIONS BBR’s 2014 Autumn Extravaganza Saturday 4 October Unreserved Auction, Blg 21 Sunday 5 October BIG Show & Auction all in Blg 21 SATURDAY 500+ lot Auction Doors open 9am Sale 11am SUNDAY Show & Auction E.E. 8.30am Auction viewing 9am Sale 11am Postal, tel. (book lines early!) & fax bidding facility. Low cost after sale p & p worldwide Buyers premium 15%, plus vat - only on premium Sunday auction held beside BBR’s Autumn Extravaganza for which there is an admission charge FREE PARKING ACCOMMODATION: see list to rear of catalogue, or email BBR Viewing stops approx. 10 mins. before sale start @ 11am. Sunday bidders must register early, to obtain a bidding number. All items sold ‘as seen’ on sale day. - all must view & inspect goods beforehand & accept BBR’s Terms & Conditions (rear of cat/ print outs on viewing tables). Payment & collection can take place any time during the sale. BBR, Elsecar Heritage Centre, Nr Barnsley, S Yorks., S74 8HJ tel: 01226 745156 fax: 01226 361561 email: [email protected] www.onlinebbr.com Collector provenance stickers BBR is selling a number of large collections all bearing a ‘provenance’ sticker. -
Whoosh Bottle
Whoosh Bottle Introduction SCIENTIFIC Wow your students with a whoosh! Students will love to see the blue alcohol flame shoot out the mouth of the bottle and watch the dancing flames pulsate in the jug as more air is drawn in. Concepts • Exothermic reactions • Activation energy • Combustion Background Low-boiling alcohols vaporize readily, and when alcohol is placed in a 5-gallon, small-mouthed jug, it forms a volatile mixture with the air. A simple match held by the mouth of the jug provides the activation energy needed for the combustion of the alcohol/air mixture. Only a small amount of alcohol is used and it quickly vaporizes to a heavier-than-air vapor. The alcohol vapor and air are all that remain in the bottle. Alcohol molecules in the vapor phase are farther apart than in the liquid phase and present far more surface area for reaction; therefore the combustion reaction that occurs is very fast. Since the burning is so rapid and occurs in the confined space of a 5-gallon jug with a small neck, the sound produced is very interesting, sounding like a “whoosh.” The equation for the combustion reaction of isopropyl alcohol is as follows, where 1 mole of isopropyl alcohol combines with 4.5 moles of oxygen to produce 3 moles of carbon dioxide and 4 moles of water: 9 (CH3)2CHOH(g) + ⁄2O2(g) → 3CO2(g) + 4H2O(g) ∆H = –1886.6 kJ/mol Materials Isopropyl alcohol, (CH3)2CHOH, 20–30 mL Graduated cylinder, 25-mL Whoosh bottle, plastic jug, 5-gallon Match or wood splint taped to meter stick Fire blanket (highly recommended) Safety shield (highly recommended) Funnel, small Safety Precautions Please read all safety precautions before proceeding with this demonstration. -
Quality Assurance Workbook for Radiographers & Radiological Technologists
(/ J . ' WHO/DIUOU DISTRIBUTION: GENERAL ORIGINAL: ENGLISH Quality assurance workbook for radiographers & radiological technologists by Peter J Lloyd MIR, OCR, ARMI~ Grad Dip FEd Lecturer (retired), School of Medical Radiation, University of South Australia Diagnostic Imaging and Laboratory Technology Blood Safety and Clinical Technology Health Technology' and Pharmaceuticals WORLD HEALTH ORGANIZATION Geneva © World Health Organization, 2001 This document is not a formal publication of the World Health Organization (WHO), and all rights are reserved by the Organization. The document may, however, be freely reviewed, abstracted, reproduced and translated, in part or in whole, but not for sale for use in conjunction with commercial purposes. The views expressed in documents by named authors are solely the responsibility of those authors. Designed in New Zealand Typeset in Hong l<ong Printed in Malta 2001/13663- minimum graphics/Best Set/Interprint- 3000 Ill Contents Introductory remarks vii Acknowledgements viii Introduction 1 Purpose of this workbook 1 Who this workbook is aimed at 2 What this workbook aims to achieve 2 Summary of this workbook 2 How to use this workbook 2 Roles and responsibilities 3 Questionnaire-student's own department 5 Pretest 7 Teaching techniques 10 Overview of teaching methods in common use 10 Assessment 10 Teacher performance 12 Suggested method of teaching with this workbook 12 Conclusions 12 Health and safety 15 Machinery 15 Electrical 15 Fire 15 Hazardous chemicals 16 Radiation 16 Working with the patient 17 Disaster 17 Module 1. Reject film analysis 19 Setting up a reject film analysis program 19 Method 20 Analysis 20 Action 20 Tasks to be carried out by the student 24 Module 2. -
Tobacco, E-Cigarettes and Alternative Products
Tobacco, E-Cigarettes and Alternative Products: Product Guide FOR PEDIATRIC PROVIDERS Although youth use of traditional cigarettes has declined in New York City (NYC), youth have turned to other products, including cigars, smokeless tobacco, and electronic cigarettes (e-cigarettes). These products are often flavored (such as with menthol) and almost always contain nicotine. Flavors are concerning because they can mask the harshness of tobacco, appeal to kids, and are often directly marketed to teens and preteens. NICOTINE can change the chemistry of the adolescent brain. It may affect learning ability and worsen memory and concentration. Youth are particularly vulnerable to nicotine dependence, which can occur even with occasional use. Nicotine may also affect the way the adolescent brain processes other drugs, like alcohol, cannabis and cocaine. The following is a list of selected products with their negative health effects to help you better counsel and guide your patients and their families. 2 TOBACCO: Smokeless Tobacco THE FACTS • Smokeless tobacco is not burned or smoked but always contains nicotine.* V It includes tobacco that can be sucked, chewed, spit or swallowed, depending on the product. PRODUCT NAME WHAT IT IS Chewing • Comes in loose leaf, plug or twist form Tobacco V Used by taking a piece and placing it between the cheek and gums; Also Known As may require spitting. Chew Snuff • Comes in moist, dry or packet (snus) form Also Known As V Moist snuff is used by taking a pinch and placing it between the lip Dip or cheek and gums; requires spitting. V Dry snuff is used by putting a pinch of powder in the mouth or by sniffing into the nose. -
Alter Crosses Candlesticks Vases
Proudly made in America for over 70 years Artistic CHURCHWARE SACRED SERIES COMMUNIONWARE, PAGE 8 Made by Christians for Christians "PRELIMINARY" 73RD EDITION ALTAR SETS Over 70 Years of Altar Sets, Brass ......................................................... 3, 6, 7 Altar Sets, Wooden ................................................. 4, 5, 7 Altar Sets, Mixed Materials ...........................................7 Superior Craftsmanship CANDLES Fuel Cells .............................................................................16 Liquid Wax Candles ........................................................16 and Unsurpassed Tube Candles .....................................................................16 Wax Candles ......................................................................16 Candlelighters ...................................................................xx Excellence Candlestick Holders .....................................................3-7 Liquid Wax .........................................................................16 Throughout the years, Artistic has maintained impeccable standards "SACRED SERIES" of craftsmanship and earned a reputation for unsurpassed COMMUNIONWARE excellence. Since its founding, in 1948, our products have been Sacred Series Communion Ware ..............................8 Sacred Series FILLER ...................................................... 8 proudly handcrafted by master artisians, in the nation’s heartland. Many of our master craftsfolk have spent decades with the company, COMMUNION -
Creating a Smoke-Free Home
Creating a smoke-free home REFRESH How to Guide for Professionals Working with Families and Children SECTION 1 Introduction Page 3 SECTION 2 Who should use this guide? Page 4 SECTION 3 Why should you use this guide? Page 4 SECTION 4 How to use this guide Page 4 SECTION 5 What does the evidence say? Page 5 5.1 What is second-hand smoke? Page 5 5.2 Is smoking in the home and car common? Page 5 5.3 What do we know about exposure levels in the home and car? Page 5 5.4 Key facts on second-hand smoke and effects on children’s health Page 7 5.5 Tobacco smoke and house fires Page 7 SECTION 6 Common beliefs around second-hand smoke exposure Page 8 SECTION 7 The benefits of having a completely smoke-free home and car Page 10 SECTION 8 Hints and tips for parents on creating a smoke-free home and car Page 11 SECTION 9 Toxic breakdown of a cigarette Page 12 RAISING THE ISSUE - GUIDANCE FOR PROFESSIONALS Acknowledgements: SECTION 10 Practical tips on raising the issue and encouraging change Page 13 NHS Health Scotland Second-hand 10.1 The ‘REFRESH’ Flowchart Page 14 Smoke Coordinators Network NHS Rotherham SECTION 11 Raising the issue of second-hand smoke exposure in the home Page 15 Northfield Mother and Toddler 11.1 Overcoming parent barriers to creating a smoke-free home and car Page 15 Group, Aberdeen 11.2 Overcoming practitioner barriers to raising the issue with parents/carers Page 18 Gwen Russell Lorna McKenzie SECTION 12 Additional information on smoke-free homes Page 20 Kim Brannigan Lesley Young SECTION 13 Further support Page 20 SECTION 14 Further information……………………………………22 Page 20 For additional information on SECTION 15 REFRESH, please visit References Page 21 http//www.refreshproject.org.uk Getting started 1. -
The Tale of Custard the Dragon. Belinda Lived in a Little White House
The Tale of Custard the Dragon. But up jumped Custard, snorting like an engine, Clashed his tail like irons in a dungeon, Belinda lived in a little white house, With a clatter and a clank and a jangling squirm With a little black kitten and a little grey mouse, He went at the pirate like a robin at a worm. And a little yellow dog and a little red wagon, And a realio, trulio, little pet dragon. The pirate gaped at Belinda's dragon, And gulped some grog from his pocket flagon, Now the name of the little black kitten was Ink, He fired two bullets but they didn't hit, And the little grey mouse, she called her Blink, And Custard gobbled him, every bit. And the little yellow dog was sharp as Mustard, But the dragon was a coward, and she called him Belinda embraced him, Mustard licked him, Custard. No one mourned for his pirate victim Ink and Blink in glee did gyrate Custard the dragon had big sharp teeth, Around the dragon that ate the pyrate. And spikes on top of him and scales underneath, Mouth like a fireplace, chimney for a nose, Belinda still lives in her little white house, And realio, trulio, daggers on his toes. With her little black kitten and her little grey mouse, And her little yellow dog and her little red wagon, Belinda was as brave as a barrel full of bears, And her realio, trulio, little pet dragon. And Ink and Blink chased lions down the stairs, Mustard was as brave as a tiger in a rage, Belinda is as brave as a barrel full of bears, But Custard cried for a nice safe cage. -
The Cigarette Card Series of W. Duke, Sons &
CAPITALIZING ON TABOOS IN ADVERTISING: THE CIGARETTE CARD SERIES OF W. DUKE, SONS & COMPANY by Janet Katelyn Hammond Honors Thesis Appalachian State University Submitted to the Department of History and The Honors College in partial fulfillment of the requirements for the degree of Bachelor of Science May, 2018 Approved by: Michael C. Behrent, Ph.D., Thesis Director Katherine E. Ledford, Ph.D., University Honors Second Reader Allison Fredette, Ph.D., Departmental Honors Second Reader Michael C. Behrent, Ph.D., Departmental Honors Director Jefford Vahlbusch, Ph.D., Dean, The Honors College Hammond 1 Abstract This essay reveals the themes displayed in the cigarette card series produced at W. Duke, Sons & Co. from 1880 to 1900. The following mainly draws upon the cards themselves, the Duke family’s and the business’s correspondence, and other miscellaneous company notes. Topics covered include: a historiography, a family history, an overview of the cigarette and tobacco industries, late-eighteenth century capitalism and advertising methods, the interworking of the Duke company, and how the cigarette card series reflect all of these components. The overall argument is that the executives of this enterprise cashed in on the taboos of this time period while offering no new perspectives about the existing social hierarchy in the United States. Table of Contents Introduction…………………………………………………………………………………....2 Historiography………………………………………………………………………………...3 Family & Tobacco Background……………………………………………………………….9 Capitalism & W. Duke, Sons and -
Unobtrusive Observations of Cigarette Smoking
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 6-1984 Unobtrusive Observations of Cigarette Smoking Robert Fisher Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Recommended Citation Fisher, Robert, "Unobtrusive Observations of Cigarette Smoking. " PhD diss., University of Tennessee, 1984. https://trace.tennessee.edu/utk_graddiss/5326 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Robert Fisher entitled "Unobtrusive Observations of Cigarette Smoking." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Psychology. William S. Verplanck, Major Professor We have read this dissertation and recommend its acceptance: Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Robert Fisher entitled "Unobtrusive Observations of Cigarette Smoking." I have exam ined the final copy of this dissertation for form and content and rec ommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Psychology.