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Revlon Signs Oscar-Nominated Actress Julianne Moore
Revlon Signs Oscar-Nominated Actress Julianne Moore November 20, 2001 NEW YORK, Nov. 20 /PRNewswire/ -- Revlon announced today that two time Oscar-nominated actress Julianne Moore has joined the company's exclusive group of spokespeople. Moore, star of the highly acclaimed films ``Hannibal,'' ``Boogie Nights'' and ``The Big Lebowski,'' will appear in advertising campaigns for the company and will participate in philanthropic efforts dedicated towards the fight against women's cancers. Moore will appear in various advertising campaigns for the Revlon brand, with the first television commercial scheduled to break nationally in January 2002. In addition, Revlon and Moore have committed to work together towards a common goal -- the fight against breast and ovarian cancers. Moore will participate in select corporate and philanthropic events for the company. ``Julianne is the perfect example of today's modern woman,'' said Revlon CEO and President Jeff Nugent. ``As a beautiful, respected actress and dedicated mother, Julianne balances her hectic schedule with grace and ease. She knows what's important in life and pursues it with confidence and integrity. We're thrilled to have such a remarkable woman representing the company,'' Nugent said. Moore most recently starred in the blockbuster hit ``Hannibal,'' opposite Anthony Hopkins and Gary Oldham. Her next role will be in the highly anticipated Miramax film, ``The Shipping News'' co-starring Kevin Spacey, Judi Dench and Cate Blanchett. The film is scheduled to be released in December 2001. ``I'm very excited to be working with a well-respected company like Revlon,'' said Julianne Moore. ``I have always admired their dedication to women's health issues and their long-standing position as a truly iconic American beauty company. -
Glengarry Glen Ross Free
FREE GLENGARRY GLEN ROSS PDF David Mamet | 144 pages | 26 Aug 2004 | Bloomsbury Publishing PLC | 9780413774187 | English | London, United Kingdom Glengarry Glen Ross movie review () | Roger Ebert When an office full of New York City real estate salesmen is given the news that all but the top two will be fired at the end of the week, the atmosphere begins to heat up. Shelley Levene, who has a sick daughter, does everything in his Glengarry Glen Ross to get better leads from his boss, John Williamson, but to no avail. When his coworker Dave Moss comes up with a plan to steal the leads, things get complicated for the tough-talking Glengarry Glen Ross. Joseph M. Caracciolo Jr. Jerry Tokofsky Stanley R. William Barclay Bob Shaw. Five minutes into the picture and there's so much awesomeness on the screen that it's almost overwhelming. Second time through and just as enjoyable as the first. First-rate cast, first-rate dialogue. Feels like a modernized Glengarry Glen Ross of a Salesman, with matching commentary on working class life "we work too hard"on shifting power structures the young managing the oldand on the emotional economics of capitalism subjection vs satisfaction. I didn't remember the characters being so consistently foul-mouthed, and this time through was slightly distracted by the film's heavy reliance on vulgarity. Nonetheless, this is an absolutely captivating film recommended to anyone who loves great actors, great characters, or great dialogue. It's amazing how a film focused exclusively on people talking can be so engrossing. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
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The Ten Best Movies of the 4. Pulp Fiction '94: Quentin Tarantino's follow-up to Reservoir Dogs was nothing short of spectacular as its unique blend of shocking violence and 1990s: side splitting laughs caused a massive stir at Cannes. Rapid fire style cou- pled with first class writing paved the way for a genre of film still prevalent 10. GOOdfellaS '90: True account of Henry Hill, Jimmy Conway, and Tommy in the industry today. De Vito and their mobster lives in New York during the '60s and '70s. Not The Godfather, but Scorsese's work is explosive, well-acted, and has some- 3. The Ice Storm '97: The best movie you didn't see. As Vietnam approach- thing that many films don't: mass appeal. es its terminus and the Watergate scandal unfolds, life in the real world is in a cocked hat. Beautifully written tale of sexual exploration as well as the 9. Fearless '93: Excellent introspective journey by director Peter Weir into search for meaning and genuine satisfaction outside of socially mandated the psyche of a plane crash survivor and his mental transformation. Deeply boundaries. moving performance from Jeff Bridges. 2. Lost Highway '97: David Lynch's journey into the depths of the mind 8. The Usual Suspects '95: Bryan Singer's taut crime drama features the made for one creepy film. Fred Madison, after being accused of murder, mys- best ensemble cast this side of Glengary Glen Ross. Gabriel Byrne, Stephen teriously morphs into Pete Dayton. Soon the two sides of the alter ego begin Baldwin, Benicio Del Toro, Kevin Pollak, Kevin Spacey and Chazz Palminteri to cross paths in a surreal web of intrigue. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Julius CAESAR
CLASSIC DRAMA UNABRIDGED William Shakespeare Julius Caesar Read by Andrew Buchan, Paul Rhys and cast Directed by David Timson 1 Act I Scene i 4:08 2 Scene ii 4:21 3 Cassius – I know that virtue to be in you, Brutus… 4:23 4 Re-enter Caesar and his train 6:28 5 Scene iii 1:54 6 Enter Cassius 4:25 7 Enter Cinna 1:23 8 Act II Scene i 0:35 9 Brutus – It must be by his death and for my part… 5:05 10 Enter the conspirators, Cassius, Casca, Decius Brutus, Cinna etc. 7:27 11 Enter Portia 4:48 12 Re-enter Lucius with Ligarius 1:27 13 Scene ii 0:22 14 Enter Calpurnia 2:46 15 Enter Decius Brutus 2:45 16 Enter Publius, Brutus, Ligarius, Metellus, Casca, Trebonius etc. 0:25 17 Enter Antony 0:48 18 Scene iii 1:00 19 Scene iv 1:13 20 Enter the Soothsayer 1:26 2 21 Act III Scene i 3:43 22 Casca and the other conspirators stab Caesar 1:09 23 Re-enter Trebonius 1:22 24 Enter a servant 1:12 25 Enter Antony 5:50 26 Antony – O, pardon me, thou bleeding piece of earth… 2:54 27 Act III Scene ii 0:45 28 Brutus – Be patient till the last… 2:12 29 Enter Antony and others, with Caesar’s body 1:47 30 Antony – Friends, Romans, countrymen, lend me your ears… 5:15 31 Antony comes down from the pulpit 6:09 32 Enter a servant 0:32 33 Scene iii 1:53 34 Act IV Scene i 2:26 35 Scene ii 1:32 36 Enter Cassius and his Powers 0:53 37 Scene iii 6:25 38 Enter Poet, followed by Lucilius, Titinius and Lucius 1:41 39 Enter Lucius, with wine and taper 0:26 40 Enter Titinius, with Messala 4:06 3 41 Enter Lucius with the gown 0:21 42 Enter Varrus and Claudio 2:38 43 Enter the Ghost of Caesar 2:11 44 Act V Scene i 0:35 45 Enter a messenger 0:17 46 Enter Brutus, Cassius and their Army; Lucilius etc. -
Customerville PRO Resources
Customerville PRO Resources Measuring customer experience is now part of the experience PRO Guide Series WHAT CAN KEVIN SPACEY AND HOUSE OF CARDS TEACH YOU ABOUT SURVEYS Actors call it “breaking the fourth wall.” If you want to break through to your customers and get them to interact with your surveys, then plan on changing the way you talk to them. Kevin Spacey’s character, Frank Underwood, shows us how. Toward the end of the first episode of the hit (the imaginary, invisible wall through which an American TV series, House of Cards, there is audience views the action of a story) for a private this great scene where the President of the United conversation directly with us. States is being sworn into office. Surprisingly, the attention isn’t on the President. It’s on the Then the camera pulls back, and there’s Under- always-maneuvering main character, Repre- wood mischievously waving to us while the rest sentative Francis “Frank” Underwood, played of the crowd — totally oblivious to our secret by Kevin Spacey. conversation — watches the president. While he should be watching the President, Un- The reason we bring this up is that customer derwood glances to his right and starts talking experience surveys — and those of us who to us — right through the television. He’s break- deploy them — have a lot to learn from Con- ing through what actors call the “fourth wall” gressman Underwood. Customerville · PRO Guide Series Page 2 What Kevin Spacey Can Teach You About Surveys Breaking The 4th Wall With Your Surveys At Customerville we speak to great brand mar- keting professionals all over the world about creating engaging surveys. -
Cast Biographies
CAST BIOGRAPHIES MICHAEL SHANNON (Gary Noesner) Academy Award®, Golden Globe® and Tony Award® nominated actor Michael Shannon continues to make his mark in entertainment, working with the industry's most respected talent and treading the boards in notable theaters around the world. Shannon will next be seen in Guillermo del Toro's The Shape of Water, a love story set against the backdrop of Cold War-era America. The film co-stars Sally Hawkins, Richard Jenkins, Michael Stuhlbarg and Octavia Spencer. Fox Searchlight will release the film December 2017. In 2018, Shannon will return to Red Orchard Theatre for its 25th Anniversary to direct the world premiere of Traitor, Brett Neveu's adaption of Henrik Ibsen's Enemy of the People. Traitor will include ensemble members Dado, Larry Grimm, Danny McCarthy, Guy Van Swearingen and Natalie West and will run from January 5, 2018 through February 25, 2018. Back on the big screen, Shannon will then be seen in the Nicolai Fuglsig’s 12 Strong opposite Chris Hemsworth. The project follows a team of CIA agents and special forces who head into Afghanistan in the aftermath of the 9/11 attacks in an attempt to dismantle the Taliban. Warner Brothers is releaseing the film in January 2018. Later next year, Shannon will also be seen in writer-director Elizabeth Chomko’s drama, What They Had, opposite Hilary Swank. The story centers on a woman who must fly back to her hometown when her Alzheimer's-stricken mother wanders into a blizzard and the return home forces her to confront her past, which includes her brother (Shannon). -
TODO EL DINERO DEL MUNDO (All the Money in the World)
TODO EL DINERO DEL MUNDO (All the Money in the World) DIR. RIDLEY SCOTT SINOPSIS Roma, 1973. Unos hombres enmascarados secuestran a un adolescente llamado Paul (Charlie Plummer). Su abuelo, J. Paul Getty (Christopher Plummer), es el hombre más rico del mundo, un magnate petrolero tan multimillonario como avaro. El secuestro de su nieto favorito no es razón suficiente para renunciar a parte de su fortuna. Todo el dinero del mundo cuenta la historia de Gail (Michelle Williams), la persistente y tenaz madre de Paul para quien, al contrario que Getty, sus hijos son lo más importante. La vida de su hijo depende de un tiempo que se acaba, y los secuestradores se muestran cada vez más decididos, inestables y violentos. Cuando Getty envía a su enigmático hombre de seguridad, Fletcher Chace (Mark Wahlberg), a velar por los intereses de su nieto, él y Gail se alían en una carrera contrarreloj que revelará el valor del amor frente al dinero FICHA ARTÍSTICA Gail Harris ...................................................................................................................................MICHELLE WILLIAMS J. Paul Getty .........................................................................................................................CHRISTOPHER PLUMMER Fletcher Chase ...................................................................................................................................MARK WAHLBERG Cinquanta ................................................................................................................................................ROMAIN -
L.A. Confidential Series: BFI Film Classics
M. Dargis L.A. Confidential Series: BFI Film Classics L.A. Confidential was released in 1997 to huge critical acclaim and it went on to be nominated for nine Academy Awards. Its reputation has since grown to the point that the film is now widely seen as a key Hollywood movie of the 1990s. But it fared poorly at the box-office, having neither big-name stars nor the sop of a comforting moral universe. With characters so bad they were irresistible, the film harked back to an older, darker Hollywood at a time when audiences would soon be flocking to "Titanic". Directed by Curtis Hanson from the best-selling novel by James Ellroy, "L.A. Confidential" stars Kim Basinger alongside Kevin Spacey, Danny DeVito and, to the surprise of many industry watchers, two then relative unknowns, New Zealander Russell Crowe and Australian Guy Pearce. The film is a consummate thriller which takes in - without once losing sight of the human cost - police corruption, organized crime, the sleaze press, high-class prostitution, murder and the ways movies and life twist together. Manohla Dargis explores the careers of Hanson and Ellroy, based on interviews with both men, to dig deep into the film's 2003, 96 p. obsession with the twinned, equally troubled histories of the Hollywood studio system and the city of Los Angeles. She untangles the paradox of "L.A. Confidential", a film that paints a jet black, melancholy picture of a city and an industry even as it also testifies to - Printed book and exemplifies beautifully - their seductive glamour. -
SHAKESPEARE in PERFORMANCE Some Screen Productions
SHAKESPEARE IN PERFORMANCE some screen productions PLAY date production DIRECTOR CAST company As You 2006 BBC Films / Kenneth Branagh Rosalind: Bryce Dallas Howard Like It HBO Films Celia: Romola Gerai Orlando: David Oyelewo Jaques: Kevin Kline Hamlet 1948 Two Cities Laurence Olivier Hamlet: Laurence Olivier 1980 BBC TVI Rodney Bennett Hamlet: Derek Jacobi Time-Life 1991 Warner Franco ~effirelli Hamlet: Mel Gibson 1997 Renaissance Kenneth Branagh Hamlet: Kenneth Branagh 2000 Miramax Michael Almereyda Hamlet: Ethan Hawke 1965 Alpine Films, Orson Welles Falstaff: Orson Welles Intemacional Henry IV: John Gielgud Chimes at Films Hal: Keith Baxter Midni~ht Doll Tearsheet: Jeanne Moreau Henry V 1944 Two Cities Laurence Olivier Henry: Laurence Olivier Chorus: Leslie Banks 1989 Renaissance Kenneth Branagh Henry: Kenneth Branagh Films Chorus: Derek Jacobi Julius 1953 MGM Joseph L Caesar: Louis Calhern Caesar Manluewicz Brutus: James Mason Antony: Marlon Brando ~assiis:John Gielgud 1978 BBC TV I Herbert Wise Caesar: Charles Gray Time-Life Brutus: kchard ~asco Antony: Keith Michell Cassius: David Collings King Lear 1971 Filmways I Peter Brook Lear: Paul Scofield AtheneILatenla Love's 2000 Miramax Kenneth Branagh Berowne: Kenneth Branagh Labour's and others Lost Macbeth 1948 Republic Orson Welles Macbeth: Orson Welles Lady Macbeth: Jeanette Nolan 1971 Playboy / Roman Polanslu Macbe th: Jon Finch Columbia Lady Macbeth: Francesca Annis 1998 Granada TV 1 Michael Bogdanov Macbeth: Sean Pertwee Channel 4 TV Lady Macbeth: Greta Scacchi 2000 RSC/ Gregory -
What a Performance! Exploring Audiences' Responses to Film Acting
. Volume 12, Issue 1 May 2015 What a performance! Exploring audiences’ responses to film acting Sarah Ralph, University of East Anglia, UK Martin Barker, Aberystwyth University, UK Abstract: The part played by acting in audiences’ responses to films is largely unexplored – but often assumed to be considerable. In this essay, we report on the results of a small research project into this, using the 1995 film The Usual Suspects as a focus and stimulus. Deliberately recruiting a mix of audiences, the project resulted in twelve discussion groups. Out of the responses of these groups, we explore the variety of ways in which acting plays a part within people’s responses, and outline a tentative model for theorising this relationship. Keywords: film acting, performance, The Usual Suspects, audience responses. In the 2012 film Albert Nobbs, Glenn Close plays a middle-aged woman in late 19th century Dublin, who for most of her life has ‘passed’ as a man, working in service in hotels. The story unfolds around the discovery of her sex when she is forced to share her room with Hubert, a visiting painter and decorator – who in ‘his’ turn discloses that she too is secretly a woman – and married to a third, Cathleen. There is a particularly striking scene where, following Albert’s thinking about the implications of this (s/he had always thought herself completely alone), s/he visits the couple. Albert is persuaded to try going out (perhaps for the first time in thirty years) dressed as a woman. At first unable even to cross the doorstep, she does go, and we see the two ‘men’ in long skirts walking along a windy beach.