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The Long Waiting

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The Long Waiting RECORDREVIEWS UIIITTDSTATTS POSTAI. SIRVICE Continued ftompage 137 STATEMEIITOFOWNERS|IIP, MAI'IAGEMTNT, ANDCIRCUI.ATIOI{ 1. Publicatimlltle: SIERt0Pliltt 2. PuhlicatimNumber0585-2544 notable for variations in temoo or 3. tiling|)ale: 10/01/2012 different solos.Thoush some of these 4. k$ustnquency:Monthly tracks were issued as-alternatetakes 5. llmher0l lNes Puhlished Annuallv: 12 $. AnnualSubscriilion Prire in a previous expanded edition, here 519.94 7- C0mpletell4silin[ Addffis 0l Kn0wn 0ffie 0l Puhlicatior: they're arranged in a way that sheds 261l\,lsdisil Avs.. l,lew Y0& ilY 10016-2303 light on how Mingus worked with ContactPs60n:BdanLaboe Telephone: 212-$15-4182 0. C0nplet8Msiling AddEr$ 0ll|eadquarten his musicians,shaping motifs in the orGeneml Eusiness 0lfice ol Puhlishsn songs,humming parts to the horn Sumshtfllinl Media, ttc 261Madison Ave., lthw York llY 10016-2303 players, until every nuance was exactly KENNY L Fullltlanes and Compleo Mailing Addn$ses 0fPublishel as he wanted it . Tijuana Moods was WHEELERBIG BAND [dibr,and Marsgiq Editor obviouslya very personal TheLong Waiting PublisharKeifi Pmy, 261 Madism Ave., llew Yodc llY 10016-2303 statemenr tditlrJoh Afiimon,261 Msdison Ave.. i/ew Yorl. llY 10018-2303 reflecting Mingus's roots-he was KennyWheeler, f lugelhorn;Pete Churchill, ManagingEditm Rusty Kuft, 831 S. D0uglas St,tl Segundo.CA90245 born in Nogales, Aizona, and died conductor;Diana Torto, vocals; Duncan Lamont, 10.0wnec Soune Intedink Comlanies, lnt RayWarleigh, 27500Riveryiew Cmrer Blvd., Bmih Spdngs, fl.34134-4331 in alto saxophone;Julian 5iegel, Stan Cuernavaca, Mexico-and that Sulzmann,tenorsaxophone; Julian Argiielles, 11.Kn0wn B0ndh0lde6. M0d0agees, and0fter Security }|0ldGE owning emotional commiment is reflected baritonesaxophone; Tony Fisher, Henry Lowther, 0rHoldirg 1 P8rcelt u ll4ore 0tTotal Amount 0fBonds, Mott{ages in his insrnrccions to the band as it Nick5mart, Derek Watkins, trumpet; Barnaby or0lher S€curiliss: llone Dickinson, 12,Tax Statu$: Ihe punose, functiot|, and n0nDnfitstitts develops the motifs DaveHorler, Mark Nightingale, that make up this trombone;Dave Stewart, bass trombone; John ofl|ris o4anialion and $e usmpt strbs for lsdsnl inc0ne trx pu00sss: beautiful suite. Hearine the themes Parricelli,guitar; John Taylor, piano; Chris E HsNot Chaflged 0uring Prcceding 12 Mondu recapifirlated and exfoliated over Laurence,bass; Martin France,drums I l|asChanged During $ePruceding 12Months CAM JazzCAM 5044 (CD).2012.Ermanno Basso, the iourse ofthe two discseives the 13. Publicalim litls STEBE0PHIII artisticprod.; Niall John Acott, eng.DDD? 14.hsue 0ate luCiftulation l)ataBsl0w: Selt'12 work a more scope that TT: 68:33 ryrnphonic I 5.[rlEnt and iJaine 0l Circulation: Avengello. ll0.CoDies mirrors the big-picture soundscapethat PERFoRMANCE***** Cogiestach hsue olSinrle |ssl Mingus always worked sor,rrcs***** DuringPmeding toward. 12 Montls I'leanstto Mingus's widow, Sue Graham tilingdsts Mingus, is critical of the additional Although trumpeter Kenny Wheeler a. T0lslllunher 0lC0d0s {Net press run} 83,152 80,025 h. PaidCiroulation (ByMail md 0utside inclusions in her iiner notes, and I has dev6ted much rime to r*"ll groups, $ell4ail) asree that we could do without the his large-ensemblework datesback {1}Mailed oulsidFcouty Paid cistanets rehearsalfor "Ysabel's Table to the 1960s. Subsfilpton$Stitedon PS Form 3541 This new document (lmludepaid distibdion ahovs n0miml Dance." But I don't think you can involves 1.9players-and a conduc- nte,dvertiser's pruol copies, and argue with the beauty of such passages tor-drawn from Wheeler's London uchangecolied 53,162 52,101 as the main {2}Mailed ln-C0mly Subsripims Slared theme of that same environs, including tenor saxophonist orPS tom 3541 {lnclud€ paid composition, "Dizzy Moods" and the and longtime colleagueStan Sulzmann, distibulionshove nominal mte, advertjser'spmolcopies, and gorgeous breakdown of "Flamingo" one of the frst solo voiceswe hear in exchangecopieg 0 B beine heard asrefrains. The horn the first track, "Canter N. 6." In "Four, {3)Paid l)istibulion ()utside fie Maih charti for this ausmented IncludingSales llr0ugh Dealeft and Caflies, sexrer Five, Six" it's baritone saxophonist StretVendon, Counter Sales, are magnifi cent, Knepper's and0$er Paid 0istribution 0utside USPS 12,808 14,484 Jt--y :.Julian Argtjeiles,:, an inrriguing leader in ffombone pl"ytng is miraculous in lus own nqht, (4)Paid oistibution by0drer Clases ot who burns over bossa- MailTlrughfieUSPS(e.g.fint-0asMail) all its 0 0 variations. Dannv Richmond's rooted rhyhm and soaring changes. e. TotslPsid Di$tihutiil powerful and pointilliir drumming PianistJohn Taylor, almost as much ISun0ll5h(1).{2),(3}ild{4)l65.9i0 67,1S1 keeps everything swinging and an architect of the d. Frc€u iJ0mimlRate oi$tibuli0n (By Wheeler sound as ll4ailmd 0uride dre Mail) propulsive, and Mingus sways and Wheeler himself, doesmarwelous work {l) Feeil lloninalfiate 0utside-Counly nudges the currents ofthese passages in "Enowena" and "Upwards." Dtana c0pieslncluded 0nPS fom 3541 1,611 5,i45 with effortless grace and deep soul. Tono is poised and prlcise in her word- (2)Fne orNominal RateIn-County ConieslncludedonPStom3S4l0 0 It's also revealins to hear the lessvocrls, akhough a little goesa long (3)tEe 0r l,/oninal Rste C0Dies Mailed at expansiveEpitaphilongside works that way-she's a bit too prevalent in every 0tlerClassesftruugh the IISPS (e.g. Fint-ClilsMail) Mingus createdduring his life. Epimph arTangement. 0 0 {4}Frue fi llominal Rats 0istihution 0utside is the ultimate rribute to IVlingusthe At 82, Wheeier still has his round, fieltiail {csde6 olofier meam) 933 0 composer: a monster assemblageof swooping,leqato tone, with nitch e. T0taltrc€ nil0minal l)istibution Mingus themesplayed by a 31-piece lsumor 15d {l}. {2), {3} ild {41 8,552 5,745 fl; ;', #;'-r:h';** r'; ;; iJ;; l. T0tal0htihlti0n (Sum 0l15cArd l5e] 74,522 72,936 orchestra under the direction of and solos a kind 6fasrral bluesiness g. CopiesnotoistihutEd[Se Gunther Schuller,who describedthe (here he plays only flugelhorn). His lnsrudimsl0Puhlishsre #40ag#3)l 8,630 7.88S h. Iolal work as "the GdtterdtimmerungofJazz." harmonic languageis all the more regal {SumollSfAnd l5g} 83,152 80,825 The box also contains "Revelations," " i. PeroentPaid and expansivJwlih a big band, and (l5cdividedby15flinrol00)88.5V0 S2.1% a through-composed Mingus work this reiording doesit-juirice: hushed 16.Publication 0lStltemelt 0f0wneBhi0: with no improvisarion. and "Non-Sec- trio passagesand full-band lf fie DuhlimljonisI geleral Dublicsli0n, puhlicalion 0f$is slitenelt is crescendos ftquircd.Will he h $e llov'1 zi$sue 0fthh publicali0n. tarian Blues," a duet pianist Finted with Dave come through with clariry. "Canter N. 17.Signsturc andTide 0f [ditor, Publisher. Eusine$s Managel 0r0wner Brubeck. -JohnSwenson 1/OldR?llad" proves an inspired med- Th0nssSlater, VPConsuner Muketing 10/01/2012 ley,_the former srrongly I renilylhat all infomalion lumi$hed 0ntiis lomis tue and c0n!l€tr. evoking John I undenhnd$at anyono who lunishes lalse or miskading inlomation Coltrane's "Like Sonnv." wirh rich on$is fotm or who omits naleial or inlomalion nouesbd ondu lom solos ftom guitaristJohn nayhe subiectt0 ctiflinal sanctions (including fnes and impismmen$ Parricelli and snd/ildvil sancli0ns {including civilpenaltieg. tenoristJulian Siegel.-o"'ia n. adt"" stereophile.com. November2012 .
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