Projective Geometry and Symmetry in Physics
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Projective Geometry: a Short Introduction
Projective Geometry: A Short Introduction Lecture Notes Edmond Boyer Master MOSIG Introduction to Projective Geometry Contents 1 Introduction 2 1.1 Objective . .2 1.2 Historical Background . .3 1.3 Bibliography . .4 2 Projective Spaces 5 2.1 Definitions . .5 2.2 Properties . .8 2.3 The hyperplane at infinity . 12 3 The projective line 13 3.1 Introduction . 13 3.2 Projective transformation of P1 ................... 14 3.3 The cross-ratio . 14 4 The projective plane 17 4.1 Points and lines . 17 4.2 Line at infinity . 18 4.3 Homographies . 19 4.4 Conics . 20 4.5 Affine transformations . 22 4.6 Euclidean transformations . 22 4.7 Particular transformations . 24 4.8 Transformation hierarchy . 25 Grenoble Universities 1 Master MOSIG Introduction to Projective Geometry Chapter 1 Introduction 1.1 Objective The objective of this course is to give basic notions and intuitions on projective geometry. The interest of projective geometry arises in several visual comput- ing domains, in particular computer vision modelling and computer graphics. It provides a mathematical formalism to describe the geometry of cameras and the associated transformations, hence enabling the design of computational ap- proaches that manipulates 2D projections of 3D objects. In that respect, a fundamental aspect is the fact that objects at infinity can be represented and manipulated with projective geometry and this in contrast to the Euclidean geometry. This allows perspective deformations to be represented as projective transformations. Figure 1.1: Example of perspective deformation or 2D projective transforma- tion. Another argument is that Euclidean geometry is sometimes difficult to use in algorithms, with particular cases arising from non-generic situations (e.g. -
The Age of Addiction David T. Courtwright Belknap (2019) Opioids
The Age of Addiction David T. Courtwright Belknap (2019) Opioids, processed foods, social-media apps: we navigate an addictive environment rife with products that target neural pathways involved in emotion and appetite. In this incisive medical history, David Courtwright traces the evolution of “limbic capitalism” from prehistory. Meshing psychology, culture, socio-economics and urbanization, it’s a story deeply entangled in slavery, corruption and profiteering. Although reform has proved complex, Courtwright posits a solution: an alliance of progressives and traditionalists aimed at combating excess through policy, taxation and public education. Cosmological Koans Anthony Aguirre W. W. Norton (2019) Cosmologist Anthony Aguirre explores the nature of the physical Universe through an intriguing medium — the koan, that paradoxical riddle of Zen Buddhist teaching. Aguirre uses the approach playfully, to explore the “strange hinterland” between the realities of cosmic structure and our individual perception of them. But whereas his discussions of time, space, motion, forces and the quantum are eloquent, the addition of a second framing device — a fictional journey from Enlightenment Italy to China — often obscures rather than clarifies these chewy cosmological concepts and theories. Vanishing Fish Daniel Pauly Greystone (2019) In 1995, marine biologist Daniel Pauly coined the term ‘shifting baselines’ to describe perceptions of environmental degradation: what is viewed as pristine today would strike our ancestors as damaged. In these trenchant essays, Pauly trains that lens on fisheries, revealing a global ‘aquacalypse’. A “toxic triad” of under-reported catches, overfishing and deflected blame drives the crisis, he argues, complicated by issues such as the fishmeal industry, which absorbs a quarter of the global catch. -
The Projective Geometry of the Spacetime Yielded by Relativistic Positioning Systems and Relativistic Location Systems Jacques Rubin
The projective geometry of the spacetime yielded by relativistic positioning systems and relativistic location systems Jacques Rubin To cite this version: Jacques Rubin. The projective geometry of the spacetime yielded by relativistic positioning systems and relativistic location systems. 2014. hal-00945515 HAL Id: hal-00945515 https://hal.inria.fr/hal-00945515 Submitted on 12 Feb 2014 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The projective geometry of the spacetime yielded by relativistic positioning systems and relativistic location systems Jacques L. Rubin (email: [email protected]) Université de Nice–Sophia Antipolis, UFR Sciences Institut du Non-Linéaire de Nice, UMR7335 1361 route des Lucioles, F-06560 Valbonne, France (Dated: February 12, 2014) As well accepted now, current positioning systems such as GPS, Galileo, Beidou, etc. are not primary, relativistic systems. Nevertheless, genuine, relativistic and primary positioning systems have been proposed recently by Bahder, Coll et al. and Rovelli to remedy such prior defects. These new designs all have in common an equivariant conformal geometry featuring, as the most basic ingredient, the spacetime geometry. In a first step, we show how this conformal aspect can be the four-dimensional projective part of a larger five-dimensional geometry. -
Music: Broken Symmetry, Geometry, and Complexity Gary W
Music: Broken Symmetry, Geometry, and Complexity Gary W. Don, Karyn K. Muir, Gordon B. Volk, James S. Walker he relation between mathematics and Melody contains both pitch and rhythm. Is • music has a long and rich history, in- it possible to objectively describe their con- cluding: Pythagorean harmonic theory, nection? fundamentals and overtones, frequency Is it possible to objectively describe the com- • Tand pitch, and mathematical group the- plexity of musical rhythm? ory in musical scores [7, 47, 56, 15]. This article In discussing these and other questions, we shall is part of a special issue on the theme of math- outline the mathematical methods we use and ematics, creativity, and the arts. We shall explore provide some illustrative examples from a wide some of the ways that mathematics can aid in variety of music. creativity and understanding artistic expression The paper is organized as follows. We first sum- in the realm of the musical arts. In particular, we marize the mathematical method of Gabor trans- hope to provide some intriguing new insights on forms (also known as short-time Fourier trans- such questions as: forms, or spectrograms). This summary empha- sizes the use of a discrete Gabor frame to perform Does Louis Armstrong’s voice sound like his • the analysis. The section that follows illustrates trumpet? the value of spectrograms in providing objec- What do Ludwig van Beethoven, Ben- • tive descriptions of musical performance and the ny Goodman, and Jimi Hendrix have in geometric time-frequency structure of recorded common? musical sound. Our examples cover a wide range How does the brain fool us sometimes • of musical genres and interpretation styles, in- when listening to music? And how have cluding: Pavarotti singing an aria by Puccini [17], composers used such illusions? the 1982 Atlanta Symphony Orchestra recording How can mathematics help us create new of Copland’s Appalachian Spring symphony [5], • music? the 1950 Louis Armstrong recording of “La Vie en Rose” [64], the 1970 rock music introduction to Gary W. -
Decagonal and Quasi-Crystalline Tilings in Medieval Islamic Architecture
REPORTS 21. Materials and methods are available as supporting 27. N. Panagia et al., Astrophys. J. 459, L17 (1996). Supporting Online Material material on Science Online. 28. The authors would like to thank L. Nelson for providing www.sciencemag.org/cgi/content/full/315/5815/1103/DC1 22. A. Heger, N. Langer, Astron. Astrophys. 334, 210 (1998). access to the Bishop/Sherbrooke Beowulf cluster (Elix3) Materials and Methods 23. A. P. Crotts, S. R. Heathcote, Nature 350, 683 (1991). which was used to perform the interacting winds SOM Text 24. J. Xu, A. Crotts, W. Kunkel, Astrophys. J. 451, 806 (1995). calculations. The binary merger calculations were Tables S1 and S2 25. B. Sugerman, A. Crotts, W. Kunkel, S. Heathcote, performed on the UK Astrophysical Fluids Facility. References S. Lawrence, Astrophys. J. 627, 888 (2005). T.M. acknowledges support from the Research Training Movies S1 and S2 26. N. Soker, Astrophys. J., in press; preprint available online Network “Gamma-Ray Bursts: An Enigma and a Tool” 16 October 2006; accepted 15 January 2007 (http://xxx.lanl.gov/abs/astro-ph/0610655) during part of this work. 10.1126/science.1136351 be drawn using the direct strapwork method Decagonal and Quasi-Crystalline (Fig. 1, A to D). However, an alternative geometric construction can generate the same pattern (Fig. 1E, right). At the intersections Tilings in Medieval Islamic Architecture between all pairs of line segments not within a 10/3 star, bisecting the larger 108° angle yields 1 2 Peter J. Lu * and Paul J. Steinhardt line segments (dotted red in the figure) that, when extended until they intersect, form three distinct The conventional view holds that girih (geometric star-and-polygon, or strapwork) patterns in polygons: the decagon decorated with a 10/3 star medieval Islamic architecture were conceived by their designers as a network of zigzagging lines, line pattern, an elongated hexagon decorated where the lines were drafted directly with a straightedge and a compass. -
The Trigonometry of Hyperbolic Tessellations
Canad. Math. Bull. Vol. 40 (2), 1997 pp. 158±168 THE TRIGONOMETRY OF HYPERBOLIC TESSELLATIONS H. S. M. COXETER ABSTRACT. For positive integers p and q with (p 2)(q 2) Ù 4thereis,inthe hyperbolic plane, a group [p, q] generated by re¯ections in the three sides of a triangle ABC with angles ôÛp, ôÛq, ôÛ2. Hyperbolic trigonometry shows that the side AC has length †,wherecosh†≥cÛs,c≥cos ôÛq, s ≥ sin ôÛp. For a conformal drawing inside the unit circle with centre A, we may take the sides AB and AC to run straight along radii while BC appears as an arc of a circle orthogonal to the unit circle.p The circle containing this arc is found to have radius 1Û sinh †≥sÛz,wherez≥ c2 s2, while its centre is at distance 1Û tanh †≥cÛzfrom A. In the hyperbolic triangle ABC,the altitude from AB to the right-angled vertex C is ê, where sinh ê≥z. 1. Non-Euclidean planes. The real projective plane becomes non-Euclidean when we introduce the concept of orthogonality by specializing one polarity so as to be able to declare two lines to be orthogonal when they are conjugate in this `absolute' polarity. The geometry is elliptic or hyperbolic according to the nature of the polarity. The points and lines of the elliptic plane ([11], x6.9) are conveniently represented, on a sphere of unit radius, by the pairs of antipodal points (or the diameters that join them) and the great circles (or the planes that contain them). The general right-angled triangle ABC, like such a triangle on the sphere, has ®ve `parts': its sides a, b, c and its acute angles A and B. -
Perspectives on Projective Geometry • Jürgen Richter-Gebert
Perspectives on Projective Geometry • Jürgen Richter-Gebert Perspectives on Projective Geometry A Guided Tour Through Real and Complex Geometry 123 Jürgen Richter-Gebert TU München Zentrum Mathematik (M10) LS Geometrie Boltzmannstr. 3 85748 Garching Germany [email protected] ISBN 978-3-642-17285-4 e-ISBN 978-3-642-17286-1 DOI 10.1007/978-3-642-17286-1 Springer Heidelberg Dordrecht London New York Library of Congress Control Number: 2011921702 Mathematics Subject Classification (2010): 51A05, 51A25, 51M05, 51M10 c Springer-Verlag Berlin Heidelberg 2011 This work is subject to copyright. All rights are reserved, whether the whole or part of the material is concerned, specifically the rights of translation,reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilm or in any other way, and storage in data banks. Duplication of this publication or parts thereof is permitted only under the provisions of the German Copyright Law of September 9, 1965, in its current version, and permission for use must always be obtained from Springer. Violations are liable to prosecution under the German Copyright Law. The use of general descriptive names, registered names, trademarks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. Cover design: deblik, Berlin Printed on acid-free paper Springer is part of Springer Science+Business Media (www.springer.com) About This Book Let no one ignorant of geometry enter here! Entrance to Plato’s academy Once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, “and what is the use of a book,” thought Alice, “without pictures or conversations?” Lewis Carroll, Alice’s Adventures in Wonderland Geometry is the mathematical discipline that deals with the interrelations of objects in the plane, in space, or even in higher dimensions. -
Convex Sets in Projective Space Compositio Mathematica, Tome 13 (1956-1958), P
COMPOSITIO MATHEMATICA J. DE GROOT H. DE VRIES Convex sets in projective space Compositio Mathematica, tome 13 (1956-1958), p. 113-118 <http://www.numdam.org/item?id=CM_1956-1958__13__113_0> © Foundation Compositio Mathematica, 1956-1958, tous droits réser- vés. L’accès aux archives de la revue « Compositio Mathematica » (http: //http://www.compositio.nl/) implique l’accord avec les conditions gé- nérales d’utilisation (http://www.numdam.org/conditions). Toute utili- sation commerciale ou impression systématique est constitutive d’une infraction pénale. Toute copie ou impression de ce fichier doit conte- nir la présente mention de copyright. Article numérisé dans le cadre du programme Numérisation de documents anciens mathématiques http://www.numdam.org/ Convex sets in projective space by J. de Groot and H. de Vries INTRODUCTION. We consider the following properties of sets in n-dimensional real projective space Pn(n > 1 ): a set is semiconvex, if any two points of the set can be joined by a (line)segment which is contained in the set; a set is convex (STEINITZ [1]), if it is semiconvex and does not meet a certain P n-l. The main object of this note is to characterize the convexity of a set by the following interior and simple property: a set is convex if and only if it is semiconvex and does not contain a whole (projective) line; in other words: a subset of Pn is convex if and only if any two points of the set can be joined uniquely by a segment contained in the set. In many cases we can prove more; see e.g. -
Positive Geometries and Canonical Forms
Prepared for submission to JHEP Positive Geometries and Canonical Forms Nima Arkani-Hamed,a Yuntao Bai,b Thomas Lamc aSchool of Natural Sciences, Institute for Advanced Study, Princeton, NJ 08540, USA bDepartment of Physics, Princeton University, Princeton, NJ 08544, USA cDepartment of Mathematics, University of Michigan, 530 Church St, Ann Arbor, MI 48109, USA Abstract: Recent years have seen a surprising connection between the physics of scat- tering amplitudes and a class of mathematical objects{the positive Grassmannian, positive loop Grassmannians, tree and loop Amplituhedra{which have been loosely referred to as \positive geometries". The connection between the geometry and physics is provided by a unique differential form canonically determined by the property of having logarithmic sin- gularities (only) on all the boundaries of the space, with residues on each boundary given by the canonical form on that boundary. The structures seen in the physical setting of the Amplituhedron are both rigid and rich enough to motivate an investigation of the notions of \positive geometries" and their associated \canonical forms" as objects of study in their own right, in a more general mathematical setting. In this paper we take the first steps in this direction. We begin by giving a precise definition of positive geometries and canonical forms, and introduce two general methods for finding forms for more complicated positive geometries from simpler ones{via \triangulation" on the one hand, and \push-forward" maps between geometries on the other. We present numerous examples of positive geome- tries in projective spaces, Grassmannians, and toric, cluster and flag varieties, both for the simplest \simplex-like" geometries and the richer \polytope-like" ones. -
Chapter 9 the Geometrical Calculus
Chapter 9 The Geometrical Calculus 1. At the beginning of the piece Erdmann entitled On the Universal Science or Philosophical Calculus, Leibniz, in the course of summing up his views on the importance of a good characteristic, indicates that algebra is not the true characteristic for geometry, and alludes to a “more profound analysis” that belongs to geometry alone, samples of which he claims to possess.1 What is this properly geometrical analysis, completely different from algebra? How can we represent geometrical facts directly, without the mediation of numbers? What, finally, are the samples of this new method that Leibniz has left us? The present chapter will attempt to answer these questions.2 An essay concerning this geometrical analysis is found attached to a letter to Huygens of 8 September 1679, which it accompanied. In this letter, Leibniz enumerates his various investigations of quadratures, the inverse method of tangents, the irrational roots of equations, and Diophantine arithmetical problems.3 He boasts of having perfected algebra with his discoveries—the principal of which was the infinitesimal calculus.4 He then adds: “But after all the progress I have made in these matters, I am no longer content with algebra, insofar as it gives neither the shortest nor the most elegant constructions in geometry. That is why... I think we still need another, properly geometrical linear analysis that will directly express for us situation, just as algebra expresses magnitude. I believe I have a method of doing this, and that we can represent figures and even 1 “Progress in the art of rational discovery depends for the most part on the completeness of the characteristic art. -
Books in Brief Hypothesis Might Be That a New Drug Has No Effect
BOOKS & ARTS COMMENT includes not just one correct answer, but all other possibilities. In a medical experiment, the null Books in brief hypothesis might be that a new drug has no effect. But the hypothesis will come pack- The Age of Addiction aged in a statistical model that assumes that David T. Courtwright BELKNAP (2019) there is zero systematic error. This is not Opioids, processed foods, social-media apps: we navigate an necessarily true: errors can arise even in a addictive environment rife with products that target neural pathways randomized, blinded study, for example if involved in emotion and appetite. In this incisive medical history, some participants work out which treatment David Courtwright traces the evolution of “limbic capitalism” from group they have been assigned to. This can prehistory. Meshing psychology, culture, socio-economics and lead to rejection of the null hypothesis even urbanization, it’s a story deeply entangled in slavery, corruption when the new drug has no effect — as can and profiteering. Although reform has proved complex, Courtwright other complexities, such as unmodelled posits a solution: an alliance of progressives and traditionalists aimed measurement error. at combating excess through policy, taxation and public education. To say that P = 0.05 should lead to acceptance of the alternative hypothesis is tempting — a few million scientists do it Cosmological Koans every year. But it is wrong, and has led to Anthony Aguirre W. W. NORTON (2019) replication crises in many areas of the social, Cosmologist Anthony Aguirre explores the nature of the physical behavioural and biological sciences. Universe through an intriguing medium — the koan, that paradoxical Statistics — to paraphrase Homer riddle of Zen Buddhist teaching. -
Characterization of Quantum Entanglement Via a Hypercube of Segre Embeddings
Characterization of quantum entanglement via a hypercube of Segre embeddings Joana Cirici∗ Departament de Matemàtiques i Informàtica Universitat de Barcelona Gran Via 585, 08007 Barcelona Jordi Salvadó† and Josep Taron‡ Departament de Fisíca Quàntica i Astrofísica and Institut de Ciències del Cosmos Universitat de Barcelona Martí i Franquès 1, 08028 Barcelona A particularly simple description of separability of quantum states arises naturally in the setting of complex algebraic geometry, via the Segre embedding. This is a map describing how to take products of projective Hilbert spaces. In this paper, we show that for pure states of n particles, the corresponding Segre embedding may be described by means of a directed hypercube of dimension (n − 1), where all edges are bipartite-type Segre maps. Moreover, we describe the image of the original Segre map via the intersections of images of the (n − 1) edges whose target is the last vertex of the hypercube. This purely algebraic result is then transferred to physics. For each of the last edges of the Segre hypercube, we introduce an observable which measures geometric separability and is related to the trace of the squared reduced density matrix. As a consequence, the hypercube approach gives a novel viewpoint on measuring entanglement, naturally relating bipartitions with q-partitions for any q ≥ 1. We test our observables against well-known states, showing that these provide well-behaved and fine measures of entanglement. arXiv:2008.09583v1 [quant-ph] 21 Aug 2020 ∗ [email protected] † [email protected] ‡ [email protected] 2 I. INTRODUCTION Quantum entanglement is at the heart of quantum physics, with crucial roles in quantum information theory, superdense coding and quantum teleportation among others.