DOCSLIB.ORG

MEDIA RELEASE Monday 26 February 2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MEDIA RELEASE Monday 26 February 2018 MEDIA RELEASE Monday 26 February 2018 21st Biennale of Sydney SYDNEY PREVIEW Wednesday 14 March Biennale of Sydney offers local residents, Sydney Preview, a free, full-day preview of its 21st edition featuring exclusive artist talks and access to six Biennale venues with extended opening hours Sydney, Australia: The Biennale of Sydney has invited residents of New South Wales to an advance full-day preview of its 21st edition offering a first look at the worK of 70 artists and artist collectives froM around the world across six Biennale venues on Wednesday, 14 March 2018, before the exhibition officially opens on 16 March. Residents who register to attend the free Sydney Preview event will be aMong the first to experience SUPERPOSITION: Equilibrium & Engagement curated by Artistic Director MaMi Kataoka. They will have the opportunity to engage with visiting international and Australian artists through a free prograM of artist talks during extended hours at the following Biennale venues: Art Gallery of New South Wales, Artspace, Carriageworks, Cockatoo Island, MuseuM of ConteMporary Art Australia and 4A Centre for Contemporary Asian Art. MEDIA RELEASE Monday 26 February 2018 A nuMber of 21st Biennale of Sydney exhibiting artists will present free talks and perforMative readings about their work at Sydney Preview: • 10.00-11.00 am Carriageworks - Artist TalKs: Marco Fusinato (AUS), SeMiconductor (UK), Michael Stevenson (NZ) • 11.00 am AGNSW - Riet Wijnen, perforMative reading (Netherlands) • 1.30-2.30 pm AGNSW - Artist Talks: Eija-Liisa Ahtila (Finland), Marlene Gilson (AUS) • 3.00-4.00 pm Cockatoo Island - Artist Talks: Suzanne Lacy (USA), Kate Newby (NZ), Yasmin SMith (AUS) • 5.30-6.30 pm MCA - Artist Spotlight Talks: Marc Bauer (Switzerland), Jacob Kirkegaard (DenMark), Yarrenyty Arltere Artists (AUS) • 6.30-8.00 pm 4A Centre for ConteMporary Asian Art - SNACKCHAT: Participants froM Akira TakayaMa’s Our Songs - Sydney Kabuki Project Sydney Preview is the first event in a dynaMic three-Month prograM being presented as part of the 21st Biennale of Sydney including perforMances, artist talks, conversations, guided tours, workshops, after-hours events and access prograMs. Highlights of the public prograM include: Rayyane Tabet, Dear Mr Utzon, (Sydney Opera House), Oliver Beer, Composition for Tuning an Architectural Space (Sydney Opera House), Vietnam Exodus: Tiffany Chung in conversation with Mami Kataoka and Alexie Glass Kantor (Artspace), the Nick Waterlow OAM MeMorial Lecture: René Block AM, Propos about myself: AM I OR IS AUSTRALIA FAR AWA’ (Art Gallery of NSW), Artists in Conversation: Ciara Phillips, Svay Sareth and Haegue Yang (MCA), Francisco Camacho Herrera, Parallel Narratives – Workshop (Art Gallery of NSW), Biennale Archive Stories: A weekend of talks by renowned former Biennale Artistic Directors (Art Gallery of NSW), Art & Artists: Public Galleries Summit, Presented by Carriageworks and Regional and Public Galleries of NSW in association with MuseuMs & Galleries of NSW and the Biennale of Sydney (Carriageworks), Research SymposiuM, Make it New: Creating contemporary cultural material from collections and archives (Powerhouse MuseuM) and the MCA ARTBAR. View the full 21st Biennale of Sydney public prograM, froM 1 March, here: https://events.biennaleofsydney.art/publicprogram In 2018, the Biennale celebrates its 45th anniversary, Marking 21 exhibitions since 1973 that have showcased thought-provoking Australian and international art. FroM 16 March – 11 June, 70 artists and artist collectives froM 35 countries will present their worK at the Art Gallery of New South Wales, Artspace, Carriageworks, Cockatoo Island, MuseuM of ConteMporary Art Australia, Sydney Opera House and 4A Centre for ConteMporary Asian Art. -Ends- SYDNEY PREVIEW EVENT DETAILS • Access to the 21st Biennale of Sydney exhibition on 14 March 2018 is free with registration. NSW residents should register to attend at https://events.biennaleofsydney.art/sydneypreview • Please note that capacity for events is limited, registration is essential • Sydney Preview opening hours on Wednesday 14 March: Art Gallery of New South Wales (10 am–10 pM), Artspace (10 aM–9 pM), Carriageworks (10 aM–9 pM), Cockatoo Island (10 am–9 pM), MuseuM of ConteMporary Art (10 aM–9 pM); 4A Centre for Contemporary Art (11am-9pm). MEDIA RELEASE Monday 26 February 2018 MEDIA CONTACTS: For further inforMation and to request interviews please contact: Julia Barnes, [email protected] +61 402 678 589, Jasmine Hersee, [email protected] +61 406 649 393 or Kym Elphinstone, [email protected] +61 421 106 139. MEDIA IMAGES: https://drive.google.coM/open?id=1fUpaIVOGMZ1fCOKG6BMSQy627YDehJ88 21st BIENNALE OF SYDNEY KEY DATES • Media Preview: Tuesday 13 March 2018 (advance preview for registered Media) • Sydney Preview: Wednesday 14 March 2018 (advance preview for registered residents of NSW) • Public dates: Friday, 16 March until Monday, 11 June 2018 ABOUT THE 21st BIENNALE OF SYDNEY 2018 Marks the 45th anniversary of the Biennale of Sydney and its 21st edition. The Biennale of Sydney provides a platforM for art and ideas and is internationally recognised for coMMissioning and presenting innovative, thought-provoking art froM Australia and around the world. A leading international art event, the Biennale of Sydney has showcased the work of nearly 1,800 artists froM More than 100 countries. It has attracted over 4 Million visitors since its inception in 1973 and holds an iMportant place on both the national and international stage. The Biennale of Sydney is located on the traditional lands of the Gadigal people of the Eora nation. We acknowledge the Traditional Custodians of the Land and pay respect to Elders, both past and present. Image: Eija-Liisa Ahtila, POTENTIALITY FOR LOVE – MAHDOLLINEN RAKKAUS, 2018, angular video sculpture of 22 DIP LED modules, 4K/HD, 7:54 mins, looped, 614 x 384 x 15 cm, two research tables with attached ‘monitor Mirrors’, 4K/HD; 2:08 mins and 3:06 Mins, looped; 100 x 72 x 54 cM, vertical single channel projection, 4K/HD, 2:35 mins, looped; silent 440 x 250 cm (approx. image size). Cast: Jenny and Matleena Kuusniemi. Written and directed by Eija-Liisa Ahtila. CineMatography: Jussi Eerola; Wire FX: Reijo Kontio; 3D VFX: Jari HaKala; Editing: HeiKKi Kotsalo. Produced by Ilppo Pohjola. Copyright © Crystal Eye – KristallisilMä Oy, HelsinKi. CoMMissioned by Serlachius MuseuMs, Mänttä with support froM AVEK; the Biennale of Sydney; FraMe ConteMporary Art Finland; Alfred Kordelin Foundation; Marian GoodMan Gallery, New YorK, Paris and London; M-Museum; SES; and SKR. Courtesy the artist and Marian Goodman Gallery, New YorK, Paris and London .
Load more

Recommended publications
  • Outstanding 50 LGBTI Leaders
    2018 Outstanding 50 LGBTI Leaders In 2016, Deloitte released Australia’s first list of 50 LGBTI Executives, with the purpose of providing visible business role models to LGBTI Australians of all ages. This year, Deloitte is collaborating with Google to celebrate our Outstanding 50 LGBTI Leaders of 2018. Together, we are extremely proud to be recognising the many role models in business, beyond traditional large corporate organisations. We have taken an inclusive approach to include remarkable leaders from the public sector, government and small to medium-sized businesses alongside those in traditional corporate roles. For more on our Outstanding 50 LGBTI leaders of 2018 please visit www.deloitte.com/au/out50 2018 #out50 03 04 Message from Cindy Hook 08 Feyi Akindoyeni 46 Virginia Lovett 11 Dean Allright 49 Denise Lucero 06 Message from Jason Pellegrino 14 Andrew Barr MLA 50 Graeme Mason 15 Simone Bartley 51 Matthew McCarron 08 Profiles and interviews 16 Mark Baxter 52 Jennifer Morris 20 Nicole Brennan 53 Jude Munro AO 84 Our alumni 21 Councillor Tony Briffa JP 54 Rachel Nicolson 24 David Brine 55 Steve Odell 89 Diversity and inclusion 25 John Caldwell 56 Lisa Paul AO PSM 27 Magali De Castro 57 Luke Pellegrini 30 Emma Dunch 61 Neil Pharaoh 31 Cathy Eccles 62 Janet Rice 32 Luci Ellis 63 Anthony Schembri 33 Tiziano Galipo 64 Tracy Smart 34 Mark Gay 65 Dean Smith 35 Alasdair Godfrey 66 Jarther Taylor 36 Dr Cassandra Goldie 67 Michael Tennant 37 Matthew Groskorth 68 Amy Tildesley 39 Manda Hatter 69 Sam Turner 40 Jane Hill 74 Tea Uglow 41 Dawn Hough 75 Louis Vega 42 Steve Jacques 76 Tess Walsh 43 Leigh Johns OAM 79 Benjamin Wash 44 David Jones 80 Lisa Watts Contents 45 Jason Laufer 83 Penny Wong 04 2018 #out50 2018 #out50 05 Message from Cindy Hook, Chief involvement in bringing this next list of Executive Officer, Deloitte Australia: One of dynamic LGBTI Leaders into the public eye.
    [Show full text]
  • Eveleigh Carriagevorks
    EVELEIGH CARRIAGEWORKS CONSERVATION MANAGEMENT PLAN VOLUME I OTTO CSERHALMI + PARTNERS PL 2002 Table of Contents i 2002 TABLE OF CONTENTS SECTION 1.0 EXECUTIVE SUMMARY ------------------------------------------------------------------- 1 SECTION 2.0 INTRODUCTION -------------------------------------------------------------------------- 5 2.1 Aims of the Report ------------------------------------------------------------------- 7 2.2 Site and Ownership ------------------------------------------------------------------ 8 2.3 Scope of the Report ----------------------------------------------------------------- 10 2.4 Methodology and Structure -------------------------------------------------------- 10 2.5 Terminology and Abbreviations --------------------------------------------------- 11 2.6 Contributors and Acknowledgements -------------------------------------------- 17 2.7 Constraints and Limitations -------------------------------------------------------- 18 2.8 Further Research --------------------------------------------------------------------- 18 2.9 Other Reports ------------------------------------------------------------------------ 19 SECTION 3.0 HISTORICAL ANALYSIS ------------------------------------------------------------------ 21 3.1 History and Development of the Site --------------------------------------------- 23 3.1.1 Geology & Geography ------------------------------------------------------ 23 3.1.2 Aboriginal History ----------------------------------------------------------- 24 3.1.3 Early Development ----------------------------------------------------------
    [Show full text]
  • Beyond Cinema at Sydney Film Festival 05/05/2016
    MEDIA RELEASE EMBARGOED UNTIL 00.01am THURSDAY 5 MAY 2016 BEYOND CINEMA AT SYDNEY FILM FESTIVAL The 63rd Sydney Film Festival announces a new program of three FREE immersive experiences exploring cutting edge screen culture and new technologies, entitled Beyond Cinema, to debut at the Festival (8-19 June) across three Festival locations: the Festival Hub at Sydney’s Lower Town Hall, the University of New South Wales and Carriageworks. “The Festival’s new immersive program expands the Sydney Film Festival experience by presenting three new ways of creating and experiencing film, art and storytelling,” said Sydney Film Festival Director Nashen Moodley. “From virtual reality, to 360-degree 3D cinema, to a four-sided video art installation, the Festival encourages audiences to explore new worlds, new perspectives and new ways to enjoy film,” he said. At the heart of the Festival in Sydney’s Lower Town Hall, Down the Rabbit Hole – Virtual Reality at the Hub (9 – 19 June) will screen nine virtual reality films, from four Australian and five international filmmakers. Designed to enchant, inspire, thrill and ultimately change viewpoints, audiences will put virtual reality headsets to the test including Samsung Gear VR and Facebook’s new Oculus Rift. VR experiences include: a stroll along the streets of Havana (A History of Cuban Dance), going on stage with the Sydney Dance Company dancers (Stuck in the Middle with You), going inside the world of a cattle farmer and one of Australia's top saddle bronco riders (Warwick Gold - Australian Rodeo), falling down the rabbit hole and into a Lewis Carroll inspired music video (Fabulous Wonder.Land), finding out what it’s like to lose your sight (Notes On Blindness: Into Darkness), haunting an asylum (Madeleine), walking in the footsteps of a filmmaker’s army officer father in Chile’s Caravan of Death (Assent), experiencing the first ever fully hand-drawn VR experience (Drawing Room), and stepping into an animated encounter with a lonely rose (The Rose and I).
    [Show full text]
  • Planning Cultural Creation and Production in Sydney: a Venue and Infrastructure Needs Analysis
    Planning Cultural Creation and Production in Sydney A venue and infrastructure needs analysis April 2018 Ien Ang, David Rowe, Deborah Stevenson, Liam Magee, Alexandra Wong, Teresa Swist, Andrea Pollio WESTERN SYDNEY UNIVERSITY Institute for Culture and Society The Project Team Distinguished Professor Ien Ang Emeritus Professor David Rowe Professor Deborah Stevenson Dr. Liam Magee Dr. Alexandra Wong Dr. Teresa Swist Mr. Andrea Pollio ISBN 978-1-74108-463-4 DOI 10.4225/35/5b05edd7b57b6 URL http://doi.org/10.4225/35/5b05edd7b57b6 Cover photo credit: City of Sydney Referencing guide: Ang, I., Rowe, D., Stevenson, D., Magee, L., Wong, A., Swist, T. & Pollio, A. (2018). Planning cultural creation and production in Sydney: A venue and infrastructure needs analysis. Penrith, N.S.W.: Western Sydney University. This is an independent report produced by Western Sydney University for the City of Sydney. The accuracy and content of the report are the sole responsibility of the project team and its views do not necessarily represent those of the City of Sydney. 2 Acknowledgements This project was commissioned by the City of Sydney Council and conducted by a research team from Western Sydney University’s Institute for Culture and Society (ICS). The project team would like to acknowledge Lisa Colley’s and Ianto Ware’s contribution of their expertise and support for this project on behalf of the City of Sydney. We also extend our gratitude to the other City of Sydney Council officers, cultural venue operators, individual artists, creative enterprises, and cultural organisations who participated in and shared their experiences in our interviews.
    [Show full text]
  • Economic Value of Arts and Culture
    The Economic Value of Arts, Screen and Culture to NSW A report for Create NSW Office of Arts, Screen and Culture 13 July 2018 Contents Executive Summary 1 1. Introduction 2 1.1 Report Scope and Structure 2 1.2 Defining Creative Industries 4 1.3 NSW Government Arts, Screen and Culture Division 6 1.4 Contribution of NSW Arts, Screen and Culture 8 2. Creative Industries in NSW 10 3. Arts, Screen and Culture in NSW 12 3.1 Direct Economic Contribution of the Arts, Screen and Cultural sectors 13 3.2 Industry Comparisons 23 3.3 Attendance at Events and Venues 25 3.4 Tourism 28 3.5 Total Economic Contribution of the Arts, Screen and Cultural Sectors 35 4. Government Support for Arts, Screen and Culture 41 4.1 The Australian Government 41 4.2 The NSW Government 43 4.3 Local Government 47 4.4 Economic Impact of NSW Government Support 48 5. NSW State Cultural Institutions and State Significant Organisations 53 5.1 The State Cultural Institutions 53 5.2 The State Significant Organisations 61 6. Major Performing Arts Companies in NSW 63 7. Screen Sector in NSW 73 8. Live Music Sector in NSW 75 9. Major Festivals in NSW 77 9.1 Sydney Festival 77 9.2 Sydney Writers’ Festival 78 9.3 Biennale of Sydney 78 9.4 Sydney Film Festival 79 Appendix A: ANZSIC Concordance 85 Appendix B: Data and Methods 86 Appendix C: Economic Modelling 89 Appendix D: References 92 Case Studies Case Study 1: Aboriginal Stories ......................................................................................................... 14 Case Study 2: Small Creative Enterprises .........................................................................................
    [Show full text]
  • Sydney Symphony Limited ANNUAL FINANCIAL REPORT
    Sydney Symphony Limited ABN 50 121 561 528 ANNUAL FINANCIAL REPORT 31 December 2020 0 Sydney Symphony Limited ABN 50 121 561 528 Contents Page Directors Report 2 Corporate Governance Statement 10 Auditor’s Independence Declaration 13 Income Statement 14 Statement of Comprehensive Income 15 Statement of Financial Position 16 Statement of Changes in Equity 17 Statement of Cash Flows 18 Notes to the Financial Statements 19 Directors’ Declarations 39 Independent Auditor’s Report 40 1 Sydney Symphony Limited ABN 50 121 561 528 Directors Report The Directors present their report together with the financial report of Sydney Symphony Limited, the parent entity, and its controlled entity Sydney Symphony Orchestra Holdings Pty Limited (the Group) for the year ended 31 December 2020. Directors The Directors in office, at any time during or since the financial period until the date of this report, are: Terrey Arcus AM (Chairman) Geoff Ainsworth AM Andrew Baxter Kees Boersma Ewen Crouch AM (resigned 18 June 2020) Emma Dunch Catherine Hewgill The Hon Justice A J Meagher Samantha Meers AO (appointed 3 November 2020) Karen Moses Dr John Vallance Geoff Wilson Qualification of Directors Director Experience and Qualifications Terrey Arcus AM BSc, BE (Hons) Syd; MBA (Dist) Harv. Founder & Consultant to Port Jackson Partners Limited Emma Dunch (CEO) B A (Communications) B Music Performance (Opera) Managing Director, Sydney Symphony Orchestra Director, Symphony Services Australia Limited Geoff Ainsworth AM BA (Hons) UNSW, MA Macq, Dip. Fin. Mgt. UNE Director,
    [Show full text]
  • Annual Report Sydney Opera House Financial Year 2019-20
    Annual Report Sydney Opera House Financial Year 2019-20 2019-20 03 The Sydney Opera House stands on Tubowgule, Gadigal country. We acknowledge the Gadigal, the traditional custodians of this place, also known as Bennelong Point. First Nations readers are advised that this document may contain the names and images of Aboriginal and Torres Strait Islander people who are now deceased. Sydney Opera House. Photo by Hamilton Lund. Front Cover: A single ghost light in the Joan Sutherland Theatre during closure (see page 52). Photo by Daniel Boud. Contents 05 About Us Financials & Reporting Who We Are 08 Our History 12 Financial Overview 100 Vision, Mission and Values 14 Financial Statements 104 Year at a Glance 16 Appendix 160 Message from the Chairman 18 Message from the CEO 20 2019-2020: Context 22 Awards 27 Acknowledgements & Contacts The Year’s Our Partners 190 Activity Our Donors 191 Contact Information 204 Trade Marks 206 Experiences 30 Index 208 Performing Arts 33 Precinct Experiences 55 The Building 60 Renewal 61 Operations & Maintenance 63 Security 64 Heritage 65 People 66 Team and Capability 67 Supporters 73 Inspiring Positive Change 76 Reconciliation Action Plan 78 Sustainability 80 Access 81 Business Excellence 82 Organisation Chart 86 Executive Team 87 Corporate Governance 90 Joan Sutherland Theatre foyers during closure. Photo by Daniel Boud. About Us 07 Sydney Opera House. Photo by by Daria Shevtsova. by by Photo Opera House. Sydney About Us 09 Who We Are The Sydney Opera House occupies The coronavirus pandemic has highlighted the value of the Opera House’s online presence and programming a unique place in the cultural to our artists and communities, and increased the “It stands by landscape.
    [Show full text]
  • 2020/21 Round 1 Outcomes Aboriginal Arts & Culture Board (12)
    Create NSW Arts & Cultural Funding Program – 2020/21 Round 1 Outcomes Aboriginal Arts & Culture Board (12) $535,782 Annual Organisations (2): $190,000 1. Armidale & Region Aboriginal Cultural Centre & Keeping Place Inc. 2021 Arts and Cultural Program ($60,000) • Armidale Region Aboriginal Cultural Centre & Keeping Place will provide a comprehensive public program that will encompass 20 newly curated exhibitions and dance programs made up of art, artefact and photographic exhibitions, Aboriginal Men's gatherings, Aboriginal Women's gatherings, Elders’ group, a Black and White Photography Club and ACCKP Friends meetings, workshops, tours, Holiday Programs. 2. Boomalli Aboriginal Artists Co-operative Ltd. 2021 Artistic Program ($130,000) • In 2021 Boomalli Aboriginal Artists Co-operative will deliver nine exhibitions, online and physically. Boomalli will develop a series of cultural programs that engage our artists/communities including the launch of a new educational resource centre. They will expand our commissioning agency and corporate partnerships to achieve higher visibility for their artists. Organisations Project (1): $60,000 1. Head On Foundation Ltd. First Sight; career development pathways for emerging First Nations photographers ($60,000) • A collaborative, workshop-based mentorship to deliver career skills, networking and exhibition opportunities, to emerging First Nations photo-artists across NSW and Australia, focusing primarily on the needs of artists starting or at a crossroads in their career. Organisations Creative Koori Projects (3): $123,500 1. 2 Rivers Pty Ltd, YINAAR - A creative exploration of Aboriginal women's practices ($60,000) • YINAAR - is a combination of residencies, workshops and exhibitions focused on preserving Aboriginal women's traditional practices from the New England North West, through contemporary art-making which will broaden and deepen their understanding of women's practices, showcase excellence in the arts from regional NSW and provide connection to identity.
    [Show full text]
  • Suspended Moment: the Katthy Cavaliere Fellowship Receives $92,737 for National Tour
    MEDIA RELEASE 3 FEBRUARY 2021 Image: Portrait of Katthy Cavaliere in Vieste, Italy, 2001. Photographer unknown Suspended Moment: The Katthy Cavaliere Fellowship receives $92,737 for national tour The exhibition will feature past works by the pioneering Italian-Australian artist alongside newly commissioned works by Giselle Stanborough, Frances Barrett and Sally Rees SYDNEY, AUSTRALIA: The exhibition tour of Suspended Moment: The Katthy Cavaliere Fellowship will commence in February 2022, with significant support from the Australian Government’s Visions of Australia funding just confirmed. Curated to tour by Daniel Mudie Cunningham (Director of Programs, Carriageworks), the exhibition will showcase formative works by Katthy Cavaliere (1972-2012) loaned from her estate, alongside newly commissioned works by three women artists Giselle Stanborough, Frances Barrett and Sally Rees, who each received $100,000 from the Fellowship. Major presentations of each artist’s new commissions were shown at Carriageworks (Giselle Stanborough, 7 August – 26 September 2020), and forthcoming at Mona (Sally Rees, 2021) and the Australian Centre for Contemporary Art (ACCA) (Frances Barrett, 2021), before coming together for presentation in this exhibition curated especially for tour. The exhibition tour – which is collaboratively produced by Carriageworks and Museums & Galleries of NSW (M&G NSW) – is slated to be presented at eight locations between 2022–2024: Wollongong Art Gallery (NSW); Manly Art Gallery & Museum (NSW); The Glasshouse Regional Gallery, Port
    [Show full text]
  • 2021 Artist Studio Callout Clothing Store - Carriageworks
    2021 ARTIST STUDIO CALLOUT CLOTHING STORE - CARRIAGEWORKS The Clothing Store Artist Studio Program provides subsidised space to support artists to undertake ambitious projects, sustain their practice and work collaboratively with Carriageworks. CLOTHING STORE ARTIST STUDIO PROGRAM The Clothing Store Artist Studios provide an annual residency for artists working at the forefront of contemporary practice and across a range of disciplines. In 2021 Carriageworks is providing 9 subsidised artist studios for a period of up to 12 months. Studios dedicated to Aboriginal and Torres Strait Islander artists are supported through partnerships with Bloomberg and with Solid Ground, an initiative of Carriageworks and Blacktown Arts that provides education, training and employment pathways for Indigenous Australian youth. Solid Ground is supported by the Australian Government through the National Indigenous Australians Agency, the Crown Resorts Foundation and Packer Family Foundation. In exchange for this support, studio artists will participate in an open studio day organised by Carriageworks in 2021. For the period of the Artist Studio Program, artists will be provided access to the Carriageworks Artistic Program including: -Complimentary tickets to Carriageworks shows -Access to visiting curators -Invitations to opening night events and VIP functions -Access to Carriageworks education and professional development programs APPLICATION PROCESS Applications of no more than 2 pages will include the following information: -A statement that details the expected outcomes of the proposed studio at Carriageworks and how the residency will assist you in the development of your practice -Short biography that includes your 2021 commitments -Up to 5 digital images of your work and/or video links -Please email your application to [email protected] APPLICATION TIMELINE Applications due Sunday, 15 November 2020 Artists announced Monday, 25 November 2020 Artist Studio Program commences January 2021 STUDIOS Studio size 6m x 9m No.
    [Show full text]
  • Annual Report 2019/20 Contents
    Annual Report 2019/20 Contents 02 Section 1: Our Purpose 04 Who We Are and What We Do 05 Our Goals 05 Key Focus Areas 06 From our Chair 07 From our CEO 10 Section 2: Our Performance 11 Our Year at a Glance 12 Australian Cultural Fund 18 ACF Boost 23 Plus1 26 MATCH Lab 30 LIFT Mentoring Programs 35 Coaching and Advice 38 Sector Development and Events 42 Research, Trends and Insights into Private Giving 43 Creative Partnerships Awards 44 Section 3: Management and Accountability 46 Company Structure 46 Corporate Governance 46 Audit and Risk Committee 46 Financial Management 47 Risk Management 47 Organisational Chart 47 Locations 48 Key Performance Indicators 50 Reporting Compliance Index 55 Financial Report Sydney Chamber Opera, Breaking Glass, Carriageworks Cover image: Moira Finucane, The Rapture Chapter II:Art vs Extinction, Melbourne Fringe Festival Photo: Daniel Boud Photo: Simon Schluter 02 Annual Report 2019/20 01 Ballet Theatre Queensland, SwanLake, Odette Photo: Quince Mulberry Our purpose is to foster a culture Our Purpose of private sector support for the arts in Australia; to grow a more sustainable, vibrant and ambitious cultural sector for the benefit of all Australians. 02 Annual Report 2019/20 Section 1: Our Purpose 03 We achieve these by Our Goals focusing on five key areas Advocacy Grow1. the culture of giving and Build philanthropic and business sentiment around volunteering to support the arts, the value of supporting the arts to contribute to a bringing donors, businesses, sustainable, ambitious and vibrant cultural sector for the benefit of all Australians. artists and arts organisations together.
    [Show full text]
  • Case Study: Metro Screen
    Sydney International Film School Sydney International Film School is an independent film school which aims to train exceptionally skilled and talented individuals for careers in the global film industry. The two year intensive training course teaches through a hands-on creative process that emulates worldwide industry practice. Students are encouraged to produce up to 8 films during their two year study, as well as collaborating with other students on their work. The school provides equipment, software and sophisticated production facilities. "ASED IN 2OSEBERY IN CENTRAL 3YDNEY THE )NTERNATIONAL &ILM 3CHOOL 3YDNEY IS A 2EGISTERED 4RAINING /RGANISATION PROVIDING training and assessment services in filmmaking, 86H:HIJ9N/B:IGDH8G::C Metro Screen has over 27 years’ experience in the screen industry, serving the professional and production development needs of screen practitioners in NSW across film, television, online and portable media. Metro Screen’s primary focus is on screen skills development and the production of quality screen works. Each year Metro Screen supports the production of over 140 screen works across all genres. In 2009 Metro Screen productions won both Tropfest and Trop Jr 1st prize awards, with many of the short film works going on to screen and win awards at numerous national and international festivals. Metro Screen, located in the Paddington Town Hall, attracts a wide range of people passionate about film, from school children who participate in short school holiday programs to seasoned professionals who need to learn advanced techniques on the latest software. Metro Screen’s program includes a regular series of professional development seminars on areas like pitching, marketing & distribution, speed networking, career advice and copyright & legal matters.
    [Show full text]