DOCSLIB.ORG

Fretted Instrument Strings 2006 ACOUSTIC BASS CLASSICAL BLUEGRASS /OTHER ELECTRIC DACA 2006.Qxp 5/15/2006 8:51 AM Page 2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fretted Instrument Strings 2006 ACOUSTIC BASS CLASSICAL BLUEGRASS /OTHER ELECTRIC DACA 2006.Qxp 5/15/2006 8:51 AM Page 2 BLUEGRASS / OTHER CLASSICAL BASS ACOUSTIC ELECTRIC Fretted Instrument Strings 2006 DACA_2006.qxp 5/15/2006 8:51 AM Page 1 DACA_2006.qxp 5/15/2006 8:51 AM Page 2 Introduction With the tremendous variety of strings available, choosing the right set for your playing style and taste can be quite a confusing task, but it can also be a rewarding one. D’Addario’s 2005 catalog has been designed to provide you with all the tech- nical information you need to make select- ing your favorite strings as easy as possible. It also includes some string tips to help you get the most out of the strings you choose. We’re sure you’ll find it useful. DACA_2006.qxp 5/15/2006 8:52 AM Page 4 Table of Contents Electric Guitar Strings XLS Stainless Steel Round Wound 8 Pedal Steel 8 XL Nickelplated Steel Round Wound 9 Heat-Treated Stainless Steel Half Round Wound 11 Chromes Stainless Steel Flat Wound 11 Acoustic Guitar Strings “I’ve never used anything other than D’Addario strings and neither should you.” 80/20 Bronze Round Wound 14 – Brad Delson, Linkin Park 85/15 Bronze Round Wound 14 Phosphor Bronze Round Wound 15 EXP Coated Phosphor Bronze Round Wound 16 EXP Coated 80/20 Bronze Round Wound 16 Silk & Steel 17 Flat Tops Semi-Flattened Phosphor Bronze 17 Bass Guitar Strings ProSteels Round Wound 20 XL Nickelplated Steel Round Wound 21 EXP Coated Nickelplated Steel Round Wound 23 “Every song I've ever recorded has been with D'Addario strings. They've never let me Heat-Treated Nickel Half Round Wound 24 down - the best in the biz." Chromes Stainless Steel Flat Wound 25 – John 5 Phosphor Bronze Wound 25 EXP Coated Phosphor Bronze Wound 25 Classical Guitar Strings Pro•Arté – Laser Selected Trebles 28 Pro•Arté Composites 28 EXP Coated – Laser Selected Trebles 29 Classics – Rectified Nylon Trebles 29 Classical Guitar – Student Grade 29 Folk/Classical Guitar – Ball End Nylon 29 Banjo, Mandolin, and Other Strings Banjo 32 Mandolin Family 33 “I love my D'Addario ProSteels strings.” EXP Coated Mandolin 33 – Maya Ford, The Donnas Other Sets 34 Guitar Tips About String Tensions and Gauges 36 Which Set is for Me? 36 Glossary of String Terms 37 Why Do Strings Break? 38 Restringing Your Guitar 39 Determining the Scale of Your Bass 39 Frequently Asked Questions 40 “EXPs are the best strings I’ve ever used - honest to God - live or in the studio. They work great on every mandolin I have. They make a good mandolin sound Other better...and they’re great for guitar!” Player’s Points 41 – Ricky Skaggs Website 42 DACA_2006.qxp 5/15/2006 8:52 AM Page 6 Electric Guitar Strings ”D’Addario strings are the best I’ve ever used.” XLS Stainless Steel Round Wound – Mark Tremonti, Alter Bridge Pedal Steel XL Nickelplated Steel Round Wound Heat-Treated Stainless Steel Half Round Wound Chromes Stainless Steel Flat Wound ELECTRIC "After 10 years of sampling every brand of guitar strings out there, D'Addario is the first I've come across that hasn't let me down once." – Allison Robertson, The Donnas "I use D'Addario strings because I love the feeling of new strings, and I tried a lot of other strings but nothing felt like a new set of XLs." – Billy Martin, Good Charlotte bright tone mellow HEAHEAT TREATREATEDTED TOTO RESTORERESTORE BRIGHTNESSBRIGHTNESS .010 • .013 • .017 • .026 • .036 • .046 ELECTRIC GUITAR STRINGS 430 Stainless Steel Ground Half-round REGULAR LIGHT GAUGE EHR310 "I take D'Addario strings everywhere I go - stage, studio, or practicing. stainless nickelplated half round flat wound steel steel stainless stainless They have a great sound, they're very consistent and last a long time. I think D'Addario strings are absolutely the best." – John Scofield DACA_2006.qxp 5/15/2006 8:53 AM Page 8 XLS™ Stainless Steel Round Wound XL™ Nickelplated Steel Round Wound XLS Stainless Steel D’Addario XL XLS530 Extra-Super Light Pedal Steel EXL130 Extra-Super Light EXL125 Super Light Top/Regular Bottom diameter tension strings are known diameter tension diameter tension Electric Guitar item # note inches mm lbs. kg XLS490 E-9th Tuning for their extremely item # note inches mm lbs. kg item # note inches mm lbs. kg strings are world- PL008 E .008 0.20 10.4 4.72 diameter tension long-lasting, bright PL008 E .008 0.20 10.4 4.72 PL009 E .009 0.23 13.1 5.94 renowned as ”The PL010 B .010 0.25 9.1 4.13 item # note inches mm lbs. kg tone. The winding is PL010 B .010 0.25 9.1 4.13 PL011 B .011 0.28 11.0 4.99 Player’s Choice” PL015 G .015 0.38 12.9 5.85 PL013 F# .013 0.33 31.2 14.15 PL016 G .016 0.41 14.7 6.67 a highly magnetic PL015 G .015 0.38 12.9 5.85 amongst electric XSG021 D .021 0.53 11.9 5.40 PL015 D# .015 0.38 29.4 13.33 NW021 D .021 0.53 12.0 5.44 NW026 D .026 0.66 18.4 8.34 XSG030 A .030 0.76 13.9 6.30 PL011 G .011 0.28 28.1 12.74 430 stainless steel NW030 A .030 0.76 14.0 6.35 NW036 A .036 0.91 19.5 8.84 guitar players of all XSG038 E .038 0.97 11.9 5.40 PL014 E .014 0.36 28.7 13.02 alloy that provides NW038 E .038 0.97 12.1 5.49 NW046 E .046 1.17 17.5 7.94 genres and styles. XL PL017 B .017 0.43 23.8 10.79 clear, bright tone strings are wound EXLS520 Super Light PL020 G# .020 0.51 23.3 10.57 EXL130+ Extra-Super Light Plus ESXL125 S.L. Top/Reg. Bot./Double Ball End Steinberger® XSG026 F# .026 0.66 26.1 11.84 with maximum sig- with nickelplated diameter tension diameter tension diameter tension XSG030 E .030 0.76 28.1 12.74 nal strength. The oxi- steel, known for its item # note inches mm lbs. kg item # note inches mm lbs. kg item # note inches mm lbs. kg XSG034 D .034 0.86 27.9 12.65 PL009 E .009 0.23 13.1 5.94 dation-resistant prop- PL0085 E .0085 0.22 11.7 5.31 SPL009 E .009 0.23 13.1 5.94 distinctive bright XSG038 B .038 0.97 24.1 10.93 PL011 B .011 0.28 11.0 4.99 erties of stainless PL0105 B .0105 0.27 10.0 4.54 SPL011 B .011 0.28 11.0 4.99 sound and excellent PL016 G .016 0.41 14.7 6.67 steel make XLS PL015 G .015 0.38 12.9 5.85 SPL016 G .016 0.41 14.7 6.67 intonation. We offer XLS500 C-6th Tuning XSG024 D .024 0.61 15.6 7.07 strings resistant to cli- NW022 D .022 0.56 13.3 6.03 SNW026 D .026 0.66 18.4 8.34 a complete line of XSG032 A .032 0.81 15.5 7.03 diameter tension SNW036 A .036 0.91 19.5 8.84 matic conditions. NW032 A .032 0.81 15.9 7.21 27 differently XSG042 E .042 1.07 14.5 6.58 item # note inches mm lbs. kg NW039 E .039 0.99 12.7 5.76 SNW046 E .046 1.17 17.5 7.94 PL012 G .012 0.30 29.8 13.51 gauged sets of XL EXLS510 Regular Light PL014 E .014 0.36 28.7 13.02 EXL120 Super Light EXL110 Regular Light electric guitar PL017 C .017 0.43 26.7 12.11 diameter tension diameter tension diameter tension strings. PL020 A .020 0.51 26.1 11.84 item # note inches mm lbs. kg item # note inches mm lbs. kg item # note inches mm lbs. kg XSG024 G .024 0.61 25.1 11.38 PL010 E .010 0.25 16.2 7.35 PL009 E .009 0.23 13.1 5.94 PL010 E .010 0.25 16.2 7.35 XSG030 E .030 0.76 28.1 12.74 PL013 B .013 0.33 15.4 6.98 PL011 B .011 0.28 11.0 4.99 PL013 B .013 0.33 15.4 6.98 XSG036 C .036 0.91 24.5 11.11 PL017 G .017 0.43 16.6 7.53 PL016 G .016 0.41 14.7 6.67 PL017 G .017 0.43 16.6 7.53 XSG042 A .042 1.07 23.3 10.57 XSG026 D .026 0.66 18.2 8.25 NW024 D .024 0.61 15.8 7.17 NW026 D .026 0.66 18.4 8.34 XSG054 F .054 1.37 24.4 11.07 XSG036 A .036 0.91 19.2 8.71 NW032 A .032 0.81 15.8 7.17 NW036 A .036 0.91 19.5 8.84 XSG070 C .070 1.78 22.8 10.34 XSG046 E .046 1.17 17.1 7.76 NW042 E .042 1.07 14.8 6.71 NW046 E .046 1.17 17.5 7.94 XLS540 Light Top/Heavy Bottom EXL120-7 Super Light 7-String EXL110-7 Regular Light 7-String diameter tension diameter tension diameter tension item # note inches mm lbs. kg item # note inches mm lbs. kg item # note inches mm lbs.
Load more

Recommended publications
  • Bloomfield Buzz Ad 7.75X10-M1.Qxp 12/7/18 9:10 AM Page 1
    In This Issue! Important Township 3 meeting dates January - June 2019 5 Health Services for you and your family Township of Bloomfield 6 Recycling calendar 7 Winter and Spring Launches Brand New Municipal Recreation Programs 8 More Recreation Website, Mobile App Opportunities Police News and Bloomfield residents are noticing a more accessible, social media-friendly communications system. The 10 Upcoming Library municipal website has been completely transformed, with a modern, responsive design showcasing relevant Events information and helpful tools up front. The official ‘Township of Bloomfield’ Facebook page has been synced with the website to post public information about important events, and the Township’s Information 12 New Year’s Message Technology Department, lead by Director Jean-Guy Lauture, has launched the “Bloomfield Township, NJ” from the Mayor mobile App where residents can receive push notifications about events, alerts and more. The “Bloomfield We are beyond excited for our new Township, NJ” Mobile “ App, by CivicPlus, website and mobile app to help has a red icon and is “ available to Android Bloomfield residents stay more and iPhone users. connected and informed. Mayor Michael Venezia These improvements will yield long-term benefits as more residents can stay better informed about events that matter to them. The Township held a forum for residents to have their ideas about municipal communication heard and received input from a resident survey which laid the framework for this new site. The new secure website, bloomfieldtwpnj.com, features up-to-the-minute traffic and road closure alerts, which will prove helpful during heavy Winter snowfalls. Residents can also opt-in to receive text notices about water advisories, Parks and Recreation notifications, community alerts, and more.
    [Show full text]
  • The Science of String Instruments
    The Science of String Instruments Thomas D. Rossing Editor The Science of String Instruments Editor Thomas D. Rossing Stanford University Center for Computer Research in Music and Acoustics (CCRMA) Stanford, CA 94302-8180, USA [email protected] ISBN 978-1-4419-7109-8 e-ISBN 978-1-4419-7110-4 DOI 10.1007/978-1-4419-7110-4 Springer New York Dordrecht Heidelberg London # Springer Science+Business Media, LLC 2010 All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer Science+Business Media, LLC, 233 Spring Street, New York, NY 10013, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to proprietary rights. Printed on acid-free paper Springer is part of Springer ScienceþBusiness Media (www.springer.com) Contents 1 Introduction............................................................... 1 Thomas D. Rossing 2 Plucked Strings ........................................................... 11 Thomas D. Rossing 3 Guitars and Lutes ........................................................ 19 Thomas D. Rossing and Graham Caldersmith 4 Portuguese Guitar ........................................................ 47 Octavio Inacio 5 Banjo ...................................................................... 59 James Rae 6 Mandolin Family Instruments........................................... 77 David J. Cohen and Thomas D. Rossing 7 Psalteries and Zithers .................................................... 99 Andres Peekna and Thomas D.
    [Show full text]
  • WORKSHOP: Around the World in 30 Instruments Educator’S Guide [email protected]
    WORKSHOP: Around The World In 30 Instruments Educator’s Guide www.4shillingsshort.com [email protected] AROUND THE WORLD IN 30 INSTRUMENTS A MULTI-CULTURAL EDUCATIONAL CONCERT for ALL AGES Four Shillings Short are the husband-wife duo of Aodh Og O’Tuama, from Cork, Ireland and Christy Martin, from San Diego, California. We have been touring in the United States and Ireland since 1997. We are multi-instrumentalists and vocalists who play a variety of musical styles on over 30 instruments from around the World. Around the World in 30 Instruments is a multi-cultural educational concert presenting Traditional music from Ireland, Scotland, England, Medieval & Renaissance Europe, the Americas and India on a variety of musical instruments including hammered & mountain dulcimer, mandolin, mandola, bouzouki, Medieval and Renaissance woodwinds, recorders, tinwhistles, banjo, North Indian Sitar, Medieval Psaltery, the Andean Charango, Irish Bodhran, African Doumbek, Spoons and vocals. Our program lasts 1 to 2 hours and is tailored to fit the audience and specific music educational curriculum where appropriate. We have performed for libraries, schools & museums all around the country and have presented in individual classrooms, full school assemblies, auditoriums and community rooms as well as smaller more intimate settings. During the program we introduce each instrument, talk about its history, introduce musical concepts and follow with a demonstration in the form of a song or an instrumental piece. Our main objective is to create an opportunity to expand people’s understanding of music through direct expe- rience of traditional folk and world music. ABOUT THE MUSICIANS: Aodh Og O’Tuama grew up in a family of poets, musicians and writers.
    [Show full text]
  • Safety Data Sheet
    Safety Data Sheet TIN COATED PHOSPHOR BRONZE (Olin Brass SDS No: 01334.0001) EMERGENCY PHONE: 1-618-258-5167 This product consists of a base metal alloy coated with another metal. Attached are Safety Data Sheets (SDS) for the following metal products: Base Metal – >99% - Phosphor Bronze Coating – <1% - Tin Alloy THIS SAFETY DATA SHEET (SDS) KIT HAS BEEN PREPARED IN COMPLIANCE WITH THE FEDERAL OSHA HAZARD COMMUNICATION STANDARD, 29 CFR 1910.1200. THE INFORMATION IN THE ENCLOSED SDSs SHOULD BE PROVIDED TO ALL WHO WILL USE, HANDLE, STORE, TRANSPORT, OR OTHERWISE BE EXPOSED TO THIS PRODUCT. THIS INFORMATION HAS BEEN PREPARED FOR THE GUIDANCE OF PLANT ENGINEERING, OPERATIONS AND MANAGEMENT AND FOR PERSONS WORKING WITH OR HANDLING THIS PRODUCT. OLIN BELIEVES THIS INFORMATIONTO BE RELIABLE AND UPTO DATE AS OF THE DATE OF PUBLICATION, BUT MAKES NO WARRANTY THAT IT IS. ADDITIONALLY, IF AN SDS IS MORE THAN THREE YEARS OLD, YOU SHOULD CONTACT OLIN AT THE PHONE NUMBER BELOW TO MAKE CERTAIN THAT THE SDS IS CURRENT. SDS Control Group Olin Brass 305 Lewis and Clark Blvd East Alton, IL 62024-1197 Phone Number: (618) 258-5654 www.olinbrass.com Olin Brass SDS No.:01334.0001 Tin Coated Phosphor Bronze Revision Date: 6/1/15 Review Date: 1/1/17 Page 1 of 16 Safety Data Sheet 1. PRODUCT AND COMPANY IDENTIFICATION Product Name: PHOSPHOR BRONZE ALLOYS Chemical Name: Metal Alloy Synonyms: Copper Tin Phosphorus Alloys; UNS/CDA Alloy Nos. c50000 – c52999 Chemical Family: Copper Formula: Not applicable - mixture Product Use: Metallurgical Products Manufacturer: SDS Control Group Technical Information: Emergency Information: Olin Brass (618)258-5654 (618)258-5167 305 Lewis and Clark Blvd East Alton, IL 62024-1197 www.olinbrass.com 2.
    [Show full text]
  • Blues Bass String Recommendations
    Blues Bass String Recommendations Barr is sceptically flavoursome after orientating Orson bivouac his eyas ahead. Indo-Iranian Stearn rustle or damage some overstuffssnow-on-the-mountain immitigably or perceptively, clarifies any however conservatoriums. iatrogenic Berkeley screeches placidly or revenge. Skippy remains Eocene after Salomo As they deliver balanced string bass strings with coating on string Victor Wooten uses super light strings. All the strings listed above will make your bass sound great. This should appeal to a wide range of players, especially those playing modern styles. Blue Steel bass strings. However, the bass guitar has a different musical sound. Double bass Wikipedia. Can you tell us what in particular you find suspect? Some players perform with the sides of one, two, or three fingers, especially for walking basslines and slow tempo ballads, because this is purported to create a stronger and more solid tone. But certainly more difficult on some than others. They are made so that the acoustic instrument musicians feel just as appreciated as they need to be. What are the best bass strings? The good news though is that you only need to know the key points to appreciate which guitar strings will work best for you. Ernie Ball strings, in addition to hundreds of thousands of musicians the world over. For the first week or so on my XLs or boomers I find them to be harsher on my fingers till they are broken in. Having said that, if you want to experiment, then you could try halfwound strings. DR Strings is not just about being colorful.
    [Show full text]
  • Perceptual Fusion of Noise and Complex Tone by Means of Amplitude Modulation
    Perceptual Fusion of Noise and Complex Tone by Means of Amplitude Modulation Pär Johansson Master’s Thesis Department of Speech, Music and Hearing The Royal Institute of Technology, Stockholm Abstract This report investigates pulse-synchronised amplitude modulation as a method for perceptual fusion of noise and tone. It is shown that when the noise is amplitude modulated by the waveform envelope of the tone, higher amplitude modulation depth yields stronger fusion. In addition, the evidence suggests that fusion remains constant for tone frequencies from 150 to at least 600 Hz. Sammanfattning Det är numera välkänt att olika former av brus är en väsentlig del av klangfärgen hos de flesta akustiska instrument, vilket ofta förbises vid konstruktionen av elektroniska och digitala musik- instrument. Forskning inom detta område har visat att bruset tillför en ökad realism till syntetiserade instrument, men också att det inte är tillräckligt att bara mixa en ton med vitt brus för att vi skall uppfatta de båda komponenterna som en sammansatt klang – en lyckad sammansmältning eller perceptuell fusion kräver att bruset och tonen är korrelerade. Ett sätt att åstadkomma detta är att amplitudmodulera bruset med tonens frekvens. Detta är ett fenomen som uppstår naturligt i bl a röst, blås- och stråkinstrument. Denna uppsats behandlar dels hur modulationsdjupet påverkar fusionen, dels hur fusionen varierar med tonens frekvens. En enkel modell av ett instrument med en bruskälla skapades, där tonens frekvens och ljudnivå, brusets ljudnivå och modulationsdjupet kunde variera. För att pröva hypoteserna 1) fusionen ökar med modulationsdjupet och 2) fusionen minskar med frekvensen, gjordes lyssnartest vid frekvenserna 150, 300 och 600 Hz.
    [Show full text]
  • 3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning
    V. New Music and Beyond: Music-Historical and Cultural Entanglements 385 3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning A phenomenon crucial for the perception of new music, and which is featured prominently in Helmut Lachenmann’s sound typology, is the transition between structure and texture: the more information is conveyed at once in a musical context, the more it is perceived in terms of “global” characteristics – that is, structure (conceived as an interaction of individual sound elements or “families”) morphs into texture (in which one global characteristic dominates) – and the reverse process is, of course, equally relevant. Although this principle was particularly well- known and much explored in “sound composition” during the 1960s, it plays a certain role in listening to almost any polyphonic or multi-layered music. Complex and dazzling musical strat- ification was derived by many composers in the twentieth century from the legacy of Romantic orchestral magic (→ VI.1). Such a “dialogue” between layers can give rise to a morphological viv- idness that communicates itself directly, even without the framework of tonal harmony. In the music that emerged from the fault lines of cultural globalization from the end of the nineteenth century, it was, as we have seen, a much-used procedure to conceptualize the differ- ences between cultural idioms in the form of such a layered structure: groups of instruments and/or musical timbres were often arranged “culturally” (and usually differing composition- al techniques applied to such groups mirrored this cultural segregation). In Tan Dun’s Ghost Opera (1994), the string quartet was culturally “identified” by the C# minor prelude from volume 1 of Bach’s Well-Tempered Clavier, the Chinese pipa by the Chinese folk song Xiao bai cai.
    [Show full text]
  • Boosey & Hawkes
    City Research Online City, University of London Institutional Repository Citation: Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16081/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Boosey & Hawkes: The Rise and Fall of a Wind Instrument Manufacturing Empire Jocelyn Howell PhD in Music City University London, Department of Music July 2016 Volume 1 of 2 1 Table of Contents Table of Contents .................................................................................................................................... 2 Table of Figures......................................................................................................................................
    [Show full text]
  • 1977 Catalog Martin Archery Inc
    1977 CATALOG MARTIN ARCHERY INC. ROUTE 5. BOX 127, WALLA WALLA WASHINGTON 99362 U.S.A. AREA 509 529-2554 INDEX Accessory Case .......... ... ..... 70 Game Bag ........ .... ........ 74 Armguards ........ .... ....... 15 Glove Powder ...... .. ... ... ..... 36 Arromcter ................... .. 31 Gloves ........................ 14 Arrows .................... 7,8, 9 Ground Quivers ..... ... ... .... .. 16 Arrow Boxes .......... ... .. 71 Arrow Case ............ .. ... 70 Insect Repellent ... .... .... .. .. 57 Arrow Clips .................. 67 Arrow Holders ....... .. .... ... 49 Kisser Buttons .... ............ .. 41 Arrow Numbers .. .... ...... ... 58 Knives ...... ... .. .... .... ... 74 Arrow Rests ............ ...... 35 Kwik Knurl ................. .. 13 Arrow Straightener ......... .... 46 Lacquer .... .. ........ ...... 58, 76 Backpacks ............. ... ... .. 75 Lure .............. .. .. ... .... 50 Belt ............... ... ..... 18 Berger Button ........ ... ........ 35 Matts, Easel ......... ..... ... .. 63 Blun ts .............. ......... 13 Books ............... ..... 68 69 Nocks ......... .. .... .... ... 66 Bows ................... .... 19-30 Nocking Points ... ............. .. 48 Bow Cases ......... ...... 70, 71 Bow Covers ................. 53 Points: Field, Target, Blunts ......... 13 Bow Levels .................. .40 Pouch ............... ... .... 34 Bow Saddles .................. 34 Powder Pouch ............ ....... 34 Bowslings .......... .... .. ... 34 Bow Squares........ ...... .... 46 Buwstri ngs .................
    [Show full text]
  • Organ Pipes Differences in the Two Constructions
    Reed Pipes Pipe Repair Reed Pipes are built from spotted metal (50% tin). Resonators longer than 2’ C on The OSI pipe shop is equipped to repair individual damaged metal flue, wood or reed Trumpets and Oboes are traditionally of two piece construction with spotted metal bells pipes or to provide faithful replacement pipes for those missing from an incomplete set. and zinc stems. Full length spotted metal resonators can be provided for 8’ and ½L 16’ When a pipe is to be repaired or replaced, the pipe on either side of the damaged or Reeds. Full length 16’ octaves are made from zinc with spotted metal bells. Common missing pipe is essential, along with operating wind pressure, so that a proper match for metal or antimonial lead can be used in place of spotted metal. both scaling and voicing can be obtained. Resonator Length Pipe Revoicing Full length reed resonators in the 16’ and 8’ octaves are always preferable for complete Older metal flue, wood or reed pipes in good physical condition can often be recycled development of sound, tonal weight and color. When a full length or mitered full length and revoiced at a savings. Pipes will be accepted for revoicing provided pipes are of bass is not practical, ½L resonators are an option for brighter chorus reeds such as good manufacture, show no metal fatigue and are not badly torn or mishandled. Pipes Trumpet, Trompette, Posaune, Fagotto and Oboe stops. ½L bases are not are washed and minor repairs are made. New slide tuners are installed, reed tuning recommended for predominantly dark or full bodied reeds in the Trombone, Tromba or wires and tongues are replaced in keeping with the new tonal requirements, wind Tuba class.
    [Show full text]
  • Copper Alloys
    THE COPPER ADVANTAGE A Guide to Working With Copper and Copper Alloys www.antimicrobialcopper.com CONTENTS I. Introduction ............................. 3 PREFACE Conductivity .....................................4 Strength ..........................................4 The information in this guide includes an overview of the well- Formability ......................................4 known physical, mechanical and chemical properties of copper, Joining ...........................................4 as well as more recent scientific findings that show copper has Corrosion ........................................4 an intrinsic antimicrobial property. Working and finishing Copper is Antimicrobial ....................... 4 techniques, alloy families, coloration and other attributes are addressed, illustrating that copper and its alloys are so Color ..............................................5 adaptable that they can be used in a multitude of applications Copper Alloy Families .......................... 5 in almost every industry, from door handles to electrical circuitry to heat exchangers. II. Physical Properties ..................... 8 Copper’s malleability, machinability and conductivity have Properties ....................................... 8 made it a longtime favorite metal of manufacturers and Electrical & Thermal Conductivity ........... 8 engineers, but it is its antimicrobial property that will extend that popularity into the future. This guide describes that property and illustrates how it can benefit everything from III. Mechanical
    [Show full text]
  • Ficha Técnica
    FICHA TÉCNICA INSTRUMENTOS MUSICALES INSTRUMENTO DESCRIPCIÓN MARCA CÓDIGO UNSPSC CANT. ACORDEÓN DIATONICO ADG. DIMENSIONES - TAMAÑO: 31A X 32L. PESO: 7.5, COLOR: AZUL, TONALIDADES: ADG, NÚMERO 60131200 ACORDEON ADG 1 DE BOTONES: 31, NÚMERO DE FILAS: 3 FILAS, NÚMERO DE NOTAS: 8 NOTAS, ACCESORIOS: ESTUCHE + CORREA. ACORDEÓN ROJO BESAS. DIMENSIONES - TAMAÑO: 31A X 32L. PESO: 7,5. TONALIDAD: BESAS. NÚMERO DE BOTONES: ACORDEON BESAS 2 31. NÚMERO DE FILAS: 3 FILAS. 60131200 NÚMERO DE NOTAS: 8 NOTAS. ACCESORIOS: ESTUCHE + CORREA. ARPA LLANERA CON ESTUCHE. DE 32 CUERDAS EN CEDRO O 60131300 ARPA LLANERA 15 PINO, LLAVE AFINADORA Y FORRO INCLUIDOS. ATRILES DE BANDEJA TIPO DIRECTOR. 25" A 49" (65 CM A 124 CM), DESDE EL BORDE DE LA MESA HASTA EL PISO. BASE SOLDADA DE ACERO DE CALIBRE 12 QUE BRINDA DURABILIDAD. EL ACOPLAMIENTO DE LA BASE NO SE TAMBALEA. EL DELGADO POSTE DE 1" (2,5 60131500 ATRIL 111 CM) HACE QUE RESULTE SENCILLO TRANSPORTAR DOS ATRILES CON UNA SOLA MANO. LA MESA DE ALUMINIO DE 13½" X 20" (34 CM X 51 CM) POSEE UN SOPORTE DE ALUMINIO DE UNA SOLA PIEZA. EL AJUSTE DE ALTURA POR FRICCIÓN SENCILLA SOPORTA 9 LB (4 KG). BAJO ELECTRICO. CUERPO DE ALISO. MÁSTIL DE ARCE ATORNILLADO. DIAPASÓN DE SONOKELIN. LONGITUD DE LA ESCALA: 864CM (ESCALA BAJO ELECTRICO 8 LARGA). 24 TRASTES. ANCHO 60131300 DE LA CEJILLA: 40MM. 1 PASTILLA DE BOBINA DIVIDIDA. 1 PASTILLA DE BOBINA SIMPLE. HERRAJES DE CROMO. BANDOLA ANDINA ELECTRO ACUSTICA. TAPA ARMÓNICA EN PINO ABETO ALEMÁN O CEDRO ROJO CANADÁ MIL HILOS; ARO Y FONDO EN CEDRO PUERTO ASÍS MACIZO; MÁSTIL EN CEDRO PUERTO ASÍS REFORZADO CON BANDOLA ANDINA 15 NAZARENO; CLAVIJERO DE 60131300 PRECISIÓN; DIAPASÓN EN PALO DE ROSA CON ENTRASTADO ALTACA ( PLATEADO) DEBIDAMENTE ENCORDADO Y CON ESTUCHE DURO EN LONA.
    [Show full text]