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St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 • Fax 01392 207007 and The Auction Rooms, Alphin Brook Road, Alphington, Exeter EX2 8TH Telephone 01392 413100 • Fax 01392 413110 [email protected] • www.bhandl.co.uk

For Sale by Auction on

WEDNESDAY, 22nd APRIL 2009 CERAMICS and GLASS at 10.30am (Lots 1–104) SILVER, WATCHES and JEWELLERY at 12.30pm (Lots 121–470)

THURSDAY, 23rd APRIL 2009 PICTURES at 10.30am (Lots 481–540) COLLECTORS’ ITEMS, WORKS OF ART and CLOCKS at 12.30pm (Lots 541–596) FURNITURE at 2.30pm (Lots 601–689)

ON VIEW: Saturday 18th April 9.00am to 12.30pm Sunday 19th April 2.00 to 4.00pm Monday 20th April 9.00am to 5.15pm Tuesday 21st April 9.00am to 5.15pm Wednesday 22nd April 9.00am to 5.15pm Limited viewing on sale days

Front cover picture is Lot 570 When leaving commission bids this sale may be referred to as FS02

Illustrated Catalogue £10

Members of the Society of Fine Art Auctioneers 1 Information for Buyers

1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium at 20.13% up to £25,000 and 11.5% thereafter which shall include VAT on the premium at the rate imposed by law (see below) 5. VAT. A ‘dagger’ symbol indicates that VAT is payable by the purchaser at the standard rate (presently 15%) on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 15% on importation into the UK. The double ‘dagger’ symbol indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help. 9. Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or FAX. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged.

Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

Methods of Payment All payments by mail, bank transfer, etc, must be made in sterling. The following methods of payment are available: CASH; CHEQUE; STERLING BANK DRAFT; DIRECT BANK TRANSFER IN STERLING; CREDIT CARD (VISA AND ACCESS- MASTERCARD ISSUED IN THE UK ONLY); DEBIT CARDS (SWITCH, CONNECT, ETC) Cheques and drafts should be made payable to Bearnes, Hampton & Littlewood. Bank transfers should be made to: National Westminster Bank, 59 High Street, Exeter. EX4 3DP. Sort Code: 56-00-49 For all the account of Bearnes, Hampton & Littlewood. Account Number 32303483. IBAN Number GB88 NWBK 560049 32303483. SWIFT Number NWBK GB2L Payments by Visa and Access/MasterCard will be subject to a surcharge of 2% of the total amount payable. There is no surcharge for debit card payments. Clearance Times Sterling cheques drawn on UK banks and supported by a cheque card valid for the amount due can be cleared immediately. All other sterling cheques drawn on UK banks will generally clear on the fifth working day after receipt. Sterling bank drafts drawn on UK banks can generally be cleared immediately. Bank transfers clear as soon as our bank receives funds (which does not happen instantaneously after payment instructions are given). Credit and debit card payments can be cleared immediately, subject to confirmation with the card issuer.

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CERAMICS

FIRST DAY’S SALE

WEDNESDAY 22nd APRIL 2009 ORIENTAL and EUROPEAN CERAMICS and GLASS

Commencing at 10.30am

Ceramics and Glass will be on view on: Saturday 18th April 9.00am to 12.30pm Sunday 19th April 2.00 to 4.00pm Monday 20th April 9.00am to 5.15pm Tuesday 21st April 9.00am to 5.15pm Wednesday 22nd April 9.00am to 5.15pm Limited viewing on sale days Ceramics Glass

1 3 1 2 3 An ale glass, the round Three various ale glasses of A Murano glass bowl of funnel bowl on a double series trumpet form wheel cut with rounded form with square opaque twist stem and domed flowering hops and barley, rim, the amethyst body cased foot, 17.5cm high, circa 1770, tallest 13cm high. in clear with a mixture of together with an ale glass with £80-120 diced canes and bright yellow, trumpet bowl on a double orange, green, blue and red series opaque and gauze twist arbitrary spots over silver foil stem and domed foot. (2) inclusions, 25cm wide, diamond £150-200 point etched Antica Murrine Veneziana. £100-150

3 10 • 6 • 10 Silvio Vigliaturo (Italian, Silvio Vigliaturo (Italian, b.1949) ‘Ikonos’. b.1949) ‘Little round yellow A cased clear and multi- face’, ‘Little round blue face’ coloured glass abstract and ‘Little round black and 4 head on domed base, 39cm yellow face’. 4 high, diamond point etched Three abstract cased multi- A Murano glass vase Ikonos, Vigliaturo 04. coloured glass masks on modelled as an abstract head £150-250 stands, the tallest 23cm high, formed from cased blue each diamond point etched glass over white and yellow • 7 Vigliaturo 05. (3) and applied with lampwork Silvio Vigliaturo (Italian, £250-300 features set on a clear knobbly b.1949) ‘Camilla’. base with bubble inclusions. A cased clear and £150-250 multicoloured glass abstract head and shoulders on domed base, 72cm high, diamond point etched Camilla, Vigliaturo 04. £300-500

• 8 Silvio Vigliaturo (Italian, b.1949) ‘Little Yellow Man’. An abstract figural glass form on domed base, 33cm high, together with a companion piece ‘Little Red Man’, 33cm high, both diamond point etched Vigliaturo 06. £180-220

7 • 9 11 5 Silvio Vigliaturo (Italian • 11 Barovier & Toso (Murano). b.1949) ‘Man with red cap’ Silvio Vigliaturo (Italian, A pale brown glass vase of and ‘Man with blue cap’. b.1949) ‘Il Generale’. cylindrical form with rows of Two cased clear and An imposing abstract bubble inclusions, the exterior multicoloured glass abstract figural form of cased multi- applied with a single spiralling figural forms on domed coloured glass on a domed lampwork tendril with flowers bases, 31cm high, each signed base, 113cm high, diamond and foliage with gold leaf Vigliaturo 05 and Vigliaturo 07 point etched Generale, inclusions, 31cm high. respectively. Vigliaturo 06. £100-150 £150-200 £400-600

4 12 14 17

12 15 • 17 James Coignard (French, Aureliano Toso, probably by Juan Ripolles (Spanish b. 1925-2008) ‘Mannequin Dino Martens 1932) ‘Lucy’ piccolo a mare’ A clear glass cylindrical vase An abstract figural An abstract figural pale blue applied with broad arbitrary form modelled from glass form with applied red black trails, 22.5cm high, predominantly clear glass and gold flecked spots and diamond point etched A. Toso. with some yellow, amethyst horizontal dark blue trails, £200-250 and blue embellishment, 45cm high, diamond point 57cm high, diamond point etched J. Coignard 7/25. 16 etched Ripolles 4/5. £400-600 Salviati (Murano) £500-700 A pale amber bowl of 13 ‘squashed’ form containing 18 James Coignard (French, three horizontal bands of A Chinese shallow 1925-2008) ‘Mannequin orange, 23cm high, acid etched dish of oval form, the interior sfumato blu’ Salviati, I. Johanssen, 1997. enamelled with fruiting peach An abstract figural clear glass £80-100 trees and bamboo, the exterior form graduating to blue with with scrolls, foliage, blooms applied black and gilt flecked and a peach, 45cm wide, red spots and horizontal red trails, six character mark for Guangxu, 47.5cm high, diamond point with hardwood stand. etched J. Coignard 11/25. £600-800 £400-600

14 A James Coignard (French, 1925-2008) ‘The Oscar’ An abstract figural clear glass form graduating to blue with applied trails of amethyst and red on a tapering black glass base, 59cm high, diamond point etched J. Coignard E.A. with paper label Figurines Groupe 5, Coignard James, Anno 1997. £400-500 * Produced at the Berengo furnaces, Venice. 18 5 23A 23A An Arita porcelain fish bowl modelled in high relief with turtles in a stormy sea beneath 19 a band of ice and snow reserved on a blue ground, 51 19 cm high, late Meiji, rim ground. A Chinese porcelain oviform £300-400 jar decorated in the famille rose palette, chrysanthemum, peony and pierced rock work, 22 21cm high, Qianlong, pierced 22 hardwood cover and stand. A Chinese porcelain £200-300 sleeve vase decorated with polychrome enamels with the Eight Taoist Immortals in a landscape, 45.5cm high, probably Guangxu, with pierced hardwood stand. £500-600

24 20

24 20 A Chinese porcelain baluster A Chinese porcelain inkwell vase enamelled in the Wucai of heart-shaped form with palette with a pair of Phoenix central aperture and three amongst scrolling foliage, smaller painted in blue with chrysanthemum and peony set peony and chrysanthemum, beneath a band of lotus and 10.5cm long, Qianlong, minor 23 scrolls, 20cm high, late 16th or glaze flakes to leading edge. 23 early 17th century, hair crack £300-500 A Chinese porcelain figural to rim.

candle holder modelled in the £200-300 21 form of a caparisoned elephant A Chinese Imari porcelain standing four square, head teapot and domed cover turned and supporting a Gu with typical floral decoration in vase decorated in coloured red, blue and gold, 12cm high enamels, 13cm high, late 19th Qianlong. or early 20th century. £100-120 £150-250

6 25 27 30A

25 30A A Chinese porcelain A Satsuma vase baluster vase enamelled in of footed cylinder form with the famille rose palette with flaring rim enamelled with chrysanthemum, 37cm high, scholars and other figures in probably Jiaqing. a landscape 16.5 cm high, £300-400 impressed mark for Kozan, Meiji. £150-200 26 A Chinese porcelain bowl with scalloped rim enamelled in the famille rose palette with moths, butterflies, peony and other blooms, 18cm diameter, Jiaqing seal mark, minor flakes to rim, with pierced hardwood stand. £100-150

27 29 A Cantonese porcelain garden seat of pierced and 29 studded barrel form enamelled A Imari porcelain oviform in the traditional palette vase enamelled with a band with scholars and soldiers of figures and bamboo on attending a court and verso a iron red ground between with numerous courtesans in underglaze blue bands, 38cm a garden pavilion between high. bands of butterflies, birds £200-250 and peony, 48cm high, 19th century, some glaze wear to 30 31 upper surface. A pair of Chinese porcelain £300-500 plates of silver shape 31 enamelled in the famille rose An Arita porcelain figural 28 palette with a figure holding a lamp base modelled as A Chinese porcelain peach and attended by a boy a mother and child, both meatplate of canted within an alternating panelled wearing florally decorated rectangular form painted in border of precious objects kimonos, , with pierced blue with an extensive lakeside and peony reserved on a cod’s hardwood base, fittings and vista with a diaper and floral roe ground, 27cm diameter, shade, early 20th century. border, 45cm wide, Qianlong. Qianlong, restored. £150-200 £150-200 £150-180

7 34 35

34 35 A pair of Dutch Delft tulip A pair of Dutch Delft figures vases, possibly De Metalen of Buddhist lions or Kylins, Pot, each modelled with each modelled seated with thirteen necks of two sizes head turned to one side in three rows above a pair of painted in blue with scales, grotesque dragon handles flames and floral trellis, 28cm on an body of ovoid profile high, painted ‘AP’ monogram, 32 on a waisted foot, painted in losses and repairs. blue with courting couples in £400-500 32 a landscape and verso with A pearlware ‘Bacchus and peacocks amongst blooms 36 Satyr’ jug, modelled with a on a foliate scrolling ground, A garniture of three Mason’s seated Bacchus on a barrel 30cm high, painted HVE Patent , two- draped with fruit and foliage, above 74, minor losses. handled pedestal vases and holding a cornucopia with a £400-500 a matching spill vase, each standing Satyr verso, the handle richly decorated in gold with a formed as a monkey, the spout chrysanthemum, other blooms as a dolphin, naively decorated and foliage on a deep blue in Pratt enamels of yellow, ground, tallest 19.5cm high, manganese, blue and green circa 1815-25. under clear glaze, 33cm high, £200-300 circa 1800, good restoration to spout and monkey’s head. 37 £250-300 A dated Donyatt puzzle jug of bellied form with raised pierced neck sgraffito decorated with stylised tulip- like blooms and foliage and incised ‘Fill me full, Drink of me while you hold 1762’, 16.5cm high, significant losses to rim and handle. 37 £200-250

33

33 A pair of Dutch Delft De Posteleyne Byl vases and one cover, each of octagonal vertically ribbed form painted in blue with a broad band of alternating mimosa and flowering urns, 30cm high, painted hatchet mark, rim chip and loss to cover. £300-400 36 8 37A A Donyatt pottery oviform vase with raised and mildly flaring neck with leaf resist decoration in cream and green flecked , 24cm high, late 19th century. £200-250

38 A pearlware plaque of framed oval form modelled in relief with a drinker holding a jug and goblet with a companion holding a scroll of paper decorated with Pratt enamels in brown, ochre, blue, green and 37A 38 yellow, pierced for hanging, 20cm high, circa 1800. £250-300

38A A Mortlake, probably Kishere (London) salt glazed jug with silver mounted rim, ribbed neck and applied with a plaque depicting the ‘Midnight Modern Conversation’ and sprigged with windmills, trees, classical figures and hunting scenes, 21cm high, circa 1805. £700-800

39 39 A pearlware jug of globular form with raised rim and spout with strap handle and thumb rest enamelled front and verso with gilt framed oval panels containing rustic landscapes beneath a gilt Greek key and foliate band, 17cm high, early 19th century. £250-300 38A 9 39A A Stephen Green salt glazed stoneware flask moulded on one side with Mrs Caudle delivering a lecture to her husband and the impressed text ‘No! Mr Caudle I shall not go to sleep like a good soul’ and verso with Miss Prettyman out walking, 15.5cm high, impressed Stephen Green, circa 1840, glaze flake to rim. £200-300

40 No Lot

39A 45 The Edgeler Collection of North Devon Pottery 44 46 Accumulated over several A Bideford (East-the-Water) An Edwin Beer Fishley decades by the late Audrey pottery charger, sgraffito (Fremington) pottery Edgeler and her son John decorated in white beneath a figure in the Palissy manner Edgeler, both were well known galena glaze with Bellerophon naturalistically modelled as collectors in the field. They astride Pegasus within a frog on a grassy , 12cm have also been responsible wreath of diminishing stars, wide, E.B. Fishley, Fremington, for the seminal works on the 34cm diameter, incised ‘East the N.Devon. subjects ‘The Art Potters of Water B-D’, late 19th century, £300-400 Barnstaple’ and more recently chip restoration. * Illustrated APB, fig. 61, p.80. ‘The Fishleys of Fremington’. £500-600 Many of the following lots 47 have been illustrated in these 45 A C.H. Brannam pottery volumes and where this is the An Edwin Beer Fishley jardinière set on three dolphin case the reference is annotated. pottery jug incised with supports, sgraffito decorated simple blooms and the text in blue with songbirds 41 ‘England Ireland Scotland and amongst stylised flowers and An Alexander Lauder Wales, May peace plenty and foliage, 25cm high, incised (Barnstaple) pottery wall happiness reign in their vales’, C.H. Brannam, Barum, 1885, pocket modelled in high relief 21.5cm high, E.B. Fishley potter, monogram for James Dewdney, with a songbird amongst Fremington and NF. areas of overpainting. foliage under chocolate and £250-350 £150-250 blue glazes, 15.5cm high. * Illustrated FOF, p.73. * Illustrated APB, colour plate £80-120 XXX. 42 and 43 No Lots

44 46 48 57 10 48 50A 53 A C.H. Brannam pottery A C.H. Brannam pottery A C.H. Brannam pottery match holder in the form of teapot and cover of shell harvest jug sgraffito decorated a lion seated on its haunches moulded form with spout with blooms and moths before a basket under cream, terminating in a dragon’s embellished with a pale blue chocolate and blue slips and mask with some white wash on a streaky cream on table base, 12cm high, slip embellishment under ground, 20cm high, incised C.H. restoration to base. green glazes, 16.5 cm high, Brannam, Barum, N. Devon £100-150 incised C.H. Brannam, Barum, 1881. * Illustrated APB, fig. 74, p.104. 1896 with glaze obscured £150-180 monogram for Beauchamp * Illustrated APB, fig.48, p.60. Whimple, restoration to tip of spout. 54 £150-200 A C.H. Brannam pottery vase of oviform with raised neck and 51 ‘pinched’ rim sgraffito decorated A Baron pottery vase of and applied with coloured slips tapering form with three lug with birds amongst stylised handles sgraffito decorated blooms and scrolling foliage, and applied with chocolate 28cm high, incised C.H. Brannam, and blue slips on a textured Barum, 1888, with monogram for cream ground with foxgloves William Baron, neck restored. and other blooms, 25cm high, £100-150 incised Baron, Barnstaple. * Illustrated APB, colour plate VII. £120-180 * Illustrated APB, fig.178a, 55 p.260. A Baron pottery oviform vase with three lug handles 49 painted with fruiting bramble 52 on a cream ground, 27cm high, 49 A C.H. Brannam pottery incised Baron, Barnstaple. A C.H. Brannam pottery vase of oviform with raised £80-120 ‘Puffin’ jug modelled as a neck and pinched rim * Illustrated APB, colour plate standing bird with backswept sgraffito decorated with XXV. wings forming the handle, its applied slips on a textured beak the spout, under blue, cream ground with three 56 green and cream coloured panels of songbirds and A Baron pottery tyg of waisted slips and clear glaze, 20cm blooms, 26cm high, incised form sgraffito decorated and high, incised Rd. 44561, C.H. C.H. Brannam, Barum, 1891 applied with slips with three Brannam, Barum, 1908 with with monogram for William panels containing blooms on a mongram for Frank Thomas. Baron. textured blue ground, 16.5cm £200-300 £120-180 high, incised Baron, Barnstaple, * Illustrated APB, fig.82, ST. 50 p.111. £100-150 A C.H. Brannam pottery teapot and cover of shell moulded form with spout terminating in a dragon’s mask with coloured slip embellishment under green and brown glazes and verso with a poetic text, 20cm high, restorations. £100-120

50 50A 11 60 59 57 60 A C.H. Brannam pottery A William Fishley Holland grotesque cat modelled pottery face jug in the seated cleaning itself under Sarraguemines manner under green, chocolate and blue pale blue glazes, 13.5cm high, slips, 8cm high, restoration to incised W.F. Holland. left foreleg. £120-180 (see illustration p10) * Illustrated APB, fig.184, p.272 £100-150 and FOF p.95

58 61 A pair of Baron pottery A Fishley Holland pottery oviform vases applied with oviform jar and domed cover cream and green glazes with alternating vertical bands and incised with roses on a of slip trailed decoration under textured ground, 13.5cm high, a deep cobalt blue glaze, 26cm incised Baron, Barnstaple. high, incised Fishley Holland. £100-120 £150-180 * Illustrated FOF, p.102. 61 59 62 A William Fishley Holland A William Fishley Holland pottery toby jug modelled as pottery cider jar and cover a seated fisherman with a mug decorated with alternating of ale and a basket of fish at vertical turquoise slip trailed his feet, under coloured glazes, bands, 39cm high, incised W.F. 19cm high, incised W.F. Holland Holland with monogram for 1944. George Manley, minor chips. £800-1000 £60-90 * Illustrated FOF, p.95 * Illustrated FOF, p.101. 64 62 12 70 A mixed group of Wemyss pottery comprising: a muffin dish and domed cover, rectangular butter dish and cover, fruit bowl, two tea plates and three small dishes and stands, each enamelled in the Jazzy pattern with pink cabbage roses on a multi-coloured ground, painted in black Wemyss 66 213, interior stains to bowl. £300-350 63 67 William Fishley Holland A Wemyss pottery teapot and 71 (Braunton) pottery figure of cover, cup and saucer and A mixed group of Wemyss a seated cat under green glaze, cream jug, enamelled in the pottery comprising: a tea plate 16cm high, incised Braunton Jazzy pattern with pink cabbage and two pin trays enamelled 1914, small areas of ‘touching in’. roses on a multi coloured with an Iris on a multi-coloured £100-200 ground, painted in black ground, two small dishes in the * Illustrated APB, fig. 59, p. 78. Wemyss 213, hair crack to cup. Moorland pattern and a ginger £150-200 jar, rectangular box and cover, 64 beaker and preserve pot cover A William Fishley Holland 68 in the Jazzy pattern, the latter all pottery jug decorated with A Wemyss pottery part with faults. flowers and foliage in turquoise fruit set comprising: a large £150-200 slips on a grey ground below octagonal bowl and five similar a turquoise neck, 21cm high, smaller bowls, each enamelled 72 incised W.F. Holland. in the Jazzy pattern with pink A Spode pottery draining meat £80-120 cabbage roses on a multi plate printed in blue with the * Illustrated FOF, p.100 coloured ground, painted Lange Lijsen pattern, 52cm long, Wemyss 213. printed and impressed marks and 65 £250-350 ‘A’, early 19th century, loss to foot A William Fishley Holland rim. pottery pot pourri of pierced £120-180 oviform with leaf resist and slip decoration, 14cm high, incised 73 Fishley Holland; together with A David Leach stoneware jug of a similar smaller example oviform with ribbed strap handle incised with birds. (2) with wax resist foliate decoration £60-90 on a brown ground, 21.5cm * The largest illustrated FOF, high, impressed personal seal. p.103. £100-150

66 69 A Wemyss pottery coffee pot and cover, teapot and cover, preserve pot and cover and 69 cream jug, each enamelled A Wemyss pottery honey in the Jazzy pattern with pink box, cover with thistle knop cabbage roses on a multi- and drip tray enamelled with coloured ground, painted in bee hives and bees in an black Wemyss 213, hair crack orchard, drip tray 19cm square, under base of coffee pot. painted in green Wemyss, Made £250-300 in England, flake chip to knop. £300-400 74 13 74 77 79 and 80 No Lots A Uylsse Cantagalli majolica Three Royal Doulton figural candlestick in the form of studio vases of tear drop 81 a winged griffin clasping a shield form, the largest under A Royal Worcester porcelain and perched on a globe and flambe glazes, 16.5cm high, coffee cup and saucer, three-footed base, 34cm high, a similar example under painted with peaches and painted blue cockerel mark and ‘1’. glazes, 14cm high grapes on a mossy ground (See illustration p13) and a smaller example under by William Hale, saucer 9.5cm £200-300 mottled titanium glazes, 10cm diameter puce marks and 75 No Lot high. datecodes for 1924 and 1925. £100-150 £100-150 76 A group of four Royal Doulton 78 82 to 84 No Lots studio vases comprising: an A Ruskin ‘high fired’ pottery oviform example with flambé bowl of finely potted circular 85 decoration, 15cm high, a squat form under speckled green A Chamberlain (Worcester) globular example under cream flambé glazes, 10cm diameter; porcelain match pot or crystalline glazes, 8cm high, together with a pierced spill vase of trumpet form a similar example with lustre oviform pot pourri and domed enamelled after Thomas decoration in the Pilkington’s cover under blue green souffle Baxter with a gilt framed Royal Lancastrian manner and a glazes, the latter impressed rectangular panel of feathers bowl under purple lustre glazes. Ruskin 1911. (2) reserved on a cream ground, (4) £150-250 £200-300 10cm high, painted mark in puce ‘Chamberlains Worcester’, circa 1820, some rubbing to rim. £150-200

76 85A 85A A Royal Worcester porcelain bowl of footed circular form, the interior and exterior enamelled with cock and hen pheasants in landscapes by Jas Stinton reserved on a gilt ivory ground, 22cm diameter, puce mark and datecode for 1926. £250-300 77

78 85 14 86

87 88

86 87* 88* A Bloor Derby plate, the A Bloor Derby plate, the A Bloor Derby plate painted cavetto enamelled in the cavetto enamelled after Claude by William Corden after the manner of Daniel Lucas with a Lorrain with a Mediterranean original Nantgarw plate figure, a horse and cow before scene of European and Arab decorated by James Plant, a ruined abbey within narrow merchants on a quayside the cavetto enamelled with gilt and continuous landscape after the original Nantgarw children throwing snowballs borders, 23cm diameter, red plate within narrow gilt and in a winter landscape within circular backstamp and painted continuous landscape borders, narrow gilt and continuous caption ‘In Cumberland’, circa 23cm diameter, red circular landscape borders, 23cm 1825-40. backstamp, circa 1820-40, diameter, red circular £400-600 bears paper label ‘Mitchell- backstamp, circa 1820-40. Hedges Collection No. 241’. £1000-1200 £500-700

* A similar Derby dessert service was made for Lord Ongley and is now in the collection of the Gordon-Duff-Pennington family, Muncaster Castle, Cumbria. The service is mentioned by John Twitchett in his article for the Antique Collector magazine, June 1984 entitled ‘The Ongley Service, Lost for a Century’.

89 A Caughley porcelain meat plate of canted rectangular form printed in blue with the Temple pattern within a cod’s roe, diaper and cell border, 57cm wide, printed ‘S’ mark, circa 1780-1790, 89 chip to foot rim. £200-300

15 90

90 A John and Jane Pennington (Liverpool) porcelain teapot and cover of cannonball form decorated in underglaze blue, 92 red, pink and gold with a scroll 92 95 bordered panel containing an A Chelsea porcelain porringer A Wedgwood ‘encaustic’ exotic bird on one leg and verso or ecuelle and cover with rose decorated two-handled boat- a chrysanthemum bloom and knop enamelled after a Meissen shaped dish and matching a fence on a ground of stylised original with butterflies, moths, spoon painted with an bouquets, 19cm high, circa beetles and larvae, red anchor ochre and cream band and 1770-94. mark under base, circa 1755, edging, 16cm wide, impressed £200-250 18cm wide, loss to knop and one Wedgwood and P.

handle. £100-150 91 £700-900 A pair of Flight, Barr & Barr

(Worcester) porcelain cups 93 together with a matching coffee A Spode porcelain deskstand cup, each of wrythen moulded of oval form supported on four form decorated in blue and gilt lion monopodia with three with a floral and foliate meander, recesses containing an inkwell, impressed crown and FBB. (3) liner and cover, sand box and £80-120 cover and one further cover,

each richly enamelled and gilt with flowers on a blue scale ground in the ‘1166’ pattern, 20cm long, circa 1820, iron red ‘1166’ to underside of tray, wafer box missing. £400-500

93 94 A Wedgwood pale blue Jasper ware two-handled 96 boat-shaped dish, finely 96 sprigged with exotic blooms, A Royal Worcester parian anthemion, acanthus and portrait bust of Lord foliate scrolls above a husk Palmerston, modelled after band, 23cm wide, impressed Samuel Ferres Lynn, R.H.A., Wedgwood and H. on waisted socle, 37cm high, £100-150 impressed factory mark and S.F. Lynn. Sculpt. London 1870. 94 95 £200-300

16 97 A Copeland parian figural comport depicting the Three Graces supporting a pierced circular dish on a tripartite stand with acanthus leaf and shell moulding picked out in gold, 46cm high, small repair under base of dish. £200-300

98 A pair of Minton porcelain figural candlesticks modelled as a lad with floral waistcoat and striped breeches with a basket of blooms supported 98 on one hip and stood before a floral encrusted stump and his female companion with floral striped skirt and yellow 97 apron containing blooms, both on gilt scroll circular bases, 22.5cm high, circa 1835. £250-350

99 A Brown-Westhead & Moore & Co. porcelain dinner service in the Canova pattern, comprising: three dishes and covers with two stands, one large and three small oval serving dishes, eight dinner plates, five soup plates and six side plates, each printed in blue with domestic and wild birds, printed marks, late 19th century. 99 £300-400

100 A pair of Spode pierced porcelain chestnut baskets and matching stands of oval form, each decorated with an ornithological specimen within a pea green and gilt border, stands 23cm long, incised ‘No.’ with puce ‘2114’, ‘Spode’ and respectively ‘Redstart’, ‘Dartford Warbler’, ‘Pied Flycatcher’ and ‘Stonechat’, circa 1820, the latter broken and glued, some glaze wear to stands. £400-600 100 17 101 A Mavaleix & Co., Limoges porcelain tête-à-tête comprising: tray, teapot and cover, sugar box and cover, cream jug, two cups and two saucers, each enamelled with wild blooms, green factory marks, early 20th century, matched with a pair of similar candlesticks. £200-250

102 A pair of Sèvres porcelain plates, each cavetto printed with a pair of cherubs flanking a gilt 101 monogram reserved on a lemon ground within an ivy trellis, 24cm diameter, printed Louis Phillipe monogram, Sèvres 1844 and Chateau des Tuileries. £150-180

103 A pair of Sèvres porcelain plates, each cavetto printed with a pair of cherubs flanking a gilt monogram reserved on a salmon ground within an ivy trellis, 24cm diameter, printed Louis Phillipe monogram, Sèvres 1844 and Chateau des Tuileries. £150-180

104 A KPM Berlin porcelain plaque of rectangular form depicting a seated girl reading a letter, after the original by Jean Etienne Liotard, 25.5 x 19cm, impressed mace mark and KPM. £150-200

105 to 120 No Lots

END OF SALE 104

Puslinch Puslinch, near Yealmpton, is a perfect example of an early Georgian country house. Built in the Queen Anne style during the period 1720-1726 for James Yonge, a Plymouth surgeon, it is still in the ownership of the Yonge family today. Following the granting of a long lease and the subsequent re-organisation of the contents, Bearnes Hampton & Littlewood are delighted to have been instructed to offer items from Puslinch which are surplus to the family’s requirements.

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