JOHNSON, JAMES WELDON, 1871-1938. James Weldon Johnson Collection, Circa 1886-1980 (Bulk 1916-1930)
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Garland's Million: the Radical Experiment To
October 14, 2019 To: ABF Legal History Seminar From: John Fabian Witt Re: October 23 seminar Thanks so much for looking at my drafts and coming to my session! I’m thrilled to have been invited to Chicago. I am attaching chapters 5 and 8 from my book-in-progress, tentatively titled Garland’s Million: The Radical Experiment to Save American Democracy. The book is the story of an organization known informally as the Garland Fund or formally as the American Fund for Public Service: a philanthropic foundation established in 1922 to give money to liberal and left causes. The Fund figures prominently in the history of civil rights lawyering because of its role setting in motion the early stages of the NAACP’s litigation campaign that led a quarter-century later to Brown v. Board of Education. I hope you will be able to get some sense of the project from the crucial chapters I’ve attached here. These chapters come from Part 2 of the book. Part 1 focuses on Roger Baldwin, the founder of the ACLU and the principal energy behind the Fund. Part 2 (including the chapters here) focuses on James Weldon Johnson, who ran the NAACP during the 1920s and was a board member of the Fund. Parts 3 and 4 turn respectively to Elizabeth Gurley Flynn (a labor radical on the board) and Felix Frankfurter, who in the 1920s served as a key outside consultant and counsel to the Fund. To set the stage, readers have learned in Part 1 about Baldwin as a disillusioned reformer, who advocated progressive programs like the initiative and referendum only to see direct democracy produce a wave of white supremacist initiatives. -
The Martin Luther King, Jr. Papers Project
preciate it if you could find it for me.5 I am happy to say that I have read most of zg Dec Gandhi’s works and I have most of them in my library. ‘959 Incidentally, I have written a book entitled Stride Toward Freedom. One of the chapters is devoted to my pilgrimage to nonviolence. Here I try to show the Gand- hian influence in my thinking. I regret that I sent my last copy out a few days ago. If you are interested, however, you may secure a copy from Harper and Brothers. It was published in September, 1958. I will highly appreciate your comments. In answer to your question concerning China, I definitely feel that it should be admitted to the United Nations. We will never have an effective United Nations so long as the largest nation in the world is not in it. Thanks again for your kind letter, and I hope for you a joyous Christmas sea- son and a blessed new year. Yours very truly, Martin L. King, Jr. (Dictated, but not personally signed by Dr. King.) TLc. MLKP-MBU: Box 72. 3. Gandhi, Gandhi’s Letters to a Disciple (New York: Harper, 1950). In a 2 November 1960letter to King, Teek-Frank indicated that she had learned that the book was out of print but offered to lend him her copy the next time he visited New York. The Martin Luther King, Jr. Papers Project To Langston Hughes 29 December 1959 Montgomery, Ala. King thanks Hughes for contributing a poem to A. -
A Guide for Teaching the Contributions of the Negro Author to American Literature
DOCUMENT RESUME ED 043 635 TE 002 075 AUTHOR Simon, Eugene r. TITLE A Guide for Teaching the Contributions of the Negro Author to American Literature. INSTITUTION San Diego City Schools, Calif. PUB DATE 68 NOTE uln. EDRS PRICE EDRS Price MF-$0.25 BC-$2.1 DESCRIPTORS *African American Studies, *American Literature, Authors, Autobiographies, Piographies, *Curriculum Guides, Drama, Essays, Grade 11, Music, Negro Culture, Negro History, *Negro Literature, Novels, Poetry, Short Stories ABSTRACT This curriculum guide for grade 11 was written to provide direction for teachers in helping students understand how Negro literature reflects its historical background, in integrating Black literature into the English curriculum, in teaching students literary structure, and in comparing and contrasting Negro themes with othr themes in American literature. Brief outlines are provided for four literary periods; (1) the cry for freedom (1619-186c), (2) the period of controversy and search for identity (18(5-1015), (1) the Negro Renaissance (191-1940), and (4) the struggle for equality (101-1968). '*he section covering the Negro Renaissance provides a discussiol of the contributions made during that Period in the fields of the short sto:y, the essay, the novel, poetry, drama, biography, and autobiography.A selected bibliography of Negro literalAre includes works in all these genres as well as works on American Negro music. (D!)) U.S. DIPAIIMINI Of KEITH, MOTION t WItfANI Ulla Of EDUCATION L11 rIN iMIS DOCUMENT HAS SUN IMPRODIXID HAIR IS WINED FROM EIIE PINSON Of ONINI/AliON 011411111110 ElPOINTS Of VIEW Of OPINIONS tes. MUD DO NOT NICISSAINY OMEN! Offg lit OHM Of EDIKIIION POSITION 01 PEW. -
The Harlem Renaissance: a Handbook
.1,::! THE HARLEM RENAISSANCE: A HANDBOOK A DISSERTATION SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF ARTS IN HUMANITIES BY ELLA 0. WILLIAMS DEPARTMENT OF AFRO-AMERICAN STUDIES ATLANTA, GEORGIA JULY 1987 3 ABSTRACT HUMANITIES WILLIAMS, ELLA 0. M.A. NEW YORK UNIVERSITY, 1957 THE HARLEM RENAISSANCE: A HANDBOOK Advisor: Professor Richard A. Long Dissertation dated July, 1987 The object of this study is to help instructors articulate and communicate the value of the arts created during the Harlem Renaissance. It focuses on earlier events such as W. E. B. Du Bois’ editorship of The Crisis and some follow-up of major discussions beyond the period. The handbook also investigates and compiles a large segment of scholarship devoted to the historical and cultural activities of the Harlem Renaissance (1910—1940). The study discusses the “New Negro” and the use of the term. The men who lived and wrote during the era identified themselves as intellectuals and called the rapid growth of literary talent the “Harlem Renaissance.” Alain Locke’s The New Negro (1925) and James Weldon Johnson’s Black Manhattan (1930) documented the activities of the intellectuals as they lived through the era and as they themselves were developing the history of Afro-American culture. Theatre, music and drama flourished, but in the fields of prose and poetry names such as Jean Toomer, Langston Hughes, Countee Cullen and Zora Neale Hurston typify the Harlem Renaissance movement. (C) 1987 Ella 0. Williams All Rights Reserved ACKNOWLEDGEMENTS Special recognition must be given to several individuals whose assistance was invaluable to the presentation of this study. -
Richard Wright and Ralph Ellison: Conflicting Masculinities
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1994 Richard Wright and Ralph Ellison: Conflicting Masculinities H. Alexander Nejako College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Nejako, H. Alexander, "Richard Wright and Ralph Ellison: Conflicting Masculinities" (1994). Dissertations, Theses, and Masters Projects. Paper 1539625892. https://dx.doi.org/doi:10.21220/s2-nehz-v842 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. RICHARD WRIGHT AND RALPH ELLISON: CONFLICTING MASCULINITIES A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by H. Alexander Nejako 1994 ProQuest Number: 10629319 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10629319 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. -
A Mediagraphy Relating to the Black Man
racumEN7 RESUME ED 033 943 IE 001 593 AUTHOR Parker, James E., CcmF. TITLE A Eediagraphy Relating to the Flack Man. INSTITUTION North Carclina Coll., Durham. Pub Date May 69 Note 82F. EDRS Price EDRS Price MF-$0.50 BC Not Available from EDRS. Descriptors African Culture, African Histcry, *Instructional Materials, *Mass Media, *Negro Culture, *Negro Histcry, Negro leadership, *Negro Literature, Negro Ycuth, Racial Eiscriminaticn, Slavery Abstract Media dealing with the Black man--his history, art, problems, and aspirations--are listed under 10 headings:(1) disc reccrdings,(2) filmstrips and multimedia kits, (3) microfilms, (4) motion pictures, (5) pictures, Fcsters and charts,(6) reprints,(7) slides, (8) tape reccrdings, (9) telecourses (kinesccFes and videotapes), and (10) transparencies. Rentalcr purchase costs of the materials are usually included, andsources and addresses where materials may be obtainedare appended. [Not available in hard cecy due tc marginal legibility of original dccument.] (JM) MEDIA Relatingto THE BLACKMAN by James E. Parker U.). IMPARIMUll OF !ULM,tOUGAI1011 &WINE OfFKE OF EDUCATION PeN THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON 02 ORGANIZATION ORIGINATING IT. POINTS OF VIEW OR OPINIONS Ci STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION re% POSITION OR POLICY. O1 14.1 A MEDIAGRAPHY RELATING TO THE BLACK MAN Compiled by James E. Parker, Director Audiovisual-Television Center North Carolina College at Durham May, 1969 North Carolina College at Durham Durham, North Carolina 27707 .4 TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ii FOREWORD iii DISC RECORDINGS 1-6 FILMSTRIPS AND MULTIMEDIA KITS 7- 18 MICROFILMS 19- 25 NOTION PICTURES 26- 48 PICTURES, POSTERS, CHARTS. -
Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2014 Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Rutter, E. (2014). Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1136 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY A Dissertation Submitted to the McAnulty College of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Emily Ruth Rutter March 2014 Copyright by Emily Ruth Rutter 2014 ii CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter Approved March 12, 2014 ________________________________ ________________________________ Linda A. Kinnahan Kathy L. Glass Professor of English Associate Professor of English (Committee Chair) (Committee Member) ________________________________ ________________________________ Laura Engel Thomas P. Kinnahan Associate Professor of English Assistant Professor of English (Committee Member) (Committee Member) ________________________________ ________________________________ James Swindal Greg Barnhisel Dean, McAnulty College of Liberal Arts Chair, English Department Professor of Philosophy Associate Professor of English iii ABSTRACT CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter March 2014 Dissertation supervised by Professor Linda A. -
Maximizing the Potential of Black Greek-Letter Organizations: Getting Back to the Basics
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln 10th Annual National Conference (2005): People of Color in Predominantly White Different Perspectives on Majority Rules Institutions November 2005 Maximizing the Potential of Black Greek-Letter Organizations: Getting Back to the Basics John Leonard Harris Founder and Principal Consultant, Harris Consulting Services Follow this and additional works at: https://digitalcommons.unl.edu/pocpwi10 Part of the Race, Ethnicity and Post-Colonial Studies Commons Harris, John Leonard, "Maximizing the Potential of Black Greek-Letter Organizations: Getting Back to the Basics" (2005). 10th Annual National Conference (2005): Different Perspectives on Majority Rules . 13. https://digitalcommons.unl.edu/pocpwi10/13 This Article is brought to you for free and open access by the People of Color in Predominantly White Institutions at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in 10th Annual National Conference (2005): Different Perspectives on Majority Rules by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Maximizing the Potential of Black Greek-Letter Organizations: Getting Back to the Basics Abstract This workshop examines: 1) the history behind the origin of Black Greek-letter organizations; 2) their special role on campus and in the community; 3) the reasons why people join and myths about membership; 4) current concerns and problems; and 5) keys for getting back to the basics. John Leonard Harris Founder and Principal Consultant, Harris Consulting Services Since their inception in the early 1900s, Black Greek-letter organizations have had at the forefront of their agenda, the state of the Black community. These organizations have continually worked to develop literacy programs, establish scholarships, and coordinate voter registration drives all to uplift and advance progress for Blacks. -
An Introduction to Dunbar, Johnson, Hughes, and Angelou
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 1978 Volume II: 20th Century Afro-American Culture A Middle School Approach to Black Literature: An Introduction to Dunbar, Johnson, Hughes, and Angelou Curriculum Unit 78.02.01 by Ivory Erkerd What do the American Puritans, the Scottish, the French, and the English have in common with black Americans? Famous writers, of course. Both Robert Burns and Paul Lawrence Dunbar are remembered for their use of the folklore and the language of their people. Jonathan Edwards and James Weldon Johnson “rained down hellfire” in their biblical interpretations of literature. Guy de Maupassant and Langston Hughes are masters of the short novel that captured the ambitions and hopes of their races. Charlotte Bronte and Maya Angelou managed to put excitement into otherwise commonplace autobiographies. Each of these writers stands among the giants of his times. Black America, though shackled and oppressed, has risen to the ranks of the great by producing her share of genius among the masterpieces of literature. There are many notable black writers, living and dead. Paul Lawrence Dunbar, James Weldon Johnson, Langston Hughes, and Maya Angelou are black writers who have produced some of the best black writing over the years, ranging from the serious to the light. Their thoughts, emotions, and accomplishments transcend the color line. Their works, like those of other black writers, combine entertainment, historical interest, and literary value. They share a common subject and set of feelings: the black experience. Margaret Butcher says in an article from The Negro in American Culture that every Negro writer has “something to say.” He cannot escape having important things to say. -
Alvin Ailey American Dance Theater
Tuesday through Friday, March 14 –17, 2017, 8pm Saturday, March 18, 2017, 2pm and 8pm Sunday, March 19, 2017, 3pm Zellerbach Hall Alvin Ailey American Dance Theater Alvin Ailey, Founder Judith Jamison, Artistic Director Emerita Robert Battle , Artistic Director Masazumi Chaya, Associate Artistic Director COMPANY MEMBERS Hope Boykin Jacquelin Harris Akua Noni Parker Jeroboam Bozeman Collin Heyward Danica Paulos Sean Aaron Carmon Michael Jackson, Jr. Belen Pereyra Elisa Clark Megan Jakel Jamar Roberts Sarah Daley Yannick Lebrun Samuel Lee Roberts Ghrai DeVore Renaldo Maurice Kanji Segawa Solomon Dumas Ashley Mayeux Glenn Allen Sims Samantha Figgins Michael Francis McBride Linda Celeste Sims Vernard J. Gilmore Rachael McLaren Constance Stamatiou Jacqueline Green Chalvar Monteiro Jermaine Terry Daniel Harder Fana Tesfagiorgis Matthew Rushing, Rehearsal Director and Guest Artist Bennett Rink, Executive Director Major funding for Alvin Ailey American Dance Theater is provided by the National Endowment for the Arts; the New York State Council on the Arts; the New York City Department of Cultural Affairs; American Express; Bank of America; BET Networks; Bloomberg Philanthropies; BNY Mellon; Delta Air Lines; Diageo, North America; Doris Duke Charitable Foundation; FedEx; Ford Foundation; Howard Gilman Foundation; The William R. Kenan, Jr. Charitable Trust; The Prudential Foundation; The SHS Foundation; The Shubert Foundation; Southern Company; Target; The Wallace Foundation; and Wells Fargo. These performances are made possible, in part, by Corporate -
Rosa Parks and Emmett Till Lesson Anne Schaefer June, 2019
Rosa Parks and Emmett Till Lesson Anne Schaefer June, 2019 Grades 8-10 Social Studies or Language Arts This lesson is designed to deepen student understanding of the history racial segregation, the Emmett Till murder and the complexity of events that led to the civil rights movement. Through analyzing Nikki Giovanni’s prose poem, students gain a greater understanding of the many people who worked together to lead to the day Rosa Parks decided to take a stand by sitting down. Students should have some background knowledge of the Emmett Till murder and the Montgomery Bus Boycott prior to the lesson. Step 1 Display photo of Pullman Porters: https://woodmereartmuseum.org/experience/exhibitions/john-mosley-photographs/ pullman-porters Read the article ”Five Things to Know About Pullman Porters” in Smithsonian Magazine: https://www.smithsonianmag.com/smart-news/five-things-know-about-pullman- porters-180959663/ Step 2 Read and discuss Langston Hughes poem “Porter” Porter by Langston Hughes I must say Yes, sir, To you all the time. Yes, sir! Yes, sir! All my days Climbing up a great big mountain Of yes, sirs! Rich old white man Owns the world. Gimme yo' shoes To shine. Yes, sir! Discuss: Whose point of view is conveyed in the poem? How does Hughes convey the porters’ inner feelings? Optional: Compare/Contrast with the mood created by Norman Rockwell’s “Boy in Dining Car” https://www.nrm.org/2016/01/norman-rockwell-museum-explores-the-pullman-porter- norman-rockwells-boy-in-dining-car/ Step 3 Explain that blues music emerged in the African American community partly to give voice to their feelings. -
Between the Covers Rare Books
BETWEEN THE COVERS RARE BOOKS CATALOG 230 AFRICAN-AMERICANA BETWEEN THE COVERS RARE BOOKS AFRICAN-AMERICANA #230 112 Nicholson Rd. Terms of Sale: Images are not to scale. Dimensions of items, including artwork, are given width Gloucester City, NJ 08030 first. All items are returnable within 10 days if returned in the same condition as sent. Orders may be reserved by telephone, fax, or email. All items subject to prior sale. Payment should accompany phone: (856) 456-8008 order if you are unknown to us. Customers known to us will be invoiced with payment due in 30 fax: (856) 456-1260 days. Payment schedule may be adjusted for larger purchases. Institutions will be billed to meet their [email protected] requirements. We accept checks, Visa, Mastercard, American Express, Discover, and PayPal. betweenthecovers.com Gift certificates available. Domestic orders from this catalog will be shipped gratis for orders of $200 or more via UPS Ground or USPS Priority Mail; expedited and overseas orders will be sent at cost. All items insured. NJ residents please current NJ sales tax. Member ABAA, ILAB. Cover image taken from item 100. © 2019 Between the Covers Rare Books, Inc. 1 (Abolitionists) Thomas P. SMITH An Address Delivered Before The Colored Citizens of Boston in Opposition to the Abolition of Colored Schools, on Monday Evening, Dec. 24, 1849 Boston: For Sale by Bela Marsh 1850 $5200 First edition. Octavo. 12pp. Original printed wrappers. Stitched text block separated from wrappers, last leaf and rear wrap soiled, very good. In 1846, George Putnam and other “colored citizens of Boston” petitioned the Boston Primary School Committee to abolish segregated public education, and to permit their children to attend the Primary Schools established in their neighborhoods.