Oliver Twist

Total Page:16

File Type:pdf, Size:1020Kb

Oliver Twist Oliver Twist Last week, we started looking at Oliver Twist by Charles Dickens. When we left Oliver last week, he was being arrested and taken to court after being mistakenly blamed for pickpocketing a wealthy man. We are going to move on to parts 5 and 6 today so you will need to listen to parts 3 and 4 or read the summary below so you don’t lose track of the story. Part 3: https://www.bbc.co.uk/teach/school-radio/english-ks2-oliver-twist-episode-3/zbq4382 Part 4: https://www.bbc.co.uk/teach/school-radio/english-ks2-oliver-twist-episode-4/zmgnxyc Oliver appears in the magistrate's court - and Mr Brownlow, the victim of the theft - is also there, pleading leniency for the boy. Charges are dropped when a witness testifies that Oliver had nothing to do with the robbery. Oliver is taken ill but is looked after by Mr Brownlow and his house-keeper, Mrs Bedwin. Mr Brownlow is amazed by the striking similarity between Oliver and the portrait of a young woman hanging in his home. When Oliver recovers he persuades Mr Brownlow to allow him outside on an errand. In the streets he is spotted by Nancy - one of Fagin's gang - and Oliver is abducted by her and the villainous Sikes. Oliver is returned to Fagin's den where Nancy shows remorse for her part in his capture, asking that the boy be treated without violence and even preventing Sikes from setting his dog on Oliver. Oliver briefly attempts to escape and is locked in a back room - a prisoner. Meanwhile, Mr Bumble has come to London on parochial business. In a local paper he discovers an advertisement asking for any information regarding the whereabouts of one Oliver Twist - and Bumble hurries to the address given...Mr Brownlow's house. Bumble tells Mr Brownlow about Oliver's running away from Mr Sowerberry...and Mr Brownlow declares he never wants to hear of Oliver again. Meanwhile Fagin and Sikes meet to plan a burglary. It is agreed that the robbery is possible if a small child can be brought along to go through a window and Fagin offers Oliver's services for the job. Oliver is dragged through the night to a house in Chertsey. Sikes places Oliver through the window...but the inhabitants are roused and shots are fired. Oliver is pulled back through the window, his arm bleeding. Back at the workhouse Mrs Corney is summoned to hear the dying words of one of the aged paupers. Old Sally was the nurse on the night that Oliver's mother gave birth in the workhouse and died. She reveals the existence of certain artifacts that she stole from Oliver's mother that night - items that confirm the connection between Oliver and the dead woman. Old Sally dies before she can reveal the exact nature of the items. Meanwhile, in Chertsey, Oliver lies lifeless - abandoned by Sikes and left for dead. As I said, today we are going to be looking at parts 5 and 6 of the story. The links are below: if you can’t access them then you can read the transcript instead. Part 5: https://www.bbc.co.uk/teach/school-radio/english-ks2-oliver-twist-episode-5/znwry9q Part 6: https://www.bbc.co.uk/teach/school-radio/english-ks2-oliver-twist-episode-6/zbp78xs As you are listening or reading, jot down any words you are unfamiliar with and then see if you can find out what they mean. As we learnt last week, the original book was first published over 150 years ago, so there may be some words that we don’t use commonly nowadays. These questions and tasks are based on part 5: Once you have listened to, and understood, the story, can you correctly put these events into chronological order? ● Rose and Mrs Maylie take pity on Oliver, and take him in ● Fagin visits Nancy, looking for Bill Sikes ● At their bidding, the Doctor convinces the local policeman to leave Oliver where he is ● Oliver regains consciousness and staggers to the house ● Fagin, followed by Nancy, meets with Monks ● Toby Crackit visits Fagin ● Monks and Fagin discuss their plan to turn Oliver into a criminal – Nancy eavesdrops Once you have read, discussed and ordered these eventss, have a go at the tasks below: ● Write a diary entry for Giles, the butler. How do you describe events, and why? ● Write an alternative version of the episode, in which the constable insists that Oliver is taken into custody. How do the Maylies react, and what happens next? ● Write the report that the constable later might have made to his superior officers about the boy at the Maylie residence. These questions and tasks are based on part 6: Once you have understood the story, have a think about these questions: ● Why does Mrs Maylie send for her son, Harry? ● Why does Oliver think Monks is a madman? ● How does Oliver come to be asleep in the cottage? ● Why would Monks and Fagin be observing Oliver in the cottage? ● What has happened to Mr Bumble since he last appeared in the story? ● Who do you think has more power: Mrs Corney or Mr Bumble? Why? ● For what reason does Monks agree to meet Mr Bumble again the next evening? Once you have read, discussed and answered these questions, have a go at the tasks below: ● Write the letter that Mrs Maylie sent to Harry – and a reply from Harry to her. ● Write diary entries for Rose and Harry, describing their feelings about the conversation that they have. ● When you have read both parts, create a freeze frame timeline of the events in them. You can act out the key points yourself and ask a family member to take the pictures for you, or you can use lego and take the pictures yourself. If you are feeling really adventurous, put those pictures into a stop motion animation (the Stop Motion app is free to download and really easy to use). .
Recommended publications
  • Charles Dickens' Corruption and Idealization Personified in Oliver Twist
    Western Oregon University Digital Commons@WOU Academic Excellence Showcase Proceedings Student Scholarship 2018-06-02 Charles Dickens’ Corruption and Idealization Personified in Oliver Twist Ellie Phillips Western Oregon University, [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/aes Part of the English Language and Literature Commons Recommended Citation Phillips, Ellie, "Charles Dickens’ Corruption and Idealization Personified in Oliver Twist" (2018). Academic Excellence Showcase Proceedings. 150. https://digitalcommons.wou.edu/aes/150 This Article is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in Academic Excellence Showcase Proceedings by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. Byrd 1 Ellie Byrd Dr. Lange ENG 218w Charles Dickens’ Corruption and Idealization Personified in Oliver Twist In Charles Dickens’ Oliver Twist, the depictions of corruption and virtue are prevalent throughout most of the novel and take the physical form in the city and the country. Oliver spends much of his time in London among criminals and the impoverished, and here is where Dickens takes the city of London and turns it into a dark and degraded place. Dickens’ London is inherently immoral and serves as a center for the corruption of mind and spirit which is demonstrated through the seedy scenes Dickens paints of London, the people who reside there, and by casting doubt in individuals who otherwise possess a decent moral compass. Furthermore, Dickens’ strict contrast of the country to these scenes further establishes the sinister presence of London.
    [Show full text]
  • Critical-Essay-Assignment-1.Pdf
    Pettie Perkins Critical Essay Assignment The Dress and Address of the Female Characters in the Novel Oliver Twist English 333 Critical Theory Prof. L Buchholz The novel “Oliver Twist” is the subject of my analysis and was written by Charles Dickens. The women in the novel and how their manner of dress and address associates them with their societal class and status. Dickens portrays the women in this novel as not only symbols of how he views the society, but how he views the government at that time. The patriarchal society views of the women and how their dress and address placed them into particular roles and status classes and there was an actual place in society for women who wanted to uphold the Victorian societal social structure for domesticity. First we must define a few terms: upper-class, middle class, the working class, woman, and lady. The Victorian society was divided in to nobility upper class, middle class and the working class. The upper class were the Aristocrats, Dukes and other families working in the Victorian courts. The Upper Class were privileged with power, position, and better living conditions. The Upper Class designation was usually inherited from a royal bloodline. The Middle class consisted of shopkeepers, businessmen, bankers, doctors, merchants, clerks and etc. They, the Middle Class, “worked with letters and figures and ​ wore morning coats, stiff white collars and top hats.” (Picard) The Working class were ​ those that worked with their hands or worked for others. There were the poor who were under the working class who working in workhouses or became household workers for others.
    [Show full text]
  • Audience Insights Table of Contents
    GOODSPEED MUSICALS AUDIENCE INSIGHTS TABLE OF CONTENTS JUNE 29 - SEPT 8, 2018 THE GOODSPEED Production History.................................................................................................................................................................................3 Synopsis.......................................................................................................................................................................................................4 Characters......................................................................................................................................................................................................5 Meet the Writer........................................................................................................................................................................................6 Meet the Creative Team.......................................................................................................................................................................7 Director's Vision......................................................................................................................................................................................8 The Kids Company of Oliver!............................................................................................................................................................10 Dickens and the Poor..........................................................................................................................................................................11
    [Show full text]
  • Oliver Twist by Charles Dickens
    School Radio Oliver Twist By Charles Dickens Contents: Introduction 2 - Assessing Pupils’ Progress - Assessment Focuses 4 - Assessment focuses for speaking and listening Levels 1-8 - Assessment focuses for reading Levels 1-8 Primary Literacy Framework links 15 Explanation of drama techniques 18 Generic activities for use with Oliver Twist 21 Episode 1: Oliver’s birth and early life in the workhouse 23 Episode 2: Oliver arrives in London and joins Fagin’s gang 25 Episode 3: Oliver is cared for by Mr Brownlow but Fagin 27 and his gang are planning to capture him Episode 4: Oliver is compelled by Sikes and Fagin to 29 take part in a robbery and is wounded Episode 5: Oliver is taken into the Maylie Household… 31 but Fagin and Monks are plotting against him Episode 6: Rose falls ill…Oliver is discovered…and Mr Bumble 33 passes information about Oliver’s birth to Monks Episode 7: Nancy discovers the full extent of the danger Oliver 35 is in and hurries to tell Rose Maylie what she knows Episode 8: Oliver is reunited with Mr Brownlow but Nancy’s 37 actions are leading her into danger Episode 9: Noah reports to Fagin who passes the information on 39 to Sikes. Nancy is now in mortal danger Episode 10: Sikes is captured, Monks is compelled to reveal his 41 plan and the mystery of Oliver’s birth is solved Post-listening 43 1 School Radio www.bbc.co.uk/schoolradio © BBC 2013 School Radio Introduction Oliver Twist was one of his earliest nov- els. Dickens went on to be one of the Please note: the adaptation includes most celebrated and infl uential writers some scenes - from the original story - of the Victorian period, travelling widely which depict violence and crime.
    [Show full text]
  • Oliver Twist
    APPENDIX B Summary of Charles Dickens’s Oliver Twist In a parish workhouse, a nameless young woman dies after giving birth. Her son, Oliver Twist—as named by the beadle, Mr. Bumble—is sent to a separate branch of the workhouse with other orphaned infants and raised by the monstrous Mrs. Mann. Oliver miraculously survives the horrors of the “baby farm,” and, on his ninth birthday, is transferred to the central workhouse. After three months of slow starvation, the boys draw lots to see who will ask for more gruel; Oliver draws the long straw and carries out this unenviable task. Bumble and the board of directors severely punish Oliver and plan to turn him out of the workhouse. After a failed attempt to apprentice him to a brutal chimney sweep, Bumble eventually manages to unload Oliver on Mr. Sowerberry, the undertaker. On top of his depressing new trade, Oliver must deal with the bullying of his fel- low apprentice, Noah Claypole. Oliver finally fights back against Noah when his rival taunts him about his deceased mother. This second “rebellion” earns Oliver a stern rebuke from Bumble and a brutal beating from Sowerberry. Consumed by the misery of his life, Oliver decides to run away, though he first returns to the baby farm to bid goodbye to his friend, Dick. Oliver barely survives the seventy-five mile walk to London. On arriving at Barnett, he encounters a strangely attired cockney boy who introduces himself as Jack Dawkins (though he goes by the name of the Artful Dodger). The Dodger invites Oliver to come and lodge with a respectable old gentleman, and he conducts a wary Oliver through the slums of London to a dilapidated flat.
    [Show full text]
  • Oliver Twist
    Oliver Twist One of your topic tasks is to find out more about the Andover Workhouse Scandal. This story was extremely shocking at the time and interested many people, including the author Charles Dickens. He was so affected by the tale that he used it as a basis of one of his most famous stories: Oliver Twist. There are many different versions of the story, including lots of films, but for this activity we would like you to listen to some parts of the BBC audiobook version using the links below: Part 1: https://www.bbc.co.uk/teach/school-radio/english-ks2-oliver-twist-episode-1/zrpw47h Part 2: https://www.bbc.co.uk/teach/school-radio/english-ks2-oliver-twist-episode-2/zr9vpg8 If you can’t access the link, then you can read the transcript instead. As you are listening or reading, jot down any words you are unfamiliar with and then see if you can find out what they mean. The original book was first published over 150 years ago, so there may be some words that we don’t use commonly nowadays. These questions and tasks are based on part 1: Once you have understood the story, have a think about these questions: ● Why is Oliver taken to the workhouse at the age of 9? ● How does Oliver get his name? ● What trade is Oliver taught whilst in the workhouse? ● What are the boys fed in the workhouse? What is this? ● Why do the boys all have such clean bowls? ● Why is Oliver punished so harshly for asking for more? ● How much money is Oliver advertised for? ● How is Oliver useful to Mr Sowerberry the undertaker? ● Why does Oliver leave the undertaker’s? ● How far is Oliver from London? Why does he choose to go there? Once you have read, discussed and answered these questions, have a go at the tasks below: ● Write diary entries for Noah Claypole.
    [Show full text]
  • Discourse Analysis of Oliver Twist from the Perspective of Pragmatics
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Academy Publication Online ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 7, No. 8, pp. 626-632, August 2017 DOI: http://dx.doi.org/10.17507/tpls.0708.04 Discourse Analysis of Oliver Twist from the Perspective of Pragmatics Min Lian Shanxi Normal University, China Abstract—As a great representative of the British realism literature in the 19th century, Charles Dickens’ Oliver Twist is set in foggy city London, but reflects the complex social reality in that time. Many domestic scholars studied and analyzed this novel from different perspectives, while most of them paid much attention to the literature translation and analysis of the characters’ image, few studied it from the perspective of pragmatic theories. In view of it, this paper selects plenty of dialogues from the novel and they are classified and analyzed on the basis of Grice’s Cooperative Principle and Leech’s Politeness Principle. After analyzing the characters’ conversational implicature, this paper aims to provide a linguistic reference for the appreciation of characters’ image and social significance of the novel. The paper consists of introduction, main body and conclusion three parts. Introduction part gives a simple introduction of the author Charles Dickens and the novel, then states the previous researches on the subject as well as the research angle, goal and method. The body (consists of two chapters) firstly gives a detailed introduction of the theoretical framework, then analyzes the selected dialogues on the basis of Cooperative Principle and Politeness Principle respectively. Conclusion part puts forward that people always express their ideas indirectly and implicitly in their speech communication to violate the Cooperative Principle, that is out of consideration of politeness to others, namely observing Politeness Principle.
    [Show full text]
  • Stage 1 Teen Readers Characters
    CHARLES DICKENS CHARLES Stage 1 Stage Teen ELI Readers Teen A1 Teen Readers Characters Mr Sowerberry Oliver Mrs Sowerberry Doctor Losberne Mr Bumble Monks Dodger Fagin Bill Sikes Nancy Mr Brownlow Mrs Bedwin Rose Maylie Mrs Maylie Charles Dickens Oliver tells Mrs Sowerberry that Noah said horrible things about his mother but she doesn’t listen to him. She throws him in a cold, dark room. She closes the door but she forgets to lock it. Oliver stays in the room for many hours. It is very late and the house is silent. Mr and Mrs Sowerberry are asleep. Oliver doesn’t know what to do. He didn’t like the workhouse and he doesn’t like Mr and Mrs Sowerberry and Noah. Then, he has an idea. He decides to run away*. He slowly opens the door to the room and quietly walks to the kitchen. Then, he opens the kitchen window and jumps out into the street, but he doesn’t know where to go. He can see the church and the baker’s and the butcher’s in the town centre. Then, he sees a big road. He runs down the road, away from the town and Mr Sowerberry’s shop and the workhouse. to run away to leave a place you don’t like 16 Oliver Twist 17 After-reading Activities Grammar 1 Where does Oliver live? Number the boxes. A ■ Mr Brownlow’s townhouse B ■ Rose’s cottage C ■ Fagin’s house D ■1 The workhouse E ■ Mr Brownlow’s cottage F ■ Rose’s townhouse G ■ Mr Sowerberry’s shop 2 Complete Oliver’s family tree.
    [Show full text]
  • Bumble & Mr. & Mrs. Sowerberry
    1-3-13 19 Bumble & Mr. & Mrs. Sowerberry ACT ONE Scene 3 NDERTAKER'S PARLOUR Inside the Parlour. MR. SOWERBERRY is present as MR. BUMBLE enters with OLIVER. MR: BUMBLE Liberal terms, Mr. Sowerberry ...Liberal terms? Five pounds! SOWERBERRY Well, as a matter of fact, I needing a boy. MR. BUMBLE Good! Then it's settled. Five pounds please! SOWERBERRY If you don't mind! Cash upon liking ... Mr. Bumble! Cash upon liking! Mrs. Sowerberry! MRS. SOWERBERRY (Shrieks off) What is it! SOWERBERRY Will you have the goodness to come here a moment, my dear? (MRS. SOWERBERRY enters) MRS. SOWERBERRY What do you want? Well! What is it? SOWERBERRY My dear, I have told Mr. Bumble ... MRS. SOWERBERRY Hello, Mr. Bumble. MR. BUMBLE i Hello, Mrs. Sowerberry. SOWERBERRY that we may consider taking in this boy to help in the shop. MRS. SOWERBERRY Dear me! He's very small. MR. BUMBLE Yes, he is rather small-- there's no denying it-- but he'll grow, Mrs. Sowerberry --he'll grow. 1-3-14 20 (MRS. SOWERBERRY examines OLIVER doubtfully) MR S. SOWERBERRY Ah, I dare say he will, on our vittl es and our drink. They're a waste of time, these workhouse boys - they always cost more to keep than what they're worth. Still, you men always think you know best. What're you going to do with him? SOWERBERRY There's an expression of melancholy on his face, my dear, which is very interesting . He could make a delightful coffin-follower. (MRS. SOWERBERRY looks doubtful) MRS. SOWERBERRY A what? SOWERBERRY I don't mean a regular coffin-follower to follow grown-ups, but only for the children's practice.
    [Show full text]
  • Oliver Twist by Charles Dickens Adapted for The
    OLIVER TWIST BY CHARLES DICKENS ADAPTED FOR THE STAGE BY LAURENCE SACH Extract A SMITH SCRIPT This script is protected by copyright laws. No performance of this script -IN ANY MEDIA – may be undertaken without payment of the appropriate fee and obtaining a licence. For further information, please contact SMITH SCRIPTS at [email protected] Copyright © Laurence Sach 2017 1 OLIVER TWIST OR THE PARISH BOY'S PROGRESS BY CHARLES DICKENS Dramatised by Laurence Sach Copyright © Laurence Sach 2017 2 Introduction This adaptation of ‘Oliver Twist’ was first produced by The Castle Players, based in Barnard Castle, County Durham. The production opened at The Witham, Barnard Castle on Saturday 6th January, 2018 before touring to nine local village halls and community centres. This version of Dickens’ novel was envisaged as an ensemble piece, with members of the company contributing to narration, and indicating change of character by a simple change of costume - eg a change of hat (flat caps for the workhouse boys, top hats for the workhouse guardians etc). Although the script is set out with thirty-three separate scenes every attempt should be made to ensure that scenes flow as seamlessly as possible from one to another. To facilitate this, and to enable the company to adapt the performance to a wide range of venues (some with a permanent stage, many without) the setting on stage was kept as simple as possible. The only furniture on- stage throughout were two benches and a wooden crate. These were quickly moved and rearranged for the various scenes - in a row up-stage for the workhouse boys, one beside the other to form a bed, one on top of the other for the counter in Sowerberry’s funeral parlour, and in a line across the front of the stage for Sikes’ final rooftop climb.
    [Show full text]
  • Hunger for Life in Oliver Twist Novel
    www.ijcrt.org © 2018 IJCRT | Volume 6, Issue 4 October 2018 | ISSN: 2320-2882 HUNGER FOR LIFE IN OLIVER TWIST NOVEL Karabasappa Channappa Nandihally Assistant Professor Of English Government First Grade College, U.G.&P.G.Centre Dental College Road,Vidyanagar,Davanagere. Abstract This novel focusing on Poverty is a prominent concern in Oliver Twist. Throughout the novel, Dickens enlarged on this theme, describing slums so decrepit that whole rows of houses are on the point of ruin. In an early chapter, Oliver attends a pauper's funeral with Mr. Sowerberry and sees a whole family crowded together in one miserable room.This prevalent misery makes Oliver's encounters with charity and love more poignant. Oliver owes his life several times over to kindness both large and small.[14] The apparent plague of poverty that Dickens describes also conveyed to his middle-class readers how much of the London population was stricken with poverty and disease. Nonetheless, in Oliver Twist, he delivers a somewhat mixed message about social caste and social injustice. Oliver's illegitimate workhouse origins place him at the nadir of society; as an orphan without friends, he is routinely despised. His "sturdy spirit" keeps him alive despite the torment he must endure. Most of his associates, however, deserve their place among society's dregs and seem very much at home in the depths. Noah Claypole, a charity boy like Oliver, is idle, stupid, and cowardly; Sikes is a thug; Fagin lives by corrupting children, and the Artful Dodger seems born for a life of crime. Many of the middle-class people Oliver encounters—Mrs.
    [Show full text]
  • Oliver Twist~
    OLIVER TWIST~ A Family Musical Adapted from the Novel by Charles Dickens Music & Lyrics by MICHAEL LANCY Book by MICHAEL LANCY & CHUCK LAKIN CENTERSTAGE PRESS, INC. Phoenix Arizona OLIVER TWIST Copyright 1976 by Michael Lancy Copyright 1981 by Michael Lancy & Chuck Lakin Printed in U.S.A. ISBN: 1-890298-27-1 ALL RIGHTS RESERVED Warning: Professionals and amateurs are hereby warned that OLIVER TWIST is subject to royalty. It is fully protected under the copyright laws of the United States of America, the British Empire, including the Dominion of Canada, and all other countries of the Copyright Union. All rights, including professional, amateur, motion pictures, recita- tion, lecturing, public reading, radio broadcasting, television, and the rights of transla- tion into foreign languages are strictly reserved. For all rights apply to CENTERSTAGE PRESS, www.centerstagepress.com, (602) 242-1123. Copying from this script, in whole or in part, by any means is strictly forbidden by law and the right of performance is not transferable. Particular emphasis is laid on the ques- tion of amateur or professional readings, permission and terms for which must be secur- ed in written form from Centerstage Press, Inc. Whenever this play is produced the following notice must appear on all programs, printing and advertising for the play: “Produced by special arrangement with Centerstage Press.” Due authorship credit must be given on all programs, printing and advertising for the play. NO CHANGES SHALL BE MADE IN THE PLAY FOR THE PURPOSE OF YOUR PRODUCTION UNLESS AUTHORIZED IN WRITING. ~ CHARACTERS ~ MR. BUMBLE: A portly man of middle age, Bumble fancies himself a man of some great importance and distinction.
    [Show full text]