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Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
September 8, 2009 (XIX:2) Raoul Walsh HIGH SIERRA (1941, 100 Min)
September 8, 2009 (XIX:2) Raoul Walsh HIGH SIERRA (1941, 100 min) Directed by Raoul Walsh Screenplay by John Huston and W.R. Burnett Cinematography by Tony Gaudio Ida Lupino...Marie Humphrey Bogart...Roy Earle Alan Curtis...'Babe' Arthur Kennedy...'Red' Joan Leslie...Velma Henry Hull...'Doc' Banton Henry Travers...Pa Jerome Cowan...Healy Minna Gombell...Mrs. Baughmam Barton MacLane...Jake Kranmer Elisabeth Risdon...Ma Cornel Wilde...Louis Mendoza George Meeker...Pfiffer Zero the Dog...Pard RAOUL WALSH (11 March 1887, NYC—31 December 1980, Simi Valley, CA), directed 136 films, the last of which was A Distant Trumpet (1964). Some of the others were The Naked and the Dead (1958), Band of Angels (1957), The King and Four Queens (1956), officials they kept it under lock and key for 25 years because they Battle Cry (1955), Blackbeard, the Pirate (1952), Along the Great were convinced that if the American public saw Huston’s scenes of Divide (1951), Captain Horatio Hornblower R.N.(1951), White American soldiers crying and suffering what in those days was Heat (1949), Cheyenne (1947), The Horn Blows at Midnight called “shellshock” and “battle fatigue” they would have an even (1945), They Died with Their Boots On (1941), High Sierra more difficult time getting Americans to go off and get themselves (1941), They Drive by Night (1940), The Roaring Twenties (1939), killed in future wars. One military official accused Huston of being Sadie Thompson (1928), What Price Glory (1926), Thief of “anti-war,” to which he replied, “If I ever make a pro-war film I Baghdad (1924), Evangeline (1919), Blue Blood and Red (1916), hope they take me out and shoot me.” During his long career he The Fatal Black Bean (1915), Who Shot Bud Walton? (1914) and made a number of real dogs e.g. -
Looking for Young John Stahl: Some Biographical Mysteries Unravelled
1 LOOKING FOR YOUNG JOHN STAHL: SOME BIOGRAPHICAL MYSTERIES UNRAVELLED 2 An undoubted highlight of the 37th Pordenone Giornato del Cinema Muto in October 2018 was the screening of nine of the twelve surviving silent films of John M Stahl (with a tenth, The Woman Under Oath, shown in a short Stahl sound film programme at the Bologna retrospective a few months earlier). October 2019 should complete Pordenone's exhibition of all Stahl's surviving silents with the showing of The Woman Under Oath, One Clear Call and Why Men Leave Home, and a restoration of the one reel of The Wanters that survives. To historians of early Hollywood and silent cinema 2018 was, as one major expert in these areas, enthusiastically proclaimed, “The Year of Stahl”. And there is no doubt that Stahl's recent profile, so low compared with his renown in the 1920s and 1930s, has been significantly raised by recent activity. Part of this activity was a book edited by Charles Barr and myself, The Call of the Heart: John M. Stahl and Hollywood Melodrama (John Libbey Publications, 2018), with essays on every one of the forty two feature films he directed, silent and sound, extant and lost, written by fourteen international scholars and the editors, commissioned and published to coincide with the Pordenone showings. Like the festival itself, it was only possible through the dedicated work of many other people, most obviously the organisers of the festival and film staff at the Library of Congress who unearthed and made suitable for high standard screening with accompanying music several films considered wholly lost, as indeed nearly all of Stahl's silent films were till recently. -
Daily Schedule / Calendario Giornate Del Cinema Muto 2016
INFOFESTIVAL Uffici delle Giornate Gli uffici delle Giornate 2018 sono ospitati nella Biblioteca Civica di Pordenone in Piazza XX Settembre, di fronte al Teatro Verdi. L’orario di apertura al pubblico, dal 6 al 13 ottobre, è il seguente: 10:00 – 20:00. Infoline 0434-1881011 (6/13 ottobre) E-mail: [email protected] Proiezioni Le proiezioni del festival hanno inizio nel pomeriggio di sabato 6 ottobre e si tengono principalmente presso il Teatro Comunale Giuseppe Verdi (viale Martelli 2). In alcune date sono previste proiezioni anche a Cinemazero (piazza Maestri del Lavoro 3). L’orario delle proiezioni è praticamente continuato dalle 9 del mattino fino a tarda sera. I film sono presentati con accompagnamento musicale dal vivo; le didascalie sono tradotte tramite sottotitolatura elettronica in italiano e/o inglese. Biglietti di ingresso L’ingresso agli spettacoli è previsto a fasce orarie con 2 diverse tipologie di biglietto: biglietto diurno €10 biglietto serale €10 (ad eccezione degli eventi di apertura, chiusura e mercoledì 10 ottobre alle 20:30 per cui il biglietto costa €20). Il biglietto diurno è valido per tutti gli spettacoli del mattino e del pomeriggio del giorno di emissione; il biglietto serale è valido per gli spettacoli a partire dalle 20:30. I biglietti sono in vendita alla cassa delle Giornate ubicata presso il Teatro Verdi e operativa dalle ore 14:00 di sabato 6 ottobre. I giorni successivi osserverà il seguente orario: 9:00 – 12:30, 13:30 – 22:30. Tel. 0434-1703668 (6/13 ottobre) Prevendite: online e Teatro Verdi La prevendita è online per tutti i film in programma, compresi gli eventi di apertura, chiusura e mercoledì sera, sul sito gcm.ticka.it (per la sola prevendita online la maggiorazione per ciascun biglietto sarà di €3). -
Bibliography Filmography
Margaret Booth Lived: January 16, 1898 - October 28, 2002 Worked as: editor, film cutter Worked In: United States by Kristen Hatch Margaret Booth began work as a negative cutter for D. W. Griffith in 1915. After Griffith closed down his Los Angeles offices, she worked briefly at Paramount before joining Louis B. Mayer’s studio in 1919. There she began to work closely with John Stahl, who tutored her in the art of film cutting. When Mayer merged with Metro-Goldwyn, Booth joined a staff of about two dozen cutters, including Blanche Sewell. At MGM, Booth eventually became the supervising editor, where she remained until 1969. See also: Hettie Grey Baker, Anne Bauchens, Winifred Dunn, Katherine Hilliker, Viola Lawrence, Jane Loring, Irene Morra, Blanche Sewell, Rose Smith Bibliography The bibliography for this essay is included in the “Cutting Women: Margaret Booth and Hollywood’s Pioneering Female Film Editors” overview essay. Filmography A. Archival Filmography: Extant Film Titles: 1. Margaret Booth as Editor Husbands and Lovers. Dir.: John M. Stahl, sc.: A.P. Younger, Frances Irene Reels, John M. Stahl, Madge Tyrone (Louis B. Mayer Productions US 1924) cas.: Lewis S. Stone, Florence Vidor, si, b&w. Archive: EYE Filmmuseum [NLA]. A Lady of Chance. Dir. Robert Z. Leonard, sc.: A.P. Younger, ed: Margaret Booth (Metro- Goldwyn-Mayer Pictures US 1928) cas.: Norma Shearer, Lowell Sherman, si&so, b&w. Archive: George Eastman Museum [USR]. Bringing Up Father. Dir. Jack Conway, sc.: George McManus, ed: Margaret Booth (Metro- Goldwyn-Mayer Pictures US 1928) cas.: J. Farrell MacDonald, Jules Cowles, Marie Dressler, si., b&w. -
INFORMATION to USERS the Most Advanced Technology Has Been Used to Photo Graph and Reproduce This Manuscript from the Microfilm Master
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. These are also available as one exposure on a standard 35mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. -
B. J. Simmons & Co
B. J. Simmons & Co.: An Inventory of Its Costume Design Records at the Harry Ransom Center Descriptive Summary Creator: B. J. Simmons & Co. Title: B. J. Simmons & Co. Costume Design Records Dates: 1830-1969 (bulk 1900-1960) Extent: 226 document boxes, 331 oversize boxes, 227 portfolios, 35 flat file drawers (400.84 linear feet) Abstract: The B. J. Simmons & Co. Costume Design Records consists of costume designs for theatre and film, supplemented by research materials and business records. Simmons' costumes were known for their correctness of period, sophisticated design, and high quality. Call Number: Performing Arts Collection PA-00008 Language: English, French Note: The Ransom Center gratefully acknowledges the assistance of the National Endowment for the Humanities, which provided funds for the preservation and cataloging of this collection. Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. Restrictions on Authorization for publication is given on behalf of the University of Use: Texas as the owner of the collection and is not intended to include or imply permission of the copyright holder which must be obtained by the researcher. -
Collection of Thematic Music Cue Sheets for Silent Films, 1915-1928
http://oac.cdlib.org/findaid/ark:/13030/kt0779q0ds No online items Finding Aid for the Collection of Thematic Music Cue Sheets for Silent Films, 1915-1928 Processed by Arts Special Collections staff; machine-readable finding aid created by Cheryl E. Clayton and Caroline Cubé University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 2004 The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 162 1 Thematic Music Cue Sheets for Silent Films, 1915-1928 Finding Aid for the Collection of Thematic Music Cue Sheets for Silent Films, 1915-1928 Collection number: 162 Note This online finding aid is not edited. (Check this website for updates.) The complete, edited paper copy of the finding aid, with container list, is available at the UCLA Department of Performing Arts Special Collections for in-house consultation and may be obtained for a fee. See Contact Information below. UCLA Library, Performing Arts Special Collections Los Angeles, CA Processed by: UCLA Library, Performing Arts Special Collections staff Encoded by: Cheryl E. Clayton and Caroline Cubé © 2004 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Collection of Thematic Music Cue Sheets for Silent Films, Date (inclusive): 1915-1928 Collection number: 162 Extent: 14 boxes (6.0 linear ft.) Repository: University of California, Los Angeles. Library. Department of Special Collections.