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Games+Production.Pdf
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Banks, John& Cunningham, Stuart (2016) Games production in Australia: Adapting to precariousness. In Curtin, M & Sanson, K (Eds.) Precarious creativity: Global media, local labor. University of California Press, United States of America, pp. 186-199. This file was downloaded from: https://eprints.qut.edu.au/87501/ c c 2016 by The Regents of the University of California This work is licensed under a Creative Commons CC-BY license. To view a copy of the license, visit http://creativecommons.org/licenses. License: Creative Commons: Attribution 4.0 Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.ucpress.edu/ book.php?isbn=9780520290853 CURTIN & SANSON | PRECARIOUS CREATIVITY Luminos is the open access monograph publishing program from UC Press. Luminos provides a framework for preserving and rein- vigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Precarious Creativity Precarious Creativity Global Media, Local Labor Edited by Michael Curtin and Kevin Sanson UNIVERSITY OF CALIFORNIA PRESS University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advanc- ing scholarship in the humanities, social sciences, and natural sciences. -
Cheat India Release Date
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Global Digital Cultures: Perspectives from South Asia
Revised Pages Global Digital Cultures Revised Pages Revised Pages Global Digital Cultures Perspectives from South Asia ASWIN PUNATHAMBEKAR AND SRIRAM MOHAN, EDITORS UNIVERSITY OF MICHIGAN PRESS • ANN ARBOR Revised Pages Copyright © 2019 by Aswin Punathambekar and Sriram Mohan All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America Printed on acid- free paper First published June 2019 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication data has been applied for. ISBN: 978- 0- 472- 13140- 2 (Hardcover : alk paper) ISBN: 978- 0- 472- 12531- 9 (ebook) Revised Pages Acknowledgments The idea for this book emerged from conversations that took place among some of the authors at a conference on “Digital South Asia” at the Univer- sity of Michigan’s Center for South Asian Studies. At the conference, there was a collective recognition of the unfolding impact of digitalization on various aspects of social, cultural, and political life in South Asia. We had a keen sense of how much things had changed in the South Asian mediascape since the introduction of cable and satellite television in the late 1980s and early 1990s. We were also aware of the growing interest in media studies within South Asian studies, and hoped that the conference would resonate with scholars from various disciplines across the humanities and social sci- ences. -
RT0001 Analysis of Portrayal of Certain Changing Social Behaviours
Accn No Title Author Analysis of portrayal of certain changing social behaviours in the RT0001 Parna Das filmsFIRE and ASTHA Effect of Television advertisements on children/ Submitted by V RT0002 Viswanath Viswanath RT0003 Visual size as a factor in product recall among children/ Bernali Banerji RT0004 Internet:uses and user-profile SUDHISH R KAMATH Study on working conditions attitudes job satisfaction and motivation RT0006 SWARNA among woman journalists/ RT0007 Changing in media habits of Malasian students in Manipal Vanitha Jain RT0008 Green Advertising Sukanya Chakraborthy RT0009 The changing face of violence in hindi films Sandeep S RT0010 V ideo theatres as means of entertainment in Manipal Preeti S RT0011 Repetition as a factor for product recall in advertising Pradyumna Singh Chauhan RT0012 Comparetive analysis of Asian news on BBC and CNN Mandira Banerjee RT0013 Consumer perceptions of TITAN the brand Malini Mitra A comparetive study of the contentof the children's supplements of RT0014 Bijoy Venugopal. English language daily newspapers/ RT0015 parental control over children's television viewing kavith kardoza verbal communication problems in health care context: a case study of RT0016 Sarat kumar. kasturba medical college/kasturbahospital manipal/Sarat kumar. RT0017 Effects of media violence on expression of violence in children/ Abhijit kar relationship of humanrights activists and media persons in reporting RT0018 divya unnikrishnan and defending human rights:a case study approach RT0019 The use of internet among the youth: -
A Study of Moral Scheme in Henry Fielding's the History of Tom Jones, a Foundling
A Study of Moral Scheme in Henry Fielding’s The History of Tom Jones, a Foundling Khuman Bhagirath Jetubhai Research Scholar Aligarh Muslim University India Abstract The article discusses the moral scheme of Henry Fielding’s novel Tome Jones that has been labeled as corrupt and immoral by most of its contemporary critics. It analyses the reasons for being treated as such. The eponymous character of Tom whose adventures play a prominent role in tarnishing book’s image is investigated threadbare. Seemingly immoral character Tom’s admirable qualities are highlighted and what forces him to behave vilely is also studied. Instead finding him unrighteous, the author argues that he is normal human with its equal share of goodness and weakness that makes Tom’s character a lifelike, a welcome change from divinely pure, pious and one-dimensional characters as portrayed by Fielding’s contemporary novelists. The defense put forward by Samuel Taylor Coleridge (1772-1834), Sir Walter Scott (1771-1832) and Edward Bulwer Lytton (1803-1873) to support Henry Fielding’s (1707-1754) moral scheme in Tom Jones (1749)that is shocking to contemporary neo classicists, reminds of Mahesh Bhatt, a Bollywood film director answering the attack on his production house’s film, the first installment of erotic thriller Murder (2004), that made Mallika Sherawat and Emraan Hashmi instant hit among the Indian youth. His defense was like, ‘who says my film is immoral? It does edify that extramarital affair always leads to destruction.’ In the movie one of the characters involved in the love triangle dies. Despite its successful run at the box-office, where Anurag Basu, the director of the movie fails is, once audience leaves the theatre, their minds are occupied with the pleasure, Mallika and Hashmi gets out of their illicit relationship instead of its fatal result. -
Anurag Kashyap, Guneet Monga, Nawazuddin Siddiqui, Richa Chadda, Vikramaditya Motwane
[LISTED] THE UNDERDOG TURNED SUPERSTAR ANURAG KASHYAP, GUNEET MONGA, NAWAZUDDIN SIDDIQUI, RICHA CHADDA, VIKRAMADITYA MOTWANE Text Shahnaz Siganporia Photography Ishika Mohan Motwane N THE INDIAN FILM INDUSTRY, there are good and bad words. ‘Un- derdog’, ‘struggler’, ‘starlet’ are clubbed into the ‘bad’ category while I words such as ‘Superstar’, ‘100 Crore Club’, ‘legacy’ fall into the ‘good’ category. However, sometimes the two combine to form a heady cocktail. The starlet bags a 100 crore film and the underdog becomes the superstar. The latter is a tricky balance—there’s the formulaic superstar and then there’s the superstar who paves his or her own way and creates cinema that goes way beyond the norm. Over the last few years, the tides have been busy changing, contorting and transforming our home-grown film industry. And let’s face it, in an industry raking in the moolah, thanks to wish-fulfilment and feel- good stories, we’re suckers for the runt who becomes the alpha. In the 100th year of Indian cinema, Platform celebrates the erstwhile underdogs who have gone on to carve out a space for themselves and have begun their ascent to stardom. NOV/DEC 2013 · PLATFORM · CREATIVE LIFESTYLE · 031 [LISTED] Anurag Kashyap FROM BANNED TO LAUDED THE BEGINNING I don’t know why I wanted to make films. It’s like asking yourself why you love someone. How do you explain that? You just do, you know? I just knew that filmmaking is what I wanted to do. I was studying to be a scientist and something just snapped—I knew that I should have- been making films. -
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Network Films: a Global Genre?
Network Films: a Global Genre? Vivien Claire Silvey December 2012 A thesis submitted for the degree of Doctor of Philosophy of The Australian National University. ii This thesis is solely my original work, except where due reference is given. iii Acknowledgements I am extremely grateful for all the time and effort my dear supervisor Cathie Summerhayes has invested throughout this project. Her constant support, encouragement, advice and wisdom have been absolutely indispensable. To that master of words, puns and keeping his hat on during the toughest times of semester, Roger Hillman, I extend profound gratitude. Roger‟s generosity with opportunities for co-publishing, lecturing and tutoring, and enthusiasm for all things Turkish German, musical and filmic has been invaluable. For all our conversations and film-loans, I warmly say to Gino Moliterno grazie mille! I am indebted to Gaik Cheng Khoo, Russell Smith and Fiona Jenkins, who have provided valuable information, lecturing and tutoring roles. I am also grateful for the APA scholarship and for all the helpful administration staff in the School of Cultural Inquiry. At the heart of this thesis lies the influence of my mother Elizabeth, who has taken me to see scores of “foreign” and “art” films over the years, and my father Jerry, with whom I have watched countless Hollywood movies. Thank you for instilling in me a fascination for all things “world cinema”, for your help, and for providing a caring home. To my gorgeous Dave, thank you for all your love, motivation, cooking and advice. I am enormously honoured to have you by my side. -
Toward a New Junk Aesthetics?: Narratorial Predicaments in Contemporary Alternatives In/To Bollywood
Toward a New Junk Aesthetics?: Narratorial Predicaments in Contemporary Alternatives in/to Bollywood Subhajit Chatterjee positions: east asia cultures critique, Volume 25, Number 1, February 2017, pp. 195-221 (Article) Published by Duke University Press For additional information about this article https://muse.jhu.edu/article/648456 Access provided by Jadavpur University (21 Feb 2017 07:53 GMT) Toward a New Junk Aesthetics? Narratorial Predicaments in Contemporary Alternatives in/to Bollywood Subhajit Chatterjee Another Indian New Wave? This essay reflects upon specific aspects of a fashionable trend in Indian cin- emas of the recent past that has provocatively pitted itself against the prud- ish and spectacular self- image of India’s mainstream culture industry, now globally familiar as “Bollywood.”1 An insolent mutiny featuring urbane but dark and sardonic narratives in the face of Bollywood’s dominant song- dance- drama spectacle has facilitated a resurgence of the proverbial coinage “new wave,” which was associated with avant- garde experiments in Indian cinema of the late 1960s.2 The work of its representative auteurs such as Anurag Kashyap, Dibakar Banerjee, or Sriram Raghavan feature points of overlap with generic varieties in Bombay cinema, particularly to the gritty urban gangster films of the nineties emblematized by Ram Gopal Varma. positions 25:1 doi 10.1215/10679847-3710403 Copyright 2017 by Duke University Press positions 25:1 February 2017 196 Such proliferation of narrative and thematic experimentations encountered initial -
Raja Natwarlal
SUNDAY, AUGUST 31, 2014 (PAGE-4) MOVIE- REVIEW HEALTHLINES Raja Natwarlal Courage of being a Pediatric Surgeon Dr Vijay Kundal dren in India, pediatric surgeons are routinely faced with critical care situations involving severe traumatic injuries There have been many films in Bollywood, which on a mission to avenge Raghav's killers, during which When your child needs medical attention, you want have followed the 'Robin Hood' format in stories. At he encounters Yogi (Paresh Rawal), a highly experi- sustained by children that may or may not require sur- him or her to have the very best care available with the gical intervention. Many pediatric surgeons are involved the same time, the silver screen has been a testimo- enced con artist, who is now based in Dharamshala, pediatrician. Similarly, when your child needs an oper- ny to many films which have actually 'con-tested' the because he renounces the world of conning and in accident prevention programs in their communities ation, you want to consult a surgeon who is qualified that are aimed at decreasing traumatic injuries in chil- elections as far as conning is concerned. Films like crimes. It really takes lot of conviction for Raja to and experienced in operating on children. Surgeons who DHOOM series, SPECIAL 26, BUNTY AUR BABLI, make Yogi help him avenge Raghav's death. How do dren. specialize in general surgery often provide surgical care Pediatric Oncology-Pediatric surgeons are involved BLUFFMASTER, OYE LUCKY! LUCKY OYE!, they hatch a foolproof plan to destroy Vardas's empire for children, and they perform many operations on chil- AANKHEN etc..