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German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
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ALL. PREVIOUS L/STS OANOELLED. Stock Li.st- April. CATALOGUE OP GRAMOPHONE Cof>yrigltl. Hls Master's Volee." 7=inch RECORDS FOR USE ONLY ON THE Price 2/6 each. GRAMOPHONE WHICH IS MADE BY The GRAMOPHONE & TYPEWRITER Ltd. C ~ !alo¡"cs P "~i!•!:o d by The Or:unophan e ::nd T''rc" ril .. r. 1.1:!. 10-in. LO!J ( Cft ~l!~iJIO.,tue. 1·l n. (Green ) do . 1O~ i n. Concc rt l:oreiza do . 1·in. f oni¡:n do. Vlctor Muran:h ~o . "NEW STYLE No. 3," cJ::3 3s. Fitted with "CONCERT SOU 'O BOX." THE SPRING SEAS O N. With thc r<turn of bríghter and warmer weather, the Gramophone will again take up íts ~ositio n as the king of outdoor entertainers. So much _rlfasure and amusement were obtained by our friends in this way during the spring and summer months of last year, that we anticípate a greatly-increased demand for our GramophoPes and R ecords duríng tbe next few months. Many new Records, by well known and popular artístes, are added to our Catalogues each month, so that endless variety can be obtained. 2 CATALOGUE OF GRAMOPHONE SEVEN-INCH RECORD S. MILITARY BANDS. MILITARY BANDS...;...contd. _ Royal Artillery Ba.nd. &e alao O'lt,. Pink Fureign Catalogue. '. 81 Introductioa of Aci 11. (Mika.do.) Coldstream Guards Band. 82 Belectlon Il. (Mikado.) Under the able direction of its conductor, Mr. 84 FhÍalt1 to she Miltado. Mackenzie Rogan, this renowned military band has 87 The Policsman's Song and The Modero made tbe fo!Jo wing very fine records for us. -
(Ed.) (2018). Forum “Who Is British Music?” Placing Migrants in National Music History
Scheding, F. , Scott, D. B., Levi, E., Williams, J., Tackley, C., Western, T., & Scheding, F. (Ed.) (2018). Forum “Who is British Music?” Placing Migrants in National Music History. Twentieth Century Music, 15(3), 439-492. https://doi.org/10.1017/S1478572218000257 Peer reviewed version Link to published version (if available): 10.1017/S1478572218000257 Link to publication record in Explore Bristol Research PDF-document This is the author accepted manuscript (AAM). The final published version (version of record) is available online via Cambridge University Press at https://doi.org/10.1017/S1478572218000257 . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Forum “Who is British Music?” Placing Migrants in National Music History1 Florian Scheding, convenor and editor Introduction Florian Scheding In 2013, trucks and vans were driving across London, bearing the message ‘In the UK illegally? Go home or face arrest.’ These mobile billboards declared the number of arrests that had taken place ‘in your area’ in the previous week and provided a number to which people could text the message ‘HOME’ to initiate voluntary repatriation. In 2016, Theresa May, who had organised this scheme as home secretary, became prime minister, following the upheaval caused by the country’s plebiscite to leave the European Union. One of the main strands of argument of the successful ‘Brexit’ campaign centred on the ‘deep public anxiety … about uncontrolled immigration’2 and promised to reduce numbers of immigrants to the country. -
Appendix 1 Productions of Operetta from the German Stage on Broadway and in the West End, 1900–1940
Appendix 1 Productions of Operetta from the German Stage on Broadway and in the West End, 1900–1940 This appendix lists only operettas that appeared on both German-language and English-language stages. Whenever possible the number of perfor- mances of the first production in Vienna, Berlin, London, or New York has been checked from several sources. These include: J. P. Wearing, The London Stage, 8 vols., covering the period 1900–39 (Metuchen, NJ: Scarecrow Press, 2nd edn 2013–14); Burns Mantle, The Best Plays of 1909–19, and annual vols. 1920–25 (Boston: Small, Maynard) and 1926– 40 (New York: Dodd, Mead); Kurt Gänzl and Andrew Lamb, Gänzl’s Book of the Musical Theatre (London: The Bodley Head, 1988); Anton Bauer, 150 Jahre Theater an der Wien (Vienna: Amalthea-Verlag, 1952); Richard C. Norton, A Chronology of American Musical Theater, 3 vols. (New York: Oxford University Press, 2002); Gerald Bordman, American Operetta: From H.M.S. Pinafore to Sweeney Todd (New York: Oxford University Press, 1981), Appendix, 185–94; Stanley Green, Encyclopedia of the Musical Theatre (New York: Dodd, Mead, 1976); Robert Ignatius Letellier, Operetta: A Sourcebook (Newcastle upon Tyne: Cambridge Scholars, 2015); the Internet Broadway Database www.ibdb.com/index.php; The Guide to Light Opera & Operetta www.musicaltheatreguide.com/menu/ introduction.htm; the Operone database www.operone.de/ and the Ovrtur database of musicals www.ovrtur.com/. Note that performance statistics in Table II, 427–35 of Otto Keller, Die Operette in ihrer Geschichtlichen Entwicklung: Musik, Libretto, Darstellung (Leipzig: Stein Verlag, 1926) give the total number of performances on the German stage up to 1921 of operettas dating from 1900 and later. -
By Fred Gaisberg?
www.recordingpioneers.com ©Hugo Strötbaum THE FRED GAISBERG DIARIES PART 1: USA & EUROPE (1898-1902) Edited by Hugo Strötbaum ______ 2010 1 www.recordingpioneers.com ©Hugo Strötbaum INTRODUCTION An extensive introduction is in preparation and will be added soon. Family Tree GAISBERGS Family Tree BERLINERS 2 www.recordingpioneers.com ©Hugo Strötbaum The first notebook begins: F.W. Gaisberg, 1331 Vermont Avenue, Washington D. C., U.S.A. [Thursday,] 1 July 1898 [?] Expense on orchestra 30.00 [Friday, 16 July 1898] On 16 July 1898 a passport was issued to Frederick William Gaisberg (occupation: expert). Joseph Sanders also signed (as witness). 3 www.recordingpioneers.com ©Hugo Strötbaum Fred Gaisberg's first passport application (courtesy ANCESTRY.COM) 4 www.recordingpioneers.com ©Hugo Strötbaum [Thursday,] 21 July 1898 [Washington(?) → New York] Took Carrie (sister) with me. 12.45 train for N. Y. via Pennsylvania Railroad. Arrived at Uncle Fred's at 8 o’c - Met Aunt Pauline and her son Christian. Had supper and spent night at Aunt Sophie Horn's. [Friday,] 22 July 1898 [New York] Start downtown for Joe Engle’s, 203 E. 30th. St. Met Joe Sanders. Three of us go downtown, fix up steamer ticket. Visited top of World Building1 - had magnificent view of city. New York World Building Eat a Chinese dinner on Mott Street2. Took photo. Visited Atlantic Garden3 - heard $45,000 World’s Fair Orchestrion. 1 The New York World Building was a skyscraper in New York City designed by early skyscraper specialist George Browne Post and built in 1890 to house the now-defunct newspaper, The New York World.