SES Newsletter (Number 46) Is Also Linked to the Glasgow Website at German.Lss.Wisc.Edu/~Smoedersheim/Ses/Sesnewsletter46.Pdf
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What Is an Emblem Book
A brief introduction to the Stirling Maxwell Collection of Emblem Books at the University of Glasgow. David Weston April 2011 The last forty years have witnessed an increasing interest in emblem literature as a potential key to a fuller understanding of the Renaissance and Baroque mind. At an early stage in this development the importance of the collection of emblem books formed in the 19th century by Sir William Stirling Maxwell was recognised as a major resource for anyone pursuing research in this area. With some 1200 emblem books in the collection in 1958, it proved an invaluable source of information to Mario Praz in the production of his Studies in seventeenth century imagery, especially the bibliography, where he frequently refers to copies seen at Nether Pollok, the country house of the Maxwell family now within the boundaries of Glasgow. Since then few works published in emblematics fail to mention the Stirling Maxwell Collection and frequently they are illustrated with prints taken from copies in the collection. Sir William Stirling Maxwell, writer on Spanish art and history, a discerning and tireless collector of paintings, books and porcelain, a poet, politician, distinguished public figure, and last but not least, a breeder of short-horn cattle and Clydesdale horses, was without doubt a most remarkable figure. Born on the 8th of March, 1818, into the ancient Scottish family of Stirling, plain William Stirling as he was then, was educated privately in Buckinghamshire and later at Trinity College Cambridge. As the only son of Archibald Stirling of Keir, he inherited his father's estates in 1847, and subsequently, on the death of his uncle Sir John Maxwell of Pollok, he inherited the title, acquiring the additional name of Maxwell. -
Magic Songs of the West Finns, Volume 1 by John Abercromby
THE PRE- AND PROTO-HISTORIC FINNS BOTH EASTERN AND WESTERN WITH THE MAGIC SONGS OF THE WEST FINNS BY THE HONOURABLE JOHN ABERCROMBY IN TWO VOLUMES VOL. I. 1898 Magic Songs of the West Finns, Volume 1 by John Abercromby. This edition was created and published by Global Grey ©GlobalGrey 2018 globalgreyebooks.com CONTENTS Preface The Value Of Additional Letters Of The Alphabet Full Titles Of Books Consulted And Referred To Illustrations Chapter 1. Geographical Position And Craniology Of The Finns Chapter 2. The Neolithic Age In Finland Chapter 3. Historical Notices Of Classical Authors Chapter 4. The Prehistoric Civilisation Of The Finns Chapter 5. The Third Or Iranian Period Chapter 6. Beliefs Of The West Finns As Exhibited In The Magic Songs 1 PREFACE In this country the term Finn is generally restricted to the natives of Finland, with perhaps those of Esthonia thrown in. But besides these Western Finns there are other small nationalities in Central and Northern Russia, such as the Erza and Mokša Mordvins, the Čeremis, Votiaks, Permians, and Zịrians, to whom the term is very properly applied, though with the qualifying adjective—Eastern. Except by Folklorists, little attention is paid in Great Britain to these peoples, and much that is written of them abroad finds no response here, the 'silver streak' acting, it would seem, as a non-conductor to such unsensational and feeble vibrations. Although the languages of the Eastern and Western Finns differ as much perhaps among themselves as the various members of the Aryan group, the craniological and physical differences between any two Finnish groups is very much less than between the Latin and the Teutonic groups, for instance. -
FREEDOM MONUMENT the Unveiling of the Freedom Monument
FREEDOM MONUMENT The unveiling of the Freedom Monument. November 18, 1935. The Freedom Monument is one the most outstanding historical, architectural and artistical monuments in Latvia. It was erected using donations from the people as a symbol of Latvia’s independence, which shows the respect and affection the Latvian people have towards their fatherland and freedom. The idea to build a monument dedicated to Latvia’s freedom was first announced in 1920, during the final days of the battles for independence. The project design competition was held in several rounds and lasted eight years. The monument’s Kārlis Zāle’s 100th birthday celebration. October 28, 1988 foundation stone was put into place on November 18, 1931. The Freedom Monument was unveiled and dedicated on November 18, 1935. It was constructed using sculptor Kārlis the monument leading upwards to the statue of Freedom, Zāle’s (1888-1942) design called Mirdzi kā Zvaigzne (Shine Like which holds three stars above her head, symbolizing the a Star). Ernests Štālbergs was the lead architect on the project, three historical regions of Latvia – Kurzeme, Vidzeme and with the iconic Freedom statue made by the Swedish metal Latgale. The universal ideas depicted on the Freedom craftsman Ragnar Myrsmeden (1889-1989). Monument are expressed in a spiritual and artistic form. The sculptural characters are genuinely, morally and aesthetically The idea of Freedom is depicted on the moment in a clear enlightening. architectural and sculptural language, enriched by symbolism and the depiction of historical events within the sculptural The Freedom Monument is 42.7 meters tall. groups: an obelisk as a bright and rousing carrier of the The monument is made up of 56 sculptures divided into idea of freedom, inspired by the characters and symbols on 13 sculptural groups on several levels. -
THE EARLY MODERN BOOK AS SPECTACLE by PAULINE
THROUGH A GLASS DARKLY: THE EARLY MODERN BOOK AS SPECTACLE by PAULINE E. REID (Under the Direction of Sujata Iyengar) ABSTRACT This dissertation approaches the print book as an epistemologically troubled new media in early modern English culture. I look at the visual interface of emblem books, almanacs, book maps, rhetorical tracts, and commonplace books as a lens for both phenomenological and political crises in the era. At the same historical moment that print expanded as a technology, competing concepts of sight took on a new cultural prominence. Vision became both a political tool and a religious controversy. The relationship between sight and perception in prominent classical sources had already been troubled: a projective model of vision, derived from Plato and Democritus, privileged interior, subjective vision, whereas the receptive model of Aristotle characterized sight as a sensory perception of external objects. The empirical model that assumes a less troubled relationship between sight and perception slowly advanced, while popular literature of the era portrayed vision as potentially deceptive, even diabolical. I argue that early print books actively respond to these visual controversies in their layout and design. Further, the act of interpreting different images, texts, and paratexts lends itself to an oscillation of the reading eye between the book’s different, partial components and its more holistic message. This tension between part and whole appears throughout these books’ technical apparatus and ideological concerns; this tension also echoes the conflict between unity and fragmentation in early modern English national politics. Sight, politics, and the reading process interact to construct the early English print book’s formal aspects and to pull these formal components apart in a process of biblioclasm. -
Genocide in Volhynia and Eastern Galicia 1943–1944
The Person and the Challenges Volume 3 (2013) Number 2, p. 29–49 Paweł Naleźniak The Institute of National Remembrance, Cracow, Poland Genocide in Volhynia and Eastern Galicia 1943–1944 Abstract Ukrainian nationalists tried to de-polonize the South-Eastern Borderlands by means of mass genocide and they achieved this goal to a great extent. That, however, puts them on a par with the criminal regimes of Joseph Stalin and Adolf Hitler. The author of this article describes the genocide of Polish inhabitants in Volhynia and Eastern Galicia committed by the Organisation of Ukrainian Nationalists (Orhanizatsiya Ukrayins’kykh Natsionalistiv, OUN) and the Ukrainian Insurgent Army (Ukrainska Povstanska Armiya, UPA) between 1943 and 1944. These events in European history are not well-known. Keywords Genocide, Volhynia and Eastern Galicia, Ukrainian Nationalists, the Ukrainian Insurgent Army. From the European perspective of the history of World War II, the genocide committed by the Organisation of Ukrainian Nationalists (Orhanizatsiya Ukrayins’kykh Natsionalistiv, OUN) and the Ukrainian Insurgent Army (Ukrainska Povstanska Armiya, UPA) on the Polish inhabitants of Volhynia and Eastern Galicia between 1943 and 1944 remains a little-known event. Among the foreign historians, only Timothy Snyder mentions it in fragments in his fundamental work Bloodlands: Europe Between Hitler and Stalin (Skrwawione ziemie1). The enslavement at Poland after World War II restricted an in depth research only to the crimes committed by the Germans. Today, an average Polish citizen knows a lot about the extermination of the Poles and the Jews; it is also a part of the curriculum in Polish schools to organize trips to Auschwitz and other extermination camps. -
Florida State University Libraries
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 Book Illustration and Intersemiotic Translation in Early Modern England Taylor Clement Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES BOOK ILLUSTRATION AND INTERSEMIOTIC TRANSLATION IN EARLY MODERN ENGLAND By TAYLOR CLEMENT A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2018 © 2018 Taylor Clement Taylor Clement defended this dissertation on March 19, 2018 The members of the supervisory committee were: A. E. B. Coldiron Professor Directing Dissertation Stephanie Leitch University Representative Gary Taylor Committee Member Bruce Boehrer Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS I would like to thank my doctoral committee for their guidance, time, and instruction as I worked to complete this dissertation. Thanks especially to Dr. A. E. B. Coldiron for her rigorous training in Renaissance Lyric and History of Text Technologies, and her invaluable assistance and bright encouragement from the beginning stages of this project to the finished work. Thanks to Dr. Stephanie Leitch for her contagious enthusiasm and for teaching me to Rethink the Renaissance. Thanks also to Astrid, whose marker-board portrait of Man Behind a Window (c. 2014) inspired my research on portraiture. To Dr. Bruce Boehrer for suggesting readings about fowling and mousetraps, and to Dr. -
Travel Guide
TRAVEL GUIDE Traces of the COLD WAR PERIOD The Countries around THE BALTIC SEA Johannes Bach Rasmussen 1 Traces of the Cold War Period: Military Installations and Towns, Prisons, Partisan Bunkers Travel Guide. Traces of the Cold War Period The Countries around the Baltic Sea TemaNord 2010:574 © Nordic Council of Ministers, Copenhagen 2010 ISBN 978-92-893-2121-1 Print: Arco Grafisk A/S, Skive Layout: Eva Ahnoff, Morten Kjærgaard Maps and drawings: Arne Erik Larsen Copies: 1500 Printed on environmentally friendly paper. This publication can be ordered on www.norden.org/order. Other Nordic publications are available at www.norden.org/ publications Printed in Denmark T R 8 Y 1 K 6 S 1- AG NR. 54 The book is produced in cooperation between Øhavsmuseet and The Baltic Initiative and Network. Øhavsmuseet (The Archipelago Museum) Department Langelands Museum Jens Winthers Vej 12, 5900 Rudkøbing, Denmark. Phone: +45 63 51 63 00 E-mail: [email protected] The Baltic Initiative and Network Att. Johannes Bach Rasmussen Møllegade 20, 2200 Copenhagen N, Denmark. Phone: +45 35 36 05 59. Mobile: +45 30 25 05 59 E-mail: [email protected] Top: The Museum of the Barricades of 1991, Riga, Latvia. From the Days of the Barricades in 1991 when people in the newly independent country tried to defend key institutions from attack from Soviet military and security forces. Middle: The Anna Akhmatova Museum, St. Petersburg, Russia. Handwritten bark book with Akhmatova’s lyrics. Made by a GULAG prisoner, wife of an executed “enemy of the people”. Bottom: The Museum of Genocide Victims, Vilnius, Lithuania. -
Newsletter 4
Society for Emblem Studies Newsletter 59 July, 2016 2017 Conference The 2017 SES Conference The Eleventh International Conference of the Society for Emblem Studies will take place from Monday, July 3 to Friday, July 7, 2017, in Nancy (France) at the Université de Lorraine (Faculté de droit, sci- ences économiques et gestion), under the direction of Paulette Choné and her organizing committee. Please note that the deadline for submission of proposals to be included on the conference program is 1 Septem- 1 ber 2016, and that all proposals should be sent jointly to Mme Choné ([email protected]) and 2017 3–7 July, Ingrid Höpel, Chair of the Society (ihoepel@kunstge- schichte.uni-kiel.de). The conference organizers have proposed eight broad themes. What follows is extracted from the Call for Papers, which may be found at the Society web site (http://www.emblemstudies.org/files/2016/03/ CfP-07-03-16.pdf ). Contents of Newsletter 59 1. Making an emblem book Research activities of interest to members ........................ 1 This theme should focus on the various agents in The 2017 SES Conference: Call for Papers 1 the conception and production of emblem books Other calls for papers and contributions 3 (publishers, printers, patrons, academies, engrav- Recent publications 4 ers, draftsmen, copperplate printers, authors, com- Workshop reports 4 mentators, translators, proofreaders...), as well as on In memoriam: Daniel S. Russell .....................................3 the steps and procedures of its creation (edition and Research notes ................................................................11 re-edition, re-use, recurrence, plagiarism, counterfeits ; cooperation, competition...) until its sale. Rubem Amaral, on reuse of woodcuts from Alciato 11 Mason Tung, on John Hall’s versification 16 2. -
Mapping England's Trade Through Depictions in English Emblems. Valerie J
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2011 Mapping England's Trade Through Depictions in English Emblems. Valerie J. Erickson East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the European History Commons Recommended Citation Erickson, Valerie J., "Mapping England's Trade Through Depictions in English Emblems." (2011). Electronic Theses and Dissertations. Paper 2258. https://dc.etsu.edu/etd/2258 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Mapping England‟s Trade Through Depictions in English Emblems ____________________ A thesis presented to the faculty of the Department of History East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in History ____________________ by Valerie J. Erickson May 2011 ____________________ Dr. Brian Maxson, Chair Dr. Henry Antkiewicz Dr. Doug Burgess Dr. Melvin Page Keywords: English Emblems, English trade, English shipping, English Empire, Empire-building, colonial expansion. ABSTRACT Mapping England‟s Trade Through Depictions in English Emblems by Valerie J. Erickson This thesis explores the growing interaction between England and foreign countries comparing their trade with contemporary later sixteenth century and seventeenth century English emblems. The emblems used are those available over the internet from several different library and university sources. As England expanded its trade throughout the world, English emblems began to show the exchange occurring between England and its various trading partners. -
Nobel Prize Commemoration in Riga: Media Echo and Objects
Acta medico-historica Rigensia (2018) XI: 92-120 doi:10.25143/amhr.2018.XI.03 Juris Salaks, Nils Hansson Nobel Prize Commemoration in Riga: Media Echo and Objects Abstract This paper is an attempt to investigate the discourses around the Nobel Prize, and it aims at deciphering the commemoration of the award in Riga. The public image of the Nobel Prize in Riga has previously been commented on in a few papers, but has never been studied at length. The first part of the current study contextualises several Nobel links from the city, universi- ties and state printed media, as well as more hidden tracks from the Nobel Prize nominations’ archive. The second part highlights Ilya Mechnikov (Elie Metchnikoff’s, Nobel laureate in physiology or medicine in 1908) collection in Pauls Stradins Museum of the History of Medicine, including a detailed description of his Nobel medal and his ambivalent feelings about this award. Keywords: Nobel Prize, Latvian press, Riga, Baltic States, Ilya Mechnikov (Elie Metchnikoff), Paul Ehrlich, Wilhelm Ostwald, Paul Valden, Ernst von Bergmann, Harald zur Hausen. Several compendia on the history of medicine use the Nobel Prize in physiology or medicine as a lens for reviewing scientific trends in the history of medicine in the last century. The medical historian Erwin Ackerknecht, for instance, argued that the tendencies of the 20th century cutting-edge medicine are illustrated by the names of those who received the Nobel Prize. 1 1 Erwin H. Ackerknecht, A short history of medicine (New York: Johns Hopkins University Press, 1968). 92 Also, more recent textbooks, such as Ortrun Riha’s Grundwissen Geschichte, Theorie und Ethik der Medizin 2, Jacalyn Duffin’s History of Medicine: A Scandalously Short Introduction 3, Tatiana Sorokina’s History of Medicine 4 have (at least in some editions) enclosed lists of Nobel laureates to highlight prominent work throughout the 20th century. -
The Library, 7.1.4, December Zooo 453 Conclusions Regarding the Venetian Music Printing Business Are Impressive
The Library, 7.1.4, December zooo 453 conclusions regarding the Venetian music printing business are impressive. This book proves to be complementary to the existing works in the field and is thoroughly deserving of a place on the shelf beside them. Oxford MARTIN HOLMES Charta of Greek Printing: The Contribution of Greek Editors, Printers and Publishers Downloaded from https://academic.oup.com/library/article/1/4/453/943484 by guest on 01 October 2021 to the Renaissance in Italy and the West. Vol. I: Fifteenth Century. By KONSTANTINOS SP. STAIKOS. Cologne: Jiirgen Dinter. 1998. lxix + 557 pp. + 128 illus., one folding map. 500 DM. ISBN 3 924794 19 7. THIS IS A VERY LARGE, very handsome, and very expensive book. It is also infuriating: so much effort expended to produce a guide (a map, in the word of the title) that can do nothing but mislead the unwary, perpetuate old errors, and start new ones. It is not about the printing of Greek, but as the subtitle puts it, 'The Contribution of Greek Editors, Printers and Publishers to the Renaissance in Italy and the West'. It is thus a long essay in Renaissance cultural history from a strictly Hellenic perspective. There are many faults with Staikos's lists. Practically everyone who knew Greek in Quattrocento Italy is said to be a pupil of Chrysoloras (d. 1415), including Nicholas V, who was born the year that Chrysoloras started his short stint of teaching in Florence (p. 70). Throughout chapter 1, Staikos wobbles between Johannes and Vindelinus de Spira as prototypographer of Venice, an honour accorded to Nicolas Jenson in the index. -
Emblem Books and the Age of Symbolism
8. The Renaissance The two defining achievements of the Renaissance, the revival of classic- ism and the invention of the printing press assured the simultaneous tri- umph and demise of the age of symbolism. On the one hand, scholars were faced with the recovery of a complete literary and artistic culture which in spite of its historical and aesthetic attractions knew nothing of Christian orthodoxy. Undaunted, these scholars reacted by attempting to reconcile the two traditions, classical and Christian, and to integrate them into one coherent system, one effect of which was to reinforce and per- petuate the culture of symbolism. At the same time, printing enabled the widespread dissemination of the literature of symbolism including the new genres of emblem and device. By the end of the 17th century tens of thousands of these books had been sold and hundreds of thousands of emblems, devices and enigmas as well as other genres had been com- posed, read and deciphered and their symbolism contemplated and ab- sorbed. But the same benefits of printing applied to the nascent scientific revolution. The rapid spread of knowledge, the sharing of information, the loosening of the censorship of the Church slowly but inexorably brought about the triumph of empiricism. 209 · Recovery of the Ancient Texts · The politics of Europe at the end of the Middle Ages had been dominat- ed by the centuries long struggle between the Papacy and the Holy Ro- man Empire for control of the Church, finally ending with victory for the Popes. It was natural that after relative political stability had been achieved by the formation of self-contained city-states, the Renaissance should begin in Italy.