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Maximinla Maximinel PLANO

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Maximinla Maximinel PLANO 1950 1900 MAXImin EL PLANO MAXImin LA CRONOLOGÍA 2000 ADOLF HÖLZEL [1853, Olmütz, Austria (today Olomouc, República Checa) – 1934, Stuttgart, Alemania] HENRYK STažeWSKI [1884–1988, Varsovia, Polonia] 1850 BAUHAUS CONSTRUCTIVISMO RUSO, 1917 GEORGES VANTONGERLOO [1886, Amberes, Belgium – 1965, París, Francia] Weimar, 1919–1926; JEAN (HANS) ARP [1886, Estrasburgo, Francia – 1966, Basilea, Suiza] Dessau, 1926–1932; Berlin, 1932–1933 MAX ACKERMANN [1887, Berlín, Alemania – 1975, Unterlengenhardt / Bad Liebenzell, Alemania] Josef Albers (1888–1976) Oskar SCHLEMMER [1888, Stuttgart, Alemania – 1943, Baden–Baden, Alemania] A Jean Arp (1886–1966) JOHANNES ITTEN [1888, Süderen–Linden, Suiza – 1967, Zurich, Suiza] Max Bill (1908–1994) JOSEF ALBERS [1888, Bottrop, Alemania – 1976, New Haven, CT, EE.UU.] Johannes Itten (1888–1967) Oskar Schlemmer (1888–1943) WILLI BAUMEISTER [1889–1955, Stuttgart, Alemania] American Abstract HERMANN GLÖCKNER [1889, Cotta, Alemania – 1987, Berlin, Alemania] DE STIJL/NEOPLASTICISMO, 1917 Artists, New York (1936) Georges Vantongerloo (1886–1965) Joseph Albers (1888–1976) ADOLF RICHARD FLEISCHMANN [1892, Esslingen, Alemania – 1968, Stuttgart, Alemania] Friedrich Vordemberge–Gildewart (1899–1962) Ilya Bolotowsky (1907–1981) CAMILLE GRAESER [1892, Carouge, Ginebra, Suiza – 1980, Zurich, Suiza] ACADEMIA DE FRIEDRICH VORDEMBERGE–GILDEWART [1899, Osnabrück, Alemania – 1962, Ulm, Alemania] STUTTGART (1906) MINIMALISMO Y arte CERCLE ET CARRÉ, 1930, París COLOUR FIELD RICHARD PauL LOHSE [1902–1988, Zurich, Suiza] Adolf Hölzel (1853–1934) COnceptuaL EN Jean Arp (1886–1966) PAINTING ANTON STANKOWSKI [1906, Gelsenkirchen, Alemania – 1998, Esslingen, Alemania] Max Ackermann (1887–1975) NUEVA YORK, 1950s–1970s Willi Baumeister (1889–1955) Kenneth Noland (1924) Willi Baumeister (1889–1955) Shusaku Arakawa (1936) ILYA BOLOTOWSKY [1907, San Petersburgo, Rusia – 1981, Nueva York, NY, EE.UU.] Adolf Richard Jo Baer (1929) MAX BILL [1908, Winterthur, Suiza – 1994, Berín, Alemania] Fleischmann (1892–1968) Robert Barry (1936) VERENA LOEWENSBERG [1912–1986, Zurich, Suiza] B Hanne Darboven (1941) Camille Graeser (1892–1980) FERDINAND SPINDEL [1913, Essen, Alemania – 1980, Neuenkirchen / Soltau, Alemania] Johannes Itten (1888–1967) Tadaari Kuwayama (1932) Oskar Schlemmer (1888–1943) Sol Lewittt (1924–2007) JAN J. SCHOONHOVEN [1914–1994, Delft, Holanda] Robert Ryman (1930) Mathias GOERITZ [1915, Danzig, Alemania (hoy Gdansk, Polonia) – 1990, Mexico DF, Mexico] Oli Sihvonen (1921) FREDERICK HAMMERSLEY [1919, Salt Lake City, UT, EE.UU.] Elaine Sturtevant (1930) OLI SIHVONEN [1921–1991, Nueva York, NY, EE.UU.] Franz Erhard Walther (1934) AbstractiON–CRÉatiON (1931–1936) BLack MOuntain NORBErt KRICKE [1922–1984, Düsseldorf, Alemania] Jean Arp (1886–1966) COLLege, CALIFORNIA JESÚS RAFAEL SOTO [1923, Ciudad Bolívar, Venezuela – 2005, Paris, Francia] Willi Baumeister (1889–1955) Josef Albers (1888– 976) SOL LEWITT [1924, Hartford, CT, EE.UU.] Max Bill (1908–1994) Sol LeWitt (1924–2007) KENNETH NOLAND [1924, Ashville, NC, EE.UU.] Georges Vantongerloo (1886–1965) Ilya Bolotowsky (1907–1981) Friedrich Vordemberge– Oli Sihvonen (1921) JEAN TINGUELY [1925, Fribourg, Suiza – 1991, Berna, Suiza] Gildewart (1899–1962) Kenneth Noland (1924) HENK PEETERS [1925, La Haya, Holanda] C ESCUELA DE DISEÑO DE ULM ALMIR DA SILva MAVIGNIER [1925, Rio de Janeiro, Brasil] Josef Albers (1888–1976) KARL BENJAMIN [1925, Chicago, IL, EE.UU.] Max Bill (1908–1994) WashingtON Herbert Oehm (1935) FranÇOIS MORELLET [1926, Cholet, Francia] COLOR SCHOOL/ Almir da Silva Mavignier (1925) JO BAER [1929, Seattle, WA, EE.UU.] POst PAINTERLY Friedrich Vordemberge– AbstractiON CHARLOTTE POSENENSKE [1930, Wiesbaden, Alemania – 1985, Frankfurt am Main, Alemania] Gildewart (1899–1962) TENDENCIAS Kenneth Noland (1924) ENRICO CASTELLANI [1930, Castellmassa, Italia] ABSTRACTAS Y CONSTRUCTIVISTAS EN ROBYN DENNY [1930, Abinger, Surrey, Reino Unido] ROBErt RYMAN [1930, Nashville, TN, EE.UU.] EUROPA DEL ESTE HARD EDGE, CALIFORNIA Henryk Stažewski (1884–1988) Frederick Hammersley (1919) ELAINE STURTEVANT [1930, Cleveland, OH, EE.UU.] Imre Bak (1939) Karl Benjamin (1925) HEINZ MACK [1931, Lollar, Alemania] Sean Scully (1945) CONCRETOS KLaus STAUDT [1932, Ottendorf, Alemania] NOUVELLE Tendance/ D DE ZURICH, finales de los 30 OP ART/GRAV/KINETIC ART TADAAKI KUWAYAMA [1932, Nagoya, Japón] Max Bill (1908–1994) Hartmut Böhm (1938) JEF VERHEYEN [1934, Itegem, Bélgica – 1984, Apt / Vaucluse, Francia] Richard Paul Lohse (1902–1988) Gerhard von Graevenitz (1934–1983) Anton Stankowski (1908–1998) ABSTRACCIÓN GEOMÉtrica Franz ERHARD WALTHER [1934, Fulda, Alemania] Christian Megert (1936) Verena Loewensberg (1912–1986) EN SudamÉrica JEREMY MOON [1934, Altrincham, Cheshire, Reino Unido – 1973, Londres, Reino Unido] François Morellet (1926) Camille Graeser (1892–1980) Mathias Goeritz (1915–1990) ANDRE CADERE [1934, Varsovia, Polonia – 1978, Paris, Francia] Jesús Rafael Soto (1923–2005) Almir da Silva Mavinier (1925) GERHARD VON GRAEVENITZ [1934, Schilde, Alemania – 1983, Suiza] Jean Tinguely (1925–1991) Jesús Rafael Soto (1923–2005) HERBErt OEHM [1935, Ulm, Alemania] Toda lectura es consecutiva; la visión, en DADAMAINO [1935–2004, Milan, Italia] Christian MEGERT [1936, Bern, Suiza] cambio, puede ser panorámica. MartiaL RAYssE [1936, Golfe–Juan, Francia] ROBErt BARRY [1936, Nueva York, NY, EE.UU.] E LONDRES, 1960s SHEE.UU.ku ARAKAWA [1936, Nagoya, Japón] Hermann Glöckner (1889–1987) Jeremy Moon (1934–1973) Michael Heizer (1944) MAXImin. El plano consiste en un croquis desplegable JAN HENDERIKSE [1937, Delft, Holanda] ZERO EUROPEO Robyn Denny (1930) pensado para acompañar cómodamente, sobresaliendo Norbert Kricke (1922–1984) Enrico Castellani (1930) Hartmut BÖHM [1938, Kassel, Alemania] Dadamaino (1935–2004) a la izquierda de las páginas impares, la lectura del texto DaniEL BUREN [1938, Boulogne–Billencourt, Francia] Ben Willikens (1939) Jan Henderikse (1937) BEN WILLIKENS [1939, Leipzig, Alemania] Heinz Mack (1931) central, la sección de biografías de artistas (A-Z) y el IMRE BAK [1939, Budapest, Hungría] Herbert Oehm (1935) Glosario de este catálogo. Además de los 82 artistas PARÍS, 1960–1990 Henk Peeters (1925) HANNE DARBOVEN [1941, Munich, Alemania] Absalon (1964–1993) Martial Raysse (1936) en exposición, aparecen en él en negrita los términos OLIVIER MOssET [1944, Bern, Suiza] Andre Cadere (1934) Jan J. Schoonhoven (1914–1994) MICHAEL HEIZER [1944, Berkeley, CA, EE.UU.] B.M.P.T, 1960 (corrientes, agrupaciones o escuelas) de los que existe Ferdinand Spindel (1913–1980) SEAN SCULLY [1945, Dublín, Irlanda] Daniel Buren (1938) Klaus Staudt (1932) entrada en el glosario de este catálogo. Olivier Mosset (1944) Jean Tinguely (1925–1991) JOHN M. ARMLEDER [1948, Ginebra, Suiza] F Jef Verheyen (1934,–1984) GErwaLD ROCKENSCHAUB [1949, Viena, Austria] Charlotte Posenenske (1930– 1985) JOHN NIXON [1949, Sydney, Australia] LONDRES, 1980s La combinación de lectura y visión que ofrece el Ian Davenport (1966) diagrama permite tener presente, con evidencia HEIMO ZOBERNIG [1958, Mauten, Austria] Liam Gillick (1964) JULIAN OPIE [1958, Londres, Reino Unido] John Nixon (1949) NEO GEO Jim Lambie (1964) inmediata y continuidad, toda la compleja red espacio- SIMONE WESTERWINTER [1960, Stuttgart, Alemania] John M Armleder (1948) Jonathan Monk (1969) UGO RONDINONE [1963, Brunnen, Suiza] Julian Opie (1958) temporal de relaciones históricas e influencias mutuas Gerwald Rockenschaub (1952) ABSALON [1964, Ashod, Israel – 1993, París, Francia] Ugo Rondinone (1963) entre artistas de que se ocupa el texto de Renate Heimo Zobernig (1958) Katja Strunz (1970) PHILIPPE PARRENO [1964, Oran, Algeria] Wiehager, que describe, paso a paso, esa red. El plano LIAM GILLICK [1964, Aylesburg, Reino Unido] Are You Meaning Company (1973) Andrea Zittel (1965) Vincent Szarek (1973) permite visualizar de inmediato, en cada instante y JIM LAMBIE [1964, Glasgow, Reino Unido] en cada pasaje de la lectura, en cada aspecto parcial ANDREA ZITTEL [1965, Escondido, CA, EE.UU.] IAN [1966, Sidcup, Kent, Reino Unido] G (en cada lugar de la exposición), la totalidad de la red. DAVENPORT NUEVO ZERO (NEW ZERO) Markus HUEMER [1968, Linz, Austria] Markus Huemer (1968) JOnathan MONK [1969, Leicester, Reino Unido] Philippe Parreno (1964) Al pasar por cada una de sus partes, puede tenerse Bernhard Kahrmann (1973) al mismo tiempo a la vista el todo de un siglo de Katja STRUNZ [1970, Ottweiler, Alemania] Simone Westerwinter (1960) Mathieu Mercier (1970) MathiEU MERCIER [1970, Conflans–Sainte–Honorine, Francia] tendencias abstractas y minimalistas, justamente el siglo BERNHARD KAHRMANN [1973, Geislingen, Alemania] cuya variada historia cuentan, en esta exposición, las VINCENT SZAREK [1973, Rhode Island, NY, EE.UU.] 1 2 3 4 5 6 obras de la Colección Daimler seleccionadas para ella. ARE YOU MEANING COMPANY [1973, Tokyo, Japón].
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