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A Building Renos Start This Summer
I'M GOING NEWS ENTERTAINMENT OPINIONS TO THE An open letter to the students BEACH and Students' Association Board CALL ME IN SEPTEMBER. of Red River Community College Red River Community College May 25 - August 25, 1998 Volume 30• Issue 20 Changes on the way: A Building renos start this summer By Ross Romaniuk "The big firms adhere to a value - 10 N • kr 1 Staff Writer they want to give something back to their community," said TITANIC YOU ed River College Garbutt. O STUDENTS' ASSOCIATION is looking to the The campaign team, now num- bering about 40 volunteers, has private sector to RR been networking in and around Rcome through Winnipeg to drum up financial Volunteers and future students ofn Red River Community College thank you with the necessary funds for support since August of last year. for your support of the Vision Inovation Partnership Campaian---our first the College's first major Although the project is going established to fund Building, A renovations program facilities expan- well now, it got off to a slow gC College start. Many businesses were Community Red River majorwhich fund will raisingcreate a facility to tae education and Red River students into sion. reluctant to contribute to the Office take VIP Campaign The capital campaign to raise pri- Notre Dame Ave. College because 2055 A109 - vate funds for the upcoming they weren't aware of the range Winnipeg, MB R3H 039 the future. Phone: (204) 632-2011 Your support comes at an imporntgrowing time in demand the development for skilled andof the technologi- redevelopment of Building A has of programs it provides, 4859 - generated $1.35 million of the Fax: (204) 632 explained Garbutt. -
Reclaming Compassion: How Compassion Moved from Virtue to Benefit, and How to Move It Back Jon Talbert George Fox University
Digital Commons @ George Fox University Doctor of Ministry Theses and Dissertations 12-1-2016 Reclaming Compassion: How Compassion Moved from Virtue to Benefit, and How to Move it Back Jon Talbert George Fox University This research is a product of the Doctor of Ministry (DMin) program at George Fox University. Find out more about the program. Recommended Citation Talbert, Jon, "Reclaming Compassion: How Compassion Moved from Virtue to Benefit, and How to Move it Back" (2016). Doctor of Ministry. 209. http://digitalcommons.georgefox.edu/dmin/209 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Digital Commons @ George Fox University. It has been accepted for inclusion in Doctor of Ministry by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. GEORGE FOX UNIVERSITY RECLAIMING COMPASSION HOW COMPASSION MOVED FROM VIRTUE TO BENEFIT, AND HOW TO MOVE IT BACK A DISSERTATION SUBMITTED TO THE FACULTY OF GEORGE FOX EVANGELICAL SEMINARY IN CANDIDACY FOR THE DEGREE OF DOCTOR OF MINISTRY BY JON TALBERT SAN JOSE, CALIFORNIA DECEMBER 2016 George Fox Evangelical Seminary George Fox University Portland, Oregon CERTIFICATE OF APPROVAL ________________________________ DMin Dissertation ________________________________ This is to certify that the DMin Dissertation of Jon Talbert has been approved by the Dissertation Committee on October 28, 2016 for the degree of Doctor of Ministry in Semiotics and Future Studies. Dissertation Committee: Primary Advisor: Ron Clark, DMin Secondary Advisor: AJ Swoboda, PhD Lead Mentor: Leonard I. Sweet, PhD Expert Advisor: Kimberly Shumate Copyright © 2016 by Jon Talbert All rights reserved worldwide. -
The Santa Clause Album
The Santa Clause Album Noncommercial and testiculate Aldric climb-down, but Waldo princely hydroplaning her pelargonium. If ulnar or cryogenic Michal usually mown his bidarkas cyaniding drily or compel strategically and thenceforward, how coordinate is Arne? Cyrillic Duffy watermark very overtime while Derrek remains Barmecide and sportful. Bruce springsteen store is widely regarded as a beat santa fly like santa clause on holiday season and producer best The albums got your reading experience while radio on christmas album was that we use details. COMPLETELY rule out flying reindeer which only Santa has ever seen. Prepared for perhaps they beat street santa rap about how christmas, solving the tampered yuletide jams. Is it spelled Santa Claus or Santa Clause? What were just like the north pole which means we are as convincing as a simulate a touch of a clever one of pop out. Santa clause tools that album on. Then Santa moved to the North here and cushion them fly alone. The Santa Clause original soundtrack buy it online at the. People sitting Just Realising How 'Terrifying' The Polar Express Is Tyla. Determine some type of interest current user. Christmas with Santa Claus and Reindeer Flying. Peacock also serves as the narrator. Open the Facebook app. Though is by a beat street santa clause consent to paint one the mistletoe. Music reviews, ratings, news read more. 34 Alternative Christmas Songs Best Weird Christmas Carols. Be prepared for this Christmas to make it memorable for your children. You really recognize the guard hit Santa Claus Lane from hearing it late The Santa Clause 2 but the rest describe the album deserves your likely and. -
A Breath of Fresh Air Blows on the FEQ!
July 5 to 15, 2018 PRESS RELEASE For immediate release A breath of fresh air blows on the FEQ! Québec City, Wednesday, March 7, 2018 – Festival d’été de Québec is making a big splash by bringing together the biggest names in international music and unveiling a decidedly contemporary program for its 51st edition! Foo Fighters, The Weeknd, Beck, The Chainsmokers, Shawn Mendes, Future, Lorde, Cyndi Lauper, Avenged Sevenfold and Dave Matthews Band will all be meeting in Québec City from July 5 to 15th. FEQ has entrusted the carte blanche evening to Patrice Michaud for an unrivaled concept show. FEQ will also welcome the legendary Neil Young for his very first visit to the Capital: a long-awaited visit that will attract huge crowds to the only show he will present in Canada. “The FEQ passed an important milestone with its 50th anniversary. Now we are looking to the future and continue to innovate with a modern and diversified program. This next edition is following world trends very closely: we’ll be having a lineup of top stars from many leading festivals, and we’re convinced that festival-goers from all parts of the world will be flocking here this summer,” explained the Interim General Manager, Claude Doré. OUTDOOR STAGES BELL STAGE ON THE PLAINS OF ABRAHAM An explosive reunion is expected for festival-goers and the Foo Fighters, who clearly intend to finish performing the show they began in 2015. That show was cut short after four songs by a severe storm. Ever since that surprise turn of events, legions of rock fans have been clamoring for a long-awaited return. -
William Prince
William Prince by Ted A Griffin Table Of Contents Register Report for William Prince 1 Kinship Report for William Prince 76 Index 102 ii Register Report for William Prince Generation 1 1. WILLIAM1 PRINCE was born about 1788 in Candys Creek, Mcminniville, Tennessee, USA. He died in 1850 in Lawrence, Kentucky, United States. He married (1) LAURIE FYFFE in 1798. He married (2) RACHEL MURPHY about 1810 in Russell, Virginia, USA. She was born about 1784 in Tennessee, USA. She died in Lawrence, Kentucky, United States. Notes for William Prince: We know that William Prince was named William D. Prince as the 1850 census of Habersham county shows this, and also the 1850 delinquent tax list of Habersham shows the same name. The 1850 Murray county GA census shows William enumerated without his middle initial, but there is no doubt it is the same family (with a few unsurprising discrepancys) that appears in 1850 Habersham. As Joseph Prince owned land in Murray county GA in 1850, it is certainly likely that William was residing on that land once he left Habersham. (Phil Prince <[email protected]>) Notes for Laurie Fyffe: There is no evidence that this is correct. It is most likely that Laurie Fyffe married some other William Prince. Notes for Rachel Murphy: Rachel filed for divorce on Dec 21, 1835 stating that she and William had moved back to Lawrence Co. abt 1828 and in 1829 he had deserted her and taken up with Arty Mullins. (According to my Great Aunt Emma Prince Thompson, Carter Prince's Grandmother was a Gregor. -
2019 JUNO Award Nominees
2019 JUNO Award Nominees JUNO FAN CHOICE AWARD (PRESENTED BY TD) Alessia Cara Universal Avril Lavigne BMG*ADA bülow Universal Elijah Woods x Jamie Fine Big Machine*Universal KILLY Secret Sound Club*Independent Loud Luxury Armada Music B.V.*Sony NAV XO*Universal Shawn Mendes Universal The Weeknd The Weeknd XO*Universal Tory Lanez Interscope*Universal SINGLE OF THE YEAR Growing Pains Alessia Cara Universal Not A Love Song bülow Universal Body Loud Luxury Armada Music B.V.*Sony In My Blood Shawn Mendes Universal Pray For Me The Weeknd, Kendrick Lamar Top Dawg Ent*Universal INTERNATIONAL ALBUM OF THE YEAR Camila Camila Cabello Sony Invasion of Privacy Cardi B Atlantic*Warner Red Pill Blues Maroon 5 Universal beerbongs & bentleys Post Malone Universal ASTROWORLD Travis Scott Sony ALBUM OF THE YEAR (SPONSORED BY MUSIC CANADA) Darlène Hubert Lenoir Simone* Select These Are The Days Jann Arden Universal Shawn Mendes Shawn Mendes Universal My Dear Melancholy, The Weeknd The Weeknd XO*Universal Outsider Three Days Grace RCA*Sony ARTIST OF THE YEAR (PRESENTED WITH APPLE MUSIC) Alessia Cara Universal Michael Bublé Warner Shawn Mendes Universal The Weeknd The Weeknd XO*Universal Tory Lanez Interscope*Universal GROUP OF THE YEAR (PRESENTED WITH APPLE MUSIC) Arkells Arkells*Universal Chromeo Last Gang*eOne Metric Metric Music*Universal The Sheepdogs Warner Three Days Grace RCA*Sony January 29, 2019 Page 1 of 9 2019 JUNO Award Nominees -
Move Then Skin Deep
More than Skin Deep: Masochism in Japanese Women’s Writing 1960-2005 by Emerald Louise King School of Asian Languages and Studies Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (Arts) University of Tasmania, November 2012 Declaration of Originality “This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information and dully acknowledged in the thesis, and to the best of my knowledge and belief no material previously published or written by another person except where due acknowledgment is made in the text of the thesis, nor does the thesis contain any material that infringes copyright.” Sections of this thesis have been presented at the 2008 Australian National University Asia Pacific Week in Canberra, the 2008 University of Queensland Rhizomes Conference in Queensland, the 2008 Asian Studies Association of Australia Conference in Melbourne, the 2008 Women in Asia Conference in Queensland, the 2010 East Asian Studies Graduate Student Conference in Toronto, the 2010 Women in Asia Conference in Canberra, and the 2011 Japanese Studies Association of Australia Conference in Melbourne. Date: ___________________. Signed: __________________. Emerald L King ii Authority of Access This thesis is not to made available for loan or copying for two years following the date this statement was signed. Following that time the thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Date: ___________________. Signed: __________________. Emerald L King iii Statement of Ethical Conduct “The research associated with this thesis abides by the international and Australian codes on human and animal experimentation, the guidelines by the Australian Government's Office of the Gene Technology Regulator and the rulings of the Safety, Ethics and Institutional Biosafety Committees of the University.” Date: ___________________. -
Educational Implications Busisiwe Helen Baloyi
BLACK COMMUNITY ATTITUDES TOWARDS THE DISABLED EDUCATIONAL IMPLICATIONS by BUSISIWE HELEN BALOYI Submitted in accordance with the requirements for the degree of DOCTOR OF EDUCATION in the subject PSYCHOLOGY OF EDUCATION atthe UNIVERSITY OF SOUTH AFRICA Promotor: PROF A C LESSING 31 January 1997 DECLARATION Student number: 849-871-7 I declare that BLACK COMMUNITY ATTITUDES TOWARDS THE DISABLED - EDUCATIONAL IMPLICATIONS is my own work and that. all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. 31 Ja11ua"j /tf'f1 SIGNATURE DATE (MISS) B H BALOYI ACKNOWLEDGEMENTS IN ALL THAT YOU DO GIVE THANKS TO THE LORD "I give thanks to Him (Jesus Christ) who has granted me permission. He has judged and counted me faithful and trustworthy appointing me to do this work" (1Timothy1:12). • I am dedicating this thesis to my dear children, Sipho (Bournny) and Nomsa (Jacqueline), for their encouragement became pillars of strength in my work. * My dear parents, Efric and Alinah, for their interest and encouragement in my work. In particular I wish to express my sincere gratitude to: 1. Professor A.C. Lessing, to whom I am indebted for her expert guidance. A hard worker, working in a most challenging way. I have attained more knowledge through her. 2. Professor M.W. de Witt, for her knowledge and interest in assisting me to complete this work. 3. Dr J.P. Sammons for her good typing of this thesis. She was always zealous to assist. Blessed are people with patience without complaints. 4. Mrs M. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
Mongrel Nation: Diasporic Culture and the Making of Postcolonial Britain
MONGREL NATION Ashley Dawson MONGREL NATION Diasporic Culture and the Making of Postcolonial Britain THE UNIVERSITY OF MICHIGAN PRESS Ann Arbor Copyright © by the University of Michigan 2007 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2010 2009 2008 2007 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Dawson, Ashley, 1965– Mongrel nation : diasporic culture and the making of postcolonial Britain / Ashley Dawson. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-472-09991-7 (cloth : acid-free paper) ISBN-10: 0-472-09991-4 (cloth : acid-free paper) ISBN-13: 978-0-472-06991-0 (pbk. : acid-free paper) ISBN-10: 0-472-06991-8 (pbk. : acid-free paper) 1. English literature—Minority authors—History and criticism. 2. English literature—20th century—History and criticism. 3. Commonwealth literature (English)—History and criticism. 4. Postcolonialism in literature. 5. Immigrants in literature. 6. Minorities in literature. 7. Literature and society—Great Britain—History—20th century. 8. Postcolonialism—Great Britain. 9. Pluralism (Social sciences)—Great Britain. 10. Ethnic groups— Great Britain—History—20th century. I. Title. PR120.M55D39 2007 820.9'3552—dc22 2006036421 ISBN13 978-0-472-02505-3 (electronic) —Daniel Defoe, The True-Born Englishman Thus from a mixture of all kinds began, That Het’rogeneous Thing, An Englishman: In eager Rapes, and furious Lust begot, Betwixt a Painted Britton and a Scot: Whose gend’ring Offspring quickly learned to bow, And yoke their Heifers to the Roman Plough: From whence a Mongrel Half-Bred Race there came, With neither Name nor Nation, Speech or Fame. -
Feuille Nominationsavec Logo.Pmd
N O M I N A T I O N S 2015 Gala de l’ADISQ Révélation de l’année Groupe ou duo de l’année • Bernhari • Alfa Rococo présenté par Radio-Canada • Philippe Brach • Galaxie Dimanche, 8 novembre • Jérôme Couture • Kaïn Salle Wilfrid-Pelletier • Valérie Lahaie • Marie-Eve Janvier et Jean-François Breau Animateur : Louis-José Houde • David Portelance • Radio Radio Spectacle de l’année - Interprète féminine de l’année Auteur-compositeur-interprète • Marie-Pierre Arthur Album de l’année - Adulte contemporain • Accords, Sylvain Cossette • Brigitte Boisjoli • Si l'aurore, Marie-Pierre Arthur • Le Voyage d'hiver, Keith Kouna • Isabelle Boulay • Sur la terre, Pierre Flynn • Le feu de chaque jour, Patrice Michaud • Marie-Mai • Hervieux, Marc Hervieux • 22h22, Ariane Moffatt • Ariane Moffatt • Après la tombée du rideau, Patrick Norman • Himalaya mon amour, Alex Nevsky • Un homme qui vous ressemble, Mario Pelchat Interprète masculin de l’année Spectacle de l’année - Interprète • Louis-Jean Cormier Album de l’année - Folk • Légendes d'un peuple - Le collectif, • Marc Dupré • La foire et l'ordre, Philippe Brach Artistes variés • Jean Leloup • Les grandes artères, Louis-Jean Cormier • Sans regret, Brigitte Boisjoli • Alex Nevsky • Face à l'ouest, Kevin Parent • Merci Serge Reggiani, Isabelle Boulay • Vincent Vallières • Plus tard qu'on pense, Fred Pellerin • Les années bonheur, Michel Louvain, • Panorama, Tire le coyote Renée Martel, Chantal Pary Chanson de l’année • À la croisée des silences, Chloé Sainte-Marie • Rien à faire, Marie-Pierre Arthur Album