Intervals Method 1 (Much Better and Practises Understanding of Keys and Scales) 1

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Intervals Method 1 (much better and practises understanding of keys and scales) 1. Work out the interval size In the example below D up to B = a sixth 2. Write out a major scale starting on the lower note (you can save time by only going up as far as your upper note) In the example below, a D major scale 3. In a major scale the 4th, 5th and octave above the tonic are perfect and all the rest of the intervals are major 4. If the upper note of your interval is different from that in the major scale, use the table below the main example to work out what type of interval you have: In this case Bb is one semitone lower than B natural, so the interval is a minor sixth. Compared to the major scale, 4th, 5th, 8ve 2nd, 3rd, 6th, 7th the upper note is ... ... one semitone higher augmented augmented ... the same perfect major ... one semitone lower diminished minor ... two semitones lower (Double diminished) diminished Method 2 (simpler but also dumber!) 1) work out the interval between the two letter names. An interval from C to D, for example, will always be a second, regardless of any additional sharps and flats. 2) count the number of semitones between the two notes: Minor second 1 semitone Perfect fifth 7 semitones Major second 2 semitones Minor sixth 8 semitones Minor third 3 semitones Major sixth 9 semitones Major third 4 semitones Minor seventh 10 semitones Perfect fourth 5 semitones Major seventh 11 semitones [aug, 4th OR dim. 6 semitones 5th] diminished intervals are one semitone smaller than the values given above augmented intervals are one semitone larger than the values given above .

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Common Jazz Chord Symbols Here I Use the More Explicit Abbreviation 'Maj7' for Major Seventh
Common jazz chord symbols Here I use the more explicit abbreviation 'maj7' for major seventh. Other common abbreviations include: C² C²7 CMA7 and CM7. Here I use the abbreviation 'm7' for minor seventh. Other common abbreviations include: C- C-7 Cmi7 and Cmin7. The variations given for Major 6th, Major 7th, Dominant 7th, basic altered dominant and minor 7th chords in the first five systems are essentially interchangeable, in other words, the 'color tones' shown added to these chords (9 and 13 on major and dominant seventh chords, 9, 13 and 11 on minor seventh chords) are commonly added even when not included in a chord symbol. For example, a chord notated Cmaj7 is often played with an added 6th and/or 9th, etc. Note that the 11th is not one of the basic color tones added to major and dominant 7th chords. Only #11 is added to these chords, which implies a different scale (lydian rather than major on maj7, lydian dominant rather than the 'seventh scale' on dominant 7th chords.) Although color tones above the seventh are sometimes added to the m7b5 chord, this chord is shown here without color tones, as it is often played without them, especially when a more basic approach is being taken to the minor ii-V-I. Note that the abbreviations Cmaj9, Cmaj13, C9, C13, Cm9 and Cm13 imply that the seventh is included. Major triad Major 6th chords C C6 C% w ww & w w w Major 7th chords (basic structure: root, 3rd, 5th and 7th of root's major scale) 4 CŒ„Š7 CŒ„Š9 CŒ„Š13 w w w w & w w w Dominant seventh chords (basic structure: root, 3rd, 5th and b7 of root's major scale) 7 C7 C9 C13 w bw bw bw & w w w basic altered dominant 7th chords 10 C7(b9) C7(#5) (aka C7+5 or C+7) C7[äÁ] bbw bw b bw & w # w # w Minor 7 flat 5, aka 'half diminished' fully diminished Minor seventh chords (root, b3, b5, b7).
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! EasyEarTraining.com 85 Modern Interval Reference Songs This is a list of modern interval reference songs, provided by EasyEarTraining.com to accompany the article: Interval Reference Songs - That You've Actually Heard Of! Do you know a great modern reference song not included here? Let us know! http://www.easyeartraining.com/forums/ Oh - and don't miss the special offer at the back of this booklet... Contents Minor Second 2 Major Second 5 Minor Third 8 Major Third 11 Perfect Fourth 15 Tri-Tone 18 Perfect Fifth 21 Minor Sixth 24 Major Sixth 26 Minor Seventh 29 Major Seventh 30 Perfect Octave 32 !1 Copyright 2014 Easy Ear Training Ltd ! EasyEarTraining.com Minor Second Ascending K'naan - Wavin' Flag Section: Chorus Interval: “your - flag” http://www.youtube.com/watch?v=amXeJrA-wDc Enrique Iglesias - Somebody's Me Section: “You.. Do you remember me” Interval: ”do - you” https://www.youtube.com/watch?v=gv9hrQzU0cA Backstreet Boys - Show Me the Meaning Section: “Show me the meaning of being lonely” Interval: “of - BE” !2 Copyright 2014 Easy Ear Training Ltd ! EasyEarTraining.com https://www.youtube.com/watch? v=aBt8fN7mJNg Descending Avenged Sevenfold - Dear God Section: “Some search never findin’ a way” (bridge) Interval: “Some search” https://www.youtube.com/watch?v=mzX0rhF8buo Bryan Adams - Summer of ‘69 Section: “Those were the best days of my life” Interval: “the - best” https://www.youtube.com/watch? v=9f06QZCVUHg MYMP - Especially for You Section: “Especially” Interval: “Espe-cially” http://www.youtube.com/watch?v=IimqpTcrakU !3 Copyright 2014 Easy Ear Training Ltd ! EasyEarTraining.com The Pixies - Where Is My Mind Section: Introduction/Bridge (wee-ooh) Interval: “Wee-Ooh” https://www.youtube.com/watch?v=GrHl0wpagFc !4 Copyright 2014 Easy Ear Training Ltd ! EasyEarTraining.com Major Second Ascending Katy Perry - Wide Awake Section: “I’m wide awake” Interval: “wi-de a-wake” https://www.youtube.com/watch?v=k0BWlvnBmIE Breaking Benjamin - Diary of Jane Section: “If I have to.
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