BGO Newsletter: Summer 2017
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Walter Scott's Kelso
Walter Scott’s Kelso The Untold Story Published by Kelso and District Amenity Society. Heritage Walk Design by Icon Publications Ltd. Printed by Kelso Graphics. Cover © 2005 from a painting by Margaret Peach. & Maps Walter Scott’s Kelso Fifteen summers in the Borders Scott and Kelso, 1773–1827 The Kelso inheritance which Scott sold The Border Minstrelsy connection Scott’s friends and relations & the Ballantyne Family The destruction of Scott’s memories KELSO & DISTRICT AMENITY SOCIETY Text & photographs by David Kilpatrick Cover & illustrations by Margaret Peach IR WALTER SCOTT’s connection with Kelso is more important than popular histories and guide books lead you to believe. SScott’s signature can be found on the deeds of properties along the Mayfield, Hempsford and Rosebank river frontage, in transactions from the late 1790s to the early 1800s. Scott’s letters and journal, and the biography written by his son-in-law John Gibson Lockhart, contain all the information we need to learn about Scott’s family links with Kelso. Visiting the Borders, you might believe that Scott ‘belongs’ entirely to Galashiels, Melrose and Selkirk. His connection with Kelso has been played down for almost 200 years. Kelso’s Scott is the young, brilliant, genuinely unknown Walter who discovered Border ballads and wrote the Minstrelsy, not the ‘Great Unknown’ literary baronet who exhausted his phenomenal energy 30 years later saving Abbotsford from ruin. Guide books often say that Scott spent a single summer convalescing in the town, or limit references to his stays at Sandyknowe Farm near Smailholm Tower. The impression given is of a brief acquaintance in childhood. -
Beautiful Britain Abbotsford
Beautiful Britain Abbotsford ANONYMOUS CHAPTER I FROM CARTLEYHOLE TO ABBOTSFORD Thousands of persons from all parts of the world visit Abbotsford annually. There is no diminution in the pilgrimage to this chief shrine of the Border Country, nor is there likely to be. Scott's name, and that of Abbotsford, are secure enough in the affections of men everywhere. It is scarcely necessary to recall that Scott on both sides of his house was connected with the Border Country—the 'bold bad Border' of a day happily long dead. He would have been a reiver himself, more than likely, and one of its nameless bards to boot, had he lived before the Border felt the subdued spirit of modern times. A descendant of Wat of Harden, linked to the best blood of the Border, and with every phase of his life redolent of the Border feeling, history has had no difficulty in claiming Sir Walter Scott as the most representative Border man the world has seen. He was not born in the Border Country, but practically all his life was spent there. He came to the Border a sickly, delicate child, between his third and fourth year, and for threescore years and one he seldom left it for any lengthened interval. Edinburgh was the arena of much of his professional career. But he was happiest, even amid the most crushing sorrows of his life, when within earshot of the Tweed. There was not a blither or sunnier boyhood than Scott's at Rosebank, where even then he was 'making' himself, and dreaming of the days that were to be. -
Antiquaries in the Age of Romanticism: 1789-1851
Antiquaries in the Age of Romanticism: 1789-1851 Rosemary Hill Queen Mary, University of London Submitted for the degree of PhD March 2011 1 I confirm that the work presented in this thesis and submitted for the degree of PhD is my own. Rosemary Hill 2 Abstract The thesis concentrates on the work of fourteen antiquaries active in the period from the French Revolution to the Great Exhibition in England, Scotland and France. I have used a combination of the antiquaries’ published works, which cover, among other subjects, architecture, topography, costume history, Shakespeare and the history of furniture, alongside their private papers to develop an account of that lived engagement with the past which characterised the romantic period. It ends with the growing professionalistion and specialisation of historical studies in the mid-nineteenth century which left little room for the self-generating, essentially romantic antiquarian enterprise. In so far as this subject has been considered at all it has been in the context of what has come to be called ‘the invention of tradition’. It is true that the romantic engagement with history as narrative led to some elaboration of the facts, while the newness of the enterprise laid it open to mistakes. I have not ignored this. The restoration of the Bayeux Tapestry, the forged tartans of the Sobieski Stuarts and the creation of Shakespeare’s Birthplace are all considered. Overall, however, I have been concerned not to debunk but as it were to ‘rebunk’, to see the antiquaries in their historical context and, as far as possible, in their own terms. -
Sir Walter Scott - Poems
Classic Poetry Series Sir Walter Scott - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Sir Walter Scott(1771-1832) Walter Scott, born in College Wynd, Edinburgh, was the son of a lawyer. Educated first at Edinburgh High School and then University he was apprenticed to his father and called to the bar in 1792. An avid reader of poetry, history, drama and romances, the young Scott read widely in Italian, Spanish, Latin and German. In his twenties he was influenced particularly by the German Romantics and his first published works were translations of G.A. Bürger and Goethe. These were followed by the collections of border ballads and the narrative poems, written between 1805 and 1815, that first made him famous. By by this time he had also married Margaret Charlotte Charpenter, of a French Royalist family, and became sheriff-deputy of Selkirkshire, in 1797 and 1799 respectively. In 1809 Scott became partners with John Ballanytne in a book-selling business and also, as an ardent political conservative, helped to found the Tory 'Quarterly Review'. In 1811 he built a residence at Abbotsford on the Tweed. By 1815, beginning to feel eclipsed as a poet by Byron, he turned to the novel form for which he is now chiefly famous. A vast number of these were published, anonymously, over approximately the next fifteen years. In 1820 Scott was made a baronet and seven years later, in 1827, he first gave his name to his works. However, in 1826 the book-selling business became involved in the bankruptcy of another company, leaving Scott with debts of approximately £114,000. -
Sir Walter Scott by John Gibson Lockhart
THE LIFE OF SIR WALTER SCOTT BY JOHN GIBSON LOCKHART VOLUME VII EDINBURGH PRINTED BY T. AND A. CONSTABLE FOR T. C. AND E. C. JACK CAUSEWAYSIDE 1902 : CONTENTS OF VOLUME VII CHAPTER LV. 1822 William Erskine promoted to the Bench : Joanna Baillie's Miscellany : Halidon Hill and Macduft^s Cross : Letters to Lord Montagu : Last Portrait by Raeburn : Constable's Letter on the appear- ance of the Fortunes of Nigel : Halidon Hill published ........ CHAPTER LVI. 1822 Repairs of Melrose Abbey : Letters to Lord Montagu and Miss Edgeworth : King George IV. visits Scotland : Celtic mania : Mr. Crabbe in Castle Street : Death of Lord Kinnedder : Departure of the King : Letters from Mr. Peel and Mr. Croker CHAPTER LVII. 1822-1823 Mons Meg: Jacobite Peerages: Invitation from the Galashiels Poet : Progress of Abbotsford House Letters to Joanna Baillie, Terry, Lord Montagu, etc.: Completion and Publication of Peveril of the Peak 78 V :::: CONTENTS CHAPTER LVIII. 1823 PAOE Quentin Durward in progress: Letters to Constable, of Waverley and and Dr. Dibdin : The Author the Roxburghe Club: The Bannaityne Club founded: Scott Chairman of the Edinburgh Oil Gas Company, etc.: Mechanical Devices at Abbotsford: Gasometer: Air-Bell, etc. etc.: The Bellenden Windows 117 CHAPTER LIX. 1823 Quentin Durward published: Transactions with Con- stable : Dialogues on Superstition proposed Article on Romance written: St. Ronan's Well ' ' begun : Melrose in July —Abbotsford visited by Miss Edgeworth, and by Mr. Adolphus: His Memoranda : Excursion to AUanton : Anecdotes Letters to Miss Baillie, Miss Edgeworth, Mr. Terry, etc. : Publication of St. Ronan's Well . 147 CHAPTER LX. 1824 Publication of Redgauntlet : Death of Lord Byron ' Library and Museum : The Wallace Chair ' House-Painting, etc. -
Love Me, Love My Pet: Arty Types 43
chapter 4 Love me, love my pet arty types IN CHAPTER 3 WE saw that the vast majority of US In others they were no doubt a direct source of presidents shared their homes with at least one inspiration. But whatever their role, many of these pet. Could the same be said of famous authors and pets have gone on to be immortalised with statues artists? and monuments. Let’s take a look at these next. Certainly many writers of the nineteenth and twentieth centuries owned and admired cats and The Story of Byron and Boatswain dogs. Charles Dickens, Mark Twain, William With his moody good looks and eccentric aristocratic Wordsworth, and Th omas Hardy were all fond of lifestyle, Byron (1788-1824) has long been credited their pets, and Lewis Carroll created one of the most as one of Britain’s most accomplished romantic poets. iconic feline images ever, through his Cheshire Cat in He was also ‘mad, bad, and dangerous to know’, Alice’s Adventures in Wonderland. What’s more, both according to his lover, Lady Caroline Lamb. A rather cats and dogs have long been the favoured subjects of irresistible description that only serves to make him painters – no surprise to those of us who admire the sound more exciting. aesthetics of our pets. In addition to his writing, Byron is also known for Today, images of cats in particular are found on his love of animals and the fact that he shared his a huge variety of products and it is estimated that homes in England, Italy, Switzerland, and Greece there are 1,000 shops in the US SAMPLEselling nothing but with many of all shapes and sizes. -
Introduction: Reworking Walter Scott Daniel Cook University of Dundee
Studies in Scottish Literature Volume 44 Article 2 Issue 2 Reworking Walter Scott 12-15-2018 Introduction: Reworking Walter Scott Daniel Cook University of Dundee Lucy Wood Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation Cook, Daniel and Wood, Lucy (2019) "Introduction: Reworking Walter Scott," Studies in Scottish Literature: Vol. 44: Iss. 2, 3–9. Available at: https://scholarcommons.sc.edu/ssl/vol44/iss2/2 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. INTRODUCTION: REWORKING WALTER SCOTT Daniel Cook and Lucy Wood In two years’ time, on the fifteenth of August 2021, Walter Scott turns 250. Edinburgh, the world’s first designated UNESCO City of Literature, will lead the celebrations with a series of public events and publications in honour of one of Scotland’s most noteworthy authors. In a sense, this work of commemoration began long ago. Waverley, Edinburgh’s main railway station, remains the only station on the planet to take its name from a literary character—in this case the eponymous hero of Scott’s first novel. Near the station stands the Scott Monument, the world’s tallest shrine to an author, in which Scott and his beloved hound Maida have been regally rendered in thirty tons of Carrara marble. They’ve been sitting there, in Princes Street Gardens, overlooking countless passers-by, since the 1840s, barely a decade after the writer’s death. -
Written Guide
The Athens of the North A self-guided walk in Edinburgh’s New Town ww.discoverin w gbrita in.o the stories of our rg lands discovered th cape rough w s alks 2 Contents Introduction 4 Route map 5 Practical information 6 Commentary 10 Credits 38 © The Royal Geographical Society with the Institute of British Geographers, London, 2015 Discovering Britain is a project of the Royal Geographical Society (with IBG) The digital and print maps used for Discovering Britain are licensed to the RGS-IBG from Ordnance Survey Cover image: Detail of the National Monument © Rory Walsh RGS-IBG Discovering Britain 3 The Athens of the North Discover how international ideas built Edinburgh’s New Town By the seventeenth century Edinburgh’s thinkers and inventors led the world – but their home city was too small and had twice been destroyed by fire. Equally inspired by modern ideas and ancient empires, Edinburgh’s great minds built a ‘new town’ from scratch.The New Town was a global landmark in urban design and became an international canvas to show off The view from Calton Hill (1829) by Thomas H Shepherd © Scottish Pictures, Edinburgh (www.scottishpictures.com) the Scottish Enlightenment. This walk explores the streets, buildings and the people whose ideas and ambitions created the ‘Athens of the North’. The walk was originally created in 2012. It was part of a series that explored how our towns and cities have been shaped for many centuries by some of the 206 participating nations in the 2012 Olympic and Paralympic Games. 4 Route map Stopping points S. -
Guy Mannering, Or the Astrologer Sir Walter Scott
Guy Mannering, or the Astrologer Sir Walter Scott The Harvard Classics Shelf of Fiction, Vol. IV. Selected by Charles William Eliot Copyright © 2001 Bartleby.com, Inc. Bibliographic Record Contents Biographical Note Criticisms and Interpretations I. By Thomas Carlyle II. By Richard Holt Hutton III. Carlyle on the Waverley Novels IV. Richard Holt Hutton on Scott’s Women V. Walter Bagehot on the Waverley Novels VI. Ruskin on Scott’s Women List of Characters Introduction to Guy Mannering (1829) Additional Note Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII Chapter VIII Chapter IX Chapter X Chapter XI Chapter XII Chapter XIII Chapter XIV Chapter XV Chapter XVI Chapter XVII Chapter XVIII Chapter XIX Chapter XX Chapter XXI Chapter XXII Chapter XXIII Chapter XXIV Chapter XXV Chapter XXVI Chapter XXVII Chapter XXVIII Chapter XXIX Chapter XXX Chapter XXXI Chapter XXXII Chapter XXXIII Chapter XXXIV Chapter XXXV Chapter XXXVI Chapter XXXVII Chapter XXXVIII Chapter XXXIX Chapter XL Chapter XLI Chapter XLII Chapter XLIII Chapter XLIV Chapter XLV Chapter XLVI Chapter XLVII Chapter XLVIII Chapter XLIX Chapter L Chapter LI Chapter LII Chapter LIII Chapter LIV Chapter LV Chapter LVI Chapter LVII Chapter LVIII Notes Glossary Biographical Note SIR WALTER SCOTT belonged by descent to a large family which had for generations lived in the border counties of the south of Scotland, and many of whose members had been heroes of such exploits as their descendant was to make familiar to all the world. His father, Walter Scott, the first of the stock to become a city dweller, was by profession a writer to the signet; his mother, Anne Rutherford, was the daughter of a professor of medicine in Edinburgh University. -
A Picturesque Photographic Tour Through Scotland
A Picturesque Photographic Tour Through Scotland Elizabeth Knazook Ryerson University digital.library.ryerson.ca/object/80 Please Cite: Knazook, E. (2009). A picturesque photographic tour through Scotland. Genre: An International Journal of Literature and the Arts: Arrivals and Departures, 29, 127-159. library.ryerson.ca A Picturesque Photographic Tour Through Scotland Elizabeth Knazook Ryerson University, Toronto, ON/ George Eastman House Museum, Rochester, NY n the autumn of 1844, William Henry Fox Talbot traveled to Scotland to photograph abbey ruins, Gothic-style monuments, rivers, and rolling land- Iscapes, using his newly patented calotype photographic process. The following summer, he printed twenty-three of the images in a book entitled Sun Pictures in Scot- land, produced with salted paper prints from the calo- type negatives. A gentleman scientist with a Cambridge education, Talbot was well-versed in the “picturesque” aesthetic that frequently informed landscape imagery, and the photographs in Sun Pictures demonstrate his un- derstanding of picturesque composition. He directed the book on subscription to a wealthy, upper class audience, confident that it reflected an artistic sensibility shared by 127 Knazook himself and his readers. Yet, while Sun Pictures was gen- erally well-received, little evidence exists to indicate the critical reception this small selction of picturesque scenes received from its contemporary audience. Furthermore, by omitting any narrative text from the book, Talbot himself left few indications of what he hoped would be understood from his work. Uncovering Talbot’s purpose with Sun Pictures in Scotland requires an examination of the contemporary print culture into which the book was placed, and an understanding of the nature of travel in the nineteenth century. -
The Force of a Frame: Narrative Boundaries and the Gothic Novel
THE FORCE OF A FRAME: NARRATIVE BOUNDARIES AND THE GOTHIC NOVEL by CLAYTON CARLYLE TARR (Under the Direction of Richard Menke) ABSTRACT This study examines frame narratives from the late eighteenth century through the late Victorian period. Studies of the Gothic have either neglected framing devices or dismissed them as conventions that establish structures of narrative. This project, however, reads them as formally destabilizing. While frame narratives appear to provide structure—limits, boundaries, borders— they far more frequently disturb narrative cohesiveness. Starting with Ann Radcliffe’s revolutionary approach, which situated the frame narrative within the fiction itself rather than outside as paratext, novelists used form to intensify the Gothic effect. In Mary Shelley’s Frankenstein, for example, Walton’s letters enclose Victor’s central narrative, but when the creature authoritatively appears in both sections of the frame, the comforting narrative boundary between character and reader ruptures. The study proceeds with chapters on Walter Scott, Mary Shelley, Charles Robert Maturin, and James Hogg. In addition, it interrogates how several nineteenth-century writers reimagine the Gothic frame, first through chapters on the Brontës and Dickens, and finally through Joseph Conrad and Henry James. “The Force of a Frame” excavates, for the first time, the rich relations between frame and form to develop a new understanding of the narrative dynamics and aesthetic vibrancy of the Gothic novel. Far from tangential, the Gothic novel in fact provides a foundation for aesthetic realism. Perhaps it is not the comfortable realism we expect, that which directs us towards claims of objectivity, but it is a realism based on human experience, the often disturbing, sometimes horrifying reality of perspective, untruth, and doubt. -
Walter Scott
PEOPLE MENTIONED IN WALDEN ALMOST MENTIONED IN WALDEN: SIR WALTER SCOTT “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY Four Approaches to the Writer’s Estate Approach “Old Money” “New Money” “Sweat Equity” “Just Enough Money” Writer Lord Byron Sir Walter Scott Henry Thoreau Virginia Wolff Estate Newstead Abbey Abbotsford Walden Pond A Room of One’s Own Results Bailout Insolvency Immortality Feminism “Stack of the Artist of Kouroo” Project People of Walden: Sir Walter Scott HDT WHAT? INDEX THE PEOPLE OF WALDEN: SIR WALTER SCOTT PEOPLE MENTIONED IN WALDEN WALDEN: I should not forget that during my last winter at the pond there PEOPLE OF was another welcome visitor, who at one time came through the village, WALDEN through snow and rain and darkness, till he saw my lamp through the trees, and shared with me some long winter evenings. One of the last of the philosophers, –Connecticut gave him to the world,– he peddled first her wares, afterwards, as he declares, his brains. These he peddles still, prompting God and disgracing man, bearing for fruit his brain only, like the nut its kernel. I think that he must be the man of the most faith of any alive. His words and attitude always suppose a better state of things than other men are acquainted with, and he will be the last man to be disappointed as the ages revolve. He has no venture in the present. But though comparatively disregarded now, when his day comes, laws unsuspected by most will take effect, and masters of families and rulers will come to him for advice.– “How blind that cannot see serenity!” A true friend of man; almost the only friend of human progress.