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Me and Orson Welles Press Kit Draft
presents ME AND ORSON WELLES Directed by Richard Linklater Based on the novel by Robert Kaplow Starring: Claire Danes, Zac Efron and Christian McKay www.meandorsonwelles.com.au National release date: July 29, 2010 Running time: 114 minutes Rating: PG PUBLICITY: Philippa Harris NIX Co t: 02 9211 6650 m: 0409 901 809 e: [email protected] (See last page for state publicity and materials contacts) Synopsis Based in real theatrical history, ME AND ORSON WELLES is a romantic coming‐of‐age story about teenage student Richard Samuels (ZAC EFRON) who lucks into a role in “Julius Caesar” as it’s being re‐imagined by a brilliant, impetuous young director named Orson Welles (impressive newcomer CHRISTIAN MCKAY) at his newly founded Mercury Theatre in New York City, 1937. The rollercoaster week leading up to opening night has Richard make his Broadway debut, find romance with an ambitious older woman (CLAIRE DANES) and eXperience the dark side of genius after daring to cross the brilliant and charismatic‐but‐ sometimes‐cruel Welles, all‐the‐while miXing with everyone from starlets to stagehands in behind‐the‐scenes adventures bound to change his life. All’s fair in love and theatre. Directed by Richard Linklater, the Oscar Nominated director of BEFORE SUNRISE and THE SCHOOL OF ROCK. PRODUCTION I NFORMATION Zac Efron, Ben Chaplin, Claire Danes, Zoe Kazan, Eddie Marsan, Christian McKay, Kelly Reilly and James Tupper lead a talented ensemble cast of stage and screen actors in the coming‐of‐age romantic drama ME AND ORSON WELLES. Oscar®‐nominated director Richard Linklater (“School of Rock”, “Before Sunset”) is at the helm of the CinemaNX and Detour Filmproduction, filmed in the Isle of Man, at Pinewood Studios, on various London locations and in New York City. -
Kelsey Lacombe
Canada’s Première Agency for Dance Educators www.quickballchange.com [email protected] KELSEY LACOMBE TEACHING EXPERIENCE Shelley Shearer School of Dance Recreational & Competitive Ballet, Tap, Jazz, Musical Theatre Teacher PERFORMANCE EXPERIENCE 42nd Street Phyllis Dale Drayton/Michael Lichtefeld Bend it Like Beckham Swing/DC Bend It Toronto Inc/M Paul/G Berti Cinderella Ensemble Rainbow Stage Holiday Inn Ensemble Drayton/Michael Lichtefeld Beauty and the Beast Silly Girl Rainbow Stage/R Herriot/S Manchulenko Beauty and the Beast Ensemble/Belle u/s Capitol/A. Sarmiento/K. Gage Crazy for You Patsy Citadel/Theatre Calgary/D. Tekatch Cinderella: Panto Ensemble Drayton/David Connolly Anything Goes Chastity Drayton/Michael Lichtefeld Damn Yankees Sister Miller/DC Theatre Sheridan/Ray Hogg Legally Blonde Elle Woods Theatre Sheridan/G. Peterson Atlantis Chora Theatre Sheridan/CMTP/R Ouzounian Sister Act Ensemble Rainbow Stage/Ray Hogg West Side Story Pauline Rainbow Stage/Tracy Flye Chess Ensemble/DC Theatre Sheridan/D Evans/J Tomaino The Producers Usherette Rainbow Stage/Ray Hogg Les Feux Follets Featured Charlottetown Festival/K. Gage Annie Cecile Rainbow Stage/D. Fletcher Footloose Wendy Jo Rainbow Stage/Carson Nattrass RELATED EXPERIENCE Carrie: The Musical Hart House Theatre/Assistant Choreographer Grand Hotel Theatre Sheridan/Assistant Choreographer Sheridan College Dance Tutor Damn Yankees Dance Captain (Sheridan) Chess Dance Captain (Sheridan) EDUCATION & CERTIFICATION Sheridan College Bachelor Music Theatre Performance ISTD Ballet – Grade 6 OTHER Royal Manitoba Theatre Centre Scholarship 2014-2016 CAEA . -
Great Britain's Best Sellers States Again in February with Dates in New York, Los Angeles, Detroit and Philadelphia
,,..... man 4/Y\m.\ out rrw:,\ r wu HUM CaehBox CashBox France Urn \I Z=iin eMUMi `siir Great Britain WWI/ \\vm Tiffuawm roni The Rolling Stones will produce and star in a major TV program to be 2 months before its opening, MIDEM 1969 is beating all records. To date, called "The Rolling Stones Rock 'n' Roll Show" which will be distributed on a about 30 offices are left in the Hotel Martinez. 2,500 participants are already global basis. It is the group's first small -screen spectacular and filming will attending MIDEM. This number represents 2/3's of last year's participation. be Michael Lindsay -Hogg who was connected with the now defunct independent MIDEM expects an increase of 25 to 30%, i.e. 4,000 to 4,500 participants. At TV series "Ready Steady Go" and also directed the Stones in their "Jumping this moment, delegates from the technical department are in Cannes studying Jack Flash" TV movie. Already booked as guests are Traffic, American blues the best way to adapt the Martinez to the expected rush. The participants singer -guitarist Taj Mahal and Indian swamp music specialist Dr. John. The will discover with the greatest pleasure that Bernard Chevry has organized long delayed "Beggar's Banquet" LP by the Rolling Stones was finally re- in the Martinez a very important and up-to-date telephone installation. An leased November 22nd by Decca with revised artwork. exchange located at each level will enable the MIDEM participants to obtain Latest Board of Trade figures just released show that total sales of gramo- without any delay long distance and local calls. -
Actor/Dancer/Singer Actra/Equity
BRENDA GORLICK - ACTOR/DANCER/SINGER ACTRA/EQUITY Tel: (204) 284-8645 Height: 5’5” Cell: (204) 795-9741 Weight: 118 lbs. Email: [email protected] Website: www.brendagorlick.ca FILM & TELEVISION THE HORSEMEN Lee Shoemaker Mandate Pictures/Jonas Ackerlun STRIKE! THE MUSICAL Rose Elkin Danny Schur Productions SHALL WE DANCE Dance Competition Judge Miramax Productions Dance Crew Liaison Choreographic Dept. MARY KAY PROJECT Phyllis Flatow (Principal) Alliance Atlantis ONE JANE DOE Daniella (Principal) CBC WITHOUT A WORD Special Dance Extra Buffalo Gal Prod. SHIRLEY HOLMES Woman (Actor) Credo Productions THE COMEDY OF ERRORS Quartet (Feature) CBC ELECTRIC CIRCUS Dancer/Choreographer CITY-TV FRONT PAGE CHALLENGE Special Guest CBC THEATRE NINE! Claudia Dry Cold Productions/Donna Fletcher WIZARD OF OZ Wicked Witch Rainbow Stage Inc./Richard Hurst STRIKE World Premiere Ensemble Danny Schur Productions/Ann Hodges BEAUTY AND THE BEAST Babette Rainbow Stage Inc./Robb Paterson CHICAGO Mary Sunshine Rainbow Stage Inc./Bill Robertson EVITA Ensemble M.T.C./Th. Calgary/Tim French A CHORUS LINE Sheila Rainbow Stage Inc./Richard Hurst 42ND STREET Dorothy Brock Rainbow Stage Inc./Robb Paterson SOUND OF MUSIC Elsa Rainbow Stage Inc./Brian Foley DAMN YANKEES Lola Rainbow Stage Inc./Brian Foley GUYS AND DOLLS Agatha, u.s. Sarah Stratford Festival/Brian MacDonald AS YOU LIKE IT Hysperia, u.s. Audrey Stratford Festival/Richard Monette KISS ME KATE Ensemble, u.s.Hattie Stratford Festival/Donald Saddler COMEDY OF ERRORS Quartet Stratford Festival/Richard Monette NUNSENSE Sister Mary Leo Nunsense /Diane Nyland Proctor A CHORUS LINE Kristine/Judy/Connie/Bebe Vancouver Playhouse/Jeff Hyslop CDN. FORCES TOUR Choreographer/Dancer Overseas Tour/Ray St. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
The Enduring Power of Musical Theatre Curated by Thom Allison
THE ENDURING POWER OF MUSICAL THEATRE CURATED BY THOM ALLISON PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP PRODUCTION CO-SPONSOR LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. CURATED AND DIRECTED BY THOM ALLISON THE SINGERS ALANA HIBBERT GABRIELLE JONES EVANGELIA KAMBITES MARK UHRE THE BAND CONDUCTOR, KEYBOARD ACOUSTIC BASS, ELECTRIC BASS, LAURA BURTON ORCHESTRA SUPERVISOR MICHAEL McCLENNAN CELLO, ACOUSTIC GUITAR, ELECTRIC GUITAR DRUM KIT GEORGE MEANWELL DAVID CAMPION The videotaping or other video or audio recording of this production is strictly prohibited. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
Special Thanks for Colleen Mcdonough and Larissa Belezos for Rehearsal Assistance
Bridgewater State University Upcoming Music Department events: Department of Music Flute Choir Concert Thursday, April 21st, 8:00pm, Horace Mann Auditorium, Boyden Hall Pop Vocal Ensemble Student Recital-Jiaying (Iris) Zhu Friday, April 22nd, 7:00pm, Horace Mann Auditorium Prof. Heather Holland, Director Chris DiBenedetto, Piano Voice Studio Recital/Opera Ensemble Sunday, April 24th, 3:00pm & 6:00pm, Horace Mann Auditorium Austin DeAndrade, Guitar Vocal Ensemble Patrick Wroge, Bass Guitar Monday, April 25th, 8:00pm, Horace Mann Auditorium Lee Dias, Drums Student Recital-Killian Kerrigan & Austin DeAndrade Tuesday, April 26th, 8:00pm, Maxwell Library Lecture Hall, Room 013 African Drumming Concert Thursday, April 28th, 8:00pm, Horace Mann Auditorium Voice Studio Recital-Prof. Leschishin & Prof. Ferrante Friday, April 29th, 7:00pm, Horace Mann Auditorium Spring Chorale Concert Sunday, May 1st, 3:00pm, Oliver Ames HS, North Easton, MA Jazz Band Concert Monday, May 2nd, 8:00pm, Horace Mann Auditorium FRIENDS OF MUSIC In order to assist talented students in the pursuit of their musical studies and professional goals, the Department of Music has established the Tuesday, April 19, 2016 Music Scholarship Fund. 8:00 pm We welcome donations of any amount for this important undertaking! Please make checks payable to BSU Foundation Horace Mann Auditorium with a note in the memo line: “Friends of Music.” Boyden Hall Mailing address: Bridgewater State University Foundation PO Box 42 Bridgewater, MA 02325 Program Bright Maureen McDonald Kate Morin and Nirorokis Guerrero Blue Skies Irving Berlin Better With A Man Steven Lutvak Full Ensemble Arranged by Roger Emerson from A Gentlemens Guide to Love and Murder Brian Kenny and Killian Kerrigan Home J. -
New York City Center Announces Re‐Opening for In‐Person Performances with Full Calendar of Programs for 2021 – 2022 Season
FOR IMMEDIATE RELEASE: New York City Center announces re‐opening for in‐person performances with full calendar of programs for 2021 – 2022 season Dance programming highlights include Fall for Dance Festival, TWYLA NOW, and the launch of two new annual dance series Additional artistic team members for Encores! 2022 season include choreographers Camille A. Brown for The Life and Jamal Sims for Into the Woods Tickets start at $35 or less and go on sale for most performances Sep 8 for members; Sep 21 for general public July 13, 2021 (New York, NY) – New York City Center President & CEO Arlene Shuler today announced a full calendar of programming for the 2021 – 2022 season, reopening the landmark theater to the public in October 2021. This momentous return to in‐person live performances includes the popular dance and musical theater series audiences have loved throughout the years and new programs featuring iconic artists of today. Manhattan’s first performing arts center, New York City Center has presented the best in music, theater, and dance to generations of New Yorkers for over seventy‐five years. “I am delighted to announce a robust schedule of performances for our 2021 – 2022 season and once again welcome audiences to our historic theater on 55th Street,” said Arlene Shuler, President & CEO. “We have all been through so much in the past sixteen months, but with the support of the entire City Center community of artists, staff, and supporters, we have upheld our legacy of resilience and innovation, and we continue to be here for our loyal audience and the city for which we are proudly named. -
Current Season Poster
2019-2020 PERFORMANCE SEASON MainstageMainstage SeriesSeries TheThe HouseHouse ofof BlueBlue LeavesLeaves by John Guare It’s 1965, the day Pope Paul VI came to New York City. For Artie Shaughnessy of Sun- nyside, Queens, this historic moment is an omen for change. Artie dreams of leaving his zookeeper job to pursue a life as a songwriter in Hollywood with his new girlfriend, Bunny. However, a few things stand in his way, such as his wife, Bananas; a GI son drafted into Vietnam gone AWOL; a grieving movie producer; and a group of over-ex- cited nuns. When these worlds collide, hilarity ensues. This dark comedy explores the theme of the American Dream at a moment in U.S. history ripe with change. November 1- 2 @7PM and November 2-3 @2PM . $10 General Admission, $8 Seniors, Faculty, & Staff, $5 Students CelebratingCelebrating thethe Green:Green: ChristmasChristmas BellesBelles Jewell Theatre Company and Jazz Band collaborate to present a classic holiday story combining reader’s theatre with live music. The performance is part of Jewell’s annual winter holiday events for the entire campus and community. Free performance. November 22, Following the Lighting of the Quad Free Admission or Donation November 23 @ 2PMZ A Pay What You Wish Event AA Gentleman’sGentleman’s GuideGuide toto LoveLove andand MurderMurder book and lyrics by Robert L. Freedman & the music and lyrics by Steven Lutvak When the humble Monty Navarro learns that he is eighth in line for an earldom in the D’Ysquith family fortune, he plans to knock off his unsuspecting relatives to become the ninth Earl of Highhurst. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
Martin Balsam and the Refining of Male Character Acting in American Films, 1957-1976 John Thomas Mcguire, Siena College
Man In A Hat: Martin Balsam and the Refining of Male Character Acting in American Films, 1957-1976 John Thomas McGuire, Siena College [email protected] Volume 8. 1 (2020) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2020.235 | http://cinej.pitt.edu Abstract This article attempts a definition at what constitutes “character acting” in mainstream cinema in the United States and argues that throughout the peak of his film career—roughly, 1957 through 1976--Martin Balsam refined the definition of male character acting in American film, a parameter previously established by such skilled practitioners as Eugene Pallette and Claude Rains. Balsam did this through his ability to portray what can be termed “a man in a hat” portrayals: tartly humorous, reliable, and sometimes authoritative supporting characters, usually wearing a chapeau. This is clearly seen in such performances as the private investigator in Alfred Hitchcock’s Psycho (1960) and most interestingly, a partner in an unusual subway hijacking in Joseph Sargent’s The Taking of Pelham One, Two, Three (1974). Keywords: Character acting, male, in film, United States; Martin Balsam; Academy Award for Best Performance by a Supporting Actor; Claude Rains; Alfred Hitchcock; 20th Century film acting. New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press Man In A Hat: Martin Balsam1 and the Refining Of Male Character Acting in American Films, 1957-1976 John Thomas McGuire "I'll tell you; I still don't feel whatever change you're supposed to feel when your name goes up above the title.