Συνδιοργανωτές / Co-Organizers Φεστιβάλ Όψεις του Κόσμου & Μουσείον Χαρακτικής Χαμπή Animafest Cyprus - Views of the World & Hambis Printmaking Museum Επίσημη Στήριξη / Official Support Κυπριακή Δημοκρατία - Υπουργείο Παιδείας και Πολιτισμού Republic of Cyprus - Ministry of Education and Culture ASIFA Association International du Film d’Animation Χορηγοί Βραβείων / Awards Sponsors Ελληνική Τράπεζα / Hellenic Bank Σε Συνεργασία / In Collaboration Πανεπιστήμιο Λευκωσίας / University of Nicosia Τεχνολογικό Πανεπιστήμιο Κύπρου / Cyprus University of Technology

Οι δράσεις του Φεστιβάλ εντάσσονται στο επίσημο πρόγραμμα των εκδηλώσεων του Οργανισμού Πολιτιστική Πρωτεύουσα της Ευρώπης ΠΑΦΟΣ 2017 Countryside Animafest Cyprus is part of the official program of European Capital of Culture PAFOS 2017

EFFE Label 2015 - 2016 / European Festivals Association

Διεθνές Φεστιβάλ Ταινιών Animation Κύπρου Ταχ. Κιβ. 20675, Λευκωσία 1662, Κύπρος Animafest Cyprus P.O. BOX 20675, Nicosia, 1662, Cyprus [email protected] / www.animafest.com.cy © 2002 - 2015 ΟΨΕΙΣ ΤΟΥ ΚΟΣΜΟΥ / VIEWS OF THE WORLD

ANIMA ANIMA Republic of Cyprus Association Internationale Republic of Cyprus FEST Association Internationale FEST EUROPE FOR FESTIVALS EUROPE FOR FESTIVALS du Film d' Animation du Film d' Animation Cultural Servises CYPRUS FESTIVALS CulturalFOR EU ServisesROPE CYPRUS FESTIVALS FOR EUROPE Ministry of Education Ministry of Education UNESCO - CICT UNESCO - CICT and Culture Views of the World EFFE LABELand 20 Culture15-2016 Views of the World EFFE LABEL 2015-2016 Καλλιτεχνικός Διευθυντής / Artistic Director Συντονισμός για “Aγροτουριστικό Βασιλιάς Νικοκλής” / Γιώργος Τσαγγάρης / Yiorgos Tsangaris Coordination for “Vasilias Nikokles venue” Χριστίνα Κωνσταντίνου / Christina Konstantinou Επιμελητής προγράμματος Διεθνούς Διαγωνιστικού International Competiton Film Program curator Συντονισμός για Μουσείον Χαρακτικής Χαμπή / Γιώργος Τσαγγάρης / Yiorgos Tsangaris Coordination for Hambis Printmaking Museum venue Χαμπής Τσαγγάρης / Hambis Tsangaris Επιμελητές προγράμματος Κυπριακού Διαγωνιστικού Helene Reeb Tsangaris Cyprus Competiton Film Program curators Νίκος Σύννος / Nicos Sinnos Συντονισμός για Τεχνόπολις 20 / Γιώργος Τσαγγάρης / Yiorgos Tsangaris Coordination for Technopolis 20 venue Μαρκέλλα Νεοκλέους / Markella Neokleous Επιμέλεια αφιερώματος στον Piotr Dumala Piotr Dumała Tribute Εκπρόσωπος Τύπου / Press Attaché Piotr Dumala Τώνια Σταυρινού / Tonia Stavrinou Aneta Ozorek Φωτογράφος Φεστιβάλ / Official Photographer Επιμέλεια έκθεσης Špela Čadež Παναγιώτης Μηνά / Panagiotis Mina Špela Čadež Exhibition Κινηματογράφιση Φεστιβάλ / Festival Filming Špela Čadež Γιώργος Τσαγγάρης / Yiorgos Tsangaris Χρίστος Αγιομαμίτης / Christos Ayiomamitis

Επιμέλεια Παιδικού Προγράμματος Ταινιών Εκτέλεση Παραγωγής / Production Children’s Film Program curators Φεστιβάλ Όψεις του Κόσμου / Views of the World Festival Igor Prassel Γενικός Συντονισμός Παραγωγής / Project Management Γιώργος Τσαγγάρης / Yiorgos Tsangaris Μαρία Τσαγγάρη / Maria Tsangari Φεστιβάλ / Festival 2015 Φεστιβάλ / Festival 2015 Επιμέλεια Προγράμματος Ταινιών Creepy Animation Επικοινωνία / Communication Creepy Animation Program Curator Αγγελική Μιχαλακοπούλου - Καρρά / Aggeliki Michalakopoulou - Karra Mihai Mitrica

Εργαστήρι Animation με Κούκλες / Puppet Animation Workshop Μουσική Συναυλία Σαββίνας Γιαννάτου / Savvina Yiannatou concert Οργανισμός Πολιτιστική Πρωτεύουσα της Ευρώπης - Πάφος 2017 Špela Čadež Organisation European Capital of Culture - Pafos 2017 Αυτοσχεδιαστικό Εργαστήρι Animation / Οργανωτικά & Οικονομική Διαχείρηση / Organisation & Finance Improvisational Animation Workshop Μαρία Τσαγγάρη / Maria Tsangari Tamas Patrovits Α. Χρυσάνθου & Σια Λτδ / A. Chrysanthou & Co. Ltd Παιδικό Εργαστήρι / Children’s Workshop Τεχνική Υποστήριξη / Technical Support Παναγιώτα Μιχαήλ Γιάγκος Χατζηγιάννης / Yiangos Hajiyiannis & Event Pro Συντονισμός Εργαστηρίων / Workshops Coordinators Κωνσταντίνος Τερλικκάς / Constantinos Terlikkas Αγγελική Μιχαλακοπούλου - Καρρά / Aggeliki Michalakopoulou - Karra Θεόδωρος Κακουλλής / Theodoros Kakoullis Καθώς ετοιμαζόμαστε να γιορτάσουμε για ακόμα μια χρονιά την τέχνη του animation, στην Chernyseva Life with Herman H. Rott (Εσθονία, Κροατία, Δανία), Frank Ternier 8 Bullets 14η διοργάνωση του ∆ιεθνούς Φεστιβάλ - Όψεις του Κόσµου, γύρω μας δίνεται μια μεγάλη (Γαλλία), Paul Cabon Storm Hits Jacket (Γαλλία), Nagata TakeshI και Kazue Monno, Track μάχη. (Ιαπωνία), Maryam Kashkoolinia, When I was a Child (Ιράν), Islam Ahmed Elsayed Oh La Lah (Αίγυπτος), Max Porter και Ru Kuwahata, Between Times (Ολλανδία), Declan Byrne Η μάχη αυτή σήμερα είναι η ίδια όπως σε κάθε γενιά: είναι η μάχη για ένα κόσμο Benjamin Goes to a Swingers Party (Αυστραλία) δίκαιο όπου ο κάθε άνθρωπος μπορεί να ζει με αξιοπρέπεια και όπου οι λίγοι δεν θα καταδυναστεύουν τους πολλούς. Επίσης στο φετινό διεθνές διαγωνιστικό παρουσιάζονται οι τελευταίες ταινίες του Γερμανού σκηνοθέτη Andreas Hykade Nuggets, My Self Smoke και My Self Universe. Μέσα σε αυτό το κλίμα, οι ανεξάρτητοι δημιουργοί του animation οπλίζονται με το πάθος τους και το ταλέντο τους και δίνουν το παρόν τους σε μια δημιουργική αρένα φορτισμένη Το παρόν τους στη φετινή 14η έκδοση του φεστιβάλ έρχονται να δώσουν με τις ταινίες της από τις πολιτικές εξελίξεις στην Ευρώπη και τον κόσμο. μια ομάδα σκηνοθετών από γειτονικές μας χώρες με έντονη την πολιτική διάσταση στο έργο τους. Οι καλλιτέχνες που παρουσιάζουν τη δουλειά τους φέτος στο φεστιβάλ, και οι νέοι και οι ωριμότεροι, στρέφουν το βλέμμα προς το άνθρωπο και τη θέση του στη σύγχρονη Ο Jalal Maghout, ανεξάρτητος σκηνοθέτης από την Συρία, με την τελευταία του ταινία κοινωνία, καθώς η εύθραυστη δημοκρατία μας λυγίζει κάτω από την πλεονεξία, το φόβο Ντοκιμαντέρ, Suleima, περιγράφει την θαρραλέα ιστορία της Suleima που αναγκάζεται και την ανισότητα. να εγκαταλείψει την οικογένεια της για να ενταχτεί στη Συριακή επανάσταση. Προτιμά να σκοτωθεί αντί να μένει απαθής μπροστά σε όλα όσα συμβαίνουν γύρω της. Το ανεξάρτητο σινεμά animation εκφράζει βέβαια τις κοινωνικές του ανησυχίες με το Η Ιρανή σκηνοθέτης Sarah Saidan με την πολυταξιδεμένη της ταινία Beach Flags (Γαλλική δικό του ιδιαίτερο τρόπο, μέσα από ποίηση, σουρεαλισμό, όνειρα, και χιούμορ. Έτσι και Παραγωγή) που παρουσιάστηκε σε φεστιβάλ όπως οι Κάννες, το Sundance, το Clermont φέτος οι δημιουργοί πειραματίζονται με συνδυασμό διαφόρων μέσων, χειροποίητων και Ferrand κ.α. εστιάζει στα δικαιώματα της γυναίκας στο Ιράν. Ο Ιταλός σκηνοθέτης Simone ψηφιακών, πάντοτε στοχεύοντας να πάρουν τα πράγματα πιο μπροστά στην εξελισσόμενη Massi ξεχωρίζει για την έντονα πολιτικοποιημένη δουλειά του που εκφράζεται με λυρισμό και πρωτοποριακή αυτή τέχνη. και με στοιχεία που παραπέμπουν στο σινεμά της αντίστασης. Η τελευταία του ταινία έχει τίτλο L’attesa del Maggio (περιμένοντας τον Μάη). Το πρόγραμμα φέτος είναι ίσως από τα πλουσιότερα που είχαμε ποτέ: περιλαμβάνει δύο παγκόσμιες πρεμιέρες από πολύ σημαντικούς καλλιτέχνες: την ταινία Piano του Εσθονού Παρουσιάζουμε επίσης από την Ιταλία δύο ακόμη σκηνοθέτες, τον Mario Addis που καλλιτέχνη Kaspar Jancis και την ταινία Work in Progress του Ούγγρου Tamas Patrovic. συμμετέχει με την ταινία του Pene e Crudite και την Tess Martin με την ταινία Mario. Ο Kaspar Jancis είναι επίσης ο καλλιτέχνης που φιλοτέχνησε την αφίσα του φετινού Φεστιβάλ. Τον ευχαριστώ πολύ! Tο Φεστιβάλ έχει στόχο να διευρύνει τους καλλιτεχνικούς ορίζοντες του Κυπριακού κοινού προσελκύοντας ένα μεγάλο φάσμα θεατών και φέρνοντάς τους σε επαφή με τους Κορυφαίοι καλλιτέχνες με διεθνείς διακρίσεις είναι επίσης μαζί μας φέτος, όπως ο σύγχρονους προβληματισμούς, αισθητικές και τεχνικές του σινεμά Animation. Πριν τρία Αμερικανός σκηνοθέτης Don Hertzfeldt (υποψήφιος για Oscar το 2000 για την ταινία χρόνια εγκαινιάστηκε το Κυπριακό Διαγωνιστικό Πρόγραμμα στο φεστιβάλ και παράλληλα Rejected) με το World of Tomorrow, μια ταινία που μας ταξιδεύει με τα μάτια μιας μικρής συνεχίζονται και ενδυναμώνονται αρκετές ακαδημαϊκές και εκπαιδευτικές δραστηριότητες ηρωίδας στο μακρινό μέλλον της εικονικής πραγματικότητας όπως αυτό μεθοδικά κατά την διάρκεια της χρονιάς. Ελπίδα μας είναι πως με αυτό τον τρόπο συμβάλλουμε όσο σχεδιάζεται από τον ίδιο τον άνθρωπο. Το We can’t live without Cosmos του επίσης μπορούμε στην ανάπτυξη του Κυπριακού πεδίου της τέχνης του Animation, το οποίο θα υποψήφιου για Όσκαρ στο παρελθόν Ρώσσου Konstantin Bronzit περιγράφει με τον πιο διεκδικεί τη θέση του στον διεθνή χώρο του κινηματογράφου. ευαίσθητο τρόπο τα όνειρα για τον κόσμο και τις αξίες της φιλίας καθώς δυο κοσμοναύτες εκπαιδεύονται καθημερινά σε ένα διαστημικό σταθμό. Η ταινία You Look Like Me του Φέτος στο Κυπριακό Διαγωνιστικό φιλοξενούνται τανίες των ακόλουθων Κυπρίων Καναδού Pierre Herbert, γνωστού για τον αφηρημένο εξπρεσιονισμό στη δουλειά του δημιουργών: Παναγιώτη Μεσαρίτη, Αφροδίτης Κωνσταντίνου, Ζήνωνα Ιωάννου, Sholeh και τις έντονα πολιτικά φορτισμένες ταινίες του, αγγίζει ευαίσθητες χορδές καθώς Zahraei, Έλλη Κυριάκου, Κοσμά Νόνη, Maria Spivak, Ρεβέκκας Στυλιανού, Λιασσή καταπιάνεται με θέματα όπως η απώλεια, η εξορία, η ταυτότητα και η μνήμη. Καρασάββα, Χάρις Φράγκου, Πασχάλη Πασχάλη, Ελένης Χανδριώτου και Ανδρέα Ο ανατρεπτικός Theodor Ushev (Βουλγαρία – Καναδάς) παρουσιάζει την ταινία The Sleep- Ιωάννου. walker εμπνευσμένο από το ποίημα Sonámbulo του Federico Garcia Lorca. Πέρα από το Διεθνές και Κυπριακό διαγωνιστικό, το Φεστιβάλ προσφέρει στο κοινό ένα Στο φετινό πρόγραμμα ξεχωρίζουν επίσης με πολλά βραβεία ήδη στις αποσκευές τους, οι πλούσιο πρόγραμμα παράλληλων αφιερωμάτων, εκθέσεων, εργαστηρίων και συναυλιών: ακόλουθοι σκηνοθέτες και ταινίες: Michaela Pavlatova Different Kinds of People (Τσεχία), Το Μουσείον Χαρακτικής Χαμπή στα Πλατάνιστεια φιλοξενεί 8 αφίσες του μεγάλου Mirai Mizue Retro Future (Ιαπωνία), Gabriel Osorio Bear Story (Χιλή), Sarina Nihei Small Πολωνού σκηνοθέτη και σεναριογράφου Piotr Dumala, ο οποίος κέρδισε το πρώτο βραβείο People with Hats (Ηνωμένο Βασίλειο), Dahee Jeong Man on the chair (Γαλλία), William στο φεστιβάλ μας το 2014 με την ταινία Hippopotami. Στην Μεσαιωνική Αγρέπαυλη Garratt, Slaves of the Rave (Ηνωμένο Βασίλειο), Xaver Xylophon Roadtrip (Γερμανία), θα προβληθεί επίσης μια επιλογή απο ταινίες του φημισμένου δημιουργού σε μορφή NaiWei Liu Something Important (Taiwan), Jacky de Groen Eclipse (Ολλανδία), Aristo- ρετροσπεκτίβας. Το Μουσείον θα φιλοξενήσει επίσης έκθεση σχεδίων και Puppets της telis Maragkos Α Portrait (Ελλάδα), Natalia Chernysheva Two Friends (Γαλλία), Chintis Σλοβένας σκηνοθέτιδας Špela Čadež από τις τανίες της Boles και Lovesick. Ευχαριστούµε το Τμήμα Αρχαιοτήτων για την δωρεάν παραχώρηση του χώρου διεξαγωγής του Φεστιβάλ, το κοινοτικό συμβούλιο Κουκλιών, το Πανεπιστήμιο Λευκωσίας και το Σε μια ειδική μεταμεσονύχτια προβολή την Παρασκευή 17 Ιουλίου, η οποία εξερευνά τη ΤΕΠΑΚ για τη στήριξη που πρόσφεραν φέτος στη διοργάνωση. Θερµές ευχαριστίες σκοτεινή πλευρά του animation, μπορείτε να απολαύσετε ένα αφιέρωμα στο Φεστιβάλ στους εθελοντές της φετινής διοργάνωσης και στο κοινό που μας στηρίζει κάθε χρόνο Anim’est Romania, με τίτλο Creepy Animation Night. με τη δυναµική συµµετοχή του. Τέλος ευχαριστούμε όλους τους σκηνοθέτες που μας παραχώρησαν τις ταινίες τους. Επίσης την Παρασκευή το κοινό θα έχει την ευκαρία να παρακολουθήσει την ταινία ντοκιμαντερ-animation Seth’s Dominion του Luc Chamberland. Πρόκειται για ένα Καλωσορίζουμε στο Φεστιβάλ μας την διεθνή κριτική επιτροπή αποτελούμενη από τους αφιέρωμα στον διακεκριμένο Καναδό Graphic Novelist Seth. Piotr Dumala, Špela Čadež και Τώνια Μισιαλή και τους ευχόμαστε δημιουργική και ευχάριστη παραμονή. Oι παράλληλες δραστηριότες περιλαμβάνουν επίσης δύο εξειδικευμένα εργαστήρια: Tο πρώτο εργαστήρι θα καθοδηγήσει η πολυβραβευμένη σκηνοθέτης και παραγωγός Špela Ευχαριστούμε το κοινό που εδώ και 14 χρόνια αγκαλιάζει το φεστιβάλ και δημιουργεί Čadež. Πρόκειται για ένα Puppet Animation workshop και θα γίνει υπό μορφή residency την όμορφη αυτή ατμόσφαιρα γεμάτη από συγκινήσεις και δημιουργικά συναπαντήματα. στον Αγροτουριστικό Ξενώνα Βασιλιάς Νικοκλής στη Νικόκλεια το τριήμερο 13 - 15 Ιουλίου. Ευχαριστούμε θερμά τους καλλιτέχνες, τους σκηνοθέτες, τους διανομείς και τους Το δεύτερο εργαστήρι με τίτλο Αυτοσχεδιαστικό Εργαστήρι Animation θα καθοδηγήσει παραγωγούς, που πίστεψαν στο φεστιβάλ και το έβαλαν στο διεθνή χάρτη της κοινότητας ο πολυπράγμων Ούγγρος δημιουργός και ακαδημαϊκός Tamas Patrovic στο Μουσείον του animation προσφέροντας το έργο τους στo Κυπριακό κοινό. Χαρακτικής Χαμπή στα Πλατανίστεια το τριήμερο 16 - 18 Ιουλίου. Καλό Φεστιβάλ σε όλους! Φέτος δίνουμε ιδιαίτερη έμφαση στο παιδικό πρόγραμμα του φεστιβάλ, εμπλουτίζοντας τις προβολές και διοργανώνοντας ένα παιδικό εργαστήρι storyboard / εικονογράφισης για Γιώργος Τσαγγάρης μικρά παιδιά υπό την καθοδήγηση της Παναγιώτας Μιχαήλ. Το πλούσιο παιδικό πρόγραμμα Καλλιτεχνικός Διευθυντής Φεστιβάλ και το εργαστήρι θα πραγματοποιηθούν στην Πάφο, στον Πολιτιστικό χώρο Τεχνόπολις 20 απο τις 13 - 15 Ιουλίου. Το παιδικό κοινό του φεστιβάλ θα παρακολουθήσει ταινίες όπως το Prince Ki-Ki-Do της Grega Mastnak, The Elephant and the Bycycle της Olesya Shchukina, Nikola Tesla’s Secret Laboratory του Bruno Razum, Ivan and the Wolf της Anna Levinson, Caterpillar and Hen της Michela Donini, Children’s time της Nina Bisyarina, A little star της Svetlana Andrianova, Bears on the Road της Nadia Meezen και άλλες.

Οι εκπληκτικοί Χριστίνα Παπακυριακού και Δημήτρης Σπύρου συναντιούνται στην έναρξη του Φεστιβάλ στον Αρχαιολογικό χώρο Παλαιπάφου και αφηγούνται οπτικές και μουσικές ιστορίες έχοντας κοινό στοιχείο τη χρήση αντικειμένων ως παράγωγα εικόνας και ήχου.

Φέτος έχουμε επίσης τη χαρά να φιλοξενούμε μια εξέχουσα προσωπικότητα της Ελληνικής Μουσικής σκηνής, την Σαββίνα Γιαννάτου με το μουσικό της σχήμα Primavera en Salonico. Η συναυλία διοργανώνεται σε συνεργασία με τον Οργανισμό Πολιτιστική Πρωτεύουσα της Ευρώπης Παφος17 και θα δοθεί το Σαββατο 18 Ιουλίου (νύχτα λήξης του Φεστιβάλ), στον κύριο χώρο του Φεστιβάλ, τη Μεσαιωνική Αγρέπαυλη στον Αρχαιολογικό χώρο Παλαιπάφου, στα Κουκλιά.

Χαιρετίζουμε για δεύτερη συνεχή χρονιά την στρατηγική συνεργασία μας με τον Οργανισμό “Πάφος 2017”. Ο θεσμός της Πολιτιστικής Πρωτεύουσας της Ευρώπης αποτελεί την κορυφαία πολιτιστική διοργάνωση της χώρας μας. Η απο κοινού ανάπτυξη δράσεων των δύο οργανισμών ευχόμαστε πως θα αποτελέσει ένα σημαντικό στάδιο ανάπτυξης του κινηματογράφου animation στον τόπο μας και θα δώσει την ευκαιρία σε ένα μεγάλο αριθμό κοινού να γνωρίσει περισσότερα για τις δυνατότητες της τέχνης του Animation και τις αξίες του.

Νιώθουμε την ανάγκη να εκφράσουμε θερµές ευχαριστίες στο Υπουργείο Παιδείας και Πολιτισµού για τη διαχρονική στήριξη. Ευχαριστούμε θερμά την Ελληνική Τράπεζα για τη χορηγία των βραβείων του φεστιβάλ. While we prepare to celebrate the art of animation at the 14th Edition of Countryside Ani- One of the festival’s perennial goals is to reach and inspire a wide and diverse audience. mafest Cyprus - Views of the World, a great battle being waged all around us. We aim to open a gateway of communication with current aesthetics, techniques and themes from the international arena. Two years ago we inaugurated the National Competi- The battle today is the same as in every generation: it is a battle for a fair world in which tion Program. At the same time we continue to enrich our academic and educational activi- every person can live with dignity and in which the majority of the people will not be op- ties throughout the year. We hope that in this way we may contribute to the development pressed by the privileged few. of the field of animation here in Cyprus.

Independent animation filmmakers, armed with their passion and their talent, are as ever This year’s National Competition includes more than 10 films by the following authors, sensitive to the global sociopolitical issues that galvanize the world’s creative arena. professionals and students: Panagiotis Mesaritis, Afroditi Constantinou, Zinonas Ioannou, Sholeh Zahraei, Elli Kyriakou, Kosmas Nonis, Maria Spivak, Reveka Stylianou, Liassis This year the majority of the authors whose work is presented at our festival turn their Karasavvas, Charis Frangou, Paschalis Paschali, Eleni Chadriotou and Andreas Ioannou. focus on human society, as our fragile democratic system is weighed down by greed, fear and inequality. Parallel to the Cypriot program we present an animation video installation based on the film “La Jetée” (1962) by Chris Marker made by students of the course “Animation Ap- Of course independent animation cinema expresses its socio-political commentary in its plications in Art” of the Cyprus University of Technology. own idiosyncratic way, through visual poetry, surrealism, humor and dreams. Τhis year we will see once more how authors experiment with a combination of tech- In addition to the competition programs we present a series of sidebar events which niques, both handmade and digital, aiming as always to push the boundaries of this include tributes, exhibitions, workshops and concerts. innovative art form. The Hambis Printmaking Museum will host an exhibition of Posters by Piotr Dumala This year’s program includes two world premieres by two distinguished artists: Piano, by (Grand Prix in last year’s Countryside Animafest Cyprus for the film Hippopotami). A retro- Estonian director Kaspar Jancis (also the artist of this year’s festival poster) and Work in spective of Piotr Dumala’s films will also be showing daily in the medieval hall at the main Progress by Hungarian director Tamas Patrovits. festival venue (Manor House in Palaepaphos), from July 16 to 18. The Hambis Printmaking Museum will also host an exhibition of puppets and drawings by Špela Čadež (Grand Prix I would also like to mention some of the films that stand out in this year’s program: World in 2013 edition of Countryside Animafest Cyprus for the film Boles) of Tomorrow, by Oscar-nominated American director Don Hertzfeldt, We can’t live without Cosmos by Oscar-nominated Russian director Konstantin Bronzit, You Look Like Me by In a special midnight screening on Friday at the main festival venue the audience will have Canadian director Pierre Herbert. The Sleepwalker by Theodor Ushev (Bulgaria-Canada). the opportunity to enjoy a tribute to Anim’est Romania: Creepy Animation Night a program curated by the director and founder of Anim’est Mihai Mitrica is filled with beheadings, This year’s line up also includes great filmmakers such as: Michaela Pavlatova (Different alien invasions, ghosts and evisceration, morbid black humour and weird sex. The films in Kinds of People), Mirai Mizoue (Retro Future), Gabriel Osorio (Bear Story), Sarina Nihei this program explore the dark side of animation. (Small People with Hats), Dahee Jeong (Man on the chair), William Garratt, (Slaves of the Rave), Xaver Xylophon (Roadtrip), NaiWei Liu (Something Important, Jacky de Groen Also on Friday we present a special Documantary Screening about the renowned Cana- (Eclipse), Aristotelis Maragkos (Α Portrait), Natalia Chernysheva (Two Friends), Chintis dian Graphic Novelist Seth, one of the world’s greatest storytellers in the form. Chernyseva (Life with Herman H. Rott), Frank Ternier (8 Bullets), Paul Cabon (Storm Hits Jacket, Nagata TakeshI και Kazue Monno, (Track), Maryam Kashkoolinia, (When I was a The sidebar events include two specialized workshops. Špela Čadež will lead a “Puppet Child, Islam Ahmed Elsayed (Oh La Lah), Max Porter και Ru Kuwahata, (Between Times), Animation Workshop” at the King Nikokles Inn in Nikokleia (July 13 -15) in the form of a Declan Byrne (Benjamin Goes to a Swingers Party). residency. The workshop will focus on the creation of Puppets through the use of simple materials. The second workshop, entitled “Improvisational Animation Workshop” will be We are proud to present an array of intensely political films by authors from neighbor- lead by Tamas Patrovic at the Hambis Printmaking Museum in Platanisteia (July 16 to 18). ing countries. Independent Syrian director Jalal Maghout presents his latest animated The workshops are addressed mostly to artists, professionals, teachers, and other crea- documentary Suleima, which tells the story of one a thousands of anonymous women that tors with some knowledge of animation. fight against dependency and injustice in Syria. Iranian director Sarah Saidan, with her film Beach Flags, well-received in many festivals including Cannes, Sundance, and Clermont At this year’s children’s program, the young audience will enjoy films curated in collabo- Ferrand, focuses on women’s rights in Iran. Italian director Simone Massi, whose work ration with ANIMATEKA International Animated Film Festival in Slovenia and a children stands out for its strong political message expressed with lyricism and references to the animation workshop lead by Panayiota Michael. cinema of resistance (cinema della rezistenza), participates in the festival with his latest . film L’attesa del Maggio. In this year’s festival we present the work of two more filmmakers We are also thrilled to be presenting two wondeful music events: At the opening of the from Italy, Mario Addis with Pene e Crudite and Tess Martin with Mario. festival Dimitris Spyrou and Christina Papakyriakou will present a panorama of Visual & Oral Stories and on closing night we host a concert by one of the most acclaimed artists of the Ethnic Scene worldwide, Greek singer Savvina Yiannatou with her group Primavera en Salonico. The closing concert is organized in collaboration with the European Cultural Capital Pafos 2017.

We salute our strategic collaboration with the organization “Paphos 2017”. The institution of the Cultural Capital of Europe is the most distinguished cultural event in our country. The festival is prepared to contribute to this important cultural institution in a variety of ways. We hope that our combined efforts and joined activities will become an important milestone in the development of animation in this country and will introduce a wide audi- ence to this art’s potential to benefit society through its values and principles. For the period 2014-2017 we plan a series of educational programs and several special tributes.

We would like to express our warm gratitude to the Ministry of Education and Culture for their continued support. We would also like to extend our thanks to the Hellenic Bank for sponsoring the festival’s awards.

We thank the Cyprus Department of Antiquities, the Kouklia Community Council, the Uni- versity of Nicosia and Cyprus University of Technology for their support.

We would like to extend our warm thanks to the volunteers and the festival audience for continuing to encourage our efforts with their active participation. Finally we thank all the filmmakers for participating with their films.

We welcome warmly our distinguished guests from Cyprus and abroad, whose presence is an honour to our festival. A special welcome to our distinguished international jury mem- bers, Piotr Dumala, Špela Čadež and Tonia Mishiali. We wish them a happy and creative stay in Cyprus.

Have a wonderful festival! Διεθνής Κριτική Επιτροπή / International Jury Committee 2015 Yiorgos Tsangaris Artistic Director Piotr Dumała Špela Čadež Διεθνής Κριτική Επιτροπή / International Jury Committee Διεθνής Κριτική Επιτροπή / International Jury Committee

Η Σλοβένα δημιουργός ταινιών puppet anima- Špela Čadež was born in Slovenia. After grad- Γεννημένος το 1956 ο Πολωνός Σκηνοθέτης Piotr Dumala, born 1956, animated and live tion, εργάζεται ως ανεξάρτητη σκηνοθέτης uating in Graphic Design in 2002, she con- και σεναριογράφος κινηματογράφου (Anima- action scriptwriter and director, illustrator and και παραγωγός. Η τελευταία της ταινία Boles tinued her studies at the Academy of Media tion και live action), Εικονογράφος, Αφισίστας poster designer, professor of Film School απέσπασε περισσότερα από 40 βραβεία Arts Cologne, Germany. During her studies, και καθηγητής στο Film School του Lodz in Lodz (Poland), guest teacher of Harvard διεθνώς και επελέγη από την Ευρωπαϊκή she made two puppet animations that gained (Πολωνία), στο Harvard University (ΗΠΑ) και University(USA) and Konstfack Art College επιτροπή Κινηματογράφου να προβάλλεται στο international recognition; Mate to Measure, στο Konstfack Art College (ΣΟΥΗΔΙΑ) έχει (Sweden). Winner of over 90 awards for his φημισμένο πρόγραμμα Cartoon d’Or. (2004) and Lovesick, (2007). Since 2008 Špela αποσπάσει περισσότερα από 90 σημαντικά film artworks, among them Grand Prix at festi- Čadež has been working as an independent βραβεία διεθνώς και στη χώρα του. vals in Krakow, Espinho, Zagreb, Amsterdam, animation film director and producer. Her lat- Ottawa, Montreal, Cyprus. est film, Boles, has been screened worldwide, receiving over 40 awards, distinctions and nominations. Τώνια Μισιαλή Διεθνής Κριτική Επιτροπή / International Jury Committee

Η αγάπη της για την μεγάλη οθόνη, ώθησε Tonia’s love for the moving image led her to τη Τώνια να πραγματοποιήσει το όνειρο της pursue her dream and become a filmmaker. και να γίνει Σκηνοθέτης. Το 1997, μετά από She studied in the UK and in 1997 she moved σπουδές στην Αγγλία, επέστρεψε στην Κύπρο, to Cyprus to start working as a director and όπου άρχισε να δουλεύει ως σκηνοθέτης και producer “experimenting” in film, theatre, παραγωγός. Από τότε έχει «πειραματιστεί» video and television. She has exhibited her στον κινηματογράφο, το θέατρο, το work and participated in a big number of na- βίντεο και την τηλεόραση. Η δουλειά της tional and international film and performance έχει παρουσιαστεί σε μεγάλα Φεστιβάλ festivals and photography exhibitions in Κινηματογράφου και Παραστατικών τεχνών, Cyprus and abroad. Specifically, her short film και εκθέσεις φωτογραφίας στην Κύπρο Dead End (2013) made its World Premiere at και το εξωτερικό. Συγκεκριμένα, η μικρού Locarno Film Festival and achieved a nomina- μήκους ταινία της Dead End (2013) έκανε tion for the “Golden Pardino – Leopards of to- την Παγκόσμια της πρεμιέρα στο Φεστιβάλ morrow”. The same film was officially selected Κινηματογράφου του Λοκάρνο αποσπώντας to compete in more than 40 International Film έτσι την υποψηφιότητα για το «Golden Festivals around the world, winning 5 awards, Pardino – Leopards of tomorrow”. H ίδια 2 of which for Best Director. Her third short ταινία έχει επιλεγεί στα επίσημα διαγωνιστικά film Lullaby of the butterfly (2014) made its

τμήματα πάνω από 40 Διεθνών Φεστιβάλ World Premiere at Sarajevo Film Festival and Πρόγραμμα Φεστιβάλ / Festival Program 2015 παγκοσμίως, κερδίζοντας 5 βραβεία, τα 2 για won Best National Film and Best Cinematog- «Kαλύτερη Σκηνοθεσία». Η τρίτη της ταινία raphy Awards at The International Short FIlm Το νανούρισμα της πεταλούδας (2014) έκανε Festival of Cyprus. She is now developing her την Παγκόσμια της πρεμιέρα στο Φεστιβάλ debut feature film Menopause. Κινηματογράφου του Σαράγεβο και έχει She is one of the Artistic Directors of Cyprus κερδίσει 2 Βραβεία, Καλύτερης Κυπριακής Film Days International Film Festival and the Ταινίας και Καλύτερης Φωτογραφίας, στο Film Representative in the Board of Directors Διεθνές Φεστιβάλ Ταινιών Μικρού Μήκους of the Directors Guild of Cyprus. Κύπρου. Τώρα βρίσκεται στο στάδιο ανάπτυξης της πρώτη της ταινίας μεγάλου μήκους με τίτλο Εμμηνόπαυση. Είναι μια από τους καλλιτεχνικούς διευθυντές του Διεθνούς Φεστιβάλ Κινηματογράφου Cyprus Film Days και Εκπρόσωπος Κινηματογράφου του Δ.Σ. της Ένωσης Σκηνοθετών Κύπρου. ΜΕΣΑΙΩΝΙΚΗ ΑΓΡΕΠΑΥΛΗ ΠΑΛΑΙΠΑΦΟΣ, ΚΟΥΚΛΙΑ ΑΓΡΟΤΟΥΡΙΣΤΙΚΟ ΒΑΣΙΛΙΑΣ ΝΙΚΟΚΛΗΣ, ΝΙΚΟΚΛΕΙΑ ANCIENT SITE OF PALAEPAPHOS, KOUKLIA AGROTOURISTIC INN VASILIAS NIKOKLIS 13 - 15/7 Πέμπτη / Thursday 16/7 Puppet Animation Workshop with Špela Čadež Visual & Oral Stories - Dimitris Spyrou, Christina Papakyriakou Διεθνές Διαγωνιστικό 1A / International Competition 1A ΜΟΥΣΕΙΟΝ ΧΑΡΑΚΤΙΚΗΣ ΧΑΜΠΗ Κυπριακό Διαγωνιστικό / Cyprus Competition HAMBIS PRINTMAKING MUSEUM Διεθνές Διαγωνιστικό 1B / International Competition 1B 16 - 18/7 Εκθέσεις / Exhibitions: Piotr Dumała & Špela Čadež Παρασκευή / Friday 17/7 Improvisational Animation Workshop with Tamas Patrovits. Διεθνές Διαγωνιστικό 2A / International Competition 2A Seth’s Dominion (Documentary) ΤΕΧΝΟΠΟΛΙΣ 20 Διεθνές Διαγωνιστικό 2B / International Competition 2B TECHNOPOLIS 20 Anim’est Romania - Creepy Animation Night 13 - 15/7 Σάββατο / Saturday 18/7 Παιδικό πρόγραμμα ταινιών / Children’s Films Παιδικό εργαστήρι / Children’s workshop Διεθνές Διαγωνιστικό 3 / International Competition 3 Τελετή λήξης και απονομή βραβείων / Award Ceremony Συναυλία / Concert: Σαββίνα Γιαννάτου Συνεργασία / in collaboration: Οργανισμός Πολιτιστική Πρωτεύουσα της Ευρώπης -Πάφος 2017 Organisation European Capital of Culture - Pafos 2017

17 - 19/7 Προβολή ταινιών (Αφιέρωμα) / Film screenings (Tribute): Piotr Dumała & Špela Čadež Εσωτερική Μεσαιωνική Αίθουσα / Medieval Hall Masters of Animation Piotr Dumała

Έχουμε την τιμή να σας παρουσιάσουμε A bit of polish μερικές από τις αξιολογότερες ταινίες anima- tion από τη φιλμογραφία του Piotr Dumała. We have the honor to present to you some of Ένας από τους σημαντικότερους Πολωνούς the best animated films from the filmography δημιουργούς, ο Dumała δημιούργησε ένα of Piotr Dumała. As one of the most important έντονα δικό του στυλ, που εντάσσεται όμως filmmakers in Poland, Dumała created not only στο ευρύτερο τοπίο της κεντρο-ευρωπαϊκής a vivid style but also imprinted his works in a ευαισθησίας και παράδοσης. Έγινε διάσημος landscape of our central european fragility. He κυρίως για την ιδιαίτερη τεχνική του που is famous mostly because of his sophisticated αποκαλεί “η μέθοδος του χαμένου καρέ technique, called “the destructive method”. (the destructive method), στην οποία χάρασσε The artist used to scratch his frames on a καρέ καρέ πάνω σε ασβέστη. Κάθε καρέ plaster one by one. Each of them had been φωτογραφιζόταν και έπειτα καλυπτόταν ξανά photographed and covered with pigment once με χρώμα. Το μόνο καρέ που παρέμενε ως again. The only frame left as evidence of crea- τεκμήριο της καλλιτεχνικής δημιουργίας ήταν tive action was the last one. το τελευταίο. The audience will have a chance to watch ani- Το κοινό θα έχει την ευκαιρία να mations filmed during the majority of Dumała’s παρακολουθήσει μια επιλογή από ταινίες filmography, hence everyone could see the από όλη τη διάρκεια της καριέρας του evolution of style, subjects and atmosphere Dumała, έτσι θα διακρίνει την εξέλιξη του within his works, starting with humorous Little στυλ, των θεματικών και τις ατμόσφαιρας της Black Riding Hood, through his emotional and δουλειάς του. Το πρόγραμμα κάνει αρχή με poetic Gentle Spirit, to somehow new Fight, το χιουμοριστικό Little Black Riding Hood, θα love and work. In his latest works Piotr Dumała συνεχίσει με το συναισθηματικό και ποιητικό started to use digital technology. Nevertheless, Gentle Spirit και θα καταλήξει στο σχετικά none of them lost their picturesque class and καινούργιο Fight, love and work. Στα τελευταία elegance. A great appendix to his artistic heritage will του έργα ο Dumała άρχισε να χρησιμοποιεί Franz Kafka 1991 ψηφιακή τεχνολογία. Παρόλαυτά η δουλειά be a small exhibition of posters made by Piotr του δεν έχασε το ευαισθησία και την ποιότητά Dumała. Each of them represents α Film or a τους. cultural event is its essential vibe - depressive Αφίσες / Posters Επιλεγμένες ταινίες / Selected films: Η έκθεση με αφίσες είναι επίσης ένα sometimes but always honest and drawn in the Μουσείον Χαρακτικής Χαμπή Μεσαιωνική Αγρέπαυλη, Παλαίπαφος - Κούκλια σημαντικό αφιέρωμα στην πολιτιστική tradition of the Polish school of poster. Hambis Printmaking Museum Ancient Site of Palaepaphos - Κouklia παρακαταθήκη του Piotr Dumała. H κάθε μια As a curator and film expert I strongly recom- από αυτές εκφράζει τον παλμό μιας ταινίας ή mend this small tribute to Piotr Dumała. He is Franz Kafka - 1991 LITTLE BLACK RIDING HOOD an artist who has remained firmly loyal to the 1983 / 5 ενός πολιτιστικού γεγονότος και είναι μερικές Makabra i współczucie - 1996 φορές σκοτεινές αλλά πάντα ειλικρινείς και ideas he wanted to communicate through his Zbrodnia i kara - 2001 GENTLE SPIRIT work and who shaped his craft from the begin- σχεδιασμένες μέσα στην Πολωνική παράδοση Głos nadziei - 2002 1985 / 12’ ning of his career. της τέχνης της αφίσας. Schron - 2005 THE FREEDOM OF THE LEG Ως επιμελήτρια και ερευνήτρια Aneta Ozorek Moje poprzednie życie - 2008 1988/ 10’ κινηματογράφου σας συστήνω αυτό το Film Curator Las - 2009 FRANZ KAFKA μικρό αφιέρωμα στον Piotr Dumała. Είναι 1991 / 16’ ένας καλλιτέχνης που παρέμεινε πιστός στο ιδεολογικό υπόβαθρο της τέχνης του ενώ 8 KWARTER SMYCZKOWY DIMITRA SZOSTAKOWICZA παράλληλα δημιούργησε δικό του προσωπικό 2010 / 20’ στυλ από την αρχή της καριέρας του. FIGHT, LOVE & WORK Aneta Ozorek 2009 / 8’ Επιμελήτρια Špela Čadež Έκθεση / Exhibition Μουσειον Χαρακτικής Χαμπή Hambis Printmaking Museum

Špela Čadež Špela Čadež μια ποιήτρια του puppet animation a puppet animation poet from Slovenia από τη Σλοβενία του Boles η Špela και ο συν-σεναριογράφος When i first saw Špela’s student film Mate to making of. Boles has been screened at over a Όταν είδα για πρώτη φορά τη φοιτητική και σύντροφός της Grega απέκτησαν παιδί, έτσι Measure, i couldn’t believe my eyes that a hundred festivals all over the world and won ταινία της Špela Čadež Mate to Measure, φαίνεται σχεδόν απίστευρο το πώς κατάφερε Slovenian director made such a strong autho- more than 40 awards (among them many Audi- δεν πίστευα στα μάτια μου, δεν μπορούσα να καθοδηγήσει τη μικρή ομάδα της στο να rial debut. Špela fell in love with animation ence Awards and even a Best Character Award να πιστέψω ότι μία Σλοβένα σκηνοθέτης φέρει την παραγωγή σε πέρας με επιτυχία. Το by chance, attending a puppet animation for the puppet Tereza with the jury explanation: είχε κάνει ένα τόσο δυνατό σκηνοθετικό Boles προβλήθηκε σε περισσότερα από εκατό workshop during her study of interactive “For the voluminosity with which the character ντεμπούτο. Η Špela ερωτευτηκε το animation φεστιβάλ σε ολόκληρο τον κόσμο και κέρδισε design at the Academy of Media Arts in Co- is structured and the skill with which the anima- τυχαία, όταν παρακολούθησε ένα εργαστήρι περισσότερα από σαράντα βραβεία (μεταξύ των logne. With her diploma puppet animation film tor was able to make it alive.”). puppet animation ενώ σπούσασε διαδραστικό οποίων πολλά βραβεία κοινού και ένα βραβείο Lovesick, based on her dream, she learned all The last international recognition for Boles, design στο Academy of Media Arts στην Καλύτερου Χαρακτήρα για την κούκλα Tereza, she needed. Her choice for the technique of was the invitation from the Monstra festival Κολωνία. Με την διπλωματική της ταινία για την οποία η κριτική επιτροπή σημειώνει: “για puppet animation proved to be the right one: to present the scenery, props and puppets puppet animation Lovesick, που βασίστηκε την πλαστικότητα του όγκου του χαρακτήρα και she followed a historical tradition of Slovenian at the Marionette Museum in Lisbon. The film σε ένα όνειρό της, έμαθε ό,τι χρειαζόταν. την δεξιοτεχνία με την οποία η animator την animation. Without knowing it, Špela brought became alive again in another dimension. It is Η επιλογή της να δουλέψει την τεχνική του έκανε να ζωντανέψει”. this tradition to the highest quality level. After with the quote from the exhibition catalogue puppet animation αποδείχθηκε σωστή: Η πιο πρόσφατη διεθνής διάκριση του Boles school, she spent 4 years carefully master- written by Fernando Galrito, that I will end this ακολουθούσε έτσι μια ιστορική παράδοση ήταν μια πρόσκληση από το φεστιβάλ Monstra ing her professional debut film Boles and introduction to the animation poetry of Špela του Σλοβενικου animation. Χωρίς να το για να παρουσιάσει τα σκηνικά, το φροντιστήριο achieved the biggest international success Čadež: “Art is always a way to see the world ξέρει η Špela έφερε αυτή την παράδοση στο και τις κούκλες στο Μουσείο Μαριονέττας στη in the history of contemporary Slovenian cin- and ourselves. Špela Čadež’ films offer a crea- υψηλότερο επίπεδο. Μετά τη σχολή πέρασε Λισαβόνα. Η ταινία ζωντάνεψε έτσι ξανά σε ema. It is an unbelievable story of persistence tive, sensitive and deep look over the human 4 χρόνια δουλεύοντας το επαγγελματικό της μία άλλη διάσταση. Θα ήθελα να κλείσω αυτή of authorial vision, stubbornness and love relationships. About us and about others. And ντεμπούτο, την ταινία Boles, και πέτυχε έτσι την εισαγωγή στο ποιητικό animation της Špela for cinema and the arts. There is so much the director knows how to perfectly use the τη μεγαλύτερη διεθνή επιτυχία στην ιστορία Čadež με ένα απόσπασμα από τον κατάλογο “stillness” in the stop motion animation of surrealistic and inventive capacities, that only του Σλοβενικου animation. Είναι μια απίστευτη αυτής της έκθεσης, το οποίο έγραψε ο Fernan- Boles that only few masters have managed to the art of animation makes possible.” ιστορία επιμονής και σκηνοθετικού οράματος, do Galrito: “Η τέχνη είναι πάντα ένας τρόπος achieve before. The decision to use Slovenian πείσματος και αγάπης για το σινεμά και την για να δούμε τον κόσμο και τους εαυτούς language to adapt Maxim Gorky’s short story Igor Prassel τέχνη. Υπάρχει τόση “ακινησία” στην ταινία μας. Οι ταινίες της Špela Čadež περιέχουν μια Her Lover to bring a distinctive melody to her Director of ANIMATEKA stop motion Boles, που λίγοι κορυφαίοι του δημιουργική, ευαίσθητη και βαθειά θεώρηση originally built characters was risky, but at the International Animated Film Festival, Slovenia είδους κατάφεραν να πετύχουν. Η απόφαση των ανθρώπινων σχέσεων. Των δικών μας και end again proved right. During the produc- να χρησιμοποιήσει τη Σλοβένικη γλώσσα των άλλων. Η σκηνοθέτις γνωρίζει πολύ καλά tion of Boles, Špela and her co-screenwriter για να διασκευάσει το διήγημα του Μαξιμ πώς να χρησιμοποιήσει το σουρεαλισμό και την and life partner Grega had a baby, so it was Γκόρκυ Ο Εραστής της, προσδίδοντας έτσι μια εφευρετικότητα που μόνο η τέχνη του anima- unbelievable how she managed to direct her ιδιαίτερη μελωδικότητα στους πρωτότυπους tion μπορεί να παρέχει στο δημιουργό.” small team in order to bring the production to χαρακτήρες της, ήταν ένα ρίσκο, αλλά a successful end. And I remember she was στο τέλος αποδείχθηκε και πάλι η σωστή Igor Prassel not sure that the film would work during the απόφαση. Κατά τη διάρκεια της παραγωγής Διευθυντής του Διεθνούς Φεστιβάλ Αnimation της Σλοβενίας ANIMATEKA Guest Festival CREEPY ANIMATION Anim’est Romania Παρασκευή / Friday 17/7 Μεσαιωνική Αγρέπαυλη, Παλαίπαφος - Κούκλια Ancient Site of Palaepaphos - Κouklia

The Backwater Gospel

Anim’est international animation film festival is To διεθνές φεστιβάλ κινηματογράφου anima- CHAINSAW MAID THE BACKWATER GOSPEL the only international animation film festival in tion Anim’est είναι το μόνο διεθνές φεστιβάλ Takena Nagao Bo Mathorne Romania. Its main host is the city of Bucha- animation στη Ρουμανία και λαμβάνει χώρα japan / 2008 / 7’ Denmark / 2011 / 10’ rest. Anim’est is celebrating its 10th edition κυρίως στο Βουκουρέστι. Το Anim’est θα THE ORIGIN OF CREATURES ENDTRIP this October. γιορτάσει τη 10η έκδοσή του τον ερχόμενο Floris Kaayk, Koen De Mol, Olivier Ballast, Rick Franssen Οκτώβριο. The Netherlands / 2010 / 11’45’’ The Netherlands / 2013 / 5’00 We started enthusiastically in 2006: in the first THE TWINS FROM THE SUNSET STREET THE PRIDE OF STRATHMOOR edition we screened over 250 short films, 10 Αρχίσαμε με πολύ ενθουσιασμό το 2006: στην Anna Solanas and Marc Riba Einar Baldvin feature films and more than 3,500 spectators πρώτη έκδοση προβάλαμε περισσότερες από Spain / 2010 / 13’ USA, Iceland / 2014 / 8’30’’ attended the event. Last year we gathered an 250 ταινίες και είχαμε 3,500 θεατές. Πέρσι UNDERLIFE THE OBVIOUS CHILD audience of over 20,000 and screened around είχαμε 20,000 θεατές και περίπου 350 ταινίες, Jaroslav Konopka Stephen Irwin UK / 2013 / 12’21’’ 350 short and feature films, remaining Bucha- και παραμένουμε έτσι το πιο αγαπημένο Poland / 2010 / 8’30’’ rest’s most loved film festival. φεστιβάλ κινηματογράφου στο Βουκουρέστι. ABYSSUS ABYSSUM INVOCAT “VENGEANCE RHYTHM” TWO FINGERS From the second edition, Anim’est became a Από τη δεύτερη έκδοσή του το Anim’est έγινε Wes Simpkins Chris Ullens competitive festival and year by year it joined διαγωνιστικό και κάθε χρόνο φέρνει μαζί USA / 2012 / 10’ UK / 2012 / 3’13 together animators, producers, animation σκηνοθέτες, παραγωγούς, studio animation, DEMON COTTAGE INN studios, film critics, famous names. It meant κριτικούς κινηματογράφους και διασημότητες. Boldizsar Peter a variety of films, more and more workshops, Η πιο διάσημη προβολή είναι κάθε χρονιά το Hungary / 2012 / 4’40’’ presentations and round tables, children’s πολυαναμενόμενο πρόγραμμα Creepy Anima- screenings, live performances, a nice number tion Night, που άρχισε το 2009. of international guests, plus the most famous screening of each edition, the long awaited Το Creepy Animation Night είναι μια Creepy Animation Night (inaugurated in 2009). πρόσκληση/πρόκληση για εξερεύνηση της σκοτεινής πλευράς του animation, με μια The Creepy Animation Night is an invitation επιλογή από ταινίες γεμάτες περίεργα και to explore the dark side of animation, in a μακάβρια στοιχεία, με ακραίους οπτικούς selection of bizarre, strange, unusual visual πειραματισμούς, γκροτέσκ εικόνες και improvisations, grotesque imagery, many of ιστορίες που δεν θα τολμούσαμε ούτε να them not selectable by other festivals pre- φανταστούμε…Πολλές από αυτές τις ταινίες cisely because of their extreme elements. δεν έχουν επιλεγεί για άλλα φεστιβάλ ακριβώς This short film programme is a travel into the εξαιτίας των ακραίων στοιχείων τους. Το macabre, the bloody and the deeply bizarre, Creepy Animation Night είναι ο κόσμος του a collection of stories, some of which you’ve λυκόφωτος και του τρόμου… Η σκοτεινή never dared to imagine. You are invited to πλευρά του animation σας περιμένει! enter the atmosphere of a world dominated by fear, terror and shadows. There’s no guar- Mihai Mitrica antee that you will be able to get out when the Διευθυντής του Anim’ est Romania show is over… The dark side of animation is waiting for you! Watch out!

Mihai Mitrica Abyssus Abyssum Invocat Demon Cottage inn Director of Anim’ est Romania Πρόγραμμα Παιδικών Ταινιών Children’s Film Program Τεχνόπολις 20 Technopolis 20

Dimitri in Ubuyu The Elephant and the Bicycle

Μέσα από την τέχνη του animation τα παιδιά LUNE ET LE LOUP IVAN AND THE WOLF µπορούν να ανακαλύψουν και να γευτούν την Toma Leroux , Patrick Delage Anna Levinson µαγική δυνατότητα της τέχνης να συγκινεί France / 2014 / 6’16’’ Germany / 2015 / 5’00’’ αλλά και να λέει ιστορίες, γνωρίζοντας ASTRONAUT - K PRINCE KI-KI-DO παράλληλα τις παραδόσεις των διαφόρων Daniel Harisberger Grega Mastnak λαών, και τις πολιτισµικές τους αξίες. Switzerland / 2014 / 5’40’’ Slovenia / 2014 / 4’12” Αυτή η ξεχωριστή ενότητα του Φεστιβάλ A LITTLE STAR SECRET LABORATORY OF NICOLA TELSA παρουσιάζει μια επιλογή με παιδικές Svetlana Andrianova Bruno Razum Russia / 2014 / 5’30’’ Croatia / 2014 / 11’06” ταινίες απο κάθε γωνιά του πλανήτη μαζί με ένα παιδικό εργαστήρι storyboard & THE ELEPHANT AND THE BICYCLE THREE KINGS εικονογράφισης για μικρά παιδιά υπό την Olesya Shchukina Anna Blaszczyk France, Belgium / 2014 / 9’ 00’’ Poland / 2014 / 8’09” καθοδήγηση της Παναγιώτας Μιχαήλ. CHILDREN’S TIME CHILD’S PLAY Through the art of animation children can dis- Nina Bisyarina Britt Raes, Bert van Haute Belgium / 2014 / 1’10” cover and experience the magical ability of art Russia / 2014 / 5’40’’ Παιδικό Πρόγραμμα / Children’s Program to stir the emotions and to tell stories through THE CATERPILLAR AND THE HEN DIMITRI IN UBUYU various people’s traditions and cultural values. Michela Donini, Katya Rinaldi Agnès Lecreux, Fabien Drouet This special new section of the festival Italy / 2013 / 9’59’’ France / 2014 / 26’00” includes a small selection of children’s films BEARS ON THE ROAD from all over the world. Panayiota Mihael will Nadia Meezen The Netherlands / 2014 / 4’07’’ lead a children animation Workshop

Bears on the Road Ivan and the Wolf Secret Laboratory of Nicola Telsa Astronaut - K βιβλία τουόπωςτο τον ΚαναδόκαρτουνίσταSeth,γνωστόαπότα To ντοκιμαντέρτουLucChamberlandέχειθέμα “μικρά χόμπι”. εμπορικά project,καθώςκαιέργαπουαποκαλεί αυτοβιογραφικά κόμικςκαιβραβευμένα και παραγωγικός,έχειστοενεργητικότου του τοcomicbook.Εξαιρετικάδημιουργικός διεισδυτικές καιπνευματώδειςιστορίεςμεμέσο Seth μεταπλάθειτονεσωτερικότουκόσμοσε διεθνώς σεαυτήτηφόρμα.Στηδουλειάτουο έναν απότουςσπουδαιότερουςσυγγραφείς Παρασκευή /Friday17/7 Canada /201442’06’’ NATIONAL FILMBOARDOFCANADAPRODUCTION SETH’S DOMINION Ancient SiteofPalaepaphos-Κouklia Μεσαιωνική Αγρέπαυλη,Παλαίπαφος-Κούκλια Ντοκιμαντέρ /Documentary Palookaville . Πρόκειταιγια ing narratorofhislifestoryandartisticprocess. unique artists,Sethprovestobeawryandengag- universe. Inthisdeftportraitofoneourmost that perfectlycapturesSeth’smanifoldcreative mation inanartfulfusionoffilmmakingtechniques subject, mixinginsightfulbiographywithvividani Luc Chamberlandshedslightonhisarticulate well aswhathecallshis“littlehobbies.”Director comics andaward-winningcommercialwork,as credibly prolific,producingsemi-autobiographical observant andwittygraphicstories.Heisalsoin projects hetransformshispoignantinnerlifeinto great storytellersintheform.Inhispersonal books suchas Canadian cartoonistSeth,bestknownforcomic cartoon art. Animation adaptedfromSeth’spersonalandpublished David Verrall,RoddyMcManus,MichaelFukushima Associate ProducerLucChamberlandExecutiveProducers sign LuigiAllemanoProducersMarcyPage,GerryFlahive Editing OanaSuteuKhitrianOriginalMusicandSoundDe- Hyun JinParkDirectorofPhotographyJohnMinhTran Animation LucChamberland,JoMeuris,JonathanNG, Written andDirectedbyLucChamberland Palookaville , isoneoftheworld’s - -

Διεθνές Διαγωνιστικό Πρόγραμμα / International Competition Program ECLIPSE TRACK WORK IN PROGRESS WHEN I WAS A CHILD Jacky De Groen Nagata TakeshI, Kazue Monno Tamas Patrovits Maryam Kashkoolinia Belgium, 2014, 05:40 Japan / 2014 / 04:00 Hungary, 2015, 02’50’’ Iran, 2014, 08’30’’

Director / Animation / Editing: Jacky De Groen Director: Tamas Patrovits Director / Screenwriter /Animation / Camera Production: KASK School of Arts Producers: Tamas Patrovits, Andras Muhi Gabor Ferenczy Storyboard / Compositing / Editing: Maryam Kashkoolinia Music: Bart Maris / Sound: Bart Maris, Benjamin Cools Production: Reanimation Studio, Focus-Fox Studio Budapest Director’s assistant: Bahareh Kiamoghaddam Sound Mix: Patrik Berx / Titling: Mario Debaene Music: Belamuhely Sound Art Original Music & Sound: Hami Haghighi / Voice: Maryam Kashkoolinia Production Company: Kanoon

Synopsis Synopsis Maryam Kashkoolinia Synopsis Jacky De Groen TOCHKA is an art duo by playing field is very wide Tamas Patrovits Graphic faces flare and A woman is reflecting on Born in 1966 in Shiraz. B.A. in A lunar eclipse is a night Jacky studied animation at Nagata Takeshi and Monno from experimental anima- Tamas is an animation film morph into one another her childhood memories Graphic Design form Alzahra within a night. KASK Ghent. Her films are Kazue. They invented new tions to contemporary art. director, cartoonist and anima- to the rising rhythm of the and nightmares and the University & M. A. in Animation After sundown comes painted in a crude, expressive method of making animation PiKA PiKA won some awards tion professor. He graduated music, which was played fact that parents often rely from Tehran University. She moondown. After dark style, and explore the relation called PiKA PiKA, which including the Honorable from the faculty of Animation on found and recycled on tales of monsters and begun her activities in graphic comes the darkness, between abstract and symbolic is the combination of long Mention in Ottawa Interna- of the Hungarian College of objects. The original char- ghosts to scare their and illustrating in 1993 and has where bodies lose their images. exposure and stop motion tional Animation Festival, the Arts and Crafts (Moholy-Nagy coal drawings were made children away from possible been making animated films boundaries. animation technique. It Excellence Award in Japan University of Art and Design enables everyone to make Media Arts Festival and the by an artist collective who Budapest) in 1994. Since 2004 dangers.Though such par- since 2003. animation with drawings Grand Prix in Clermont- were blindfolded. he has been the co-founder ents never mean to by penlights in the air. Their Ferrand Film Festival. and president of the associa- cause harm, they may leave tion Manifeszt (Professional fear and foreboding in the and Interst Association of minds of their offspring. Hangurian Animation Film Makers) and ASIFA Hungary. He is the head of the Illyes Animation Academy, one of Hungary’s leading animation school. He is the co-founder of Primanima World Festival of First Animations.

International Competition I International Competition I PIANO L’ATTESA DEL MAGIO SULEIMA A PORTRAIT Kaspar Jancis Simone Massi Jalal Maghout Aristotelis Maragkos Estonia / 2015 / 10’11’’ Italy / 2014 / 8’ Syria, Lebanon / 2014 / 15’ Greece / 2014 / 02’08’’

Director / Screenwriter / Art Director / Editing: Kaspar Jancis Director / Screenplay / Drawings: Simone Massi Director / Screenplay / Editor: Jalal Maghout Director / Screenplay / Animation / Sound / Voice Producer: Kalev Tamm / Production: Eesti Joonisfilm Production: Simone Massi / Camera: Julia Gromskaya Producer: Estayqazat Project Production: Aristotelis Maragkos Animation: Ülle Metsur, Maiken Silla, Tarmo Vaarmets Music: Stefano Sasso Music & Sound: A.w. team Background Artist: Vladimir Leschiov Post Produaction: Lola Capote Ortiz Musical Performance: Kaspar Jancis, Madis Muul Sound: Horret Kuus / Compositor: Marje-Ly Liiv

Synopsis Kaspar Jancis Synopsis Simone Massi Synopsis Jalal Maghout Synopsis Aristotelis Maragkos Marta hauls a piano home He has been interested since The month of May, the SImone was born in Pergola The portrait of Suleima, one Jalal is an independent A drawing line exploring After graduating from the from a shop that sells used childhood in drawing comic blackbird: they hide while (Italy) in the month of May. of thousands of anonymous filmmaker from Syria who the life and death of my department of Architecture musical instruments. She strips and writing stories for they sing. As a fiercely independent women that fight against started his film career after Grandfather. in N.T.U.A. he decided to almost succeeds. Albert which he made illustrations animator, he has conceived dependency and injustice receiving a bachelor’s degree continue his studies at he tries for the thirtieth year himself. His first moving pic- and realized a dozen small in Syria. in visual communication from London Film School. In 2011 he already to tell Paula that tures came into being in the animation films that have been Damascus University 2010. won the best newcomer award he loves her. He almost corners of his school note- shown in 60 Countries on 5 He has produced and directed in Drama Film Festival with succeeds. Paula wants to books. Later in his school Continents and have collected a variety of short animated his film “If You Have no Place respond to Albert in the years, his brother’s friend, who over 200 awards. films that played at festivals to Cry” He participted in the same vein. She almost was a member of a film club, around the world, including his Berninale Talent Campus 2013, succeeds. Police commis- helped him make a short plasti- most recent film “Suleima”- an Locarno Film Academy 2013 sioner Kits has dreamed of cine puppet animated film. animated documentary which and Toronto Talent Lab 2013. parachuting all his life. He Later he began working sys- has been selected for: Dok- He works as a director and almost succeeds. Mirjam tematically with music. He has Leipzig, Carrefour Du Cinéma production designer in the UK wants to become a circus been part of the creative core d’Animation-Paris, Stuttgart In- while preparing his first feature artist. She almost succeeds. of several rock groups, written ternational Festival of Animated film entitled “The Ark” A honeybee tries to get out song lyrics, made arrangements Film, Animafest Zagreb and past a closed window. It and created tunes. ANNECY International Anima- almost succeeds. He enrolled at the Tallinn Peda- tion Film Festival. A film without main char- gogical University in 1996. Currently, Jalal is preparing his acters where the lives of He completed his first films master-film in Berlin besides characters that have lost at that school. In 1997 he developing other projects. their head intertwine in a transferred from the Pedagogi- dramatic and less dramatic cal University to the Turku Arts way in an ordinary concrete and Media School in Finland. panel apartment building. At Turku he studyied animation under the guidance of Priit Pärn.

International Competition I International Competition I PENE E CRUDITE REMBERANCE OF TIME PAST RETRO FUTURE OH LA LAH Mario Addis Wu Zhi - Jing Mirai Mizue Islam Ahmed Elsayed Italy / 2014 / 03’31’’ China / 2014 / 05’ 26’’ Japan / 2015 / 06’55’’ Egypt / 2014 / 03’54

Director / Screenplay / Anmation / Production: Mario Addis Director: Wu Zhi - Jing Director / Production: Mirai Mizue Director: Islam Ahmed Elsayed Editing / Compositing: Stefania Calatroni Production: Studio Fantastic Sky Distribution: Tamaki Okamoto (CaRTe bLaNChe) screenplay / procuction: Mohanad Hassan Composers: Paolo F. Bragaglia / Matteo Ramon Arevalos Screenplay: JLi Jia-yao Music & Sound: Hamza Namira Storyboard / Sound / Music: Zhi-jing Wu Animation: Adel El Badrawy, Amgad Abdelmohsen Compositing: Yan Jie Mahmoud Magdy, Islam Mazhar, Ahmed Adel Abdelhamid Mahytab Khaled

Synopsis Mario Addis Synopsis Wu Zhi-jing Synopsis Mirai Mizue Synopsis Islam Ahmed Fantastical Hallucinatory Mario is a cartoon film direc- Su San’s occupation is He has been working in stop- The world of the future He is a representative figure “Oh La Lah” is an animated Creative Director & co-owner moments of passion, tor, animator and illustrator. teaching calligraphy. When motion animation for 7 years. that I have imagined in of the new generation of music video celebrating the of Follk Creative solutions cruetly, loneliness, In 1984 he began working in not in class, he spends His works are Find, Ink and childhood, different abstract animation in Japan. New Year. It is a sarcastic that mainly specialises in disconnection and love, the studio of Michel Fuzellier, his spare time writing. The Feng Zi-kai. from the world of the He is known by his high qual- Egyptian adaptation of the animation since 2012, after sometimes dark meanings. Walter Cavazzuti and Gio- butcher, Mr. Yang, intends future to visit now. ity pictures drawn by hand on classical “Jingle Bells” song, more than 10 years experi- Hypnotic music accompa- vanni Ferrari. Over the years to marry his daughter to paper in his non-narrative ani- The song is performed by ence in the animation field nies a dance of lines that he has worked for directors Su San... After establishing mation films. His films have three old cartoon characters in Egypt and arab region, reinvents itself with each such as Roberto Benigni, his own family, Su San’s been nominated in some ma- who are on a boat that floats through character design- new squiggle of the Giulio Cingoli, Enzo D’ Alo, life changes. When seek- jor animation festivals such as on sewage , and ironically, ing, storyboarding, Comic artist’s pencil. Dario Fo, Carlo Nero and ing peace and quiet, after Annecy, Zagreb, Ottawa and they are the ones represent- books, illustrations and Maurizio Nichetti. writing, he often entrances Hiroshima. As an illustrator, ing the voice of hope and animation directing, serving His work includes the open- himself by gazing at the he provides his drawings to encouraging youth not to many animation studios and ing credits for the Rob- flotsam in the river... Day some Japanese novelists. He give up and keep fighting post production houses. erto Benigni feature film The after day, year after year, life currently works as a member for their dreams, despite the In 2004 he graduated from monster (1994). Winner at is tranquil. of the selection committees in fact that all their surround- the Academy of Arts - High Annecy for Best Advertising several national/international ings are filled with despair Institute of Cinema Animation Film, the sequence Il sogno animation festivals. In Japan, and corruption. department. di Nina for La gabbianella he actively works not only e il gatto (1998). His comic as an independent animator strip series The vampire Alef but also as an illustrator, a was published by Oreste teacher, and a trustee of Del Buono on the magazine Japan Animation Association “Linus” for almost two years. (JAA). In May 2015 he receives the “Diplomi Honoris Causa” by the Centro Sperimentale di Cinematografia.

International Competition I International Competition I LIFE WITH HERMAN H. ROTT BETWEEN TIMES WE CAN’T LIVE WITHOUT COSMOS TWO FRIENDS Chintis Lundgren Max Porter & Ru Kuwahata Konstantin Bronzit Natalia Chernysheva Estonia, Croatia, Denmark / 2015 / 11’06 Netherlands, USA / 2015 / 14’20’’ Russia / 2014 / 15’20’’ France / 2014 / 4’

Director: Chintis Lundgren Director / Screenplay / Animation / Compositing / Editing: Director / Screenplay / Storyboard / Compositing: Director : Natalia Chernysheva Story Chintis Lundgren / Dasko Ivezic Max Porter & Ru Kuwahata Konstantin Bronzit Production: La Poudrière Sound: Henrik Malmgren Music / Sound Recording & Design: Bram Meindersma Production: Melnitsa animation studio Produced: Chintis Lundgreni Animatsioonistudio Voice: Petra Schmidt - Schaller Music: Valentin Vassenkov Co-Producers: Adriatic Animation, GoodJobStudios Producer: Ton Crone / Netherlands Institute for Animation Sound: Vladimir Golounin Film & Tiny Inventions

Synopsis Chintis Lundgren Synopsis Max Porter & Ru Kuwahata Synopsis Konstantin Bronzit Synopsis Natalia Chernysheva Herman is a rat who enjoys Chintis is and Estonian anima- In this fairytale about relativ- Max and Ru are award-winning Two cosmonauts, two Konstantin he graduated from Even the best of friends Natalia graduated from the Ural heavy drinking, loud grind tion director. She started in ity, a cuckoo clock recounts filmmakers and animation friends, try to do their best Art school in1983. In 1992 he can have trouble under- State Academy of Architecture music and chess. 2008 as an independent author a day where bread was commercial directors. Operat- in their everyday training graduated from High institute standing each other when and Art, majoring in graphics He doesn’t care much for and since 2011 she runs her sliced one second thick, ing under the moniker “Tiny life to make their common of Art and Design. In 1994 they are from two different and animation. She worked cleaning and the disorder own animation studio called lovers fell in sync and time Inventions,” they are known dream a reality. he graduated from the High worlds. as an animator, character in his apartment only Chintis Lundgreni Animatsioon- rarely flowed at an even rate. for their unique mixed-media But this story is not only Courses for screenwriters and designer and artist on several makes him feel more at istuudio. She is also a animation, which combines about the dream. directors in Moscow. During animated films. home. One day a very tidy cofounder of Adriatic Anima- hand-crafted art and digital his career he made about ten cat who has a weakness tion, a new animation studio techniques. Since they started short films which won over 150 for messy macho-men, de- based on the coast of Croatia. collaborating in 2007, Max and different awards. In 2001 he cides to move in. She also Ru have directed and produced was nominated for French Film brings a vacuum cleaner, TV commercials, music videos, Academy Award “Cezar” (for a piano, and what’s worse PSAs, a toy line and several the animated short film At the - a collection of classical independent films. Their films Ends of the Earth) and in 2009 music records. have screened in over 300 film he was nominated for an Oscar festivals worldwide, including (for animated short film Lava- Sundance Film Festival and tory - Lovestory). Member of Annecy Animation Festival, and the French Film Academy and have received 25 international the Academy of Motion Picture awards. In 2011, Max and Arts and Sciences. Ru spent a year and a half as artists-in-residence at the Neth- erlands Institute for Animated Film where they developed a 14-minute animated film, “Be- tween Times.” Currently Max and Ru are working as facultie members in the Animation de- International Competition I partment at Maryland Institute International Competition II College of Art, in Baltimore. BEAR STORY SMALL PEOPLE WITH HATS MY SELF UNIVERSE SLAVES OF THE RAVE Gabriel Osorio Sarina Nihei Andreas Hykade William Garratt Chile, 2014, 10’14’’ UK / 2014 / 06’51’’ Germany / 2014 / 01’34’’ UK / 2014 / 02’40’’

Director: Gabriel Osorio Producer: Pato Escala Director: Sarina Nihei Direction / Animation / Screenplay: Andreas Hykade Director / Screenplay / Animation: William Garratt Production: Punkrobot Animation Studio Producer: Joan Ashworth / RCA Animation, Art Work: Andreas Hykade, Angela Steffen Screenplay: Daniel Castro Animation: Nicolás Canales Music, Sound Design: Heiko Maile Art-Animation Director: Antonia Herrera Technical Direction: Ralf Bohde Music: Dënver Sound: Christian Cosgrove Production Management: Bianca Just Editing: Pato Escala Production: Thomas Meyer-Hermann, Studio Film Bilder

Synopsis Gabriel Osorio Synopsis Sarina Nihei Synopsis Andreas Hykade Synopsis William Garratt An old bear goes out every Osorio majored in Fine Arts There are small people Sarina is an animator and My Self tries to remember Hykade was born in the Sum- A short animated comedy William is an award-winning day to a busy street corner. at Universidad de Chile. Later wearing hats in the society. illustrator living in Tokyo. She the secret of the universe mer of Love in Altotting, center (without dialogue), depicting independent animator and film- He sets up a small wooden he specialized in 3D anima- started animation at Tama Art of the Holy Mary cult. Since an audience’s reaction to maker from Bristol in the UK. theater containing tin pup- tion. After working in several University in Tokyo where she he’s been grown-up, he’s cre- different types of music. pets of his own making. commercials, movies, and got a BA in graphic design in ated animated films for grown- television series, he decided 2012. Specialising in hand- ups. Now he’s a father, he cre- to form his own studio: Punk- drawn animation/illustration, ates animated films for children robot. Since 2008 he has she makes surreal and absurd as well. He is a professor of been directing projects for stories. She moved to London animation at the Filmakademie childrens’ television (Flipos, to start a Masters degree at the Baden-Wurttemberg. Muelin y Perlita, Soccer Girls) Royal College of Art in 2012, and television spots. Bear and graduated with an MA in Story is his first short film. animation in 2014.

International Competition II International Competition II WORLD OF TOMORROW STORM HITS JACKET SOMETHING IMPORTANT NUGGETS Don Hertzfeldt Paul Cabon Nai Wei liu Andreas Hykade USA, 2015, 16’30’’ France / 2014 / 13’27’’ United States / 2015 / 07’ 13’’ Germany / 2014 / 05’17’’

Director / design / Storyboard /Animation: Paul E. Cabon Director / Production / Screenplay / Storybord Direction / Animation / Screenplay: Andreas Hykade Director / Screenplay / Sound: Don Hertzfeldt Backrounds: Benoît Audé, Paul E. Cabon Compositing / Sound: naiwei liu Animation, Art Work: Andreas Hykade, Angela Steffen Production: Bitter Films Animation: Paul E. Cabon, Antoine Maillère assistés de Marylou Mao Music: Chris Zabriskie, Saito Koji Music, Sound Design: Heiko Maile Compositing : Cyril Drouin, Caroline Lafarge Animation Editing: Hervé Technical Direction: Ralf Bohde Guichard Image Editing: Paul E. Cabon Original Music: Jukka Herva Production Management: Bianca Just Production: Thomas Meyer-Hermann, Studio Film Bilder

Synopsis Don Hertzfeldt Synopsis Paul Cabon Synopsis Nai Wei Liu Synopsis Andreas Hykade A little girl is taken on a Hertzfeldt is an Academy A storm reaches the Cabon is a young french anima- Something Important pre- Nai Wei Liu is a Taiwanese- Kiwi tastes a golden nugget. Hykade was born in the Sum- mind-bending tour of her Award nominee whose popular shores of Brittany. Nature tor and director. His student sents the filmmaker’s born artist and designer, who It’s delicious mer of Love in Altotting, center distant future. animated films have been fea- drives crazy. Two young film, Sauvage, won the special personal journey of self-dis- has been involved in the motion of the Holy Mary cult. Since tured at over a thousand film scientists who get caught prize from the student’s films covery woven as a tapestry graphics and graphic design he’s been grown-up, he’s cre- festivals and venues around the up in the chaos. Espionage, jury in the international festival of his memories. Liu uses fields since 2006. He received ated animated films for grown- world. He received a BA in Film romantic tensions and of Annecy in 2010, a special an abstract montage style his BFA in Communication De- ups. Now he’s a father, he cre- Studies from UC Santa Barbara mysterious events clash with mention in Bruz and the Optical that combines hand-drawn sign from Shih Chien University ates animated films for children in 1998, where he produced ethousiasm and random- Theater prize at the Fresh Film elements with composited in Taipei, Taiwan in 2009, and as well. He is a professor of his first four animated films: ness. Festival of Prague. photo realistic scenes his MFA in Computer Art with animation at the Filmakademie Ah L’Amour (1995), Genre After finishing the university in tandem with music to a focus in Motion Graphics Baden-Wurttemberg. (1996), Lily and Jim (1997) he has worked as animator, express his life experiences in Japan. His work was also and Billy’s Balloon (1998), the writer and layout man for the filtered through time and selected by the Taipei Film latter receiving a nomination series Michel at the Folumage remembrance. Festival (2009), Les Sommets for the Palm D’Or at the 1998 studios. He also collabores The resulting film conveys du Cinema d’Animation de Cannes Film Festival. His as an illustrator with different a positive perspective that Montreal (2009), Cross-Straits following film, Rejected (2000), fanzines.Storm hits jacket is his transforms psychologically Student Animation Festival was nominated for an Oscar in first professional short film. difficult occurrences into (2010), and was a finalist in the 2001, and films The Meaning a field of creative insights. Taiwan International Student of Life (2005), Everything will Design Competition (2012). be OK (2006), I am so proud of you (2008) attracted large audiences. Since 1995 his films have collectively received over 150 international awards.

International Competition II International Competition II 8 BULLETS BENJAMIN GOES TO A ROADTRIP Frank Ternier SWINGERS PARTY Xaver Xylophon France / 2014 / 12’ 30’’ Declan Byrne Germany / 2014 / 20’ Australia / 2015 / 05’48’’

Director / Screenplay / Compositing: Frank Ternier Director / Production: Declan Byrne (Bigfish.tv) Director / Producer / Editing / Animation / Camera: Production: L’image d’après Distribution: Sheidon Lieberman (Bigfish.tv) Xaver Xylophon Storyboard: Shih Han Shaw Screenplay: Xaver Xylophon & Ariana Berndl Music: Zed Music: Xaver Xylophon / Sound: OTO Studios Sound Design: Christian Heiter, Martin Burkard Kilian Teichgräber, Max Hachenmeister

Synopsis Born in Tours (France) in 1975, Synopsis Declan Byrne Synopsis Xaver Xylophon My name is Gabriel and I live Frank Ternier is a film maker, Benjamin has just arrived Declan is an animator and Julius can’t sleep. To get Xavier is a 28 year old free- in Taipei. I lost my wife dur- editor and graphic designer. He at his first swingers’ party designer specialising in 2D his head empty he decides lance animator, illustrator and ing an assault. A red-haired is a “jack of all trades” in the but – after eagerly stripping character animation and to go on a roadtrip, but filmmaker. He studied visual man entered my home, image sector. He has created off – has discovered he’s not motion graphics - ToonBoom, somehow he can’t manage communication at the London smelling of dried fish. He the association L’Astronef and allowed in without a partner. Flash, After Effects, etc. to leave. College of Communication and was carrying a weapon. He Neutron production in order to Determined not to go home He graduated from the Queens- A hand drawn film about the University of the arts Berlin used it on my family. Since work with other film directors alone and unsatisfied, land College of Art in 2012 with failure, insomnia, a red mo- Weißensee. “Roadtrip” is his then, I’ve been feeling a void, and technicians. With Charles- our hero sets out to find a a Bachelor of Animation, major- torbike, pretty bargirls, graduation film. His work as a a hole in my head. Eric Petit, he co-produced two mate. ing in character animation. his the desolateness of Berlin freelance animator and director short films, including La perle grad film, Barbouillageville, (even in summer) and includes projects for clients fendue (The Split Pearl) starring won the People’s Choice waterproof socks. such as the New York Times Jean Rochefort. Since 2006, he award at the school’s screen- and the British National Society has collaborated on creating ing and went on to screen at for the Prevention of Cruelty to videos for the theater with the film festivals around the world Children (NSPCC). Xaver uses troupe Théâtre à Cru. Following including the prestigious Festi- the off-time in between com- these experiences, Frank made ​​ val de Cannes. mercial projects to develop his his first animated film, Le di@ Since the beginning of 2012, he own animated short films. He ble en bouche which received has been at Bigfish - a Brisbane lives and works in Berlin. the 2011 Special Credit for design and animation studio professional movies at the - working on animation and National Festival of Animated motion graphics projects for a Films of the AFCA. variety of commercial clients.

International Competition II International Competition II DIFFERENT KINDS OF PEOPLE BEACH FLAGS MARIO YOU LOOK LIKE ME Michaela Pavlatova Sarah Saidan Tess Martin Pierre Hébert and René Lussier Slovakia, Czech Republic / 2015 / 03’08’’ France / 2014 / 13’ 39’’ Italy / 2014 / 02’52’’ Canada / 2014 / 05’45

Director / Design / Animation: Michaela Pavlatova Director: Sarah Saidan Director / Animation: Tess Martin Direction and production: Pierre Hébert & René Lussier Producer: Dominika Fricova Production: Sacrebleu Productions / Folimage Music: Jason Staczek Text and Narration: Paule Marier Music, lyrics, voice, guitar: Dominika Fricova Producers: Ron Dyens / Corinne Destombes Music : René Lussier Editing: Marie Jarosova Music: Yan Volsy Animation : Pierre Hébert with complicity of Jim Corcoran Sound: Lionel Guenoun Sound mixing : Martin M. Messier Editing: Hervé Guichard

Synopsis Michaela Pavlatova Synopsis Sarah Saidan Synopsis Tess Martin Synopsis Pierre Herbert There are different kinds Pavlatova makes short anima- Vida is a young Iranian Sarah is an animation film Mario is a film based on a Tess is an independent anima- I passed you by, Formerly an employee of the of people, someone wakes tion films since 1989. Her films lifeguard. Popular on her director. Iranian and born in song the director grew up tor who works with cut-outs, I only passed you by, National film board of Canada up in the morning and won a number of awards team, she is determined to 1978, she studied graphic singing in her elementary ink, paint, sand or objects. Her on the street, in the subway, where he directed over twenty someone falls asleep. including an Oscar nomination fight in order to be the one design at university then got school playground in Flor- most recent award-winning or rather I saw you, animation shorts and a feature There are different kinds for Reci, reci, reci (Words, to participate in an a master in animation. She ence, Italy. The song goes films are The Lost Mariner, an I only saw you, on television, (La Plante humaine, best Que- of people, someone is words, words) in 1993, Golden international competition in directed two films in Iran. with a hand slapping game animated interpretation of an in the newspapers, bec feature award 1996), Pierre terribly bored, someone Bear at Berlinale and Grand Australia. However, when In 2009, she comes to France that you can see kids playing Oliver Sacks case study, and I read the story of your life, Hébert is now an independent is playing with life. Prix in Hiroshima for Repete Sareh who is as fast and to enter the animation film in the film. Even at the time Mario, a paint on glass film I saw photos of you, artist and filmmaker. Since Music video on song by (1995), Annecy Crystal for Tram talented as her, joins the directing school La Poudrière. the director thought it was a based on an Italian folk song. I saw you passing by, 2001, he traveled the world Dominika Fricova. (2012). Besides animation, team, Vida will have to face She directed three short films. bit of a dark song to be sing- Her films have been displayed only passing by, with different musician to pre- Michaela also directed two live an unexpected situation. In 2011, she began to work on ing, but if you think about at galleries and festivals but I couldn’t forget your sent live animation performanc- action feature films and col- “Beach Flags”, a film produced it, a lot of children’s games worldwide. eyes, they said to me : es. He equally collaborated laborates with theatre produc- by Sacrebleu Productions and come from dark places. She curates touring programs “Little brother, little sister, with choreographers, published tions. She teaches animation in Folimage, with the support of of films from Seattle and the you look like me.” books and articles on cinema Prague and gives master- the channel Arte. The film was animated on Northwest and runs a monthly and animation and pursued a classes all around the world. the director’s multi-plane animation event in Rotterdam, carreer as a visual artist. His Michaela lives and works in animation stand using paint the Netherlands. She also current project is a new series Prague, Czech Republic. and marker on glass. How- occasionally writes about the of films Places and Monuments ever, half way through pro- world of independent anima- for which he received from the duction the director actually tion. conseil des arts et des lettres moved from Seattle to the du Québec the prestigious «ca- Netherlands, and was unable reer grant» for cinema. In 2005, to use her multi-plane. After he was the recipient of the this the paint and marker “Albert Tessier” cinema award elements were animated from the Quebec government seperately and composited for lifetime achievement. together in After Effects in post production. International Competition III International Competition III MY SELF SMOKE MAN ON THE CHAIR SONAMBULO Andreas Hykade Dahee Jeong Theodor Ushev Germany / 2014 / 01’36’’ France / 2014 / 06’55’’ Canada, 2015, 04’20’’

Direction / Animation / Screenplay: Andreas Hykade Production: Sacrebleu Productions Written, Directed & Animated: Theodor Ushev Animation, Art Work: Andreas Hykade, Angela Steffen Co-production: CJ Culture Foundation (Coree du Sud) Producer: Theodor Ushev Music, Sound Design: Heiko Maile Music: Sangwoo Ma Production: Les Productions Unité centrale Technical Direction: Ralf Bohde Sound: Lee Jusuk, Kim Won Music: Kottarashky / Music composer: Nikola Gruev Production Management: Bianca Just Voice over: Seo Younghwa Music Producer: Asphalt Tango / Henry Ernst, Nikola Gruev Production: Thomas Meyer-Hermann, Studio Film Bilder Sound: Olivier Calvert / Distribution: Bonobostudio

Synopsis Andreas Hykade Synopsis Dahee Jeong Synopsis Theodore Ushev My Self tries to quit smoking Hykade was born in the Sum- Man on the chair is tor- Dahee holds a BA in With the shade around her Theodore Ushev is an anima- mer of Love in Altotting, center mented, constantly Visual Communication from waist / she dreams on her tor, graphic designer, illustrator of the Holy Mary cult. Since questioning his own exist- the Hongik University in Seoul. balcony, […] Under the and multimedia artist. He he’s been grown-up, he’s cre- ence. It is merely a picture She went to Paris in 2008 gypsy moon, / graduated from the National ated animated films for grown- I created... Could I too be where she received an MA in all things are watching her / Academy of Arts in Sofia and ups. Now he’s a father, he cre- an image created Animation at École nationale and she cannot see them. moved to Montréal in 1999 to ates animated films for children by others? supérieure des Arts Décoratifs. A surrealist journey through explore new media and digital as well. He is a professor of During her studies she directed colours and shapes inspired animation. He is the director animation at the Filmakademie several short animation films, by the poem Romance of award winning films such as Baden-Wurttemberg. directing Le temps de l’arbre Sonámbulo by Federico Gloria Victoria, Lipsett Diaries, for her final project in 2012. García Lorca. Visual poetry Drux Flux, Tower Bawher and in the rhythm of fantastic many others. dreams and passionate nights.

International Competition III International Competition III VISUAL SYMPHONY TRAVELING BACK: CHOIROKOITIA Elli Kyriakou Eleni Chandriotou Cyprus / 2015 Cyprus / 2014

Synopsis My name is Elli Kyriakou and I Synopsis Eleni Chandriotou is a 19 year The short film “Visual Sym- have completed a BA degree Time; time is an issue that old Cypriot student at the phony” is an experimental in Multimedia and Graphic Arts concerns me quite a bit University of Nicosia. She is

Κυπριακό Διαγωνιστικό Πρόγραμμα / Cyprus Competition Program animation based on musical from the Cyprus University lately. Me and the whole graduated from the Pancypri- structures in order to visual- of Technology. The short film human race. an Gymnasium and studying ize 2D and 3D graphics that Visual Symphony is one of my As I visited the ancient on scholarship in the 2nd year match what you hear and first experimental animation site of Choirokoitia, I felt a in the course of Fine Arts. In what you see. films which is based on the strange vibration through the the last year of High School theory and research of the space. I had some kind of a she won in a poetry contest theme “Visual Music”. vision of how an inhabitant and a competition of the Min- of Choirokoitia would spent istry of Education from which his day in the same space I she earned the scholarship came as a visitor. I was inter- with an animation(1). What ested in the term of change; interests her is animation, What changed in this space photography,writing,film and through the times and what drawing but most of all life. As stayed the same? a living being in this Earth her real purpose is to live which for her means to create.

Cyprus Competition BELIEVE VIVERE TEMPUS MACHINA 37 000 FEET TIMESPACE Andreas Ioannou Andreas Ioannou Zenonas Ioannou Liasis Karasavvas Cyprus / 2015 Cyprus / 2015 Cyprus / 2015 Cyprus / 2015

Synopsis Synopsis Andreas Ioannou Synopsis Zenonas Ioannou Synopsis Liasis Karasavvas In her own mind world, a Inspired and driven by the Antreas is a recent graduate Through the eyes of a flight Zenonas is a Multimedia Time. A dimension in which Liasis is a recent multimedia girl comes face to face with ideas expressed in the movie from Cyprus University of phobic person. and Graphic Arts student at the spacial physical and tan- artist graduate of Cyprus the negativity inside of her “La Jetèe” by Chris Marker, Technology, from which he Cyprus University of Technol- gible dimensions, according University of Technology from and finds the determination events that might have been graduated with sppecialization ogy. Minimalist influences are to a human observer, exist Paralimni, Cyprus. His work needed to turn the source of going on in the backstage of in Multimedia. His interests visible throughout his work. and change. The dimension ranges from animation, short her negativity into the source the character shown in the include animation, film mak- This is his first experimental of time is characterised by films, to motion graphics of her strength. original film. If Chris Marker ing, special effects and pho- animation film. progression subsequent to and photography. Some of is showing the literal actions, tography, among other things. a one way direction. Test the shorts he made include and the reality of each situ- He is drawn to dark and subject XZ-42 thinks other- Graphite, Flux and Glitch. ation through his film, then scifi themes, which he tries to wise. With entanglement to Other collaborative works this animation is showing implement in his work. Believe a past time point, XZ-42 is include Pendulum, Everything what is going on during the was created for his Bachelor’s finally able to desynchronize under control!?, και Pseudo. time travel with a much more Thesis, and was presented in from his timeline and dive abstract narrative. two different versions, each into a plane where past and one with a different staging. future are just as far as the The animation had as its neighborhood’s convenience purpose to look into the effect store. that staging has to the viewer They say that love is the as far as 3D digital animation greatest force in the uni- is concerned, and how the verse, a force so powerful story is understood differently that XZ-42 is willing to cross with different staging. his own timeline for. There are, however, other forces messing with the strings of time. This short animation is inspired by the French film “La Jetée” (1962). THE REDEMPTION ZEN MORNING PASSION BURNS IN TIME 24/7 Kosmas Nonis Paschalis Paschali Afroditi Constantinou Rebecca Stylianou Cyprus / 2015 Cyprus / 2015 Cyprus / 2014 Cyprus / 2014

The film presents a Kosmas Nonis Synopsis Paschalis Paschalis This short animation is an Afroditi Constantinou The film describes the Rebecca Stylianou decadent society where Kosmas is a multimedia The internal struggle of a Paschalis is an Associate exploration and combination Afroditi is a Graphic Designer everyday life of white-collar Rebecca graduated this year citizens seek redemption student at the school of Fine man trying to have a positive Professor at the Department of the three words Passion with a BA with distinction in worker who works nonstop from the University of Nicosia, from the wicked oppression. an Applied Arts of the Cyprus start to his day while facing of Design and Multimedia, – Burn – Time. The words Multimedia and Graphic Arts. in a big city office . His job is with a bachelor degree in Ap- People are suffering and University of Technology. familiar distractions of mod- University of Nicosia. He has become characters of an old She is focused on Branding, demanding and monoto- plied Multimedia. She worked begging for help. “Exileosis” is his first anima- ern day life. The story can presented and published film noir. Within a mystical Advertising and Motion. Her nous. The film emphasizes as second assistant camera So a traveler appears with tion film also be seen as symbolising papers in journals and atmosphere, these words greatest love is Typography es the fact that even a very in five TV commercials at MS the purpose of putting an the everyday challenges and international conferences are born and burned to send which it is incorporated in patient person can get upset Viewpoint Company. In 2014 end to tyranny. temptations of contemporary on visual communication, us a secret: that Passion most of her work. Exploration and lose his tolerance when she created a stop motion lifestyle while one is trying user interface design and Burns in Time. and playfulness have a key people take advantage of animation video, which was hard to keep calm, positive multimedia. He has served as Inspired from the old films role in finding a concept and him. selected to participate at the and ultimately spiritual. a member in various academic of the 20th century, this visualization for each project 13th countryside Animafest and reviewing committees one minute film deals with she undertakes. Looking for- Cyprus and in “ Creative Com- and has been appointed by nostalgic thoughts and lost ward to more creative motion pass ” exhibition of the Design the Hellenic Quality Assurance moments which dissolve our messages in the future. and Multimedia department & Accreditation Agency as a passion(s) as time goes by. of University of Nicosia. By member of the team for the *The film is covered with creating an interactive video external evaluation of Greek the song of Billy Murray, a in 2014, she also won the third Universities. He also practices famous American singer prize in the contest of “The animation, project manage- from the ‘50s. Importance of Water” which ment, art direction, graphic/ was organized by the Water packaging and user interface Development Department design professionally. He (WDD) Ministry of Agricul- has been teaching in tertiary ture, Natural Resources and education since 1998 and he Environment. is the founder and creator of the BA program in multimedia. He currently holds the position of head of the Department of Design and Multimedia. L’ ASSASIN HTARMATA Panayiotis Mesaritis Maria Spivak Cyprus / 2014 Cyprus / 2014 Ευχαριστίες / Acknowledgements

The animation takes a deep- Panayiotis Mesaritis Synopsis Maria Spivak er look into the events of La Panayiotis is a recent multi- A celluloid is projected onto Maria has been creating Jetée, focusing on the man media graduate of the Cyprus a cinema screen it is then images and sounds in Cyprus who led the time-traveling University of Technology, in digitized, re-projected and since she completed her ar- protagonist to his tragic end. the field of Applied and Fine then re-manipulated. The chitecture and media studies The assassin didn’t reveal Arts. His interests include art, film plays with the applica- in 2011. Her primary wok re- himself to the audience until animation and video games, tion of digital and analog volves around directing video the very end, but what was and throughout his studies amalgamation, the fragility works and sculpting sound. a killer doing hiding among in the field of Multimedia he of image and sound within scientists, and what exactly has often combined them into the digital era and nostalgic led to the termination of the a personal, unique style. His atmosphere of a dying subject? Through the comic work includes animations, format. What distinguishes panels of “L’Assassin” un- traditional, experimental the material from the sculp- folds the truth behind the as- and 3D, as well as films and ture, the canvas from the sassin’s actions, his ultimate photograhy. painting the sound from the purpose and motivation, as symphony? well as his view of the double edged blade that is the word “justice”. Ευχαριστούμε τους / Acknowledgements:

Υπουργείο Παιδείας & Πολιτισμού / Ministry of Education & Culture Anna Ida Oroz & Tamas Patrovits Παύλο Παρασκευά, Διευθυντή Πολιτιστικών Υπηρεσιών ΥΠΠ / Eric Seguin - NFB Pavlo Paraskeva, Director of the Cultural Services of the MOEC Igor Prassel Έλενα Χριστοδουλίδου, Λειτουργό Α΄ Πολιτιστικών Υπηρεσιών ΥΠΠ / Mihai Mitrica & Ligia Soare Elena Christodoulidou, Cultural Services of the MOEC Vesna Dovnikovich (ASIFA Secretary General) Διομήδη Νικήτα, Λειτουργό Πολιτιστικών Υπηρεσιών ΥΠΠ / Vjera Matkovich Diomides Nikitas, Cultural Services of the MOEC Gerben Schermer Δ.Σ. Οργανιμσού Παφος 2017, Πολιτιστική Πρωτέυουσα της Ευρώπης / Chris Robinsson Board of Directors, Organisation Pafos 2017 European Capital of Culture Arril Johnson Γεωργία Ντέτσερ / Georgia Doetzer - Pafos 2017 Τεχνολογικό Πανεπιστήμο Κύπρου / Cyprus University of Technology Μαρίνα Βρυωνίδου / Marina Vrionides - Pafos 2017 Αλεξία Ηλιάδου Χατζηστεφάνου / Alexia Iliadou Hadjistefanou Ερικα Χαραλάμπους / Erica Charalambous - Pafos 2017 Χριστίνα Κωνσταντίνου / Christina Constantinou Αναστάζια Αναστασίου / Anastazia Anastasiou - Pafos 2017 Χρίστο Αγιομαμίτη / Christo Ayiomamiti Νίκος Ζαβαλλής / Nicos Zavallis - Pafos 2017 Πανεπιστήμιο Λευκωσίας / Νicosia University Δέσπω Πυλίδου & Μαρίνα Σολομίδου - Despo Pilides & Marina Solomides Γιάγκο Χαντζηγιάννη / Yiangos Handjigiannis Aναπληρώτριες Διευθύντριες Τμήματος Αρχαιοτήτων Μαρκέλλα Νεοκλέους / Markella Neokleous Deputy Directors at Cyprus Department of Antiquities Παναγιώτα Μιχαήλ / Panagiota Michael Φρύνη Χατζιηχριστοφή / Frini Hatzichristofi - Cyprus Department of Antiquities Χριστίνα & Ηλία Ζήρα / Christina & Ilia Zira Ευθυμία Άλφα / Efthimia Alfa - Cyprus Department of Antiquities Ευτυχία Αλευρά / Eftihia Alevra Μέλη κριτικής επιτροπής / Jury committee members Αντώνη Αντωνίου / Antoni Antoniou Σαββίνα Γιαννάτου και το μουσικό της σχήμα Primavera en Salonico / Špela Čadež Piotr Dumala Savina Yannatou & Primavera en Salonico Τώνια Μησιαλή / Tonia Mishiali Χριστίνα Παπακυριακού και Δημήτρης Σπύρου / Τον Πρόεδρο και το Κοινοτικό Συμβούλιο, Κουκλιών Dimitris Spyrou and Christina Papakyriakou President Michalakis Solonos and the Community Council, Kouklia Olivier and Ileana - Two Little Chefs in a green Kitchen Μαρία Λένου, Προϊσταμένη Αρχαιολογικού χώρου στα Κούκλια Παλαίπαφος Εθελοντές Φεστιβάλ / Festival Volunteers: Δημοσθένης Δημοσθένους / Demos- Maria Lenou, Ancient site of Palaepaphos supervisor thenis Demosthenous / Μυρτώ Θεοχαρίδου / Myrto Theocharidou / Αλεξάνδρα Ελισάβετ Πέτρου προσωπικό Αρχαιολογικού χώρου στα Κούκλια Παλαίπαφος Παμπούκα / Alexandra Pambouka / Ανδρέας Αυγουστή / Andreas Avgousti / Elisavet Petrou, Ancient site of Palaepaphos staff Βικτόρια Στυλιανού / Victoria Stylianou / Μαρία Θεοδοσίου / Maria Theodosiou / Γιώργος Χαραλάμπους πρωσοπικό Αρχαιολογικού χώρου στα Κούκλια Παλαίπαφος Νικόλας Κυριάκου/ Nicolas Kyriakou / Ελένη Κυριάκου / Eleni Kyriacou / Στέφανος Yiorgos Charalambous, Ancient site of Palaepaphos staff Χρυσάνθου / Stefanos Chrysanthou / Ραφαέλα Μπακαλίδου / Rafaela Bakaliaou / Αβέρκιος Χατζηιωάνου προσωπικό Αρχαιολογικού χώρου στα Κούκλια Παλαίπαφος Ελένη Χανδριώτου / Eleni Chandriotou / Πολύμνια Τσιντή / Polymnia Tsinti. Averkios Hatzioannou, Ancient site of Palaepaphos staff Όλους τους σκηνοθέτες, διανομείς και δημιουργούς των ταινιών, καθώς και όλους Ελληνική Τράπεζα, Τζένη Σολωμονίδου και Στέφανη Θεοχάρους όσοι βοήθησαν με οποιονδήποτε τρόπο / Hellenic Bank, Jenny Solomonidou and Stefani Theocharous All the filmmamakers and film distributors. Αnd everyone who helped in any way. Μουσειόν Χαρακτικής Χαμπή / Hambis Printmaking Museum Aneta Ozorek Ερικ Σαμοθράκη / Eric Samothrakis ΕΝΤΥΠΑ - ΕΚΔOΣΕΙΣ ΦΕΣΤΙΒΑΛ / FESTIVAL PRINTED MATERIAL - PUBLICATIONS

ΔΗΜΙΟΥΡΓΙΚO / CREATIVE: Αφίσα / Poster: Kaspar Jancis Λογότυπο Φεστιβάλ / Festival logo: Γιώργος Τσαγγάρης / Yiorgos Tsangaris

ΚΑΤΑΛΟΓΟΣ ΦΕΣΤΙΒΑΛ ΚΑΙ ΕΚΘΕΣΕΩΝ / FESTIVAL AND EXHIBITION CATALOGUE Συντονισμός και επιμέλεια ύλης / Text editing & general Coordination: Γιώργος Τσαγγάρης / Yiorgos Tsangaris Επιμέλεια και διορθώσεις ελληνικών κειμένων / Editing and proof-reading of greek texts: Γιώργος Τσαγγάρης / Yiorgos Tsangaris Μαγδαλένα Ζήρα / Magdalena Zira Μετάφραση και επιμέλεια αγγλικών κειμένων / Translation and editing of english texts: Μαγδαλένα Ζήρα / Magdalena Zira Σημείωμα για Piotr Dumala / Note on Piotr Dumala for Catalogue Aneta Ozorek

Σημείωμα για Spela Cadez / Note on Špela Čadež for Catalogue Igor Prassel Καλλιτεχνική επιμέλεια και σχεδιασμός εκδόσεων / Artistic direction and design of the editions: Γιώργος Τσαγγάρης / Yiorgos Tsangaris Υλοποίηση ιστοσελίδας και διακίνηση ταινιών / Web development and film traffic: Κωσταντίνος Τερλικκάς / Constantinos Terlikas Μεταξοτυπίες / Silkscreen Printing Ελένη Παναγίδου / Eleni Panagidou Ραφαέλα Μπακαλίδου / Rafaela Bakaliaou Εκτύπωση / Printing: Cassoulides Masterprinters