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UWE Obergs LACY POOL Uwe Oberg Piano / Rudi Mahall Clarinets / Michael Griener Drums
UWE OBERGs LACY POOL Uwe Oberg piano / Rudi Mahall clarinets / Michael Griener drums Just released! LACY POOL_2 (Leo Records / London) LACY POOL was founded by German pianist Uwe Oberg. With an intriguing lineup with the Berlin-based clarinettist Rudi Mahall and drummer Michael Griener, the band explores different styles in Steve Lacy's music and Oberg's compositions. It's a joyful celebration as well as an deconstruction, that transfers the Lacy's pieces into the present. Fresh and inquisitive. JAZZWEEKLY July 2017 “On Lacy Pool, an intriguing lineup (piano-trombone-drums) revisit what might one day become standards - 10 compositions penned by Steve Lacy. Uwe Oberg's angular lines, Christof Thewes' soaring trombone and drummer Michael Griener's clever support help bring out the joy that inhabits those pieces. Their truculent nods at Dixieland or Thelonious Monk are a reminder of how both influences informed the late soprano sax player's development. They never get lost in a meditative state, because Oberg and company's mood is definetely more celebratory than mournful. To sum up, this is an excellent addition to the recent tributes paid to Lacy's legacy that will surely inspire more generations to come. DOWNBEAT, December 2010 Great players, luminously entertaining album. TOUCHING EXTREMES, Okt. 2010 Confirming that the music of a true original like Lacy is best celebrated by adding to it rather than copying, the three leap into the Lacy Pool at the deep end. Accepting this challenge, they still manage an Olympic medal-like performance. KEN WAXMAN, March 2010 This refreshing and innovative, forward-thinking look on Steve Lacy's music is imaginatively clever as it is delightful. -
Anthony Braxton Five Pieces 1975
Anthony Braxton Five Pieces 1975 ANTHONY BRAXTON Five Pieces 1975 Arista AL 4064 (LP) I would like to propose now, at the beginning of this discussion, that we set aside entirely the question of the ultimate worth of Anthony Braxton's music. There are those who insist that Braxton is the new Bird, Coltrane, and Ornette, the three-in-one who is singlehandedly taking the Next Step in jazz. There are others who remain unconvinced. History will decide, and while it is doing so, we can and should appreciate Braxton's music for its own immediate value, as a particularly contemporary variety of artistic expression. However, before we can sit down, take off our shoes, and place the enclosed record on our turntables, certain issues must be dealt with. People keep asking questions about Anthony Braxton, questions such as what does he think he is doing? Since these questions involve judgments we can make now, without waiting for history, we should answer them, and what better way to do so than to go directly to the man who is making the music? "Am I an improviser or a composer?" Braxton asks rhetorically, echoing more than one critical analysis of his work. "I see myself as a creative person. And the considerations determining what's really happening in the arena of improvised music imply an understanding of composition anyway. So I would say that composition and improvisation are much more closely related than is generally understood." This is exactly the sort of statement Braxton's detractors love to pounce on. Not only has the man been known to wear cardigan sweaters, smoke a pipe, and play chess; he is an interested in composing as in improvising. -
BARRY ALTSCHUL the 3DOM FACTOR TUM CD 032 01 The
BARRY ALTSCHUL THE 3DOM FACTOR TUM CD 032 01 The 3dom Factor / 02 Martin’s Stew / 03 Irina / 04 Papa’s Funkish Dance / 05 Be Out S’Cool / 06 Oops / 07 Just A Simple Song / 08 Ictus / 09 Natal Chart / 10 A Drummer’s Song Barry Altschul drums Jon Irabagon tenor saxophone Joe Fonda double bass International release: February 19, 2013 Legendary master drummer Barry Altschul, a veteran of ground-breaking groups with Paul Bley, Chick Corea, Anthony Braxton and Sam Rivers, celebrates his 70th birthday with the release of his first recording as a leader in over a quarter century. This new recording, The 3dom Factor, features Barry Altschul’s new trio with saxophonist Jon Irabagon and bassist Joe Fonda in a program of Altschul compositions. On January 6, 2013, Barry Altschul, who was born in the south Bronx and first started playing the drums on the local hard bop scene in the late 1950s, celebrated his 70th birthday. He is also quickly approaching five decades as a professional musician as his first “proper” gig was with the Paul Bley Trio at the inauguration of Slugs’, the (in)famous East Village bar, as a jazz club in 1964. In addition to playing with Bley, Altschul was active on New York’s bourgeoning free jazz scene of the 1960s, working with the likes of saxophonist Steve Lacy, trombonist Roswell Rudd as well as bassists Gary Peacock, Alan Silva and Steve Swallow and even performing with the Jazz Composer’s Orchestra. His familiarity with the tradition also led to performances with saxophonists Sonny Criss, Johnny Griffin, Lee Konitz, Art Pepper and Tony Scott, pianist Hampton Hawes and vocalist Babs Gonzalez, among others. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
TONY MALABY (B
TONY MALABY (b. 1964) PALOMA RECIO Tony Malaby, tenor saxophone; Ben Monder, electric guitar; Eivind Opsvik, bass; Nasheet Waits, drums 80688-2 1. Obambo 5:04 2. Lucedes 4:36 3. Alechinsky 10:06 4. Hidden 4:14 5. Boludos 2:51 6. Puppets 2:19 7. Sonoita 5:46 8. Loud Dove 12:07 9. Third Mystery 7:38 10. Musica Callada 3:07 TT: 57:58 These are strange times to be making music. Despite the recent change in political currents and a re- examination of national identity, the bottom-line question persists, “Is anything really going to be different?” In this context creative musicians go about the business of making a life and making music. The questions to be reckoned with rise to the surface as always, initiating valiant attempts to squeeze out some creative response to the inexorable truth; answers come with great difficulty and spawn new questions. It is a cycle of thought that deposits one in a temporarily liberating space with a license to go for it . one more time. Tony Malaby has been going for it on a regular basis since relocating to the New York area in 1995. Among the many projects that he has initiated, this quartet is of particular interest. My perspective on his music is unique: I have observed Tony’s compositional development over the past decade and had the chance to produce two of his recordings, including this one. Over that period of time we have had occasional discussions of formative processes and approaches to composition and improvisation. -
How to Play in a Band with 2 Chordal Instruments
FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
John Mcneil Bill Mchenry
John McNeil John McNeil is regarded as one of the most original and creative jazz artists in the world today. For nearly three decades John has toured with his own groups and has received widespread acclaim as both a player and composer. His highly personal trumpet style communicates across the full range of contemporary jazz, and his compositions combine harmonic freedom with melodic accessibility. John's restless experimentation has kept him on the cutting edge of new music. His background includes the Horace Silver Quintet, Gerry Mulligan, and the Thad Jones/Mel Lewis Orchestra. John is equally at home in free and structured settings, and this versatility has put him on stage with artists from Slide Hampton to John Abercrombie. John McNeil was born in 1948 in northern California. Due to a lack of available musical instruction in his home town of Yreka, John largely taught himself to play trumpet and read music. By the time he graduated from high school in 1966, John had already begun playing professionally in the northern California region. John moved to New York in the mid-1970's and began a freelance career. His reputation as an innovative trumpet voice began to grow as he played with the Thad Jones/Mel Lewis Orchestra, and led his own groups at clubs such as Boomer's, the legendary Village jazz room. In the late 70's, John joined the Horace Silver Quintet. Around the same time, he began recording for the SteepleChase label under his own name and toured internationally. Although he has worked as a sideman with such luminaries as Gerry Mulligan, John has consistently led his own groups from about 1980 to the present. -
Liebman Expansions
MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Freier Download BA 89 Als
BAD 89 ALCHEMY »Also viel Gewese um Hokutisi.« »Um was?« »Hokutisi. Hochkultur und Tiefsinn. Kennst du gar nicht?« Per Leo ...ward es ihm zur Gewohnheit, abends in der Bibliothek zu stöbern und wie ein Besessener zu lesen. Schon die Vorstellung der unzähligen Bücher genügte, ihn in Wut zu versetzen. Je mehr Bücher er las, desto weniger Bücher schien er zu kennen, denn mit der Zahl der gelesenen schien ihm die Zahl derer, die er zu lesen außerstande wäre, ins Unermeßliche zu steigen. Thomas Wolfe Ernst Augustin - Schönes Abendland Harry Crews - Scar Lover E. L. Doctorow - City of God Mark Fisher - Ghosts Of My Life. Writings On Depression, Hauntology And Lost Futures Otto Flake - Die Sanduhr Catalin Dorian Florescu - Der blinde Masseur Wolf Haas - Wie die Tiere; Brennerova Daniel Kehlmann - Die Vermessung der Welt Per Leo - Flut und Boden Petros Markaris - Nachtfalter David Mitchell - Die tausend Herbste des Jacob De Zoet Olga Tokarczuk - Ur und andere Zeiten Jakob Wassermann - Etzel Andergast Thomas Wolfe - Von Zeit und Strom 2 Freakshow: Wild and windy Donnerstag, der 28.01.2016 beschert denen, die etwas zahlreicher als üblich im Würzburger Immerhin erschienen, LE REX. Ein Schlagzeug, ein Stuhl. Dann kommen vier Burschen und blasen die Backen auf, Rico Baumann (von Anton And The Headcleaner) trommelt. Keine Verstärker, alles unplugged. Marc Unternährer darf sich setzen, er bläst die Tuba. Als Lackel von feinem Humor, laid back und dennoch virtuos, mit seinem federnden Um-pah der Bass und doch mehr als ein Rhythmusknecht. Ein starker Tröter vor dem Herrn ist auch Andreas Tschopp an der Posaune, ein gefragter Mann für jazzige XL-Formate, kein Wunder, bei seinem Temperament. -
Newsletter 09Feb.Pub
A P A PLACE FOR JAZZ O R February 2009 Editor: Tim Coakley WEBSITE: HTTP://WWW.APLACEFORJAZZ.ORG—UPDATED DAILY Looking Back, Forging Ahead by Tim Coakley ♦ The 2008 season of A Place VOLUNTEER HELP WANTED for Jazz was a rousing suc- Support Needed cess, especially in the vari- ety of styles and sounds we As always, and especially in We need help: were able to present. these difficult economic times, With publicity: distributing fliers we rely greatly on your support and posters • We began with the sparkling to continue presenting first-rate Writing music reviews for the news- letter trio of pianist Bill Charlap, jazz concerts for your enjoy- who gave us a great open- Greeting people and handing out ment. programs at the concerts ing concert. Please take a look at the mem- • Saxophonist Lee Russo bership form inside and decide If you can help, please call Tim helped us to continue show- Coakley at which level of support is com- 518-393-4011 casing the wealth of musical fortable for you. talent in the Capital Region. or e-mail him at Every contribution we get goes [email protected] • Bassist Ben Allison and vi- directly toward continuing the braphonist Joe Locke each legacy of Butch Conn, who offered their own very indi- founded A Place for Jazz in or- vidual takes on the jazz id- der to present the music in a iom, and each of them gave congenial, warm setting that is an inspirational master class conducive to listening and en- for Nat Phipps’ music stu- joying this great American art dents at Schenectady form.